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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 201 103 it is the complementary color RGB 237 54 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 201 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 201 103 shade: RGB 23 201 98, RGB 40 219 117, RGB 57 237 136, RGB 74 255 155 and RGB 91 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 201 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 201 103 shade: RGB 18 201 103, RGB 1 183 84, RGB 0 165 65, RGB 0 147 46 and RGB 0 129 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 201 103 shade: RGB 18 202 103, RGB 18 202 53, RGB 31 202 18, RGB 81 202 18 and RGB 131 202 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 201 103 shade: RGB 18 202 103, RGB 18 202 153, RGB 18 201 202, RGB 18 151 202 and RGB 18 102 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 201 103 shade matches the following richer shades: RGB 18 202 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 201 103 shade: RGB 18 202 103, RGB 35 184 104, RGB 53 166 106, RGB 71 149 107 and RGB 89 131 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 201 103 shade: RGB 33 202 18, RGB 18 202 51, RGB 18 202 100, RGB 18 202 150 and RGB 18 202 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 201 103 shade: RGB 11 126 64, RGB 14 164 84, RGB 18 202 103, RGB 26 235 123 and RGB 63 238 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 201 103 shade: RGB 18 201 103, RGB 18 82 202 and RGB 202 27 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 201 103 shade: RGB 18 201 103, RGB 100 18 202 and RGB 202 100 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 201 103 shade: RGB 18 201 103, RGB 18 82 202, RGB 202 18 119 and RGB 202 137 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 201 103 shade: RGB 18 201 103, RGB 18 27 202, RGB 202 18 119 and RGB 202 193 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 49 / 21

HEX #12C967

RGB 18 201 103

HSL 147.87, 0.84%, 0.43%

LAB 71.47, -62.85, 37.38

 

Complementary color

CMYK 0 / 77 / 36 / 7

HEX #ED3698

RGB 237 54 152

HSL 327.87, 0.84%, 0.57%

LAB 54.98, 74.63, -10.48

 

CMYK 89 / 0 / 51 / 21

HEX #17C962

RGB 23 201 98

HSL 145.28, 0.79%, 0.44%

LAB 71.44, -63.34, 39.82

 

CMYK 82 / 0 / 47 / 14

HEX #28DB75

RGB 40 219 117

HSL 145.81, 0.71%, 0.51%

LAB 77.52, -64.88, 38.13

 

CMYK 76 / 0 / 43 / 7

HEX #39ED88

RGB 57 237 136

HSL 146.33, 0.83%, 0.58%

LAB 83.56, -65.97, 36.53

 

CMYK 71 / 0 / 39 / 0

HEX #4AFF9B

RGB 74 255 155

HSL 146.85, 1%, 0.65%

LAB 89.55, -66.72, 35.02

 

CMYK 64 / 0 / 32 / 0

HEX #5BFFAE

RGB 91 255 174

HSL 150.37, 1%, 0.68%

LAB 90.23, -60.51, 26.47

 

CMYK 91 / 0 / 49 / 21

HEX #12C967

RGB 18 201 103

HSL 147.87, 0.84%, 0.43%

LAB 71.47, -62.85, 37.38

 

CMYK 99 / 0 / 54 / 28

HEX #01B754

RGB 1 183 84

HSL 147.36, 0.99%, 0.36%

LAB 65.37, -60.72, 39.17

 

CMYK 100 / 0 / 61 / 35

HEX #00A541

RGB 0 165 65

HSL 143.64, 1%, 0.32%

LAB 59.24, -57.72, 41

 

CMYK 100 / 0 / 69 / 42

HEX #00932E

RGB 0 147 46

HSL 138.78, 1%, 0.29%

LAB 53.02, -54.38, 42.58

 

CMYK 100 / 0 / 79 / 49

HEX #00811B

RGB 0 129 27

HSL 132.56, 1%, 0.25%

LAB 46.68, -50.63, 43.54

 

CMYK 91 / 0 / 49 / 21

HEX #12CA67

RGB 18 202 103

HSL 147.72, 0.84%, 0.43%

LAB 71.79, -63.18, 37.78

 

CMYK 91 / 0 / 74 / 21

HEX #12CA35

RGB 18 202 53

HSL 131.41, 0.84%, 0.43%

LAB 71.3, -69.24, 58.99

 

CMYK 85 / 0 / 91 / 21

HEX #1FCA12

RGB 31 202 18

HSL 115.76, 0.84%, 0.43%

LAB 71.27, -70.11, 67.96

 

CMYK 60 / 0 / 91 / 21

HEX #51CA12

RGB 81 202 18

HSL 99.46, 0.84%, 0.43%

LAB 72.25, -61.65, 69.19

 

CMYK 35 / 0 / 91 / 21

HEX #83CA12

RGB 131 202 18

HSL 83.15, 0.84%, 0.43%

LAB 74.26, -46.4, 71.67

 

CMYK 91 / 0 / 49 / 21

HEX #12CA67

RGB 18 202 103

HSL 147.72, 0.84%, 0.43%

LAB 71.79, -63.18, 37.78

 

CMYK 91 / 0 / 24 / 21

HEX #12CA99

RGB 18 202 153

HSL 164.02, 0.84%, 0.43%

LAB 72.67, -53.05, 12.91

 

CMYK 91 / 0 / 0 / 21

HEX #12C9CA

RGB 18 201 202

HSL 180.33, 0.84%, 0.43%

LAB 73.65, -39.34, -12.18

 

CMYK 91 / 25 / 0 / 21

HEX #1297CA

RGB 18 151 202

HSL 196.63, 0.84%, 0.43%

LAB 58.53, -14.38, -35.32

 

CMYK 91 / 50 / 0 / 21

HEX #1266CA

RGB 18 102 202

HSL 212.61, 0.84%, 0.43%

LAB 44.08, 15.14, -58.29

 

CMYK 91 / 0 / 49 / 21

HEX #12CA67

RGB 18 202 103

HSL 147.72, 0.84%, 0.43%

LAB 71.79, -63.18, 37.78

 

CMYK 91 / 0 / 49 / 21

HEX #12CA67

RGB 18 202 103

HSL 147.72, 0.84%, 0.43%

LAB 71.79, -63.18, 37.78

 

CMYK 81 / 0 / 43 / 28

HEX #23B868

RGB 35 184 104

HSL 147.79, 0.68%, 0.43%

LAB 66.24, -55.46, 30.22

 

CMYK 68 / 0 / 36 / 35

HEX #35A66A

RGB 53 166 106

HSL 148.14, 0.52%, 0.43%

LAB 60.84, -45.66, 22.09

 

CMYK 52 / 0 / 28 / 42

HEX #47956B

RGB 71 149 107

HSL 147.69, 0.35%, 0.43%

LAB 55.98, -34.2, 15

 

CMYK 32 / 0 / 18 / 49

HEX #59836C

RGB 89 131 108

HSL 147.14, 0.19%, 0.43%

LAB 51.2, -19.78, 7.84

 

CMYK 84 / 0 / 91 / 21

HEX #21CA12

RGB 33 202 18

HSL 115.11, 0.84%, 0.43%

LAB 71.29, -69.91, 67.99

 

CMYK 91 / 0 / 75 / 21

HEX #12CA33

RGB 18 202 51

HSL 130.76, 0.84%, 0.43%

LAB 71.29, -69.4, 59.67

 

CMYK 91 / 0 / 50 / 21

HEX #12CA64

RGB 18 202 100

HSL 146.74, 0.84%, 0.43%

LAB 71.75, -63.66, 39.21

 

CMYK 91 / 0 / 26 / 21

HEX #12CA96

RGB 18 202 150

HSL 163.04, 0.84%, 0.43%

LAB 72.61, -53.76, 14.43

 

CMYK 91 / 0 / 1 / 21

HEX #12CAC7

RGB 18 202 199

HSL 179.02, 0.84%, 0.43%

LAB 73.86, -40.68, -10.24

 

CMYK 91 / 0 / 49 / 51

HEX #0B7E40

RGB 11 126 64

HSL 147.65, 0.84%, 0.27%

LAB 46.13, -43.98, 25.62

 

CMYK 91 / 0 / 49 / 36

HEX #0EA454

RGB 14 164 84

HSL 148, 0.84%, 0.35%

LAB 59.24, -53.75, 31.59

 

CMYK 91 / 0 / 49 / 21

HEX #12CA67

RGB 18 202 103

HSL 147.72, 0.84%, 0.43%

LAB 71.79, -63.18, 37.78

 

CMYK 89 / 0 / 48 / 8

HEX #1AEB7B

RGB 26 235 123

HSL 147.85, 0.84%, 0.51%

LAB 82.41, -70.28, 41.37

 

CMYK 74 / 0 / 39 / 7

HEX #3FEE91

RGB 63 238 145

HSL 148.11, 0.84%, 0.59%

LAB 84.1, -63.96, 32.76

 

CMYK 91 / 0 / 49 / 21

HEX #12C967

RGB 18 201 103

HSL 147.87, 0.84%, 0.43%

LAB 71.47, -62.85, 37.38

 

CMYK 91 / 59 / 0 / 21

HEX #1252CA

RGB 18 82 202

HSL 219.13, 0.84%, 0.43%

LAB 38.6, 28.26, -67.2

 

CMYK 0 / 87 / 91 / 21

HEX #CA1B12

RGB 202 27 18

HSL 2.93, 0.84%, 0.43%

LAB 43.34, 63.99, 50.93

 

CMYK 91 / 0 / 49 / 21

HEX #12C967

RGB 18 201 103

HSL 147.87, 0.84%, 0.43%

LAB 71.47, -62.85, 37.38

 

CMYK 50 / 91 / 0 / 21

HEX #6412CA

RGB 100 18 202

HSL 266.74, 0.84%, 0.43%

LAB 32.71, 66.86, -76.68

 

CMYK 0 / 50 / 91 / 21

HEX #CA6412

RGB 202 100 18

HSL 26.74, 0.84%, 0.43%

LAB 53.72, 36.17, 58.27

 

CMYK 91 / 0 / 49 / 21

HEX #12C967

RGB 18 201 103

HSL 147.87, 0.84%, 0.43%

LAB 71.47, -62.85, 37.38

 

CMYK 91 / 59 / 0 / 21

HEX #1252CA

RGB 18 82 202

HSL 219.13, 0.84%, 0.43%

LAB 38.6, 28.26, -67.2

 

CMYK 0 / 91 / 41 / 21

HEX #CA1277

RGB 202 18 119

HSL 327.07, 0.84%, 0.43%

LAB 44.69, 70.71, -6.62

 

CMYK 0 / 32 / 91 / 21

HEX #CA8912

RGB 202 137 18

HSL 38.8, 0.84%, 0.43%

LAB 62.08, 16.34, 64.47

 

CMYK 91 / 0 / 49 / 21

HEX #12C967

RGB 18 201 103

HSL 147.87, 0.84%, 0.43%

LAB 71.47, -62.85, 37.38

 

CMYK 91 / 87 / 0 / 21

HEX #121BCA

RGB 18 27 202

HSL 237.07, 0.84%, 0.43%

LAB 27.23, 59.53, -85.97

 

CMYK 0 / 91 / 41 / 21

HEX #CA1277

RGB 202 18 119

HSL 327.07, 0.84%, 0.43%

LAB 44.69, 70.71, -6.62

 

CMYK 0 / 4 / 91 / 21

HEX #CAC112

RGB 202 193 18

HSL 57.07, 0.84%, 0.43%

LAB 76.52, -13.37, 75.5

 

Description

Color code: RGB 18 201 103 | qconv.com Color code: RGB 18 201 103 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 201 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 201 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 49 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 49% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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