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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 190 178 it is the complementary color RGB 237 65 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 190 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 190 178 shade: RGB 23 190 173, RGB 40 208 192, RGB 57 226 211, RGB 74 244 230 and RGB 91 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 190 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 190 178 shade: RGB 18 190 178, RGB 1 172 159, RGB 0 154 140, RGB 0 136 121 and RGB 0 118 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 190 178 shade: RGB 17 191 179, RGB 17 191 132, RGB 17 191 85, RGB 17 191 38 and RGB 43 191 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 190 178 shade: RGB 17 191 179, RGB 17 156 191, RGB 17 109 191, RGB 17 63 191 and RGB 17 17 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 190 178 shade matches the following richer shades: RGB 17 191 179 and RGB 0 208 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 190 178 shade: RGB 17 191 179, RGB 34 174 164, RGB 51 157 150, RGB 68 140 135 and RGB 85 123 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 190 178 shade: RGB 17 191 84, RGB 17 191 130, RGB 17 191 176, RGB 17 159 191 and RGB 17 113 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 190 178 shade: RGB 10 115 108, RGB 14 153 143, RGB 17 191 179, RGB 21 229 214 and RGB 55 236 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 190 178 shade: RGB 18 190 178, RGB 38 17 191 and RGB 191 107 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 190 178 shade: RGB 18 190 178, RGB 176 17 191 and RGB 191 176 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 190 178 shade: RGB 18 190 178, RGB 38 17 191, RGB 191 17 32 and RGB 171 191 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 190 178 shade: RGB 18 190 178, RGB 90 17 191, RGB 191 17 32 and RGB 119 191 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 6 / 25

HEX #12BEB2

RGB 18 190 178

HSL 175.81, 0.83%, 0.41%

LAB 69.59, -41.47, -5.14

 

Complementary color

CMYK 0 / 73 / 68 / 7

HEX #ED414D

RGB 237 65 77

HSL 355.81, 0.83%, 0.59%

LAB 54.37, 65.54, 33.18

 

CMYK 88 / 0 / 9 / 25

HEX #17BEAD

RGB 23 190 173

HSL 173.89, 0.78%, 0.42%

LAB 69.49, -42.63, -2.54

 

CMYK 81 / 0 / 8 / 18

HEX #28D0C0

RGB 40 208 192

HSL 174.29, 0.68%, 0.49%

LAB 75.68, -43.95, -3.74

 

CMYK 75 / 0 / 7 / 11

HEX #39E2D3

RGB 57 226 211

HSL 174.67, 0.74%, 0.55%

LAB 81.82, -44.95, -4.83

 

CMYK 70 / 0 / 6 / 4

HEX #4AF4E6

RGB 74 244 230

HSL 175.06, 0.89%, 0.62%

LAB 87.91, -45.71, -5.82

 

CMYK 64 / 0 / 2 / 0

HEX #5BFFF9

RGB 91 255 249

HSL 177.8, 1%, 0.68%

LAB 91.95, -43.21, -9.68

 

CMYK 91 / 0 / 6 / 25

HEX #12BEB2

RGB 18 190 178

HSL 175.81, 0.83%, 0.41%

LAB 69.59, -41.47, -5.14

 

CMYK 99 / 0 / 8 / 33

HEX #01AC9F

RGB 1 172 159

HSL 175.44, 0.99%, 0.34%

LAB 63.36, -39.67, -3.83

 

CMYK 100 / 0 / 9 / 40

HEX #009A8C

RGB 0 154 140

HSL 174.55, 1%, 0.3%

LAB 57.08, -37.27, -2.35

 

CMYK 100 / 0 / 11 / 47

HEX #008879

RGB 0 136 121

HSL 173.38, 1%, 0.27%

LAB 50.67, -34.79, -0.8

 

CMYK 100 / 0 / 14 / 54

HEX #007666

RGB 0 118 102

HSL 171.86, 1%, 0.23%

LAB 44.11, -32.25, 0.84

 

CMYK 91 / 0 / 6 / 25

HEX #11BFB3

RGB 17 191 179

HSL 175.86, 0.84%, 0.41%

LAB 69.92, -41.67, -5.2

 

CMYK 91 / 0 / 31 / 25

HEX #11BF84

RGB 17 191 132

HSL 159.66, 0.84%, 0.41%

LAB 68.79, -53.75, 18.77

 

CMYK 91 / 0 / 55 / 25

HEX #11BF55

RGB 17 191 85

HSL 143.45, 0.84%, 0.41%

LAB 68.05, -62.41, 41.95

 

CMYK 91 / 0 / 80 / 25

HEX #11BF26

RGB 17 191 38

HSL 127.24, 0.84%, 0.41%

LAB 67.67, -67.19, 60.26

 

CMYK 77 / 0 / 91 / 25

HEX #2BBF11

RGB 43 191 17

HSL 111.03, 0.84%, 0.41%

LAB 67.88, -65.53, 65.32

 

CMYK 91 / 0 / 6 / 25

HEX #11BFB3

RGB 17 191 179

HSL 175.86, 0.84%, 0.41%

LAB 69.92, -41.67, -5.2

 

CMYK 91 / 18 / 0 / 25

HEX #119CBF

RGB 17 156 191

HSL 192.07, 0.84%, 0.41%

LAB 59.58, -21.01, -27.51

 

CMYK 91 / 43 / 0 / 25

HEX #116DBF

RGB 17 109 191

HSL 208.28, 0.84%, 0.41%

LAB 45.38, 6.24, -49.85

 

CMYK 91 / 67 / 0 / 25

HEX #113FBF

RGB 17 63 191

HSL 224.14, 0.84%, 0.41%

LAB 32.78, 36.42, -70.33

 

CMYK 91 / 91 / 0 / 25

HEX #1111BF

RGB 17 17 191

HSL 240, 0.84%, 0.41%

LAB 24.58, 59.82, -83.92

 

CMYK 91 / 0 / 6 / 25

HEX #11BFB3

RGB 17 191 179

HSL 175.86, 0.84%, 0.41%

LAB 69.92, -41.67, -5.2

 

CMYK 100 / 0 / 7 / 18

HEX #00D0C1

RGB 0 208 193

HSL 175.67, 1%, 0.41%

LAB 75.43, -45.59, -4.68

 

CMYK 91 / 0 / 6 / 25

HEX #11BFB3

RGB 17 191 179

HSL 175.86, 0.84%, 0.41%

LAB 69.92, -41.67, -5.2

 

CMYK 80 / 0 / 6 / 32

HEX #22AEA4

RGB 34 174 164

HSL 175.71, 0.67%, 0.41%

LAB 64.4, -37.25, -5.06

 

CMYK 68 / 0 / 4 / 38

HEX #339D96

RGB 51 157 150

HSL 176.04, 0.51%, 0.41%

LAB 58.99, -31.26, -5.14

 

CMYK 51 / 0 / 4 / 45

HEX #448C87

RGB 68 140 135

HSL 175.83, 0.35%, 0.41%

LAB 53.74, -23.77, -4.25

 

CMYK 31 / 0 / 2 / 52

HEX #557B78

RGB 85 123 120

HSL 175.26, 0.18%, 0.41%

LAB 48.83, -13.99, -2.65

 

CMYK 91 / 0 / 56 / 25

HEX #11BF54

RGB 17 191 84

HSL 143.1, 0.84%, 0.41%

LAB 68.04, -62.56, 42.41

 

CMYK 91 / 0 / 32 / 25

HEX #11BF82

RGB 17 191 130

HSL 158.97, 0.84%, 0.41%

LAB 68.75, -54.2, 19.79

 

CMYK 91 / 0 / 8 / 25

HEX #11BFB0

RGB 17 191 176

HSL 174.83, 0.84%, 0.41%

LAB 69.84, -42.52, -3.68

 

CMYK 91 / 17 / 0 / 25

HEX #119FBF

RGB 17 159 191

HSL 191.03, 0.84%, 0.41%

LAB 60.5, -22.57, -26.09

 

CMYK 91 / 41 / 0 / 25

HEX #1171BF

RGB 17 113 191

HSL 206.9, 0.84%, 0.41%

LAB 46.57, 3.72, -47.95

 

CMYK 91 / 0 / 6 / 55

HEX #0A736C

RGB 10 115 108

HSL 176, 0.84%, 0.25%

LAB 43.37, -28.34, -3.84

 

CMYK 91 / 0 / 7 / 40

HEX #0E998F

RGB 14 153 143

HSL 175.68, 0.83%, 0.33%

LAB 56.94, -35.29, -4.26

 

CMYK 91 / 0 / 6 / 25

HEX #11BFB3

RGB 17 191 179

HSL 175.86, 0.84%, 0.41%

LAB 69.92, -41.67, -5.2

 

CMYK 91 / 0 / 7 / 10

HEX #15E5D6

RGB 21 229 214

HSL 175.67, 0.83%, 0.49%

LAB 82.41, -48.02, -5.59

 

CMYK 77 / 0 / 6 / 7

HEX #37ECDF

RGB 55 236 223

HSL 175.69, 0.83%, 0.57%

LAB 85.06, -46.24, -6.38

 

CMYK 91 / 0 / 6 / 25

HEX #12BEB2

RGB 18 190 178

HSL 175.81, 0.83%, 0.41%

LAB 69.59, -41.47, -5.14

 

CMYK 80 / 91 / 0 / 25

HEX #2611BF

RGB 38 17 191

HSL 247.24, 0.84%, 0.41%

LAB 25.49, 60.36, -82.38

 

CMYK 0 / 44 / 91 / 25

HEX #BF6B11

RGB 191 107 17

HSL 31.03, 0.84%, 0.41%

LAB 53.63, 27.9, 57.76

 

CMYK 91 / 0 / 6 / 25

HEX #12BEB2

RGB 18 190 178

HSL 175.81, 0.83%, 0.41%

LAB 69.59, -41.47, -5.14

 

CMYK 8 / 91 / 0 / 25

HEX #B011BF

RGB 176 17 191

HSL 294.83, 0.84%, 0.41%

LAB 43.35, 74.92, -52.41

 

CMYK 0 / 8 / 91 / 25

HEX #BFB011

RGB 191 176 17

HSL 54.83, 0.84%, 0.41%

LAB 70.99, -9.49, 70.96

 

CMYK 91 / 0 / 6 / 25

HEX #12BEB2

RGB 18 190 178

HSL 175.81, 0.83%, 0.41%

LAB 69.59, -41.47, -5.14

 

CMYK 80 / 91 / 0 / 25

HEX #2611BF

RGB 38 17 191

HSL 247.24, 0.84%, 0.41%

LAB 25.49, 60.36, -82.38

 

CMYK 0 / 91 / 83 / 25

HEX #BF1120

RGB 191 17 32

HSL 354.83, 0.84%, 0.41%

LAB 40.54, 63.03, 41.06

 

CMYK 10 / 0 / 91 / 25

HEX #ABBF11

RGB 171 191 17

HSL 66.9, 0.84%, 0.41%

LAB 73.52, -25.69, 72.25

 

CMYK 91 / 0 / 6 / 25

HEX #12BEB2

RGB 18 190 178

HSL 175.81, 0.83%, 0.41%

LAB 69.59, -41.47, -5.14

 

CMYK 53 / 91 / 0 / 25

HEX #5A11BF

RGB 90 17 191

HSL 265.17, 0.84%, 0.41%

LAB 30.25, 63.59, -74.35

 

CMYK 0 / 91 / 83 / 25

HEX #BF1120

RGB 191 17 32

HSL 354.83, 0.84%, 0.41%

LAB 40.54, 63.03, 41.06

 

CMYK 38 / 0 / 91 / 25

HEX #77BF11

RGB 119 191 17

HSL 84.83, 0.84%, 0.41%

LAB 70.33, -46.14, 68.35

 

Description

Color code: RGB 18 190 178 | qconv.com Color code: RGB 18 190 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 190 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 190 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 6% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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