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Color name
RGB 18 181 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 181 162 it is the complementary color RGB 237 74 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 181 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 181 162 shade: RGB 23 181 157, RGB 40 199 176, RGB 57 217 195, RGB 74 235 214 and RGB 91 253 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 181 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 1 163 143, RGB 0 145 124, RGB 0 127 105 and RGB 0 109 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 18 181 118, RGB 18 181 74, RGB 18 181 30 and RGB 50 181 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 18 156 181, RGB 18 112 181, RGB 18 68 181 and RGB 18 24 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 181 162 shade matches the following richer shades: RGB 18 181 162 and RGB 2 197 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 34 165 150, RGB 50 149 137, RGB 66 133 125 and RGB 82 117 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 181 162 shade: RGB 18 181 75, RGB 18 181 118, RGB 18 181 162, RGB 18 157 181 and RGB 18 113 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 181 162 shade: RGB 10 106 95, RGB 14 143 128, RGB 18 181 162, RGB 22 219 196 and RGB 47 234 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 31 18 181 and RGB 181 97 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 162 18 181 and RGB 181 162 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 31 18 181, RGB 181 18 37 and RGB 167 181 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 181 162 shade: RGB 18 181 162, RGB 80 18 181, RGB 181 18 37 and RGB 118 181 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

Complementary color

CMYK 0 / 69 / 61 / 7

HEX #ED4A5D

RGB 237 74 93

HSL 353.01, 0.82%, 0.61%

LAB 55.78, 63.26, 25.64

 

CMYK 87 / 0 / 13 / 29

HEX #17B59D

RGB 23 181 157

HSL 170.89, 0.77%, 0.4%

LAB 66.26, -43.17, 1.55

 

CMYK 80 / 0 / 12 / 22

HEX #28C7B0

RGB 40 199 176

HSL 171.32, 0.67%, 0.47%

LAB 72.52, -44.41, 0.28

 

CMYK 74 / 0 / 10 / 15

HEX #39D9C3

RGB 57 217 195

HSL 171.75, 0.68%, 0.54%

LAB 78.72, -45.32, -0.87

 

CMYK 69 / 0 / 9 / 8

HEX #4AEBD6

RGB 74 235 214

HSL 172.17, 0.8%, 0.61%

LAB 84.86, -45.99, -1.91

 

CMYK 64 / 0 / 8 / 1

HEX #5BFDE9

RGB 91 253 233

HSL 172.59, 0.98%, 0.67%

LAB 90.94, -46.47, -2.87

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 99 / 0 / 12 / 36

HEX #01A38F

RGB 1 163 143

HSL 172.59, 0.99%, 0.32%

LAB 60.05, -40.33, 0.3

 

CMYK 100 / 0 / 14 / 43

HEX #00917C

RGB 0 145 124

HSL 171.31, 1%, 0.28%

LAB 53.71, -37.93, 1.9

 

CMYK 100 / 0 / 17 / 50

HEX #007F69

RGB 0 127 105

HSL 169.61, 1%, 0.25%

LAB 47.23, -35.43, 3.58

 

CMYK 100 / 0 / 21 / 57

HEX #006D56

RGB 0 109 86

HSL 167.34, 1%, 0.21%

LAB 40.59, -32.86, 5.36

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 90 / 0 / 35 / 29

HEX #12B576

RGB 18 181 118

HSL 156.81, 0.82%, 0.39%

LAB 65.35, -53.02, 21.59

 

CMYK 90 / 0 / 59 / 29

HEX #12B54A

RGB 18 181 74

HSL 140.61, 0.82%, 0.39%

LAB 64.7, -60.66, 43.17

 

CMYK 90 / 0 / 83 / 29

HEX #12B51E

RGB 18 181 30

HSL 124.42, 0.82%, 0.39%

LAB 64.38, -64.71, 59.42

 

CMYK 72 / 0 / 90 / 29

HEX #32B512

RGB 50 181 18

HSL 108.22, 0.82%, 0.39%

LAB 64.78, -61.33, 62.56

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 90 / 14 / 0 / 29

HEX #129CB5

RGB 18 156 181

HSL 189.2, 0.82%, 0.39%

LAB 59.2, -24.38, -22.45

 

CMYK 90 / 38 / 0 / 29

HEX #1270B5

RGB 18 112 181

HSL 205.4, 0.82%, 0.39%

LAB 45.71, 0.47, -43.53

 

CMYK 90 / 62 / 0 / 29

HEX #1244B5

RGB 18 68 181

HSL 221.6, 0.82%, 0.39%

LAB 33.13, 29.32, -63.84

 

CMYK 90 / 87 / 0 / 29

HEX #1218B5

RGB 18 24 181

HSL 237.79, 0.82%, 0.39%

LAB 24.06, 54.53, -78.84

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 99 / 0 / 12 / 23

HEX #02C5AE

RGB 2 197 174

HSL 172.92, 0.98%, 0.39%

LAB 71.56, -46.17, -0.07

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 79 / 0 / 9 / 35

HEX #22A596

RGB 34 165 150

HSL 173.13, 0.66%, 0.39%

LAB 61.18, -37.17, -1.96

 

CMYK 66 / 0 / 8 / 42

HEX #329589

RGB 50 149 137

HSL 172.73, 0.5%, 0.39%

LAB 56.07, -31.27, -2.05

 

CMYK 50 / 0 / 6 / 48

HEX #42857D

RGB 66 133 125

HSL 172.84, 0.34%, 0.39%

LAB 51.17, -23.36, -2.25

 

CMYK 30 / 0 / 3 / 54

HEX #527571

RGB 82 117 113

HSL 173.14, 0.18%, 0.39%

LAB 46.59, -13.35, -1.81

 

CMYK 90 / 0 / 59 / 29

HEX #12B54B

RGB 18 181 75

HSL 140.98, 0.82%, 0.39%

LAB 64.71, -60.53, 42.72

 

CMYK 90 / 0 / 35 / 29

HEX #12B576

RGB 18 181 118

HSL 156.81, 0.82%, 0.39%

LAB 65.35, -53.02, 21.59

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 90 / 13 / 0 / 29

HEX #129DB5

RGB 18 157 181

HSL 188.83, 0.82%, 0.39%

LAB 59.51, -24.89, -21.98

 

CMYK 90 / 38 / 0 / 29

HEX #1271B5

RGB 18 113 181

HSL 205.03, 0.82%, 0.39%

LAB 46.01, -0.14, -43.05

 

CMYK 91 / 0 / 10 / 58

HEX #0A6A5F

RGB 10 106 95

HSL 173.13, 0.83%, 0.23%

LAB 39.91, -28.04, -1.06

 

CMYK 90 / 0 / 10 / 44

HEX #0E8F80

RGB 14 143 128

HSL 173.02, 0.82%, 0.31%

LAB 53.27, -35.16, -1.04

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 90 / 0 / 11 / 14

HEX #16DBC4

RGB 22 219 196

HSL 172.99, 0.82%, 0.47%

LAB 78.94, -48.7, -1.13

 

CMYK 80 / 0 / 9 / 8

HEX #2FEAD5

RGB 47 234 213

HSL 173.26, 0.82%, 0.55%

LAB 84.1, -48.8, -2.55

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 83 / 90 / 0 / 29

HEX #1F12B5

RGB 31 18 181

HSL 244.79, 0.82%, 0.39%

LAB 23.87, 57.07, -79.14

 

CMYK 0 / 46 / 90 / 29

HEX #B56112

RGB 181 97 18

HSL 29.08, 0.82%, 0.39%

LAB 50, 29.08, 54.12

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 10 / 90 / 0 / 29

HEX #A212B5

RGB 162 18 181

HSL 293.01, 0.82%, 0.39%

LAB 40.33, 70.83, -51.51

 

CMYK 0 / 10 / 90 / 29

HEX #B5A212

RGB 181 162 18

HSL 53.01, 0.82%, 0.39%

LAB 66.3, -6.58, 66.75

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 83 / 90 / 0 / 29

HEX #1F12B5

RGB 31 18 181

HSL 244.79, 0.82%, 0.39%

LAB 23.87, 57.07, -79.14

 

CMYK 0 / 90 / 80 / 29

HEX #B51225

RGB 181 18 37

HSL 353.01, 0.82%, 0.39%

LAB 38.53, 60.37, 35.54

 

CMYK 8 / 0 / 90 / 29

HEX #A7B512

RGB 167 181 18

HSL 65.15, 0.82%, 0.39%

LAB 70.39, -22.49, 69.49

 

CMYK 90 / 0 / 10 / 29

HEX #12B5A2

RGB 18 181 162

HSL 173.01, 0.82%, 0.39%

LAB 66.36, -42.08, -1.08

 

CMYK 56 / 90 / 0 / 29

HEX #5012B5

RGB 80 18 181

HSL 262.82, 0.82%, 0.39%

LAB 28.05, 60.04, -72.09

 

CMYK 0 / 90 / 80 / 29

HEX #B51225

RGB 181 18 37

HSL 353.01, 0.82%, 0.39%

LAB 38.53, 60.37, 35.54

 

CMYK 35 / 0 / 90 / 29

HEX #76B512

RGB 118 181 18

HSL 83.19, 0.82%, 0.39%

LAB 67.23, -42.28, 65.61

 

Description

Color code: RGB 18 181 162 | qconv.com Color code: RGB 18 181 162 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 181 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 181 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 10 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 10% 29% C M Y K

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Provide designers and agencies with accurate color values.

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