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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 134 120 it is the complementary color RGB 237 121 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 134 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 18 134 120: RGB 23 134 115, RGB 40 152 134, RGB 57 170 153, RGB 74 188 172 and RGB 91 206 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 134 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 18 134 120: RGB 18 134 120, RGB 1 116 101, RGB 0 98 82, RGB 0 80 63 and RGB 0 62 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

Complementary color

CMYK 0 / 49 / 43 / 7

HEX #ED7987

RGB 237 121 135

HSL 352.76, 0.76%, 0.7%

LAB 64.51, 45.94, 13.24

 

CMYK 83 / 0 / 14 / 47

HEX #178673

RGB 23 134 115

HSL 169.73, 0.71%, 0.31%

LAB 50.06, -34.1, 1.84

 

CMYK 74 / 0 / 12 / 40

HEX #289886

RGB 40 152 134

HSL 170.36, 0.58%, 0.38%

LAB 56.71, -35.02, 0.58

 

CMYK 66 / 0 / 10 / 33

HEX #39AA99

RGB 57 170 153

HSL 170.97, 0.5%, 0.45%

LAB 63.28, -35.59, -0.51

 

CMYK 61 / 0 / 9 / 26

HEX #4ABCAC

RGB 74 188 172

HSL 171.58, 0.46%, 0.51%

LAB 69.75, -35.94, -1.5

 

CMYK 56 / 0 / 7 / 19

HEX #5BCEBF

RGB 91 206 191

HSL 172.17, 0.54%, 0.58%

LAB 76.15, -36.13, -2.39

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 99 / 0 / 13 / 55

HEX #017465

RGB 1 116 101

HSL 172.17, 0.98%, 0.23%

LAB 43.41, -31.57, 0.42

 

CMYK 100 / 0 / 16 / 62

HEX #006252

RGB 0 98 82

HSL 170.2, 1%, 0.19%

LAB 36.64, -29.02, 2.13

 

CMYK 100 / 0 / 21 / 69

HEX #00503F

RGB 0 80 63

HSL 167.25, 1%, 0.16%

LAB 29.65, -26.33, 3.98

 

CMYK 100 / 0 / 29 / 76

HEX #003E2C

RGB 0 62 44

HSL 162.58, 1%, 0.12%

LAB 22.4, -23.51, 6.01

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 87 / 3 / 0 / 47

HEX #128286

RGB 18 130 134

HSL 182.07, 0.76%, 0.3%

LAB 49.27, -26.83, -10.47

 

CMYK 87 / 17 / 0 / 47

HEX #126F86

RGB 18 111 134

HSL 191.9, 0.76%, 0.3%

LAB 43.09, -16.81, -19.87

 

CMYK 87 / 31 / 0 / 47

HEX #125C86

RGB 18 92 134

HSL 201.72, 0.76%, 0.3%

LAB 36.94, -5.64, -29.45

 

CMYK 87 / 46 / 0 / 47

HEX #124886

RGB 18 72 134

HSL 212.07, 0.76%, 0.3%

LAB 30.6, 7.4, -39.52

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 86 / 0 / 10 / 27

HEX #19B9A6

RGB 25 185 166

HSL 172.88, 0.76%, 0.41%

LAB 67.77, -42.28, -1.22

 

CMYK 86 / 0 / 11 / 7

HEX #20ECD3

RGB 32 236 211

HSL 172.65, 0.84%, 0.53%

LAB 84.48, -51.23, -0.95

 

CMYK 88 / 0 / 9 / 87

HEX #04201D

RGB 4 32 29

HSL 173.57, 0.78%, 0.07%

LAB 10.16, -11.52, -1.09

 

CMYK 87 / 0 / 11 / 67

HEX #0B534A

RGB 11 83 74

HSL 172.5, 0.77%, 0.18%

LAB 31.24, -23.16, -0.71

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 81 / 87 / 0 / 47

HEX #1A1286

RGB 26 18 134

HSL 244.14, 0.76%, 0.3%

LAB 17.34, 42.97, -61.2

 

CMYK 0 / 46 / 87 / 47

HEX #864812

RGB 134 72 18

HSL 27.93, 0.76%, 0.3%

LAB 37.38, 22.51, 41.02

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 11 / 87 / 0 / 47

HEX #771286

RGB 119 18 134

HSL 292.24, 0.76%, 0.3%

LAB 29.6, 55.15, -40.64

 

CMYK 0 / 11 / 87 / 47

HEX #867712

RGB 134 119 18

HSL 52.24, 0.76%, 0.3%

LAB 49.86, -4.76, 51.62

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 81 / 87 / 0 / 47

HEX #1A1286

RGB 26 18 134

HSL 244.14, 0.76%, 0.3%

LAB 17.34, 42.97, -61.2

 

CMYK 0 / 87 / 75 / 47

HEX #861221

RGB 134 18 33

HSL 352.24, 0.76%, 0.3%

LAB 28.41, 47.14, 23.99

 

CMYK 6 / 0 / 87 / 47

HEX #7E8612

RGB 126 134 18

HSL 64.14, 0.76%, 0.3%

LAB 53.52, -16.65, 54.4

 

CMYK 87 / 0 / 10 / 47

HEX #128678

RGB 18 134 120

HSL 172.76, 0.76%, 0.3%

LAB 50.14, -33.1, -0.98

 

CMYK 55 / 87 / 0 / 47

HEX #3C1286

RGB 60 18 134

HSL 261.72, 0.76%, 0.3%

LAB 20.5, 45.92, -55.87

 

CMYK 0 / 87 / 75 / 47

HEX #861221

RGB 134 18 33

HSL 352.24, 0.76%, 0.3%

LAB 28.41, 47.14, 23.99

 

CMYK 31 / 0 / 87 / 47

HEX #5C8612

RGB 92 134 18

HSL 81.72, 0.76%, 0.3%

LAB 51.12, -31.36, 51.39

 

Description

Color code: RGB 18 134 120 | qconv.com Color code: RGB 18 134 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 134 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 134 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 10 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 10% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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