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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 103 52 it is the complementary color RGB 237 152 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 103 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 103 52 shade: RGB 23 103 47, RGB 40 121 66, RGB 57 139 85, RGB 74 157 104 and RGB 91 175 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 103 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 103 52 shade: RGB 18 103 52, RGB 1 85 33, RGB 0 67 14, RGB 0 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 103 52 shade: RGB 18 104 52, RGB 18 104 29, RGB 30 104 18, RGB 53 104 18 and RGB 76 104 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 103 52 shade: RGB 18 104 52, RGB 18 104 75, RGB 18 104 98, RGB 18 86 104 and RGB 18 63 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 103 52 shade matches the following richer shades: RGB 18 104 52 and RGB 8 113 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 103 52 shade: RGB 18 104 52, RGB 28 94 54, RGB 38 84 56, RGB 48 74 58 and RGB 57 64 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 103 52 shade: RGB 29 104 18, RGB 18 104 29, RGB 18 104 52, RGB 18 104 75 and RGB 18 104 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 103 52 shade: RGB 5 33 17, RGB 12 68 34, RGB 18 104 52, RGB 24 139 70 and RGB 30 174 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 103 52 shade: RGB 18 103 52, RGB 18 52 104 and RGB 104 18 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 103 52 shade: RGB 18 103 52, RGB 52 18 104 and RGB 104 52 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 103 52 shade: RGB 18 103 52, RGB 18 52 104, RGB 104 18 69 and RGB 104 69 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 103 52 shade: RGB 18 103 52, RGB 18 26 104, RGB 104 18 69 and RGB 104 95 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 50 / 60

HEX #126734

RGB 18 103 52

HSL 144, 0.7%, 0.24%

LAB 37.98, -36.74, 21.97

 

Complementary color

CMYK 0 / 36 / 14 / 7

HEX #ED98CB

RGB 237 152 203

HSL 324, 0.7%, 0.76%

LAB 72.74, 38.97, -12.89

 

CMYK 78 / 0 / 54 / 60

HEX #17672F

RGB 23 103 47

HSL 138, 0.63%, 0.25%

LAB 38, -36.86, 24.81

 

CMYK 67 / 0 / 45 / 53

HEX #287942

RGB 40 121 66

HSL 139.26, 0.5%, 0.32%

LAB 44.97, -37.5, 23.14

 

CMYK 59 / 0 / 39 / 45

HEX #398B55

RGB 57 139 85

HSL 140.49, 0.42%, 0.38%

LAB 51.83, -37.68, 21.61

 

CMYK 53 / 0 / 34 / 38

HEX #4A9D68

RGB 74 157 104

HSL 141.69, 0.36%, 0.45%

LAB 58.57, -37.64, 20.23

 

CMYK 48 / 0 / 30 / 31

HEX #5BAF7B

RGB 91 175 123

HSL 142.86, 0.34%, 0.52%

LAB 65.21, -37.48, 18.97

 

CMYK 83 / 0 / 50 / 60

HEX #126734

RGB 18 103 52

HSL 144, 0.7%, 0.24%

LAB 37.98, -36.74, 21.97

 

CMYK 99 / 0 / 61 / 67

HEX #015521

RGB 1 85 33

HSL 142.86, 0.98%, 0.17%

LAB 30.91, -35.29, 23.82

 

CMYK 100 / 0 / 79 / 74

HEX #00430E

RGB 0 67 14

HSL 132.54, 1%, 0.13%

LAB 23.82, -31.65, 25.6

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 83 / 0 / 50 / 59

HEX #126834

RGB 18 104 52

HSL 143.72, 0.7%, 0.24%

LAB 38.34, -37.13, 22.42

 

CMYK 83 / 0 / 72 / 59

HEX #12681D

RGB 18 104 29

HSL 127.67, 0.7%, 0.24%

LAB 38.05, -40.52, 33.95

 

CMYK 71 / 0 / 83 / 59

HEX #1E6812

RGB 30 104 18

HSL 111.63, 0.7%, 0.24%

LAB 38.23, -39.27, 38.62

 

CMYK 49 / 0 / 83 / 59

HEX #356812

RGB 53 104 18

HSL 95.58, 0.7%, 0.24%

LAB 39.07, -32.62, 39.72

 

CMYK 27 / 0 / 83 / 59

HEX #4C6812

RGB 76 104 18

HSL 79.53, 0.7%, 0.24%

LAB 40.38, -23.52, 41.41

 

CMYK 83 / 0 / 50 / 59

HEX #126834

RGB 18 104 52

HSL 143.72, 0.7%, 0.24%

LAB 38.34, -37.13, 22.42

 

CMYK 83 / 0 / 28 / 59

HEX #12684B

RGB 18 104 75

HSL 159.77, 0.7%, 0.24%

LAB 38.79, -32.01, 9.5

 

CMYK 83 / 0 / 6 / 59

HEX #126862

RGB 18 104 98

HSL 175.81, 0.7%, 0.24%

LAB 39.43, -25.38, -3.59

 

CMYK 83 / 17 / 0 / 59

HEX #125668

RGB 18 86 104

HSL 192.56, 0.7%, 0.24%

LAB 33.53, -13.56, -16.22

 

CMYK 83 / 39 / 0 / 59

HEX #123F68

RGB 18 63 104

HSL 208.6, 0.7%, 0.24%

LAB 25.81, 1, -28.28

 

CMYK 83 / 0 / 50 / 59

HEX #126834

RGB 18 104 52

HSL 143.72, 0.7%, 0.24%

LAB 38.34, -37.13, 22.42

 

CMYK 93 / 0 / 56 / 56

HEX #087132

RGB 8 113 50

HSL 144, 0.87%, 0.24%

LAB 41.36, -41.94, 27.26

 

CMYK 83 / 0 / 50 / 59

HEX #126834

RGB 18 104 52

HSL 143.72, 0.7%, 0.24%

LAB 38.34, -37.13, 22.42

 

CMYK 70 / 0 / 43 / 63

HEX #1C5E36

RGB 28 94 54

HSL 143.64, 0.54%, 0.24%

LAB 35.04, -30.83, 17.04

 

CMYK 55 / 0 / 33 / 67

HEX #265438

RGB 38 84 56

HSL 143.48, 0.38%, 0.24%

LAB 31.89, -23.13, 11.66

 

CMYK 35 / 0 / 22 / 71

HEX #304A3A

RGB 48 74 58

HSL 143.08, 0.21%, 0.24%

LAB 28.98, -13.93, 6.44

 

CMYK 11 / 0 / 6 / 75

HEX #39403C

RGB 57 64 60

HSL 145.71, 0.06%, 0.24%

LAB 26.34, -3.84, 1.45

 

CMYK 72 / 0 / 83 / 59

HEX #1D6812

RGB 29 104 18

HSL 112.33, 0.7%, 0.24%

LAB 38.21, -39.49, 38.59

 

CMYK 83 / 0 / 72 / 59

HEX #12681D

RGB 18 104 29

HSL 127.67, 0.7%, 0.24%

LAB 38.05, -40.52, 33.95

 

CMYK 83 / 0 / 50 / 59

HEX #126834

RGB 18 104 52

HSL 143.72, 0.7%, 0.24%

LAB 38.34, -37.13, 22.42

 

CMYK 83 / 0 / 28 / 59

HEX #12684B

RGB 18 104 75

HSL 159.77, 0.7%, 0.24%

LAB 38.79, -32.01, 9.5

 

CMYK 83 / 0 / 6 / 59

HEX #126862

RGB 18 104 98

HSL 175.81, 0.7%, 0.24%

LAB 39.43, -25.38, -3.59

 

CMYK 85 / 0 / 48 / 87

HEX #052111

RGB 5 33 17

HSL 145.71, 0.74%, 0.07%

LAB 10.26, -15.25, 7.44

 

CMYK 82 / 0 / 50 / 73

HEX #0C4422

RGB 12 68 34

HSL 143.57, 0.7%, 0.16%

LAB 24.73, -26.7, 15.61

 

CMYK 83 / 0 / 50 / 59

HEX #126834

RGB 18 104 52

HSL 143.72, 0.7%, 0.24%

LAB 38.34, -37.13, 22.42

 

CMYK 83 / 0 / 50 / 45

HEX #188B46

RGB 24 139 70

HSL 144, 0.71%, 0.32%

LAB 50.81, -46.42, 28.33

 

CMYK 83 / 0 / 49 / 32

HEX #1EAE58

RGB 30 174 88

HSL 144.17, 0.71%, 0.4%

LAB 62.72, -55.23, 33.95

 

CMYK 83 / 0 / 50 / 60

HEX #126734

RGB 18 103 52

HSL 144, 0.7%, 0.24%

LAB 37.98, -36.74, 21.97

 

CMYK 83 / 50 / 0 / 59

HEX #123468

RGB 18 52 104

HSL 216.28, 0.7%, 0.24%

LAB 22.25, 8.72, -33.98

 

CMYK 0 / 83 / 83 / 59

HEX #681212

RGB 104 18 18

HSL 0, 0.7%, 0.24%

LAB 21.65, 37.18, 24.25

 

CMYK 83 / 0 / 50 / 60

HEX #126734

RGB 18 103 52

HSL 144, 0.7%, 0.24%

LAB 37.98, -36.74, 21.97

 

CMYK 50 / 83 / 0 / 59

HEX #341268

RGB 52 18 104

HSL 263.72, 0.7%, 0.24%

LAB 16.32, 36.5, -43.51

 

CMYK 0 / 50 / 83 / 59

HEX #683412

RGB 104 52 18

HSL 23.72, 0.7%, 0.24%

LAB 27.96, 20.56, 30.66

 

CMYK 83 / 0 / 50 / 60

HEX #126734

RGB 18 103 52

HSL 144, 0.7%, 0.24%

LAB 37.98, -36.74, 21.97

 

CMYK 83 / 50 / 0 / 59

HEX #123468

RGB 18 52 104

HSL 216.28, 0.7%, 0.24%

LAB 22.25, 8.72, -33.98

 

CMYK 0 / 83 / 34 / 59

HEX #681245

RGB 104 18 69

HSL 324.42, 0.7%, 0.24%

LAB 23.02, 41.4, -8.82

 

CMYK 0 / 34 / 83 / 59

HEX #684512

RGB 104 69 18

HSL 35.58, 0.7%, 0.24%

LAB 32.35, 10.21, 34.88

 

CMYK 83 / 0 / 50 / 60

HEX #126734

RGB 18 103 52

HSL 144, 0.7%, 0.24%

LAB 37.98, -36.74, 21.97

 

CMYK 83 / 75 / 0 / 59

HEX #121A68

RGB 18 26 104

HSL 234.42, 0.7%, 0.24%

LAB 14.77, 27.41, -46.16

 

CMYK 0 / 83 / 34 / 59

HEX #681245

RGB 104 18 69

HSL 324.42, 0.7%, 0.24%

LAB 23.02, 41.4, -8.82

 

CMYK 0 / 9 / 83 / 59

HEX #685F12

RGB 104 95 18

HSL 53.72, 0.7%, 0.24%

LAB 39.87, -5.47, 41.8

 

Description

Color code: RGB 18 103 52 | qconv.com Color code: RGB 18 103 52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 103 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 103 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 50 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 50% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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