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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 103 102 it is the complementary color RGB 237 152 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 103 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 103 102 shade: RGB 23 103 97, RGB 40 121 116, RGB 57 139 135, RGB 74 157 154 and RGB 91 175 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 103 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 103 102 shade: RGB 18 103 102, RGB 1 85 83, RGB 0 67 64, RGB 0 49 45 and RGB 0 31 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 103 102 shade: RGB 18 104 103, RGB 18 104 79, RGB 18 104 56, RGB 18 104 33 and RGB 26 104 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 103 102 shade: RGB 18 104 103, RGB 18 81 104, RGB 18 58 104, RGB 18 35 104 and RGB 18 18 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 103 102 shade matches the following richer shades: RGB 18 104 103 and RGB 8 113 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 103 102 shade: RGB 18 104 103, RGB 28 94 93, RGB 38 84 83, RGB 48 74 74 and RGB 57 64 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 103 102 shade: RGB 18 104 56, RGB 18 104 79, RGB 18 104 102, RGB 18 82 104 and RGB 18 59 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 103 102 shade: RGB 5 33 33, RGB 12 68 68, RGB 18 104 103, RGB 24 139 137 and RGB 30 174 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 103 102 shade: RGB 18 103 102, RGB 34 18 104 and RGB 104 68 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 103 102 shade: RGB 18 103 102, RGB 102 18 104 and RGB 104 102 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 103 102 shade: RGB 18 103 102, RGB 34 18 104, RGB 104 18 19 and RGB 88 104 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 103 102 shade: RGB 18 103 102, RGB 59 18 104, RGB 104 18 19 and RGB 62 104 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

Complementary color

CMYK 0 / 36 / 35 / 7

HEX #ED9899

RGB 237 152 153

HSL 359.29, 0.7%, 0.76%

LAB 71.39, 31.99, 12.82

 

CMYK 78 / 0 / 6 / 60

HEX #176761

RGB 23 103 97

HSL 175.5, 0.63%, 0.25%

LAB 39.15, -24.58, -3.39

 

CMYK 67 / 0 / 4 / 53

HEX #287974

RGB 40 121 116

HSL 176.3, 0.5%, 0.32%

LAB 46.16, -25.27, -4.43

 

CMYK 59 / 0 / 3 / 45

HEX #398B87

RGB 57 139 135

HSL 177.07, 0.42%, 0.38%

LAB 53.04, -25.64, -5.34

 

CMYK 53 / 0 / 2 / 38

HEX #4A9D9A

RGB 74 157 154

HSL 177.83, 0.36%, 0.45%

LAB 59.8, -25.84, -6.14

 

CMYK 48 / 0 / 1 / 31

HEX #5BAFAD

RGB 91 175 173

HSL 178.57, 0.34%, 0.52%

LAB 66.44, -25.92, -6.86

 

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

CMYK 99 / 0 / 2 / 67

HEX #015553

RGB 1 85 83

HSL 178.57, 0.98%, 0.17%

LAB 32.1, -22.21, -5.17

 

CMYK 100 / 0 / 4 / 74

HEX #004340

RGB 0 67 64

HSL 177.31, 1%, 0.13%

LAB 24.9, -19.49, -3.6

 

CMYK 100 / 0 / 8 / 81

HEX #00312D

RGB 0 49 45

HSL 175.1, 1%, 0.1%

LAB 17.4, -16.55, -1.88

 

CMYK 100 / 0 / 16 / 88

HEX #001F1A

RGB 0 31 26

HSL 170.32, 1%, 0.06%

LAB 9.44, -12.97, 0.04

 

CMYK 83 / 0 / 1 / 59

HEX #126867

RGB 18 104 103

HSL 179.3, 0.7%, 0.24%

LAB 39.59, -23.77, -6.41

 

CMYK 83 / 0 / 24 / 59

HEX #12684F

RGB 18 104 79

HSL 162.56, 0.7%, 0.24%

LAB 38.89, -30.96, 7.21

 

CMYK 83 / 0 / 46 / 59

HEX #126838

RGB 18 104 56

HSL 146.51, 0.7%, 0.24%

LAB 38.4, -36.36, 20.22

 

CMYK 83 / 0 / 68 / 59

HEX #126821

RGB 18 104 33

HSL 130.47, 0.7%, 0.24%

LAB 38.09, -40.06, 32.14

 

CMYK 75 / 0 / 83 / 59

HEX #1A6812

RGB 26 104 18

HSL 114.42, 0.7%, 0.24%

LAB 38.14, -40.12, 38.49

 

CMYK 83 / 0 / 1 / 59

HEX #126867

RGB 18 104 103

HSL 179.3, 0.7%, 0.24%

LAB 39.59, -23.77, -6.41

 

CMYK 83 / 22 / 0 / 59

HEX #125168

RGB 18 81 104

HSL 196.05, 0.7%, 0.24%

LAB 31.84, -10.59, -18.83

 

CMYK 83 / 44 / 0 / 59

HEX #123A68

RGB 18 58 104

HSL 212.09, 0.7%, 0.24%

LAB 24.17, 4.46, -30.89

 

CMYK 83 / 66 / 0 / 59

HEX #122368

RGB 18 35 104

HSL 228.14, 0.7%, 0.24%

LAB 17.13, 21.11, -42.28

 

CMYK 83 / 83 / 0 / 59

HEX #121268

RGB 18 18 104

HSL 240, 0.7%, 0.24%

LAB 12.99, 32.44, -49.11

 

CMYK 83 / 0 / 1 / 59

HEX #126867

RGB 18 104 103

HSL 179.3, 0.7%, 0.24%

LAB 39.59, -23.77, -6.41

 

CMYK 93 / 0 / 1 / 56

HEX #087170

RGB 8 113 112

HSL 179.43, 0.87%, 0.24%

LAB 42.81, -26.19, -7.08

 

CMYK 83 / 0 / 1 / 59

HEX #126867

RGB 18 104 103

HSL 179.3, 0.7%, 0.24%

LAB 39.59, -23.77, -6.41

 

CMYK 70 / 0 / 1 / 63

HEX #1C5E5D

RGB 28 94 93

HSL 179.09, 0.54%, 0.24%

LAB 36.07, -20.4, -5.48

 

CMYK 55 / 0 / 1 / 67

HEX #265453

RGB 38 84 83

HSL 178.7, 0.38%, 0.24%

LAB 32.65, -15.94, -4.25

 

CMYK 35 / 0 / 0 / 71

HEX #304A4A

RGB 48 74 74

HSL 180, 0.21%, 0.24%

LAB 29.46, -9.83, -3.17

 

CMYK 11 / 0 / 0 / 75

HEX #394040

RGB 57 64 64

HSL 180, 0.06%, 0.24%

LAB 26.47, -2.89, -0.99

 

CMYK 83 / 0 / 46 / 59

HEX #126838

RGB 18 104 56

HSL 146.51, 0.7%, 0.24%

LAB 38.4, -36.36, 20.22

 

CMYK 83 / 0 / 24 / 59

HEX #12684F

RGB 18 104 79

HSL 162.56, 0.7%, 0.24%

LAB 38.89, -30.96, 7.21

 

CMYK 83 / 0 / 2 / 59

HEX #126866

RGB 18 104 102

HSL 178.6, 0.7%, 0.24%

LAB 39.56, -24.1, -5.84

 

CMYK 83 / 21 / 0 / 59

HEX #125268

RGB 18 82 104

HSL 195.35, 0.7%, 0.24%

LAB 32.17, -11.19, -18.31

 

CMYK 83 / 43 / 0 / 59

HEX #123B68

RGB 18 59 104

HSL 211.4, 0.7%, 0.24%

LAB 24.5, 3.76, -30.37

 

CMYK 85 / 0 / 0 / 87

HEX #052121

RGB 5 33 33

HSL 180, 0.74%, 0.07%

LAB 10.78, -10.38, -3.13

 

CMYK 82 / 0 / 0 / 73

HEX #0C4444

RGB 12 68 68

HSL 180, 0.7%, 0.16%

LAB 25.65, -17.05, -5.09

 

CMYK 83 / 0 / 1 / 59

HEX #126867

RGB 18 104 103

HSL 179.3, 0.7%, 0.24%

LAB 39.59, -23.77, -6.41

 

CMYK 83 / 0 / 1 / 45

HEX #188B89

RGB 24 139 137

HSL 178.96, 0.71%, 0.32%

LAB 52.36, -29.81, -7.59

 

CMYK 83 / 0 / 1 / 32

HEX #1EAEAC

RGB 30 174 172

HSL 179.17, 0.71%, 0.4%

LAB 64.59, -35.24, -9.24

 

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

CMYK 67 / 83 / 0 / 59

HEX #221268

RGB 34 18 104

HSL 251.16, 0.7%, 0.24%

LAB 14.24, 33.98, -46.99

 

CMYK 0 / 35 / 83 / 59

HEX #684412

RGB 104 68 18

HSL 34.88, 0.7%, 0.24%

LAB 32.08, 10.83, 34.62

 

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

CMYK 2 / 83 / 0 / 59

HEX #661268

RGB 102 18 104

HSL 298.6, 0.7%, 0.24%

LAB 24.5, 46.3, -29.86

 

CMYK 0 / 2 / 83 / 59

HEX #686612

RGB 104 102 18

HSL 58.6, 0.7%, 0.24%

LAB 41.98, -9.49, 43.69

 

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

CMYK 67 / 83 / 0 / 59

HEX #221268

RGB 34 18 104

HSL 251.16, 0.7%, 0.24%

LAB 14.24, 33.98, -46.99

 

CMYK 0 / 83 / 82 / 59

HEX #681213

RGB 104 18 19

HSL 359.3, 0.7%, 0.24%

LAB 21.66, 37.22, 23.64

 

CMYK 15 / 0 / 83 / 59

HEX #586812

RGB 88 104 18

HSL 71.16, 0.7%, 0.24%

LAB 41.25, -18.15, 42.52

 

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

CMYK 43 / 83 / 0 / 59

HEX #3B1268

RGB 59 18 104

HSL 268.6, 0.7%, 0.24%

LAB 17.28, 37.67, -41.89

 

CMYK 0 / 83 / 82 / 59

HEX #681213

RGB 104 18 19

HSL 359.3, 0.7%, 0.24%

LAB 21.66, 37.22, 23.64

 

CMYK 40 / 0 / 83 / 59

HEX #3E6812

RGB 62 104 18

HSL 89.3, 0.7%, 0.24%

LAB 39.53, -29.3, 40.31

 

Description

Color code: RGB 18 103 102 | qconv.com Color code: RGB 18 103 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 103 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 103 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 1 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 1% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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