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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 72.8 16.4 it is the complementary color RGB 66 182.2 238.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 72.8 16.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 72.8 16.4 shade: RGB 194 72.8 11.4, RGB 211 90.8 30.4, RGB 228 108.8 49.4, RGB 245 126.8 68.4 and RGB 255 144.8 87.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 72.8 16.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 72.8 16.4 shade: RGB 189 72.8 16.4, RGB 172 54.8 0, RGB 155 36.8 0, RGB 138 18.8 0 and RGB 121 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 72.8 16.4 shade: RGB 188 72 16, RGB 188 26 16 and RGB 188 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 72.8 16.4 shade: RGB 188 72 16, RGB 188 119 16, RGB 188 165 16, RGB 164 188 16 and RGB 118 188 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 72.8 16.4 shade matches the following richer shades: RGB 188 72 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 72.8 16.4 shade: RGB 188 72 16, RGB 171 78 33, RGB 155 84 49, RGB 138 89 66 and RGB 122 95 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 72.8 16.4 shade: RGB 188 16 53, RGB 188 25 16, RGB 188 71 16, RGB 188 116 16 and RGB 188 162 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 72.8 16.4 shade: RGB 112 43 10, RGB 150 58 13, RGB 188 72 16, RGB 226 87 20 and RGB 237 111 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 72.8 16.4 shade: RGB 189 72.8 16.4, RGB 99 188 16 and RGB 16 31 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 72.8 16.4 shade: RGB 189 72.8 16.4, RGB 16 188 71 and RGB 71 16 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 72.8 16.4 shade: RGB 189 72.8 16.4, RGB 99 188 16, RGB 16 133 188 and RGB 105 16 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 72.8 16.4 shade: RGB 189 72.8 16.4, RGB 48 188 16, RGB 16 133 188 and RGB 156 16 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 91 / 26

HEX #BD4810

RGB 189 72.8 16.4

HSL 19.61, 0.84%, 0.4%

LAB 46.44, 44.47, 52.53

 

Complementary color

CMYK 72 / 24 / 0 / 6

HEX #42B6EE

RGB 66 182.2 238.6

HSL 199.61, 0.84%, 0.6%

LAB 70.11, -14.37, -37.43

 

CMYK 0 / 62 / 94 / 24

HEX #C2480B

RGB 194 72.8 11.4

HSL 20.18, 0.89%, 0.4%

LAB 47.28, 46.23, 54.95

 

CMYK 0 / 57 / 86 / 17

HEX #D35A1E

RGB 211 90.8 30.4

HSL 20.07, 0.75%, 0.47%

LAB 53.38, 44.5, 54.49

 

CMYK 0 / 52 / 78 / 11

HEX #E46C31

RGB 228 108.8 49.4

HSL 19.96, 0.77%, 0.54%

LAB 59.54, 42.76, 52.98

 

CMYK 0 / 48 / 72 / 4

HEX #F57E44

RGB 245 126.8 68.4

HSL 19.84, 0.9%, 0.61%

LAB 65.72, 41.11, 51.14

 

CMYK 0 / 43 / 66 / 0

HEX #FF9057

RGB 255 144.8 87.4

HSL 20.55, 1%, 0.67%

LAB 70.97, 36.86, 47.96

 

CMYK 0 / 61 / 91 / 26

HEX #BD4810

RGB 189 72.8 16.4

HSL 19.61, 0.84%, 0.4%

LAB 46.44, 44.47, 52.53

 

CMYK 0 / 68 / 100 / 33

HEX #AC3600

RGB 172 54.8 0

HSL 19.12, 1%, 0.34%

LAB 40.38, 46.05, 52.12

 

CMYK 0 / 76 / 100 / 39

HEX #9B2400

RGB 155 36.8 0

HSL 14.25, 1%, 0.3%

LAB 34.56, 47.22, 47.41

 

CMYK 0 / 86 / 100 / 46

HEX #8A1200

RGB 138 18.8 0

HSL 8.17, 1%, 0.27%

LAB 29.06, 47.27, 42

 

CMYK 0 / 99 / 100 / 53

HEX #790000

RGB 121 0.8 0

HSL 0.4, 1%, 0.24%

LAB 23.94, 45.99, 35.96

 

CMYK 0 / 62 / 91 / 26

HEX #BC4810

RGB 188 72 16

HSL 19.53, 0.84%, 0.4%

LAB 46.13, 44.46, 52.35

 

CMYK 0 / 86 / 91 / 26

HEX #BC1A10

RGB 188 26 16

HSL 3.49, 0.84%, 0.4%

LAB 40.36, 60.32, 48.32

 

CMYK 0 / 91 / 91 / 26

HEX #BC1010

RGB 188 16 16

HSL 0, 0.84%, 0.4%

LAB 39.75, 62.07, 47.91

 

CMYK 0 / 62 / 91 / 26

HEX #BC4810

RGB 188 72 16

HSL 19.53, 0.84%, 0.4%

LAB 46.13, 44.46, 52.35

 

CMYK 0 / 37 / 91 / 26

HEX #BC7710

RGB 188 119 16

HSL 35.93, 0.84%, 0.4%

LAB 56.01, 20.03, 59.6

 

CMYK 0 / 12 / 91 / 26

HEX #BCA510

RGB 188 165 16

HSL 51.98, 0.84%, 0.4%

LAB 67.75, -5.07, 68.52

 

CMYK 13 / 0 / 91 / 26

HEX #A4BC10

RGB 164 188 16

HSL 68.37, 0.84%, 0.4%

LAB 72.16, -27.21, 71.11

 

CMYK 37 / 0 / 91 / 26

HEX #76BC10

RGB 118 188 16

HSL 84.42, 0.84%, 0.4%

LAB 69.37, -45.28, 67.69

 

CMYK 0 / 62 / 91 / 26

HEX #BC4810

RGB 188 72 16

HSL 19.53, 0.84%, 0.4%

LAB 46.13, 44.46, 52.35

 

CMYK 0 / 62 / 91 / 26

HEX #BC4810

RGB 188 72 16

HSL 19.53, 0.84%, 0.4%

LAB 46.13, 44.46, 52.35

 

CMYK 0 / 54 / 81 / 33

HEX #AB4E21

RGB 171 78 33

HSL 19.57, 0.68%, 0.4%

LAB 44.54, 35.41, 43.05

 

CMYK 0 / 46 / 68 / 39

HEX #9B5431

RGB 155 84 49

HSL 19.81, 0.52%, 0.4%

LAB 43.55, 26.35, 32.98

 

CMYK 0 / 36 / 52 / 46

HEX #8A5942

RGB 138 89 66

HSL 19.17, 0.35%, 0.4%

LAB 42.67, 17.51, 21.58

 

CMYK 0 / 22 / 33 / 52

HEX #7A5F52

RGB 122 95 82

HSL 19.5, 0.2%, 0.4%

LAB 42.66, 8.94, 11.63

 

CMYK 0 / 91 / 72 / 26

HEX #BC1035

RGB 188 16 53

HSL 347.09, 0.84%, 0.4%

LAB 40.11, 63.1, 28.03

 

CMYK 0 / 87 / 91 / 26

HEX #BC1910

RGB 188 25 16

HSL 3.14, 0.84%, 0.4%

LAB 40.29, 60.52, 48.27

 

CMYK 0 / 62 / 91 / 26

HEX #BC4710

RGB 188 71 16

HSL 19.19, 0.84%, 0.4%

LAB 45.95, 44.92, 52.23

 

CMYK 0 / 38 / 91 / 26

HEX #BC7410

RGB 188 116 16

HSL 34.88, 0.84%, 0.4%

LAB 55.3, 21.68, 59.07

 

CMYK 0 / 14 / 91 / 26

HEX #BCA210

RGB 188 162 16

HSL 50.93, 0.84%, 0.4%

LAB 66.95, -3.48, 67.9

 

CMYK 0 / 62 / 91 / 56

HEX #702B0A

RGB 112 43 10

HSL 19.41, 0.84%, 0.24%

LAB 27.28, 28.86, 34.32

 

CMYK 0 / 61 / 91 / 41

HEX #963A0D

RGB 150 58 13

HSL 19.71, 0.84%, 0.32%

LAB 37, 36.62, 43.7

 

CMYK 0 / 62 / 91 / 26

HEX #BC4810

RGB 188 72 16

HSL 19.53, 0.84%, 0.4%

LAB 46.13, 44.46, 52.35

 

CMYK 0 / 62 / 91 / 11

HEX #E25714

RGB 226 87 20

HSL 19.51, 0.84%, 0.48%

LAB 55.11, 51.53, 60.44

 

CMYK 0 / 53 / 79 / 7

HEX #ED6F31

RGB 237 111 49

HSL 19.79, 0.84%, 0.56%

LAB 61.3, 45.09, 55.32

 

CMYK 0 / 61 / 91 / 26

HEX #BD4810

RGB 189 72.8 16.4

HSL 19.61, 0.84%, 0.4%

LAB 46.44, 44.47, 52.53

 

CMYK 47 / 0 / 91 / 26

HEX #63BC10

RGB 99 188 16

HSL 91.05, 0.84%, 0.4%

LAB 68.5, -51.65, 66.62

 

CMYK 91 / 84 / 0 / 26

HEX #101FBC

RGB 16 31 188

HSL 234.77, 0.84%, 0.4%

LAB 25.92, 53.6, -79.9

 

CMYK 0 / 61 / 91 / 26

HEX #BD4810

RGB 189 72.8 16.4

HSL 19.61, 0.84%, 0.4%

LAB 46.44, 44.47, 52.53

 

CMYK 91 / 0 / 62 / 26

HEX #10BC47

RGB 16 188 71

HSL 139.19, 0.84%, 0.4%

LAB 66.92, -63.37, 47.1

 

CMYK 62 / 91 / 0 / 26

HEX #4710BC

RGB 71 16 188

HSL 259.19, 0.84%, 0.4%

LAB 27.69, 61.56, -76.88

 

CMYK 0 / 61 / 91 / 26

HEX #BD4810

RGB 189 72.8 16.4

HSL 19.61, 0.84%, 0.4%

LAB 46.44, 44.47, 52.53

 

CMYK 47 / 0 / 91 / 26

HEX #63BC10

RGB 99 188 16

HSL 91.05, 0.84%, 0.4%

LAB 68.5, -51.65, 66.62

 

CMYK 91 / 29 / 0 / 26

HEX #1085BC

RGB 16 133 188

HSL 199.19, 0.84%, 0.4%

LAB 52.42, -9.48, -36.96

 

CMYK 44 / 91 / 0 / 26

HEX #6910BC

RGB 105 16 188

HSL 271.05, 0.84%, 0.4%

LAB 31.82, 64.62, -69.91

 

CMYK 0 / 61 / 91 / 26

HEX #BD4810

RGB 189 72.8 16.4

HSL 19.61, 0.84%, 0.4%

LAB 46.44, 44.47, 52.53

 

CMYK 74 / 0 / 91 / 26

HEX #30BC10

RGB 48 188 16

HSL 108.84, 0.84%, 0.4%

LAB 67, -63.9, 64.76

 

CMYK 91 / 29 / 0 / 26

HEX #1085BC

RGB 16 133 188

HSL 199.19, 0.84%, 0.4%

LAB 52.42, -9.48, -36.96

 

CMYK 17 / 91 / 0 / 26

HEX #9C10BC

RGB 156 16 188

HSL 288.84, 0.84%, 0.4%

LAB 39.7, 71.38, -56.72

 

Description

Color code: RGB 189 72.8 16.4 | qconv.com Color code: RGB 189 72.8 16.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 72.8 green and 16.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 72.8 16.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 91 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 91% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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