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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 53 164 it is the complementary color RGB 66 202 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 53 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 53 164 shade: RGB 194 53 159, RGB 211 71 178, RGB 228 89 197, RGB 245 107 216 and RGB 255 125 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 53 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 53 164 shade: RGB 189 53 164, RGB 172 35 145, RGB 155 17 126, RGB 138 0 107 and RGB 121 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 53 164 shade: RGB 187 53 162, RGB 187 53 126, RGB 187 53 90, RGB 187 53 54 and RGB 187 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 53 164 shade: RGB 187 53 162, RGB 175 53 187, RGB 139 53 187, RGB 103 53 187 and RGB 67 53 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 53 164 shade matches the following richer shades: RGB 187 53 162, RGB 206 33 175 and RGB 226 14 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 53 164 shade: RGB 187 53 162, RGB 168 72 150, RGB 148 92 138, RGB 129 111 126 and RGB 109 130 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 53 164 shade: RGB 140 53 187, RGB 176 53 187, RGB 187 53 162, RGB 187 53 127 and RGB 187 53 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 53 164 shade: RGB 123 35 106, RGB 155 44 134, RGB 187 53 162, RGB 205 76 181 and RGB 214 109 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 53 164 shade: RGB 189 53 164, RGB 187 104 53 and RGB 53 187 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 53 164 shade: RGB 189 53 164, RGB 162 187 53 and RGB 53 162 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 53 164 shade: RGB 189 53 164, RGB 187 104 53, RGB 53 187 77 and RGB 53 136 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 53 164 shade: RGB 189 53 164, RGB 187 144 53, RGB 53 187 77 and RGB 53 95 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 13 / 26

HEX #BD35A4

RGB 189 53 164

HSL 311.03, 0.56%, 0.47%

LAB 47.03, 64.75, -30.5

 

Complementary color

CMYK 67 / 0 / 55 / 21

HEX #42CA5B

RGB 66 202 91

HSL 131.03, 0.56%, 0.53%

LAB 72.33, -59.29, 44.41

 

CMYK 0 / 73 / 18 / 24

HEX #C2359F

RGB 194 53 159

HSL 314.89, 0.57%, 0.48%

LAB 47.65, 65.25, -26.5

 

CMYK 0 / 66 / 16 / 17

HEX #D347B2

RGB 211 71 178

HSL 314.14, 0.61%, 0.55%

LAB 53.57, 65.73, -28.28

 

CMYK 0 / 61 / 14 / 11

HEX #E459C5

RGB 228 89 197

HSL 313.38, 0.72%, 0.62%

LAB 59.59, 65.74, -29.68

 

CMYK 0 / 56 / 12 / 4

HEX #F56BD8

RGB 245 107 216

HSL 312.61, 0.87%, 0.69%

LAB 65.66, 65.45, -30.82

 

CMYK 0 / 51 / 8 / 0

HEX #FF7DEB

RGB 255 125 235

HSL 309.23, 1%, 0.75%

LAB 70.82, 63.04, -33.26

 

CMYK 0 / 72 / 13 / 26

HEX #BD35A4

RGB 189 53 164

HSL 311.03, 0.56%, 0.47%

LAB 47.03, 64.75, -30.5

 

CMYK 0 / 80 / 16 / 33

HEX #AC2391

RGB 172 35 145

HSL 311.82, 0.66%, 0.41%

LAB 41.24, 63.59, -28.35

 

CMYK 0 / 89 / 19 / 39

HEX #9B117E

RGB 155 17 126

HSL 312.61, 0.8%, 0.34%

LAB 35.74, 61.33, -25.47

 

CMYK 0 / 100 / 22 / 46

HEX #8A006B

RGB 138 0 107

HSL 313.48, 1%, 0.27%

LAB 30.56, 57.83, -21.78

 

CMYK 0 / 100 / 27 / 53

HEX #790058

RGB 121 0 88

HSL 316.36, 1%, 0.24%

LAB 26.07, 51.9, -16.62

 

CMYK 0 / 72 / 13 / 27

HEX #BB35A2

RGB 187 53 162

HSL 311.19, 0.56%, 0.47%

LAB 46.6, 63.98, -30.01

 

CMYK 0 / 72 / 33 / 27

HEX #BB357E

RGB 187 53 126

HSL 327.31, 0.56%, 0.47%

LAB 45.11, 59.23, -10.59

 

CMYK 0 / 72 / 52 / 27

HEX #BB355A

RGB 187 53 90

HSL 343.43, 0.56%, 0.47%

LAB 44.02, 55.63, 10.04

 

CMYK 0 / 72 / 71 / 27

HEX #BB3536

RGB 187 53 54

HSL 359.55, 0.56%, 0.47%

LAB 43.33, 53.28, 31.2

 

CMYK 0 / 72 / 72 / 27

HEX #BB3535

RGB 187 53 53

HSL 0, 0.56%, 0.47%

LAB 43.31, 53.23, 31.77

 

CMYK 0 / 72 / 13 / 27

HEX #BB35A2

RGB 187 53 162

HSL 311.19, 0.56%, 0.47%

LAB 46.6, 63.98, -30.01

 

CMYK 6 / 72 / 0 / 27

HEX #AF35BB

RGB 175 53 187

HSL 294.63, 0.56%, 0.47%

LAB 45.97, 65.26, -45.88

 

CMYK 26 / 72 / 0 / 27

HEX #8B35BB

RGB 139 53 187

HSL 278.51, 0.56%, 0.47%

LAB 40.61, 57.73, -54.78

 

CMYK 45 / 72 / 0 / 27

HEX #6735BB

RGB 103 53 187

HSL 262.39, 0.56%, 0.47%

LAB 36.02, 50.92, -62.44

 

CMYK 64 / 72 / 0 / 27

HEX #4335BB

RGB 67 53 187

HSL 246.27, 0.56%, 0.47%

LAB 32.54, 45.43, -68.28

 

CMYK 0 / 72 / 13 / 27

HEX #BB35A2

RGB 187 53 162

HSL 311.19, 0.56%, 0.47%

LAB 46.6, 63.98, -30.01

 

CMYK 0 / 84 / 15 / 19

HEX #CE21AF

RGB 206 33 175

HSL 310.75, 0.72%, 0.47%

LAB 48.64, 75.38, -34.28

 

CMYK 0 / 94 / 17 / 11

HEX #E20EBB

RGB 226 14 187

HSL 311.04, 0.88%, 0.47%

LAB 51.92, 83.47, -35.91

 

CMYK 0 / 72 / 13 / 27

HEX #BB35A2

RGB 187 53 162

HSL 311.19, 0.56%, 0.47%

LAB 46.6, 63.98, -30.01

 

CMYK 0 / 57 / 11 / 34

HEX #A84896

RGB 168 72 150

HSL 311.25, 0.4%, 0.47%

LAB 45.85, 49.29, -24.24

 

CMYK 0 / 38 / 7 / 42

HEX #945C8A

RGB 148 92 138

HSL 310.71, 0.23%, 0.47%

LAB 46.69, 30.25, -16

 

CMYK 0 / 14 / 2 / 49

HEX #816F7E

RGB 129 111 126

HSL 310, 0.08%, 0.47%

LAB 48.94, 9.89, -5.67

 

CMYK 16 / 0 / 13 / 49

HEX #6D8271

RGB 109 130 113

HSL 131.43, 0.09%, 0.47%

LAB 52.3, -11.18, 6.68

 

CMYK 25 / 72 / 0 / 27

HEX #8C35BB

RGB 140 53 187

HSL 278.96, 0.56%, 0.47%

LAB 40.75, 57.93, -54.54

 

CMYK 6 / 72 / 0 / 27

HEX #B035BB

RGB 176 53 187

HSL 295.07, 0.56%, 0.47%

LAB 46.13, 65.48, -45.62

 

CMYK 0 / 72 / 13 / 27

HEX #BB35A2

RGB 187 53 162

HSL 311.19, 0.56%, 0.47%

LAB 46.6, 63.98, -30.01

 

CMYK 0 / 72 / 32 / 27

HEX #BB357F

RGB 187 53 127

HSL 326.87, 0.56%, 0.47%

LAB 45.14, 59.35, -11.15

 

CMYK 0 / 72 / 51 / 27

HEX #BB355B

RGB 187 53 91

HSL 342.99, 0.56%, 0.47%

LAB 44.04, 55.71, 9.46

 

CMYK 0 / 72 / 14 / 52

HEX #7B236A

RGB 123 35 106

HSL 311.59, 0.56%, 0.31%

LAB 30.53, 45.81, -21.4

 

CMYK 0 / 72 / 14 / 39

HEX #9B2C86

RGB 155 44 134

HSL 311.35, 0.56%, 0.39%

LAB 38.71, 55.1, -25.8

 

CMYK 0 / 72 / 13 / 27

HEX #BB35A2

RGB 187 53 162

HSL 311.19, 0.56%, 0.47%

LAB 46.6, 63.98, -30.01

 

CMYK 0 / 63 / 12 / 20

HEX #CD4CB5

RGB 205 76 181

HSL 311.16, 0.56%, 0.55%

LAB 53.48, 62.64, -30.24

 

CMYK 0 / 49 / 9 / 16

HEX #D66DC2

RGB 214 109 194

HSL 311.43, 0.56%, 0.63%

LAB 60.89, 52.21, -26.12

 

CMYK 0 / 72 / 13 / 26

HEX #BD35A4

RGB 189 53 164

HSL 311.03, 0.56%, 0.47%

LAB 47.03, 64.75, -30.5

 

CMYK 0 / 44 / 72 / 27

HEX #BB6835

RGB 187 104 53

HSL 22.84, 0.56%, 0.47%

LAB 52.64, 29.05, 42.27

 

CMYK 72 / 0 / 16 / 27

HEX #35BB9E

RGB 53 187 158

HSL 167.01, 0.56%, 0.47%

LAB 68.58, -42.47, 4.41

 

CMYK 0 / 72 / 13 / 26

HEX #BD35A4

RGB 189 53 164

HSL 311.03, 0.56%, 0.47%

LAB 47.03, 64.75, -30.5

 

CMYK 13 / 0 / 72 / 27

HEX #A2BB35

RGB 162 187 53

HSL 71.19, 0.56%, 0.47%

LAB 71.88, -26.26, 61.27

 

CMYK 72 / 13 / 0 / 27

HEX #35A2BB

RGB 53 162 187

HSL 191.19, 0.56%, 0.47%

LAB 61.81, -22.22, -21.78

 

CMYK 0 / 72 / 13 / 26

HEX #BD35A4

RGB 189 53 164

HSL 311.03, 0.56%, 0.47%

LAB 47.03, 64.75, -30.5

 

CMYK 0 / 44 / 72 / 27

HEX #BB6835

RGB 187 104 53

HSL 22.84, 0.56%, 0.47%

LAB 52.64, 29.05, 42.27

 

CMYK 72 / 0 / 59 / 27

HEX #35BB4D

RGB 53 187 77

HSL 130.75, 0.56%, 0.47%

LAB 67.15, -58.18, 44.77

 

CMYK 72 / 27 / 0 / 27

HEX #3588BB

RGB 53 136 187

HSL 202.84, 0.56%, 0.47%

LAB 53.98, -8.04, -33.89

 

CMYK 0 / 72 / 13 / 26

HEX #BD35A4

RGB 189 53 164

HSL 311.03, 0.56%, 0.47%

LAB 47.03, 64.75, -30.5

 

CMYK 0 / 23 / 72 / 27

HEX #BB9035

RGB 187 144 53

HSL 40.75, 0.56%, 0.47%

LAB 62.31, 7.03, 52.43

 

CMYK 72 / 0 / 59 / 27

HEX #35BB4D

RGB 53 187 77

HSL 130.75, 0.56%, 0.47%

LAB 67.15, -58.18, 44.77

 

CMYK 72 / 49 / 0 / 27

HEX #355FBB

RGB 53 95 187

HSL 221.19, 0.56%, 0.47%

LAB 42.05, 17.16, -52.84

 

Description

Color code: RGB 189 53 164 | qconv.com Color code: RGB 189 53 164 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 53 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 53 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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