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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 3 109 it is the complementary color RGB 66 252 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 3 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 3 109 shade: RGB 194 3 104, RGB 211 21 123, RGB 228 39 142, RGB 245 57 161 and RGB 255 75 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 3 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 3 109 shade: RGB 189 3 109, RGB 172 0 90, RGB 155 0 71, RGB 138 0 52 and RGB 121 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 3 109 shade: RGB 190 2 110, RGB 190 2 59, RGB 190 2 8 and RGB 190 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 3 109 shade: RGB 190 2 110, RGB 190 2 160, RGB 170 2 190, RGB 119 2 190 and RGB 68 2 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 3 109 shade matches the following richer shades: RGB 190 2 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 3 109 shade: RGB 190 2 110, RGB 175 18 107, RGB 159 34 105, RGB 143 49 103 and RGB 128 65 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 3 109 shade: RGB 168 2 190, RGB 190 2 162, RGB 190 2 112, RGB 190 2 62 and RGB 190 2 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 3 109 shade: RGB 109 1 63, RGB 150 2 86, RGB 190 2 110, RGB 231 3 133 and RGB 251 24 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 3 109 shade: RGB 189 3 109, RGB 190 118 2 and RGB 2 187 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 3 109 shade: RGB 189 3 109, RGB 112 190 2 and RGB 2 112 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 3 109 shade: RGB 189 3 109, RGB 190 118 2, RGB 2 190 81 and RGB 2 74 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 3 109 shade: RGB 189 3 109, RGB 190 175 2, RGB 2 190 81 and RGB 2 18 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 42 / 26

HEX #BD036D

RGB 189 3 109

HSL 325.81, 0.97%, 0.38%

LAB 41.2, 68.52, -5.88

 

Complementary color

CMYK 74 / 0 / 42 / 1

HEX #42FC92

RGB 66 252 146

HSL 145.81, 0.97%, 0.62%

LAB 88.38, -68.33, 37.89

 

CMYK 0 / 98 / 46 / 24

HEX #C20368

RGB 194 3 104

HSL 328.27, 0.97%, 0.39%

LAB 42.05, 69.19, -1.36

 

CMYK 0 / 90 / 42 / 17

HEX #D3157B

RGB 211 21 123

HSL 327.79, 0.82%, 0.45%

LAB 46.73, 72.69, -5.86

 

CMYK 0 / 83 / 38 / 11

HEX #E4278E

RGB 228 39 142

HSL 327.3, 0.78%, 0.52%

LAB 51.72, 75.15, -9.58

 

CMYK 0 / 77 / 34 / 4

HEX #F539A1

RGB 245 57 161

HSL 326.81, 0.9%, 0.59%

LAB 56.99, 76.68, -12.61

 

CMYK 0 / 71 / 29 / 0

HEX #FF4BB4

RGB 255 75 180

HSL 325, 1%, 0.65%

LAB 61.3, 75.75, -16.96

 

CMYK 0 / 98 / 42 / 26

HEX #BD036D

RGB 189 3 109

HSL 325.81, 0.97%, 0.38%

LAB 41.2, 68.52, -5.88

 

CMYK 0 / 100 / 48 / 33

HEX #AC005A

RGB 172 0 90

HSL 328.6, 1%, 0.34%

LAB 36.95, 63.41, -0.47

 

CMYK 0 / 100 / 54 / 39

HEX #9B0047

RGB 155 0 71

HSL 332.52, 1%, 0.3%

LAB 32.75, 57.97, 5.41

 

CMYK 0 / 100 / 62 / 46

HEX #8A0034

RGB 138 0 52

HSL 337.39, 1%, 0.27%

LAB 28.51, 52.53, 11.65

 

CMYK 0 / 100 / 73 / 53

HEX #790021

RGB 121 0 33

HSL 343.64, 1%, 0.24%

LAB 24.24, 47.12, 18.29

 

CMYK 0 / 99 / 42 / 25

HEX #BE026E

RGB 190 2 110

HSL 325.53, 0.98%, 0.38%

LAB 41.4, 68.93, -6.18

 

CMYK 0 / 99 / 69 / 25

HEX #BE023B

RGB 190 2 59

HSL 341.81, 0.98%, 0.38%

LAB 40.09, 65.44, 24.34

 

CMYK 0 / 99 / 96 / 25

HEX #BE0208

RGB 190 2 8

HSL 358.09, 0.98%, 0.38%

LAB 39.59, 64.08, 50.95

 

CMYK 0 / 99 / 99 / 25

HEX #BE0202

RGB 190 2 2

HSL 0, 0.98%, 0.38%

LAB 39.57, 64.02, 53.13

 

CMYK 0 / 99 / 42 / 25

HEX #BE026E

RGB 190 2 110

HSL 325.53, 0.98%, 0.38%

LAB 41.4, 68.93, -6.18

 

CMYK 0 / 99 / 16 / 25

HEX #BE02A0

RGB 190 2 160

HSL 309.57, 0.98%, 0.38%

LAB 43.55, 74.43, -33.56

 

CMYK 11 / 99 / 0 / 25

HEX #AA02BE

RGB 170 2 190

HSL 293.62, 0.98%, 0.38%

LAB 41.7, 75.42, -54.53

 

CMYK 37 / 99 / 0 / 25

HEX #7702BE

RGB 119 2 190

HSL 277.34, 0.98%, 0.38%

LAB 33.31, 68.73, -68.56

 

CMYK 64 / 99 / 0 / 25

HEX #4402BE

RGB 68 2 190

HSL 261.06, 0.98%, 0.38%

LAB 26.71, 64.64, -79.7

 

CMYK 0 / 99 / 42 / 25

HEX #BE026E

RGB 190 2 110

HSL 325.53, 0.98%, 0.38%

LAB 41.4, 68.93, -6.18

 

CMYK 0 / 99 / 42 / 25

HEX #BE026E

RGB 190 2 110

HSL 325.53, 0.98%, 0.38%

LAB 41.4, 68.93, -6.18

 

CMYK 0 / 90 / 39 / 31

HEX #AF126B

RGB 175 18 107

HSL 325.99, 0.81%, 0.38%

LAB 38.91, 63.4, -8.33

 

CMYK 0 / 79 / 34 / 38

HEX #9F2269

RGB 159 34 105

HSL 325.92, 0.65%, 0.38%

LAB 36.99, 55.59, -10.26

 

CMYK 0 / 66 / 28 / 44

HEX #8F3167

RGB 143 49 103

HSL 325.53, 0.49%, 0.38%

LAB 36.01, 45.24, -10.75

 

CMYK 0 / 49 / 21 / 50

HEX #804165

RGB 128 65 101

HSL 325.71, 0.33%, 0.38%

LAB 36.57, 31.94, -8.88

 

CMYK 12 / 99 / 0 / 25

HEX #A802BE

RGB 168 2 190

HSL 292.98, 0.98%, 0.38%

LAB 41.35, 75.12, -55.11

 

CMYK 0 / 99 / 15 / 25

HEX #BE02A2

RGB 190 2 162

HSL 308.94, 0.98%, 0.38%

LAB 43.65, 74.69, -34.6

 

CMYK 0 / 99 / 41 / 25

HEX #BE0270

RGB 190 2 112

HSL 324.89, 0.98%, 0.38%

LAB 41.47, 69.11, -7.33

 

CMYK 0 / 99 / 67 / 25

HEX #BE023E

RGB 190 2 62

HSL 340.85, 0.98%, 0.38%

LAB 40.14, 65.58, 22.51

 

CMYK 0 / 99 / 94 / 25

HEX #BE020C

RGB 190 2 12

HSL 356.81, 0.98%, 0.38%

LAB 39.61, 64.12, 49.58

 

CMYK 0 / 99 / 42 / 57

HEX #6D013F

RGB 109 1 63

HSL 325.56, 0.98%, 0.22%

LAB 22.41, 46.12, -5.5

 

CMYK 0 / 99 / 43 / 41

HEX #960256

RGB 150 2 86

HSL 325.95, 0.97%, 0.3%

LAB 32.26, 57.8, -5.32

 

CMYK 0 / 99 / 42 / 25

HEX #BE026E

RGB 190 2 110

HSL 325.53, 0.98%, 0.38%

LAB 41.4, 68.93, -6.18

 

CMYK 0 / 99 / 42 / 9

HEX #E70385

RGB 231 3 133

HSL 325.79, 0.97%, 0.46%

LAB 50.39, 79.64, -6.09

 

CMYK 0 / 90 / 39 / 2

HEX #FB1899

RGB 251 24 153

HSL 325.9, 0.97%, 0.54%

LAB 55.55, 83.78, -9.96

 

CMYK 0 / 98 / 42 / 26

HEX #BD036D

RGB 189 3 109

HSL 325.81, 0.97%, 0.38%

LAB 41.2, 68.52, -5.88

 

CMYK 0 / 38 / 99 / 25

HEX #BE7602

RGB 190 118 2

HSL 37.02, 0.98%, 0.38%

LAB 56, 21.27, 62.34

 

CMYK 99 / 2 / 0 / 25

HEX #02BBBE

RGB 2 187 190

HSL 180.96, 0.98%, 0.38%

LAB 68.95, -37.1, -12.69

 

CMYK 0 / 98 / 42 / 26

HEX #BD036D

RGB 189 3 109

HSL 325.81, 0.97%, 0.38%

LAB 41.2, 68.52, -5.88

 

CMYK 41 / 0 / 99 / 25

HEX #70BE02

RGB 112 190 2

HSL 84.89, 0.98%, 0.38%

LAB 69.67, -48.44, 69.5

 

CMYK 99 / 41 / 0 / 25

HEX #0270BE

RGB 2 112 190

HSL 204.89, 0.98%, 0.38%

LAB 46.07, 3.35, -48.18

 

CMYK 0 / 98 / 42 / 26

HEX #BD036D

RGB 189 3 109

HSL 325.81, 0.97%, 0.38%

LAB 41.2, 68.52, -5.88

 

CMYK 0 / 38 / 99 / 25

HEX #BE7602

RGB 190 118 2

HSL 37.02, 0.98%, 0.38%

LAB 56, 21.27, 62.34

 

CMYK 99 / 0 / 57 / 25

HEX #02BE51

RGB 2 190 81

HSL 145.21, 0.98%, 0.38%

LAB 67.6, -63.33, 43.29

 

CMYK 99 / 61 / 0 / 25

HEX #024ABE

RGB 2 74 190

HSL 217.02, 0.98%, 0.38%

LAB 35.26, 28.27, -65.68

 

CMYK 0 / 98 / 42 / 26

HEX #BD036D

RGB 189 3 109

HSL 325.81, 0.97%, 0.38%

LAB 41.2, 68.52, -5.88

 

CMYK 0 / 8 / 99 / 25

HEX #BEAF02

RGB 190 175 2

HSL 55.21, 0.98%, 0.38%

LAB 70.6, -9.6, 72.53

 

CMYK 99 / 0 / 57 / 25

HEX #02BE51

RGB 2 190 81

HSL 145.21, 0.98%, 0.38%

LAB 67.6, -63.33, 43.29

 

CMYK 99 / 91 / 0 / 25

HEX #0212BE

RGB 2 18 190

HSL 234.89, 0.98%, 0.38%

LAB 24.2, 59.04, -83.96

 

Description

Color code: RGB 189 3 109 | qconv.com Color code: RGB 189 3 109 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 3 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 3 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 42 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 42% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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