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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 31 209 it is the complementary color RGB 66 224 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 31 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 31 209 shade: RGB 194 31 204, RGB 211 49 223, RGB 228 67 242, RGB 245 85 255 and RGB 255 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 31 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 31 209 shade: RGB 189 31 209, RGB 172 13 190, RGB 155 0 171, RGB 138 0 152 and RGB 121 0 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 31 209 shade: RGB 188 31 208, RGB 208 31 180, RGB 208 31 132, RGB 208 31 84 and RGB 208 31 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 31 209 shade: RGB 188 31 208, RGB 140 31 208, RGB 92 31 208, RGB 45 31 208 and RGB 31 31 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 31 209 shade matches the following richer shades: RGB 188 31 208 and RGB 203 11 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 31 209 shade: RGB 188 31 208, RGB 173 50 189, RGB 158 69 169, RGB 143 89 150 and RGB 128 108 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 31 209 shade: RGB 93 31 208, RGB 140 31 208, RGB 187 31 208, RGB 208 31 181 and RGB 208 31 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 31 209 shade: RGB 123 20 136, RGB 156 25 172, RGB 188 31 208, RGB 206 55 225 and RGB 214 91 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 31 209 shade: RGB 189 31 209, RGB 208 45 31 and RGB 31 208 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 31 209 shade: RGB 189 31 209, RGB 208 187 31 and RGB 31 208 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 31 209 shade: RGB 189 31 209, RGB 208 45 31, RGB 51 208 31 and RGB 31 193 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 31 209 shade: RGB 189 31 209, RGB 208 99 31, RGB 51 208 31 and RGB 31 140 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 85 / 0 / 18

HEX #BD1FD1

RGB 189 31 209

HSL 293.26, 0.74%, 0.47%

LAB 47.5, 77.67, -56.07

 

Complementary color

CMYK 71 / 0 / 79 / 12

HEX #42E02E

RGB 66 224 46

HSL 113.26, 0.74%, 0.53%

LAB 78.85, -70.7, 68.76

 

CMYK 5 / 85 / 0 / 20

HEX #C21FCC

RGB 194 31 204

HSL 296.53, 0.74%, 0.46%

LAB 48.02, 77.73, -52.31

 

CMYK 5 / 78 / 0 / 13

HEX #D331DF

RGB 211 49 223

HSL 295.86, 0.73%, 0.53%

LAB 53.36, 79.71, -54.47

 

CMYK 6 / 72 / 0 / 5

HEX #E443F2

RGB 228 67 242

HSL 295.2, 0.87%, 0.61%

LAB 58.9, 80.86, -56.14

 

CMYK 4 / 67 / 0 / 0

HEX #F555FF

RGB 245 85 255

HSL 296.47, 1%, 0.67%

LAB 64.27, 80.44, -54.64

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 10 / 85 / 0 / 18

HEX #BD1FD1

RGB 189 31 209

HSL 293.26, 0.74%, 0.47%

LAB 47.5, 77.67, -56.07

 

CMYK 9 / 93 / 0 / 25

HEX #AC0DBE

RGB 172 13 190

HSL 293.9, 0.87%, 0.4%

LAB 42.42, 74.61, -53.35

 

CMYK 9 / 100 / 0 / 33

HEX #9B00AB

RGB 155 0 171

HSL 294.39, 1%, 0.34%

LAB 37.68, 70.27, -49.9

 

CMYK 9 / 100 / 0 / 40

HEX #8A0098

RGB 138 0 152

HSL 294.47, 1%, 0.3%

LAB 33.29, 64.49, -45.65

 

CMYK 9 / 100 / 0 / 48

HEX #790085

RGB 121 0 133

HSL 294.59, 1%, 0.26%

LAB 28.79, 58.58, -41.29

 

CMYK 10 / 85 / 0 / 18

HEX #BC1FD0

RGB 188 31 208

HSL 293.22, 0.74%, 0.47%

LAB 47.27, 77.34, -55.87

 

CMYK 0 / 85 / 13 / 18

HEX #D01FB4

RGB 208 31 180

HSL 309.49, 0.74%, 0.47%

LAB 49.11, 76.84, -36.45

 

CMYK 0 / 85 / 37 / 18

HEX #D01F84

RGB 208 31 132

HSL 325.76, 0.74%, 0.47%

LAB 47.05, 71.18, -10.95

 

CMYK 0 / 85 / 60 / 18

HEX #D01F54

RGB 208 31 84

HSL 342.03, 0.74%, 0.47%

LAB 45.68, 67.26, 16.68

 

CMYK 0 / 85 / 82 / 18

HEX #D01F25

RGB 208 31 37

HSL 357.97, 0.74%, 0.47%

LAB 44.97, 65.2, 43.8

 

CMYK 10 / 85 / 0 / 18

HEX #BC1FD0

RGB 188 31 208

HSL 293.22, 0.74%, 0.47%

LAB 47.27, 77.34, -55.87

 

CMYK 33 / 85 / 0 / 18

HEX #8C1FD0

RGB 140 31 208

HSL 276.95, 0.74%, 0.47%

LAB 39.76, 69.81, -68.39

 

CMYK 56 / 85 / 0 / 18

HEX #5C1FD0

RGB 92 31 208

HSL 260.68, 0.74%, 0.47%

LAB 33.58, 64.01, -78.78

 

CMYK 78 / 85 / 0 / 18

HEX #2D1FD0

RGB 45 31 208

HSL 244.75, 0.74%, 0.47%

LAB 29.64, 60.6, -85.43

 

CMYK 85 / 85 / 0 / 18

HEX #1F1FD0

RGB 31 31 208

HSL 240, 0.74%, 0.47%

LAB 28.97, 60.04, -86.57

 

CMYK 10 / 85 / 0 / 18

HEX #BC1FD0

RGB 188 31 208

HSL 293.22, 0.74%, 0.47%

LAB 47.27, 77.34, -55.87

 

CMYK 11 / 95 / 0 / 11

HEX #CB0BE3

RGB 203 11 227

HSL 293.33, 0.91%, 0.47%

LAB 50.08, 85.51, -62.08

 

CMYK 10 / 85 / 0 / 18

HEX #BC1FD0

RGB 188 31 208

HSL 293.22, 0.74%, 0.47%

LAB 47.27, 77.34, -55.87

 

CMYK 8 / 74 / 0 / 26

HEX #AD32BD

RGB 173 50 189

HSL 293.09, 0.58%, 0.47%

LAB 45.41, 66.22, -47.96

 

CMYK 7 / 59 / 0 / 34

HEX #9E45A9

RGB 158 69 169

HSL 293.4, 0.42%, 0.47%

LAB 44.79, 51.32, -37.33

 

CMYK 5 / 41 / 0 / 41

HEX #8F5996

RGB 143 89 150

HSL 293.11, 0.26%, 0.47%

LAB 45.89, 32.63, -24.46

 

CMYK 2 / 17 / 0 / 49

HEX #806C82

RGB 128 108 130

HSL 294.55, 0.09%, 0.47%

LAB 48.17, 12.11, -9.2

 

CMYK 55 / 85 / 0 / 18

HEX #5D1FD0

RGB 93 31 208

HSL 261.02, 0.74%, 0.47%

LAB 33.69, 64.11, -78.59

 

CMYK 33 / 85 / 0 / 18

HEX #8C1FD0

RGB 140 31 208

HSL 276.95, 0.74%, 0.47%

LAB 39.76, 69.81, -68.39

 

CMYK 10 / 85 / 0 / 18

HEX #BB1FD0

RGB 187 31 208

HSL 292.88, 0.74%, 0.47%

LAB 47.1, 77.17, -56.14

 

CMYK 0 / 85 / 13 / 18

HEX #D01FB5

RGB 208 31 181

HSL 309.15, 0.74%, 0.47%

LAB 49.16, 76.97, -36.96

 

CMYK 0 / 85 / 36 / 18

HEX #D01F86

RGB 208 31 134

HSL 325.08, 0.74%, 0.47%

LAB 47.12, 71.38, -12.05

 

CMYK 10 / 85 / 0 / 47

HEX #7B1488

RGB 123 20 136

HSL 293.28, 0.74%, 0.31%

LAB 30.61, 55.78, -40.22

 

CMYK 9 / 85 / 0 / 33

HEX #9C19AC

RGB 156 25 172

HSL 293.47, 0.75%, 0.39%

LAB 39.14, 66.99, -48.13

 

CMYK 10 / 85 / 0 / 18

HEX #BC1FD0

RGB 188 31 208

HSL 293.22, 0.74%, 0.47%

LAB 47.27, 77.34, -55.87

 

CMYK 8 / 76 / 0 / 12

HEX #CE37E1

RGB 206 55 225

HSL 293.29, 0.74%, 0.55%

LAB 53.27, 77.41, -55.79

 

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

CMYK 10 / 85 / 0 / 18

HEX #BD1FD1

RGB 189 31 209

HSL 293.26, 0.74%, 0.47%

LAB 47.5, 77.67, -56.07

 

CMYK 0 / 78 / 85 / 18

HEX #D02D1F

RGB 208 45 31

HSL 4.75, 0.74%, 0.47%

LAB 46.16, 61.56, 47.91

 

CMYK 85 / 0 / 44 / 18

HEX #1FD074

RGB 31 208 116

HSL 148.81, 0.74%, 0.47%

LAB 73.97, -62.11, 34.07

 

CMYK 10 / 85 / 0 / 18

HEX #BD1FD1

RGB 189 31 209

HSL 293.26, 0.74%, 0.47%

LAB 47.5, 77.67, -56.07

 

CMYK 0 / 10 / 85 / 18

HEX #D0BB1F

RGB 208 187 31

HSL 52.88, 0.74%, 0.47%

LAB 75.48, -7.44, 72.44

 

CMYK 85 / 0 / 10 / 18

HEX #1FD0BB

RGB 31 208 187

HSL 172.88, 0.74%, 0.47%

LAB 75.45, -46, -1.4

 

CMYK 10 / 85 / 0 / 18

HEX #BD1FD1

RGB 189 31 209

HSL 293.26, 0.74%, 0.47%

LAB 47.5, 77.67, -56.07

 

CMYK 0 / 78 / 85 / 18

HEX #D02D1F

RGB 208 45 31

HSL 4.75, 0.74%, 0.47%

LAB 46.16, 61.56, 47.91

 

CMYK 75 / 0 / 85 / 18

HEX #33D01F

RGB 51 208 31

HSL 113.22, 0.74%, 0.47%

LAB 73.49, -68.97, 67.54

 

CMYK 85 / 7 / 0 / 18

HEX #1FC1D0

RGB 31 193 208

HSL 185.08, 0.74%, 0.47%

LAB 71.54, -33.1, -18.61

 

CMYK 10 / 85 / 0 / 18

HEX #BD1FD1

RGB 189 31 209

HSL 293.26, 0.74%, 0.47%

LAB 47.5, 77.67, -56.07

 

CMYK 0 / 52 / 85 / 18

HEX #D0631F

RGB 208 99 31

HSL 23.05, 0.74%, 0.47%

LAB 54.48, 39.33, 55

 

CMYK 75 / 0 / 85 / 18

HEX #33D01F

RGB 51 208 31

HSL 113.22, 0.74%, 0.47%

LAB 73.49, -68.97, 67.54

 

CMYK 85 / 33 / 0 / 18

HEX #1F8CD0

RGB 31 140 208

HSL 203.05, 0.74%, 0.47%

LAB 55.69, -5.16, -43.15

 

Description

Color code: RGB 189 31 209 | qconv.com Color code: RGB 189 31 209 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 31 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 31 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 85 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 85% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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