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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 247 94 it is the complementary color RGB 66 8 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 247 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 247 94 shade: RGB 194 247 89, RGB 211 255 108, RGB 228 255 127, RGB 245 255 146 and RGB 255 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 247 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 172 229 75, RGB 155 211 56, RGB 138 193 37 and RGB 121 175 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 231 247 94, RGB 247 223 94, RGB 247 182 94 and RGB 247 140 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 148 247 94, RGB 107 247 94, RGB 94 247 123 and RGB 94 247 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 247 94 shade matches the following richer shades: RGB 189 247 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 186 234 108, RGB 183 220 122, RGB 179 207 135 and RGB 176 193 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 247 94 shade: RGB 247 222 94, RGB 232 247 94, RGB 191 247 94, RGB 150 247 94 and RGB 110 247 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 247 94 shade: RGB 157 244 15, RGB 173 246 55, RGB 189 247 94, RGB 205 249 134 and RGB 222 251 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 94 247 181 and RGB 242 94 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 94 191 247 and RGB 247 94 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 94 247 181, RGB 150 94 247 and RGB 247 94 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 247 94 shade: RGB 189 247 94, RGB 94 247 227, RGB 150 94 247 and RGB 247 94 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

Complementary color

CMYK 59 / 95 / 0 / 37

HEX #4208A1

RGB 66 8 161

HSL 262.75, 0.91%, 0.33%

LAB 23.36, 56.27, -67.85

 

CMYK 21 / 0 / 64 / 3

HEX #C2F759

RGB 194 247 89

HSL 80.13, 0.91%, 0.66%

LAB 91.1, -39.24, 67.98

 

CMYK 17 / 0 / 58 / 0

HEX #D3FF6C

RGB 211 255 108

HSL 77.96, 1%, 0.71%

LAB 94.51, -35.05, 64.21

 

CMYK 11 / 0 / 50 / 0

HEX #E4FF7F

RGB 228 255 127

HSL 72.66, 1%, 0.75%

LAB 95.81, -27.01, 57.63

 

CMYK 4 / 0 / 43 / 0

HEX #F5FF92

RGB 245 255 146

HSL 65.5, 1%, 0.79%

LAB 97.23, -18.74, 50.8

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 25 / 0 / 67 / 10

HEX #ACE54B

RGB 172 229 75

HSL 82.21, 0.75%, 0.6%

LAB 84.65, -40.4, 66.21

 

CMYK 27 / 0 / 73 / 17

HEX #9BD338

RGB 155 211 56

HSL 81.68, 0.64%, 0.52%

LAB 78.37, -39.96, 66.4

 

CMYK 28 / 0 / 81 / 24

HEX #8AC125

RGB 138 193 37

HSL 81.15, 0.68%, 0.45%

LAB 72.01, -39.36, 65.92

 

CMYK 31 / 0 / 90 / 31

HEX #79AF12

RGB 121 175 18

HSL 80.64, 0.81%, 0.38%

LAB 65.57, -38.55, 64.3

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 6 / 0 / 62 / 3

HEX #E7F75E

RGB 231 247 94

HSL 66.27, 0.91%, 0.67%

LAB 93.59, -24.66, 69.37

 

CMYK 0 / 10 / 62 / 3

HEX #F7DF5E

RGB 247 223 94

HSL 50.59, 0.91%, 0.67%

LAB 88.62, -6.47, 64.4

 

CMYK 0 / 26 / 62 / 3

HEX #F7B65E

RGB 247 182 94

HSL 34.51, 0.91%, 0.67%

LAB 78.48, 14.65, 53.12

 

CMYK 0 / 43 / 62 / 3

HEX #F78C5E

RGB 247 140 94

HSL 18.04, 0.91%, 0.67%

LAB 69, 36.61, 41.98

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 40 / 0 / 62 / 3

HEX #94F75E

RGB 148 247 94

HSL 98.82, 0.91%, 0.67%

LAB 88.75, -54.72, 62.71

 

CMYK 57 / 0 / 62 / 3

HEX #6BF75E

RGB 107 247 94

HSL 114.9, 0.91%, 0.67%

LAB 87.22, -66.07, 60.59

 

CMYK 62 / 0 / 50 / 3

HEX #5EF77B

RGB 94 247 123

HSL 131.37, 0.91%, 0.67%

LAB 87.16, -65.48, 47.53

 

CMYK 62 / 0 / 34 / 3

HEX #5EF7A4

RGB 94 247 164

HSL 147.45, 0.91%, 0.67%

LAB 87.77, -58.8, 28.2

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 21 / 0 / 54 / 8

HEX #BAEA6C

RGB 186 234 108

HSL 82.86, 0.75%, 0.67%

LAB 87.18, -34.8, 55.41

 

CMYK 17 / 0 / 45 / 14

HEX #B7DC7A

RGB 183 220 122

HSL 82.65, 0.58%, 0.67%

LAB 83.26, -27.94, 44.04

 

CMYK 14 / 0 / 35 / 19

HEX #B3CF87

RGB 179 207 135

HSL 83.33, 0.43%, 0.67%

LAB 79.59, -21.53, 32.76

 

CMYK 9 / 0 / 23 / 24

HEX #B0C195

RGB 176 193 149

HSL 83.18, 0.26%, 0.67%

LAB 75.79, -13.59, 20.26

 

CMYK 0 / 10 / 62 / 3

HEX #F7DE5E

RGB 247 222 94

HSL 50.2, 0.91%, 0.67%

LAB 88.36, -5.97, 64.13

 

CMYK 6 / 0 / 62 / 3

HEX #E8F75E

RGB 232 247 94

HSL 65.88, 0.91%, 0.67%

LAB 93.66, -24.26, 69.47

 

CMYK 23 / 0 / 62 / 3

HEX #BFF75E

RGB 191 247 94

HSL 81.96, 0.91%, 0.67%

LAB 90.96, -39.98, 65.78

 

CMYK 39 / 0 / 62 / 3

HEX #96F75E

RGB 150 247 94

HSL 98.04, 0.91%, 0.67%

LAB 88.83, -54.09, 62.83

 

CMYK 55 / 0 / 62 / 3

HEX #6EF75E

RGB 110 247 94

HSL 113.73, 0.91%, 0.67%

LAB 87.31, -65.35, 60.72

 

CMYK 36 / 0 / 94 / 4

HEX #9DF40F

RGB 157 244 15

HSL 82.79, 0.91%, 0.51%

LAB 87.92, -54.41, 83.59

 

CMYK 30 / 0 / 78 / 4

HEX #ADF637

RGB 173 246 55

HSL 82.93, 0.91%, 0.59%

LAB 89.43, -48.45, 77.51

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 18 / 0 / 46 / 2

HEX #CDF986

RGB 205 249 134

HSL 82.96, 0.91%, 0.75%

LAB 92.77, -32.08, 50.37

 

CMYK 12 / 0 / 31 / 2

HEX #DEFBAD

RGB 222 251 173

HSL 82.31, 0.91%, 0.83%

LAB 94.97, -22.17, 34.36

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 62 / 0 / 27 / 3

HEX #5EF7B5

RGB 94 247 181

HSL 154.12, 0.91%, 0.67%

LAB 88.08, -55.45, 19.96

 

CMYK 2 / 62 / 0 / 3

HEX #F25EF7

RGB 242 94 247

HSL 298.04, 0.91%, 0.67%

LAB 64.64, 75.06, -49.66

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 62 / 23 / 0 / 3

HEX #5EBFF7

RGB 94 191 247

HSL 201.96, 0.91%, 0.67%

LAB 73.78, -12.16, -36.21

 

CMYK 0 / 62 / 23 / 3

HEX #F75EBF

RGB 247 94 191

HSL 321.96, 0.91%, 0.67%

LAB 62.96, 67.97, -20.84

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 62 / 0 / 27 / 3

HEX #5EF7B5

RGB 94 247 181

HSL 154.12, 0.91%, 0.67%

LAB 88.08, -55.45, 19.96

 

CMYK 39 / 62 / 0 / 3

HEX #965EF7

RGB 150 94 247

HSL 261.96, 0.91%, 0.67%

LAB 53.17, 54.57, -68.66

 

CMYK 0 / 62 / 35 / 3

HEX #F75EA1

RGB 247 94 161

HSL 333.73, 0.91%, 0.67%

LAB 61.96, 64.33, -5.16

 

CMYK 23 / 0 / 62 / 3

HEX #BDF75E

RGB 189 247 94

HSL 82.75, 0.91%, 0.67%

LAB 90.85, -40.72, 65.61

 

CMYK 62 / 0 / 8 / 3

HEX #5EF7E3

RGB 94 247 227

HSL 172.16, 0.91%, 0.67%

LAB 89.13, -44.9, -2.39

 

CMYK 39 / 62 / 0 / 3

HEX #965EF7

RGB 150 94 247

HSL 261.96, 0.91%, 0.67%

LAB 53.17, 54.57, -68.66

 

CMYK 0 / 62 / 53 / 3

HEX #F75E73

RGB 247 94 115

HSL 351.76, 0.91%, 0.67%

LAB 60.8, 59.99, 19.82

 

Description

Color code: RGB 189 247 94 | qconv.com Color code: RGB 189 247 94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 247 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 247 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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