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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 237 75 it is the complementary color RGB 66 18 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 237 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 237 75 shade: RGB 194 237 70, RGB 211 255 89, RGB 228 255 108, RGB 245 255 127 and RGB 255 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 237 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 237 75 shade: RGB 189 237 75, RGB 172 219 56, RGB 155 201 37, RGB 138 183 18 and RGB 121 165 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 237 75 shade: RGB 188 237 74, RGB 232 237 74, RGB 237 197 74, RGB 237 153 74 and RGB 237 109 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 237 75 shade: RGB 188 237 74, RGB 144 237 74, RGB 100 237 74, RGB 74 237 91 and RGB 74 237 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 237 75 shade matches the following richer shades: RGB 188 237 74 and RGB 195 253 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 237 75 shade: RGB 188 237 74, RGB 182 221 90, RGB 175 204 106, RGB 169 188 122 and RGB 162 172 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 237 75 shade: RGB 237 196 74, RGB 234 237 74, RGB 190 237 74, RGB 147 237 74 and RGB 103 237 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 237 75 shade: RGB 152 208 20, RGB 175 233 36, RGB 188 237 74, RGB 202 240 111 and RGB 216 244 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 237 75 shade: RGB 189 237 75, RGB 74 237 152 and RGB 218 74 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 237 75 shade: RGB 189 237 75, RGB 74 190 237 and RGB 237 74 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 237 75 shade: RGB 189 237 75, RGB 74 237 152, RGB 120 74 237 and RGB 237 74 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 237 75 shade: RGB 189 237 75, RGB 74 237 201, RGB 120 74 237 and RGB 237 74 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 68 / 7

HEX #BDED4B

RGB 189 237 75

HSL 77.78, 0.82%, 0.61%

LAB 87.92, -37.57, 69.88

 

Complementary color

CMYK 63 / 90 / 0 / 29

HEX #4212B4

RGB 66 18 180

HSL 257.78, 0.82%, 0.39%

LAB 26.41, 58.64, -74.25

 

CMYK 18 / 0 / 70 / 7

HEX #C2ED46

RGB 194 237 70

HSL 75.45, 0.82%, 0.6%

LAB 88.2, -35.95, 72.05

 

CMYK 17 / 0 / 65 / 0

HEX #D3FF59

RGB 211 255 89

HSL 75.9, 1%, 0.67%

LAB 94.35, -36.43, 71.72

 

CMYK 11 / 0 / 58 / 0

HEX #E4FF6C

RGB 228 255 108

HSL 71.02, 1%, 0.71%

LAB 95.62, -28.6, 65.77

 

CMYK 4 / 0 / 50 / 0

HEX #F5FF7F

RGB 245 255 127

HSL 64.69, 1%, 0.75%

LAB 97.01, -20.51, 59.35

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 20 / 0 / 68 / 7

HEX #BDED4B

RGB 189 237 75

HSL 77.78, 0.82%, 0.61%

LAB 87.92, -37.57, 69.88

 

CMYK 21 / 0 / 74 / 14

HEX #ACDB38

RGB 172 219 56

HSL 77.3, 0.69%, 0.54%

LAB 81.69, -37.05, 69.94

 

CMYK 23 / 0 / 82 / 21

HEX #9BC925

RGB 155 201 37

HSL 76.83, 0.69%, 0.47%

LAB 75.37, -36.37, 69.29

 

CMYK 25 / 0 / 90 / 28

HEX #8AB712

RGB 138 183 18

HSL 76.36, 0.82%, 0.39%

LAB 68.98, -35.49, 67.52

 

CMYK 27 / 0 / 100 / 35

HEX #79A500

RGB 121 165 0

HSL 76, 1%, 0.32%

LAB 62.49, -34.41, 64.41

 

CMYK 21 / 0 / 69 / 7

HEX #BCED4A

RGB 188 237 74

HSL 78.04, 0.82%, 0.61%

LAB 87.85, -38.01, 70.16

 

CMYK 2 / 0 / 69 / 7

HEX #E8ED4A

RGB 232 237 74

HSL 61.84, 0.82%, 0.61%

LAB 90.88, -20.63, 74.18

 

CMYK 0 / 17 / 69 / 7

HEX #EDC54A

RGB 237 197 74

HSL 45.28, 0.82%, 0.61%

LAB 80.98, 1.48, 64.37

 

CMYK 0 / 35 / 69 / 7

HEX #ED994A

RGB 237 153 74

HSL 29.08, 0.82%, 0.61%

LAB 70.37, 24.63, 53.19

 

CMYK 0 / 54 / 69 / 7

HEX #ED6D4A

RGB 237 109 74

HSL 12.88, 0.82%, 0.61%

LAB 61.16, 47.11, 42.91

 

CMYK 21 / 0 / 69 / 7

HEX #BCED4A

RGB 188 237 74

HSL 78.04, 0.82%, 0.61%

LAB 87.85, -38.01, 70.16

 

CMYK 39 / 0 / 69 / 7

HEX #90ED4A

RGB 144 237 74

HSL 94.23, 0.82%, 0.61%

LAB 85.5, -53.6, 67.01

 

CMYK 58 / 0 / 69 / 7

HEX #64ED4A

RGB 100 237 74

HSL 110.43, 0.82%, 0.61%

LAB 83.85, -66.03, 64.77

 

CMYK 69 / 0 / 62 / 7

HEX #4AED5B

RGB 74 237 91

HSL 126.26, 0.82%, 0.61%

LAB 83.33, -69.76, 57.24

 

CMYK 69 / 0 / 43 / 7

HEX #4AED87

RGB 74 237 135

HSL 142.45, 0.82%, 0.61%

LAB 83.85, -63.72, 37.46

 

CMYK 21 / 0 / 69 / 7

HEX #BCED4A

RGB 188 237 74

HSL 78.04, 0.82%, 0.61%

LAB 87.85, -38.01, 70.16

 

CMYK 23 / 0 / 77 / 1

HEX #C3FD39

RGB 195 253 57

HSL 77.76, 0.98%, 0.61%

LAB 92.64, -43.28, 80.36

 

CMYK 21 / 0 / 69 / 7

HEX #BCED4A

RGB 188 237 74

HSL 78.04, 0.82%, 0.61%

LAB 87.85, -38.01, 70.16

 

CMYK 18 / 0 / 59 / 13

HEX #B6DD5A

RGB 182 221 90

HSL 77.86, 0.66%, 0.61%

LAB 83.12, -31.89, 58.67

 

CMYK 14 / 0 / 48 / 20

HEX #AFCC6A

RGB 175 204 106

HSL 77.76, 0.49%, 0.61%

LAB 78.08, -25.04, 45.33

 

CMYK 10 / 0 / 35 / 26

HEX #A9BC7A

RGB 169 188 122

HSL 77.27, 0.33%, 0.61%

LAB 73.42, -17.55, 31.28

 

CMYK 6 / 0 / 20 / 33

HEX #A2AC8A

RGB 162 172 138

HSL 77.65, 0.17%, 0.61%

LAB 68.77, -9.6, 16.34

 

CMYK 0 / 17 / 69 / 7

HEX #EDC44A

RGB 237 196 74

HSL 44.91, 0.82%, 0.61%

LAB 80.73, 1.99, 64.12

 

CMYK 1 / 0 / 69 / 7

HEX #EAED4A

RGB 234 237 74

HSL 61.1, 0.82%, 0.61%

LAB 91.03, -19.81, 74.39

 

CMYK 20 / 0 / 69 / 7

HEX #BEED4A

RGB 190 237 74

HSL 77.3, 0.82%, 0.61%

LAB 87.97, -37.25, 70.32

 

CMYK 38 / 0 / 69 / 7

HEX #93ED4A

RGB 147 237 74

HSL 93.13, 0.82%, 0.61%

LAB 85.64, -52.62, 67.19

 

CMYK 57 / 0 / 69 / 7

HEX #67ED4A

RGB 103 237 74

HSL 109.33, 0.82%, 0.61%

LAB 83.94, -65.31, 64.9

 

CMYK 27 / 0 / 90 / 18

HEX #98D014

RGB 152 208 20

HSL 77.87, 0.82%, 0.45%

LAB 77.18, -41.13, 74.22

 

CMYK 25 / 0 / 85 / 9

HEX #AFE924

RGB 175 233 36

HSL 77.66, 0.82%, 0.53%

LAB 85.77, -42.87, 78.99

 

CMYK 21 / 0 / 69 / 7

HEX #BCED4A

RGB 188 237 74

HSL 78.04, 0.82%, 0.61%

LAB 87.85, -38.01, 70.16

 

CMYK 16 / 0 / 54 / 6

HEX #CAF06F

RGB 202 240 111

HSL 77.67, 0.81%, 0.69%

LAB 89.87, -31.3, 57.45

 

CMYK 11 / 0 / 39 / 4

HEX #D8F495

RGB 216 244 149

HSL 77.68, 0.81%, 0.77%

LAB 92.34, -24.01, 42.75

 

CMYK 20 / 0 / 68 / 7

HEX #BDED4B

RGB 189 237 75

HSL 77.78, 0.82%, 0.61%

LAB 87.92, -37.57, 69.88

 

CMYK 69 / 0 / 36 / 7

HEX #4AED98

RGB 74 237 152

HSL 148.71, 0.82%, 0.61%

LAB 84.12, -60.71, 29.29

 

CMYK 8 / 69 / 0 / 7

HEX #DA4AED

RGB 218 74 237

HSL 293.01, 0.82%, 0.61%

LAB 57.96, 75.61, -54.94

 

CMYK 20 / 0 / 68 / 7

HEX #BDED4B

RGB 189 237 75

HSL 77.78, 0.82%, 0.61%

LAB 87.92, -37.57, 69.88

 

CMYK 69 / 20 / 0 / 7

HEX #4ABEED

RGB 74 190 237

HSL 197.3, 0.82%, 0.61%

LAB 72.49, -17.93, -32.85

 

CMYK 0 / 69 / 20 / 7

HEX #ED4ABE

RGB 237 74 190

HSL 317.3, 0.82%, 0.61%

LAB 58.62, 72.81, -27.06

 

CMYK 20 / 0 / 68 / 7

HEX #BDED4B

RGB 189 237 75

HSL 77.78, 0.82%, 0.61%

LAB 87.92, -37.57, 69.88

 

CMYK 69 / 0 / 36 / 7

HEX #4AED98

RGB 74 237 152

HSL 148.71, 0.82%, 0.61%

LAB 84.12, -60.71, 29.29

 

CMYK 49 / 69 / 0 / 7

HEX #784AED

RGB 120 74 237

HSL 256.93, 0.82%, 0.61%

LAB 45.64, 56.7, -75.44

 

CMYK 0 / 69 / 33 / 7

HEX #ED4A9E

RGB 237 74 158

HSL 329.08, 0.82%, 0.61%

LAB 57.43, 68.92, -10.33

 

CMYK 20 / 0 / 68 / 7

HEX #BDED4B

RGB 189 237 75

HSL 77.78, 0.82%, 0.61%

LAB 87.92, -37.57, 69.88

 

CMYK 69 / 0 / 15 / 7

HEX #4AEDC9

RGB 74 237 201

HSL 166.75, 0.82%, 0.61%

LAB 85.12, -50.1, 5.3

 

CMYK 49 / 69 / 0 / 7

HEX #784AED

RGB 120 74 237

HSL 256.93, 0.82%, 0.61%

LAB 45.64, 56.7, -75.44

 

CMYK 0 / 69 / 54 / 7

HEX #ED4A6D

RGB 237 74 109

HSL 347.12, 0.82%, 0.61%

LAB 56.09, 64.36, 16.63

 

Description

Color code: RGB 189 237 75 | qconv.com Color code: RGB 189 237 75 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 237 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 237 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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