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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 207 18 it is the complementary color RGB 66 48 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 207 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 207 18 shade: RGB 194 207 13, RGB 211 225 32, RGB 228 243 51, RGB 245 255 70 and RGB 255 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 207 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 207 18 shade: RGB 189 207 18, RGB 172 189 0, RGB 155 171 0, RGB 138 153 0 and RGB 121 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 207 18 shade: RGB 189 206 18, RGB 206 174 18, RGB 206 123 18, RGB 206 72 18 and RGB 206 21 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 207 18 shade: RGB 189 206 18, RGB 138 206 18, RGB 87 206 18, RGB 36 206 18 and RGB 18 206 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 207 18 shade matches the following richer shades: RGB 189 206 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 207 18 shade: RGB 189 206 18, RGB 174 188 36, RGB 159 170 54, RGB 144 152 72 and RGB 130 134 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 207 18 shade: RGB 206 122 18, RGB 206 172 18, RGB 191 206 18, RGB 140 206 18 and RGB 90 206 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 207 18 shade: RGB 119 131 11, RGB 154 168 15, RGB 189 206 18, RGB 216 235 30 and RGB 223 239 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 207 18 shade: RGB 189 207 18, RGB 18 206 71 and RGB 147 18 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 207 18 shade: RGB 189 207 18, RGB 18 191 206 and RGB 206 18 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 207 18 shade: RGB 189 207 18, RGB 18 206 71, RGB 34 18 206 and RGB 206 18 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 207 18 shade: RGB 189 207 18, RGB 18 206 128, RGB 34 18 206 and RGB 206 18 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 91 / 19

HEX #BDCF12

RGB 189 207 18

HSL 65.71, 0.84%, 0.44%

LAB 79.32, -25.82, 77.24

 

Complementary color

CMYK 72 / 80 / 0 / 7

HEX #4230ED

RGB 66 48 237

HSL 245.71, 0.84%, 0.56%

LAB 36.72, 63, -90.29

 

CMYK 6 / 0 / 94 / 19

HEX #C2CF0D

RGB 194 207 13

HSL 64.02, 0.88%, 0.43%

LAB 79.68, -23.8, 78.3

 

CMYK 6 / 0 / 86 / 12

HEX #D3E120

RGB 211 225 32

HSL 64.35, 0.76%, 0.5%

LAB 85.91, -25.02, 80.88

 

CMYK 6 / 0 / 79 / 5

HEX #E4F333

RGB 228 243 51

HSL 64.69, 0.89%, 0.58%

LAB 92.06, -26.06, 82.27

 

CMYK 4 / 0 / 73 / 0

HEX #F5FF46

RGB 245 255 70

HSL 63.24, 1%, 0.64%

LAB 96.56, -24.14, 81.33

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 9 / 0 / 91 / 19

HEX #BDCF12

RGB 189 207 18

HSL 65.71, 0.84%, 0.44%

LAB 79.32, -25.82, 77.24

 

CMYK 9 / 0 / 100 / 26

HEX #ACBD00

RGB 172 189 0

HSL 65.4, 1%, 0.37%

LAB 73, -24.52, 73.86

 

CMYK 9 / 0 / 100 / 33

HEX #9BAB00

RGB 155 171 0

HSL 65.61, 1%, 0.34%

LAB 66.59, -22.99, 68.53

 

CMYK 10 / 0 / 100 / 40

HEX #8A9900

RGB 138 153 0

HSL 65.88, 1%, 0.3%

LAB 60.06, -21.43, 63.09

 

CMYK 10 / 0 / 100 / 47

HEX #798700

RGB 121 135 0

HSL 66.22, 1%, 0.26%

LAB 53.38, -19.84, 57.53

 

CMYK 8 / 0 / 91 / 19

HEX #BDCE12

RGB 189 206 18

HSL 65.43, 0.84%, 0.44%

LAB 79.04, -25.34, 77.03

 

CMYK 0 / 16 / 91 / 19

HEX #CEAE12

RGB 206 174 18

HSL 49.79, 0.84%, 0.44%

LAB 71.85, -1.8, 72.07

 

CMYK 0 / 40 / 91 / 19

HEX #CE7B12

RGB 206 123 18

HSL 33.51, 0.84%, 0.44%

LAB 59.28, 25.68, 62.61

 

CMYK 0 / 65 / 91 / 19

HEX #CE4812

RGB 206 72 18

HSL 17.23, 0.84%, 0.44%

LAB 49.25, 50.95, 55.37

 

CMYK 0 / 90 / 91 / 19

HEX #CE1512

RGB 206 21 18

HSL 0.96, 0.84%, 0.44%

LAB 43.8, 66.1, 51.64

 

CMYK 8 / 0 / 91 / 19

HEX #BDCE12

RGB 189 206 18

HSL 65.43, 0.84%, 0.44%

LAB 79.04, -25.34, 77.03

 

CMYK 33 / 0 / 91 / 19

HEX #8ACE12

RGB 138 206 18

HSL 81.7, 0.84%, 0.44%

LAB 75.82, -45.54, 73.09

 

CMYK 58 / 0 / 91 / 19

HEX #57CE12

RGB 87 206 18

HSL 97.98, 0.84%, 0.44%

LAB 73.68, -61.53, 70.46

 

CMYK 83 / 0 / 91 / 19

HEX #24CE12

RGB 36 206 18

HSL 114.26, 0.84%, 0.44%

LAB 72.6, -70.74, 69.11

 

CMYK 91 / 0 / 75 / 19

HEX #12CE33

RGB 18 206 51

HSL 130.53, 0.84%, 0.44%

LAB 72.57, -70.55, 60.94

 

CMYK 8 / 0 / 91 / 19

HEX #BDCE12

RGB 189 206 18

HSL 65.43, 0.84%, 0.44%

LAB 79.04, -25.34, 77.03

 

CMYK 8 / 0 / 91 / 19

HEX #BDCE12

RGB 189 206 18

HSL 65.43, 0.84%, 0.44%

LAB 79.04, -25.34, 77.03

 

CMYK 7 / 0 / 81 / 26

HEX #AEBC24

RGB 174 188 36

HSL 65.53, 0.68%, 0.44%

LAB 72.95, -22.47, 67.93

 

CMYK 6 / 0 / 68 / 33

HEX #9FAA36

RGB 159 170 54

HSL 65.69, 0.52%, 0.44%

LAB 66.81, -19.05, 55.77

 

CMYK 5 / 0 / 53 / 40

HEX #909848

RGB 144 152 72

HSL 66, 0.36%, 0.44%

LAB 60.65, -14.81, 40.62

 

CMYK 3 / 0 / 32 / 47

HEX #82865B

RGB 130 134 91

HSL 65.58, 0.19%, 0.44%

LAB 54.61, -8.84, 22.71

 

CMYK 0 / 41 / 91 / 19

HEX #CE7A12

RGB 206 122 18

HSL 33.19, 0.84%, 0.44%

LAB 59.05, 26.22, 62.44

 

CMYK 0 / 17 / 91 / 19

HEX #CEAC12

RGB 206 172 18

HSL 49.15, 0.84%, 0.44%

LAB 71.33, -0.75, 71.68

 

CMYK 7 / 0 / 91 / 19

HEX #BFCE12

RGB 191 206 18

HSL 64.79, 0.84%, 0.44%

LAB 79.19, -24.5, 77.21

 

CMYK 32 / 0 / 91 / 19

HEX #8CCE12

RGB 140 206 18

HSL 81.06, 0.84%, 0.44%

LAB 75.92, -44.81, 73.22

 

CMYK 56 / 0 / 91 / 19

HEX #5ACE12

RGB 90 206 18

HSL 97.02, 0.84%, 0.44%

LAB 73.78, -60.76, 70.57

 

CMYK 9 / 0 / 92 / 49

HEX #77830B

RGB 119 131 11

HSL 66, 0.85%, 0.28%

LAB 52.04, -18.44, 54.45

 

CMYK 8 / 0 / 91 / 34

HEX #9AA80F

RGB 154 168 15

HSL 65.49, 0.84%, 0.36%

LAB 65.68, -21.7, 65.81

 

CMYK 8 / 0 / 91 / 19

HEX #BDCE12

RGB 189 206 18

HSL 65.43, 0.84%, 0.44%

LAB 79.04, -25.34, 77.03

 

CMYK 8 / 0 / 87 / 8

HEX #D8EB1E

RGB 216 235 30

HSL 65.56, 0.84%, 0.52%

LAB 88.97, -27.74, 83.89

 

CMYK 7 / 0 / 72 / 6

HEX #DFEF44

RGB 223 239 68

HSL 65.61, 0.84%, 0.6%

LAB 90.71, -25.51, 75.85

 

CMYK 9 / 0 / 91 / 19

HEX #BDCF12

RGB 189 207 18

HSL 65.71, 0.84%, 0.44%

LAB 79.32, -25.82, 77.24

 

CMYK 91 / 0 / 66 / 19

HEX #12CE47

RGB 18 206 71

HSL 136.91, 0.84%, 0.44%

LAB 72.71, -68.74, 53.57

 

CMYK 29 / 91 / 0 / 19

HEX #9312CE

RGB 147 18 206

HSL 281.17, 0.84%, 0.44%

LAB 39.73, 73.09, -67.23

 

CMYK 9 / 0 / 91 / 19

HEX #BDCF12

RGB 189 207 18

HSL 65.71, 0.84%, 0.44%

LAB 79.32, -25.82, 77.24

 

CMYK 91 / 7 / 0 / 19

HEX #12BFCE

RGB 18 191 206

HSL 184.79, 0.84%, 0.44%

LAB 70.76, -33.48, -18.71

 

CMYK 0 / 91 / 7 / 19

HEX #CE12BF

RGB 206 18 191

HSL 304.79, 0.84%, 0.44%

LAB 48.66, 79.95, -43.63

 

CMYK 9 / 0 / 91 / 19

HEX #BDCF12

RGB 189 207 18

HSL 65.71, 0.84%, 0.44%

LAB 79.32, -25.82, 77.24

 

CMYK 91 / 0 / 66 / 19

HEX #12CE47

RGB 18 206 71

HSL 136.91, 0.84%, 0.44%

LAB 72.71, -68.74, 53.57

 

CMYK 83 / 91 / 0 / 19

HEX #2212CE

RGB 34 18 206

HSL 245.11, 0.84%, 0.44%

LAB 27.38, 63.98, -88.05

 

CMYK 0 / 91 / 26 / 19

HEX #CE1299

RGB 206 18 153

HSL 316.91, 0.84%, 0.44%

LAB 46.78, 75.1, -24.09

 

CMYK 9 / 0 / 91 / 19

HEX #BDCF12

RGB 189 207 18

HSL 65.71, 0.84%, 0.44%

LAB 79.32, -25.82, 77.24

 

CMYK 91 / 0 / 38 / 19

HEX #12CE80

RGB 18 206 128

HSL 155.11, 0.84%, 0.44%

LAB 73.43, -60.02, 27.19

 

CMYK 83 / 91 / 0 / 19

HEX #2212CE

RGB 34 18 206

HSL 245.11, 0.84%, 0.44%

LAB 27.38, 63.98, -88.05

 

CMYK 0 / 91 / 53 / 19

HEX #CE1260

RGB 206 18 96

HSL 335.11, 0.84%, 0.44%

LAB 44.8, 69.76, 7.93

 

Description

Color code: RGB 189 207 18 | qconv.com Color code: RGB 189 207 18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 207 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 207 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 91 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 91% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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