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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 198 5 it is the complementary color RGB 66 57 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 198 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 198 5 shade: RGB 194 198 0, RGB 211 216 19, RGB 228 234 38, RGB 245 252 57 and RGB 255 255 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 198 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 172 180 0, RGB 155 162 0, RGB 138 144 0 and RGB 121 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 198 155 5, RGB 198 103 5, RGB 198 51 5 and RGB 198 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 137 198 5, RGB 85 198 5, RGB 33 198 5 and RGB 5 198 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 198 5 shade matches the following richer shades: RGB 189 198 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 174 182 21, RGB 159 165 38, RGB 144 149 54 and RGB 130 132 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 198 5 shade: RGB 198 102 5, RGB 198 153 5, RGB 192 198 5, RGB 140 198 5 and RGB 89 198 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 198 5 shade: RGB 113 118 3, RGB 151 158 4, RGB 189 198 5, RGB 228 239 6 and RGB 239 249 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 5 198 50 and RGB 127 5 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 5 192 198 and RGB 198 5 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 5 198 50, RGB 11 5 198 and RGB 198 5 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 198 5 shade: RGB 189 198 5, RGB 5 198 108, RGB 11 5 198 and RGB 198 5 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

Complementary color

CMYK 74 / 77 / 0 / 2

HEX #4239FA

RGB 66 57 250

HSL 242.8, 0.95%, 0.6%

LAB 39.56, 62.63, -92.92

 

CMYK 2 / 0 / 100 / 22

HEX #C2C600

RGB 194 198 0

HSL 61.21, 1%, 0.39%

LAB 77.2, -19.53, 77.72

 

CMYK 2 / 0 / 91 / 15

HEX #D3D813

RGB 211 216 19

HSL 61.52, 0.84%, 0.46%

LAB 83.45, -20.93, 81.04

 

CMYK 3 / 0 / 84 / 8

HEX #E4EA26

RGB 228 234 38

HSL 61.84, 0.82%, 0.53%

LAB 89.62, -22.16, 83.25

 

CMYK 3 / 0 / 77 / 1

HEX #F5FC39

RGB 245 252 57

HSL 62.15, 0.97%, 0.61%

LAB 95.72, -23.22, 84.39

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 4 / 0 / 100 / 29

HEX #ACB400

RGB 172 180 0

HSL 62.67, 1%, 0.35%

LAB 70.46, -20.09, 71.98

 

CMYK 4 / 0 / 100 / 36

HEX #9BA200

RGB 155 162 0

HSL 62.59, 1%, 0.32%

LAB 64.01, -18.47, 66.61

 

CMYK 4 / 0 / 100 / 44

HEX #8A9000

RGB 138 144 0

HSL 62.5, 1%, 0.28%

LAB 57.41, -16.81, 61.13

 

CMYK 4 / 0 / 100 / 51

HEX #797E00

RGB 121 126 0

HSL 62.38, 1%, 0.25%

LAB 50.67, -15.11, 55.53

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 0 / 22 / 97 / 22

HEX #C69B05

RGB 198 155 5

HSL 46.63, 0.95%, 0.4%

LAB 66.1, 4.61, 69.27

 

CMYK 0 / 48 / 97 / 22

HEX #C66705

RGB 198 103 5

HSL 30.47, 0.95%, 0.4%

LAB 53.73, 32.81, 60.83

 

CMYK 0 / 74 / 97 / 22

HEX #C63305

RGB 198 51 5

HSL 14.3, 0.95%, 0.4%

LAB 44.78, 56.23, 55.51

 

CMYK 0 / 97 / 97 / 22

HEX #C60505

RGB 198 5 5

HSL 0, 0.95%, 0.4%

LAB 41.41, 65.76, 53.85

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 31 / 0 / 97 / 22

HEX #89C605

RGB 137 198 5

HSL 78.96, 0.95%, 0.4%

LAB 73.36, -42.72, 72.61

 

CMYK 57 / 0 / 97 / 22

HEX #55C605

RGB 85 198 5

HSL 95.13, 0.95%, 0.4%

LAB 71.1, -59.53, 69.86

 

CMYK 83 / 0 / 97 / 22

HEX #21C605

RGB 33 198 5

HSL 111.3, 0.95%, 0.4%

LAB 69.98, -69.06, 68.49

 

CMYK 97 / 0 / 85 / 22

HEX #05C61D

RGB 5 198 29

HSL 127.46, 0.95%, 0.4%

LAB 69.83, -70.21, 64.56

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 4 / 0 / 88 / 29

HEX #AEB615

RGB 174 182 21

HSL 62.98, 0.79%, 0.4%

LAB 71.22, -19.91, 69.86

 

CMYK 4 / 0 / 77 / 35

HEX #9FA526

RGB 159 165 38

HSL 62.83, 0.63%, 0.4%

LAB 65.3, -17.31, 60.06

 

CMYK 3 / 0 / 64 / 42

HEX #909536

RGB 144 149 54

HSL 63.16, 0.47%, 0.4%

LAB 59.61, -14.7, 47.91

 

CMYK 2 / 0 / 46 / 48

HEX #828447

RGB 130 132 71

HSL 61.97, 0.3%, 0.4%

LAB 53.71, -10.22, 32.52

 

CMYK 0 / 48 / 97 / 22

HEX #C66605

RGB 198 102 5

HSL 30.16, 0.95%, 0.4%

LAB 53.51, 33.33, 60.69

 

CMYK 0 / 23 / 97 / 22

HEX #C69905

RGB 198 153 5

HSL 46.01, 0.95%, 0.4%

LAB 65.59, 5.69, 68.91

 

CMYK 3 / 0 / 97 / 22

HEX #C0C605

RGB 192 198 5

HSL 61.87, 0.95%, 0.4%

LAB 77.04, -20.34, 77.03

 

CMYK 29 / 0 / 97 / 22

HEX #8CC605

RGB 140 198 5

HSL 78.03, 0.95%, 0.4%

LAB 73.53, -41.59, 72.81

 

CMYK 55 / 0 / 97 / 22

HEX #59C605

RGB 89 198 5

HSL 93.89, 0.95%, 0.4%

LAB 71.23, -58.47, 70.02

 

CMYK 4 / 0 / 97 / 54

HEX #717603

RGB 113 118 3

HSL 62.61, 0.95%, 0.24%

LAB 47.59, -14.48, 52.31

 

CMYK 4 / 0 / 97 / 38

HEX #979E04

RGB 151 158 4

HSL 62.73, 0.95%, 0.32%

LAB 62.54, -18.14, 64.82

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 5 / 0 / 97 / 6

HEX #E4EF06

RGB 228 239 6

HSL 62.83, 0.95%, 0.48%

LAB 90.89, -25.02, 88.51

 

CMYK 4 / 0 / 85 / 2

HEX #EFF925

RGB 239 249 37

HSL 62.83, 0.95%, 0.56%

LAB 94.41, -24.8, 87.73

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 97 / 0 / 75 / 22

HEX #05C632

RGB 5 198 50

HSL 133.99, 0.95%, 0.4%

LAB 69.93, -68.93, 58.63

 

CMYK 36 / 97 / 0 / 22

HEX #7F05C6

RGB 127 5 198

HSL 277.93, 0.95%, 0.4%

LAB 35.4, 70.82, -69.8

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 97 / 3 / 0 / 22

HEX #05C0C6

RGB 5 192 198

HSL 181.87, 0.95%, 0.4%

LAB 70.74, -36.86, -14.38

 

CMYK 0 / 97 / 3 / 22

HEX #C605C0

RGB 198 5 192

HSL 301.87, 0.95%, 0.4%

LAB 46.87, 79.93, -47.14

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 97 / 0 / 75 / 22

HEX #05C632

RGB 5 198 50

HSL 133.99, 0.95%, 0.4%

LAB 69.93, -68.93, 58.63

 

CMYK 94 / 97 / 0 / 22

HEX #0B05C6

RGB 11 5 198

HSL 241.87, 0.95%, 0.4%

LAB 24.5, 64.45, -88.18

 

CMYK 0 / 97 / 23 / 22

HEX #C60599

RGB 198 5 153

HSL 313.99, 0.95%, 0.4%

LAB 44.82, 74.81, -27.25

 

CMYK 5 / 0 / 97 / 22

HEX #BDC605

RGB 189 198 5

HSL 62.8, 0.95%, 0.4%

LAB 76.81, -21.62, 76.75

 

CMYK 97 / 0 / 45 / 22

HEX #05C66C

RGB 5 198 108

HSL 152.02, 0.95%, 0.4%

LAB 70.53, -61.55, 33.65

 

CMYK 94 / 97 / 0 / 22

HEX #0B05C6

RGB 11 5 198

HSL 241.87, 0.95%, 0.4%

LAB 24.5, 64.45, -88.18

 

CMYK 0 / 97 / 52 / 22

HEX #C6055F

RGB 198 5 95

HSL 332.02, 0.95%, 0.4%

LAB 42.67, 69.19, 5.31

 

Description

Color code: RGB 189 198 5 | qconv.com Color code: RGB 189 198 5 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 198 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 198 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 97 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 97% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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