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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 198 178 it is the complementary color RGB 66 57 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 198 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 198 178 shade: RGB 194 198 173, RGB 211 216 192, RGB 228 234 211, RGB 245 252 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 198 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 198 178 shade: RGB 189 198 178, RGB 172 180 159, RGB 155 162 140, RGB 138 144 121 and RGB 121 126 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 198 178 shade: RGB 190 199 179, RGB 195 199 179, RGB 199 197 179, RGB 199 192 179 and RGB 199 186 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 198 178 shade: RGB 190 199 179, RGB 184 199 179, RGB 179 199 179, RGB 179 199 184 and RGB 179 199 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 198 178 shade matches the following richer shades: RGB 190 199 179, RGB 191 209 168, RGB 192 220 157, RGB 193 231 147 and RGB 194 242 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 198 178 shade: RGB 190 199 179, RGB 189 188 189, RGB 188 177 200, RGB 186 166 211 and RGB 185 156 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 198 178 shade: RGB 199 197 179, RGB 195 199 179, RGB 190 199 179, RGB 184 199 179 and RGB 179 199 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 198 178 shade: RGB 149 164 131, RGB 169 181 155, RGB 190 199 179, RGB 210 216 202 and RGB 230 234 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 198 178 shade: RGB 189 198 178, RGB 179 199 192 and RGB 199 179 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 198 178 shade: RGB 189 198 178, RGB 179 190 199 and RGB 199 179 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 198 178 shade: RGB 189 198 178, RGB 179 199 192, RGB 188 179 199 and RGB 199 179 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 198 178 shade: RGB 189 198 178, RGB 179 199 198, RGB 188 179 199 and RGB 199 179 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 10 / 22

HEX #BDC6B2

RGB 189 198 178

HSL 87, 0.15%, 0.74%

LAB 78.71, -6.71, 8.96

 

Complementary color

CMYK 14 / 26 / 0 / 70

HEX #42394D

RGB 66 57 77

HSL 267, 0.15%, 0.26%

LAB 25.62, 8.55, -10.75

 

CMYK 2 / 0 / 13 / 22

HEX #C2C6AD

RGB 194 198 173

HSL 69.6, 0.18%, 0.73%

LAB 78.97, -5.76, 12.06

 

CMYK 2 / 0 / 11 / 15

HEX #D3D8C0

RGB 211 216 192

HSL 72.5, 0.24%, 0.8%

LAB 85.39, -5.88, 11.25

 

CMYK 3 / 0 / 10 / 8

HEX #E4EAD3

RGB 228 234 211

HSL 75.65, 0.35%, 0.87%

LAB 91.7, -5.98, 10.47

 

CMYK 3 / 0 / 9 / 1

HEX #F5FCE6

RGB 245 252 230

HSL 79.09, 0.79%, 0.95%

LAB 97.93, -6.08, 9.73

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B2

RGB 189 198 178

HSL 87, 0.15%, 0.74%

LAB 78.71, -6.71, 8.96

 

CMYK 4 / 0 / 12 / 29

HEX #ACB49F

RGB 172 180 159

HSL 82.86, 0.12%, 0.66%

LAB 72.17, -6.64, 9.75

 

CMYK 4 / 0 / 14 / 36

HEX #9BA28C

RGB 155 162 140

HSL 79.09, 0.11%, 0.59%

LAB 65.52, -6.56, 10.6

 

CMYK 4 / 0 / 16 / 44

HEX #8A9079

RGB 138 144 121

HSL 75.65, 0.09%, 0.52%

LAB 58.72, -6.47, 11.5

 

CMYK 4 / 0 / 19 / 51

HEX #797E66

RGB 121 126 102

HSL 72.5, 0.11%, 0.45%

LAB 51.78, -6.37, 12.46

 

CMYK 5 / 0 / 10 / 22

HEX #BEC7B3

RGB 190 199 179

HSL 87, 0.15%, 0.74%

LAB 79.07, -6.71, 8.95

 

CMYK 2 / 0 / 10 / 22

HEX #C3C7B3

RGB 195 199 179

HSL 72, 0.15%, 0.74%

LAB 79.44, -4.93, 9.53

 

CMYK 0 / 1 / 10 / 22

HEX #C7C5B3

RGB 199 197 179

HSL 54, 0.15%, 0.74%

LAB 79.23, -2.44, 9.27

 

CMYK 0 / 4 / 10 / 22

HEX #C7C0B3

RGB 199 192 179

HSL 39, 0.15%, 0.74%

LAB 77.93, 0.2, 7.41

 

CMYK 0 / 7 / 10 / 22

HEX #C7BAB3

RGB 199 186 179

HSL 21, 0.15%, 0.74%

LAB 76.38, 3.39, 5.19

 

CMYK 5 / 0 / 10 / 22

HEX #BEC7B3

RGB 190 199 179

HSL 87, 0.15%, 0.74%

LAB 79.07, -6.71, 8.95

 

CMYK 8 / 0 / 10 / 22

HEX #B8C7B3

RGB 184 199 179

HSL 105, 0.15%, 0.74%

LAB 78.63, -8.82, 8.26

 

CMYK 10 / 0 / 10 / 22

HEX #B3C7B3

RGB 179 199 179

HSL 120, 0.15%, 0.74%

LAB 78.28, -10.56, 7.71

 

CMYK 10 / 0 / 8 / 22

HEX #B3C7B8

RGB 179 199 184

HSL 135, 0.15%, 0.74%

LAB 78.4, -9.64, 5.19

 

CMYK 10 / 0 / 5 / 22

HEX #B3C7BD

RGB 179 199 189

HSL 150, 0.15%, 0.74%

LAB 78.52, -8.7, 2.68

 

CMYK 5 / 0 / 10 / 22

HEX #BEC7B3

RGB 190 199 179

HSL 87, 0.15%, 0.74%

LAB 79.07, -6.71, 8.95

 

CMYK 9 / 0 / 20 / 18

HEX #BFD1A8

RGB 191 209 168

HSL 86.34, 0.31%, 0.74%

LAB 81.57, -13.31, 18.34

 

CMYK 13 / 0 / 29 / 14

HEX #C0DC9D

RGB 192 220 157

HSL 86.67, 0.47%, 0.74%

LAB 84.39, -20.11, 27.97

 

CMYK 16 / 0 / 36 / 9

HEX #C1E793

RGB 193 231 147

HSL 87.14, 0.64%, 0.74%

LAB 87.29, -26.45, 36.92

 

CMYK 20 / 0 / 44 / 5

HEX #C2F288

RGB 194 242 136

HSL 87.17, 0.8%, 0.74%

LAB 90.21, -32.61, 46.08

 

CMYK 5 / 0 / 10 / 22

HEX #BEC7B3

RGB 190 199 179

HSL 87, 0.15%, 0.74%

LAB 79.07, -6.71, 8.95

 

CMYK 0 / 1 / 0 / 26

HEX #BDBCBD

RGB 189 188 189

HSL 300, 0.01%, 0.74%

LAB 76.35, 0.54, -0.39

 

CMYK 6 / 12 / 0 / 22

HEX #BCB1C8

RGB 188 177 200

HSL 268.7, 0.17%, 0.74%

LAB 73.74, 8.24, -10.24

 

CMYK 12 / 21 / 0 / 17

HEX #BAA6D3

RGB 186 166 211

HSL 266.67, 0.34%, 0.74%

LAB 71.16, 15.88, -20.19

 

CMYK 17 / 30 / 0 / 13

HEX #B99CDE

RGB 185 156 222

HSL 266.36, 0.5%, 0.74%

LAB 69.01, 23.49, -29.52

 

CMYK 0 / 1 / 10 / 22

HEX #C7C5B3

RGB 199 197 179

HSL 54, 0.15%, 0.74%

LAB 79.23, -2.44, 9.27

 

CMYK 2 / 0 / 10 / 22

HEX #C3C7B3

RGB 195 199 179

HSL 72, 0.15%, 0.74%

LAB 79.44, -4.93, 9.53

 

CMYK 5 / 0 / 10 / 22

HEX #BEC7B3

RGB 190 199 179

HSL 87, 0.15%, 0.74%

LAB 79.07, -6.71, 8.95

 

CMYK 8 / 0 / 10 / 22

HEX #B8C7B3

RGB 184 199 179

HSL 105, 0.15%, 0.74%

LAB 78.63, -8.82, 8.26

 

CMYK 10 / 0 / 10 / 22

HEX #B3C7B3

RGB 179 199 179

HSL 120, 0.15%, 0.74%

LAB 78.28, -10.56, 7.71

 

CMYK 9 / 0 / 20 / 36

HEX #95A483

RGB 149 164 131

HSL 87.27, 0.15%, 0.58%

LAB 65.42, -11.4, 15.39

 

CMYK 7 / 0 / 14 / 29

HEX #A9B59B

RGB 169 181 155

HSL 87.69, 0.15%, 0.66%

LAB 72.13, -8.94, 11.84

 

CMYK 5 / 0 / 10 / 22

HEX #BEC7B3

RGB 190 199 179

HSL 87, 0.15%, 0.74%

LAB 79.07, -6.71, 8.95

 

CMYK 3 / 0 / 6 / 15

HEX #D2D8CA

RGB 210 216 202

HSL 85.71, 0.15%, 0.82%

LAB 85.54, -4.53, 6.18

 

CMYK 2 / 0 / 3 / 8

HEX #E6EAE2

RGB 230 234 226

HSL 90, 0.16%, 0.9%

LAB 92.2, -2.75, 3.4

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B2

RGB 189 198 178

HSL 87, 0.15%, 0.74%

LAB 78.71, -6.71, 8.96

 

CMYK 10 / 0 / 4 / 22

HEX #B3C7C0

RGB 179 199 192

HSL 159, 0.15%, 0.74%

LAB 78.6, -8.13, 1.18

 

CMYK 0 / 10 / 1 / 22

HEX #C7B3C6

RGB 199 179 198

HSL 303, 0.15%, 0.74%

LAB 75.11, 10.54, -7.01

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B2

RGB 189 198 178

HSL 87, 0.15%, 0.74%

LAB 78.71, -6.71, 8.96

 

CMYK 10 / 5 / 0 / 22

HEX #B3BEC7

RGB 179 190 199

HSL 207, 0.15%, 0.74%

LAB 76.4, -2, -5.83

 

CMYK 0 / 10 / 5 / 22

HEX #C7B3BE

RGB 199 179 190

HSL 327, 0.15%, 0.74%

LAB 74.89, 9.07, -2.98

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B2

RGB 189 198 178

HSL 87, 0.15%, 0.74%

LAB 78.71, -6.71, 8.96

 

CMYK 10 / 0 / 4 / 22

HEX #B3C7C0

RGB 179 199 192

HSL 159, 0.15%, 0.74%

LAB 78.6, -8.13, 1.18

 

CMYK 6 / 10 / 0 / 22

HEX #BCB3C7

RGB 188 179 199

HSL 267, 0.15%, 0.74%

LAB 74.22, 6.96, -8.98

 

CMYK 0 / 10 / 7 / 22

HEX #C7B3BA

RGB 199 179 186

HSL 339, 0.15%, 0.74%

LAB 74.78, 8.36, -0.96

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B2

RGB 189 198 178

HSL 87, 0.15%, 0.74%

LAB 78.71, -6.71, 8.96

 

CMYK 10 / 0 / 1 / 22

HEX #B3C7C6

RGB 179 199 198

HSL 177, 0.15%, 0.74%

LAB 78.76, -6.95, -1.82

 

CMYK 6 / 10 / 0 / 22

HEX #BCB3C7

RGB 188 179 199

HSL 267, 0.15%, 0.74%

LAB 74.22, 6.96, -8.98

 

CMYK 0 / 10 / 10 / 22

HEX #C7B3B4

RGB 199 179 180

HSL 357, 0.15%, 0.74%

LAB 74.62, 7.32, 2.09

 

Description

Color code: RGB 189 198 178 | qconv.com Color code: RGB 189 198 178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 198 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 198 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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