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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 149 191 it is the complementary color RGB 66 106 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 149 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 149 191 shade: RGB 194 149 186, RGB 211 167 205, RGB 228 185 224, RGB 245 203 243 and RGB 255 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 149 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 172 131 172, RGB 155 113 153, RGB 138 95 134 and RGB 121 77 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 191 149 182, RGB 191 149 171, RGB 191 149 159 and RGB 191 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 178 149 191, RGB 167 149 191, RGB 155 149 191 and RGB 149 149 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 149 191 shade matches the following richer shades: RGB 189 149 191, RGB 202 136 205, RGB 214 122 219, RGB 226 108 232 and RGB 239 95 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 177 163 178, RGB 165 177 164, RGB 152 190 151 and RGB 140 204 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 149 191 shade: RGB 167 149 191, RGB 178 149 191, RGB 189 149 191, RGB 191 149 182 and RGB 191 149 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 149 191 shade: RGB 157 98 160, RGB 173 124 176, RGB 189 149 191, RGB 205 175 207 and RGB 221 201 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 191 156 149 and RGB 149 191 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 191 189 149 and RGB 149 191 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 191 156 149, RGB 151 191 149 and RGB 149 185 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 149 191 shade: RGB 189 149 191, RGB 191 168 149, RGB 151 191 149 and RGB 149 172 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

Complementary color

CMYK 38 / 0 / 40 / 58

HEX #426A40

RGB 66 106 64

HSL 117.14, 0.25%, 0.33%

LAB 40.96, -23.43, 19.25

 

CMYK 0 / 23 / 4 / 24

HEX #C295BA

RGB 194 149 186

HSL 310.67, 0.27%, 0.67%

LAB 66.91, 23.05, -12.68

 

CMYK 0 / 21 / 3 / 17

HEX #D3A7CD

RGB 211 167 205

HSL 308.18, 0.33%, 0.74%

LAB 73.48, 22.48, -13.17

 

CMYK 0 / 19 / 2 / 11

HEX #E4B9E0

RGB 228 185 224

HSL 305.58, 0.44%, 0.81%

LAB 79.94, 21.95, -13.64

 

CMYK 0 / 17 / 1 / 4

HEX #F5CBF3

RGB 245 203 243

HSL 302.86, 0.68%, 0.88%

LAB 86.3, 21.46, -14.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 24 / 0 / 33

HEX #AC83AC

RGB 172 131 172

HSL 300, 0.2%, 0.59%

LAB 59.87, 22.87, -15.59

 

CMYK 0 / 27 / 1 / 39

HEX #9B7199

RGB 155 113 153

HSL 302.86, 0.17%, 0.53%

LAB 53.04, 23.53, -15.15

 

CMYK 0 / 31 / 3 / 46

HEX #8A5F86

RGB 138 95 134

HSL 305.58, 0.18%, 0.46%

LAB 46.05, 24.24, -14.68

 

CMYK 0 / 36 / 5 / 53

HEX #794D73

RGB 121 77 115

HSL 308.18, 0.22%, 0.39%

LAB 38.92, 25.02, -14.16

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 22 / 5 / 25

HEX #BF95B6

RGB 191 149 182

HSL 312.86, 0.25%, 0.67%

LAB 66.48, 21.28, -11.11

 

CMYK 0 / 22 / 10 / 25

HEX #BF95AB

RGB 191 149 171

HSL 328.57, 0.25%, 0.67%

LAB 66.14, 19.32, -5.44

 

CMYK 0 / 22 / 17 / 25

HEX #BF959F

RGB 191 149 159

HSL 345.71, 0.25%, 0.67%

LAB 65.81, 17.31, 0.8

 

CMYK 0 / 22 / 22 / 25

HEX #BF9595

RGB 191 149 149

HSL 0, 0.25%, 0.67%

LAB 65.55, 15.74, 6.05

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 7 / 22 / 0 / 25

HEX #B295BF

RGB 178 149 191

HSL 281.43, 0.25%, 0.67%

LAB 65.53, 18.56, -17.7

 

CMYK 13 / 22 / 0 / 25

HEX #A795BF

RGB 167 149 191

HSL 265.71, 0.25%, 0.67%

LAB 64.54, 14.9, -19.3

 

CMYK 19 / 22 / 0 / 25

HEX #9B95BF

RGB 155 149 191

HSL 248.57, 0.25%, 0.67%

LAB 63.53, 10.99, -20.93

 

CMYK 22 / 22 / 0 / 25

HEX #9595BF

RGB 149 149 191

HSL 240, 0.25%, 0.67%

LAB 63.05, 9.07, -21.71

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 1 / 34 / 0 / 20

HEX #CA88CD

RGB 202 136 205

HSL 297.39, 0.41%, 0.67%

LAB 65.41, 36.39, -25.49

 

CMYK 2 / 44 / 0 / 14

HEX #D67ADB

RGB 214 122 219

HSL 296.91, 0.57%, 0.67%

LAB 64.43, 50.05, -34.72

 

CMYK 3 / 53 / 0 / 9

HEX #E26CE8

RGB 226 108 232

HSL 297.1, 0.73%, 0.67%

LAB 63.93, 62.53, -42.62

 

CMYK 3 / 61 / 0 / 4

HEX #EF5FF6

RGB 239 95 246

HSL 297.22, 0.89%, 0.67%

LAB 64.31, 73.79, -49.66

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 1 / 8 / 0 / 30

HEX #B1A3B2

RGB 177 163 178

HSL 296, 0.09%, 0.67%

LAB 68.57, 7.84, -5.9

 

CMYK 7 / 0 / 7 / 31

HEX #A5B1A4

RGB 165 177 164

HSL 115.38, 0.08%, 0.67%

LAB 70.96, -6.66, 5.2

 

CMYK 20 / 0 / 21 / 25

HEX #98BE97

RGB 152 190 151

HSL 118.46, 0.23%, 0.67%

LAB 73.37, -20.32, 15.59

 

CMYK 31 / 0 / 33 / 20

HEX #8CCC89

RGB 140 204 137

HSL 117.31, 0.4%, 0.67%

LAB 76.42, -33.51, 27.09

 

CMYK 13 / 22 / 0 / 25

HEX #A795BF

RGB 167 149 191

HSL 265.71, 0.25%, 0.67%

LAB 64.54, 14.9, -19.3

 

CMYK 7 / 22 / 0 / 25

HEX #B295BF

RGB 178 149 191

HSL 281.43, 0.25%, 0.67%

LAB 65.53, 18.56, -17.7

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 22 / 5 / 25

HEX #BF95B6

RGB 191 149 182

HSL 312.86, 0.25%, 0.67%

LAB 66.48, 21.28, -11.11

 

CMYK 0 / 22 / 10 / 25

HEX #BF95AB

RGB 191 149 171

HSL 328.57, 0.25%, 0.67%

LAB 66.14, 19.32, -5.44

 

CMYK 2 / 39 / 0 / 37

HEX #9D62A0

RGB 157 98 160

HSL 297.1, 0.25%, 0.51%

LAB 50.03, 34.12, -23.84

 

CMYK 2 / 30 / 0 / 31

HEX #AD7CB0

RGB 173 124 176

HSL 296.54, 0.25%, 0.59%

LAB 58.45, 27.95, -20.04

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 1 / 15 / 0 / 19

HEX #CDAFCF

RGB 205 175 207

HSL 296.25, 0.25%, 0.75%

LAB 74.92, 16.46, -12.16

 

CMYK 0 / 9 / 0 / 13

HEX #DDC9DE

RGB 221 201 222

HSL 297.14, 0.24%, 0.83%

LAB 83.14, 10.68, -7.87

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 18 / 22 / 25

HEX #BF9C95

RGB 191 156 149

HSL 10, 0.25%, 0.67%

LAB 67.29, 11.88, 8.55

 

CMYK 22 / 0 / 10 / 25

HEX #95BFAC

RGB 149 191 172

HSL 152.86, 0.25%, 0.67%

LAB 73.95, -17.87, 5.02

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 1 / 22 / 25

HEX #BFBD95

RGB 191 189 149

HSL 57.14, 0.25%, 0.67%

LAB 75.85, -5.89, 20.53

 

CMYK 22 / 0 / 1 / 25

HEX #95BFBD

RGB 149 191 189

HSL 177.14, 0.25%, 0.67%

LAB 74.4, -14.29, -3.58

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 18 / 22 / 25

HEX #BF9C95

RGB 191 156 149

HSL 10, 0.25%, 0.67%

LAB 67.29, 11.88, 8.55

 

CMYK 21 / 0 / 22 / 25

HEX #97BF95

RGB 151 191 149

HSL 117.14, 0.25%, 0.67%

LAB 73.55, -21.52, 16.91

 

CMYK 22 / 3 / 0 / 25

HEX #95B9BF

RGB 149 185 191

HSL 188.57, 0.25%, 0.67%

LAB 72.79, -10.71, -7.04

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BF

RGB 189 149 191

HSL 297.14, 0.25%, 0.67%

LAB 66.58, 22.28, -16.02

 

CMYK 0 / 12 / 22 / 25

HEX #BFA895

RGB 191 168 149

HSL 27.14, 0.25%, 0.67%

LAB 70.35, 5.32, 12.88

 

CMYK 21 / 0 / 22 / 25

HEX #97BF95

RGB 151 191 149

HSL 117.14, 0.25%, 0.67%

LAB 73.55, -21.52, 16.91

 

CMYK 22 / 10 / 0 / 25

HEX #95ACBF

RGB 149 172 191

HSL 207.14, 0.25%, 0.67%

LAB 69.22, -3.75, -12.36

 

Description

Color code: RGB 189 149 191 | qconv.com Color code: RGB 189 149 191 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 149 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 149 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 22 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 22% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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