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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 131 171 it is the complementary color RGB 66 124 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 131 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 131 171 shade: RGB 194 131 166, RGB 211 149 185, RGB 228 167 204, RGB 245 185 223 and RGB 255 203 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 131 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 172 113 152, RGB 155 95 133, RGB 138 77 114 and RGB 121 59 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 189 131 155, RGB 189 131 140 and RGB 189 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 189 131 187, RGB 176 131 189, RGB 160 131 189 and RGB 144 131 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 131 171 shade matches the following richer shades: RGB 189 131 171, RGB 205 116 177, RGB 220 100 183, RGB 235 85 189 and RGB 250 70 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 174 146 165, RGB 159 161 160, RGB 144 177 154 and RGB 128 192 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 131 171 shade: RGB 176 131 189, RGB 189 131 187, RGB 189 131 172, RGB 189 131 156 and RGB 189 131 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 131 171 shade: RGB 156 82 133, RGB 175 104 153, RGB 189 131 171, RGB 204 158 189 and RGB 218 185 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 189 160 131 and RGB 131 189 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 172 189 131 and RGB 131 172 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 189 160 131, RGB 131 189 148 and RGB 131 160 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 131 171 shade: RGB 189 131 171, RGB 189 178 131, RGB 131 189 148 and RGB 131 143 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

Complementary color

CMYK 47 / 0 / 32 / 51

HEX #427C54

RGB 66 124 84

HSL 138.62, 0.31%, 0.37%

LAB 47.25, -28.58, 16.1

 

CMYK 0 / 32 / 14 / 24

HEX #C283A6

RGB 194 131 166

HSL 326.67, 0.34%, 0.64%

LAB 62.04, 29.49, -8.67

 

CMYK 0 / 29 / 12 / 17

HEX #D395B9

RGB 211 149 185

HSL 325.16, 0.41%, 0.71%

LAB 68.64, 28.78, -9.34

 

CMYK 0 / 27 / 11 / 11

HEX #E4A7CC

RGB 228 167 204

HSL 323.61, 0.53%, 0.77%

LAB 75.13, 28.12, -9.97

 

CMYK 0 / 24 / 9 / 4

HEX #F5B9DF

RGB 245 185 223

HSL 322, 0.75%, 0.84%

LAB 81.53, 27.51, -10.55

 

CMYK 0 / 20 / 5 / 0

HEX #FFCBF2

RGB 255 203 242

HSL 315, 1%, 0.9%

LAB 87.18, 24.6, -12.16

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 34 / 12 / 33

HEX #AC7198

RGB 172 113 152

HSL 320.34, 0.26%, 0.56%

LAB 54.92, 29.33, -11.54

 

CMYK 0 / 39 / 14 / 39

HEX #9B5F85

RGB 155 95 133

HSL 322, 0.24%, 0.49%

LAB 48.07, 30.12, -10.84

 

CMYK 0 / 44 / 17 / 46

HEX #8A4D72

RGB 138 77 114

HSL 323.61, 0.28%, 0.42%

LAB 41.1, 30.95, -10.02

 

CMYK 0 / 51 / 21 / 53

HEX #793B5F

RGB 121 59 95

HSL 325.16, 0.34%, 0.35%

LAB 34.02, 31.79, -9.02

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 31 / 18 / 26

HEX #BD839B

RGB 189 131 155

HSL 335.17, 0.31%, 0.63%

LAB 61.15, 25.91, -3.78

 

CMYK 0 / 31 / 26 / 26

HEX #BD838C

RGB 189 131 140

HSL 350.69, 0.31%, 0.63%

LAB 60.73, 23.62, 4.19

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 31 / 1 / 26

HEX #BD83BB

RGB 189 131 187

HSL 302.07, 0.31%, 0.63%

LAB 62.2, 31.5, -20.41

 

CMYK 7 / 31 / 0 / 26

HEX #B083BD

RGB 176 131 189

HSL 286.55, 0.31%, 0.63%

LAB 60.9, 27.61, -23.65

 

CMYK 15 / 31 / 0 / 26

HEX #A083BD

RGB 160 131 189

HSL 270, 0.31%, 0.63%

LAB 59.32, 22.43, -26.21

 

CMYK 24 / 31 / 0 / 26

HEX #9083BD

RGB 144 131 189

HSL 253.45, 0.31%, 0.63%

LAB 57.88, 17.39, -28.56

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 43 / 14 / 20

HEX #CD74B1

RGB 205 116 177

HSL 318.88, 0.47%, 0.63%

LAB 60.47, 43.08, -17.19

 

CMYK 0 / 55 / 17 / 14

HEX #DC64B7

RGB 220 100 183

HSL 318.5, 0.63%, 0.63%

LAB 59.66, 56.58, -21.67

 

CMYK 0 / 64 / 20 / 8

HEX #EB55BD

RGB 235 85 189

HSL 318.4, 0.79%, 0.63%

LAB 59.74, 68.07, -24.8

 

CMYK 0 / 72 / 22 / 2

HEX #FA46C2

RGB 250 70 194

HSL 318.67, 0.95%, 0.63%

LAB 60.43, 77.81, -26.4

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 16 / 5 / 32

HEX #AE92A5

RGB 174 146 165

HSL 319.29, 0.15%, 0.63%

LAB 63.57, 13.79, -6.06

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 19 / 0 / 13 / 31

HEX #90B19A

RGB 144 177 154

HSL 138.18, 0.17%, 0.63%

LAB 69.26, -15.88, 8.07

 

CMYK 33 / 0 / 23 / 25

HEX #80C094

RGB 128 192 148

HSL 138.75, 0.34%, 0.63%

LAB 72.51, -29.75, 15.8

 

CMYK 7 / 31 / 0 / 26

HEX #B083BD

RGB 176 131 189

HSL 286.55, 0.31%, 0.63%

LAB 60.9, 27.61, -23.65

 

CMYK 0 / 31 / 1 / 26

HEX #BD83BB

RGB 189 131 187

HSL 302.07, 0.31%, 0.63%

LAB 62.2, 31.5, -20.41

 

CMYK 0 / 31 / 9 / 26

HEX #BD83AC

RGB 189 131 172

HSL 317.59, 0.31%, 0.63%

LAB 61.68, 28.77, -12.69

 

CMYK 0 / 31 / 17 / 26

HEX #BD839C

RGB 189 131 156

HSL 334.14, 0.31%, 0.63%

LAB 61.18, 26.07, -4.31

 

CMYK 0 / 31 / 25 / 26

HEX #BD838D

RGB 189 131 141

HSL 349.66, 0.31%, 0.63%

LAB 60.76, 23.77, 3.66

 

CMYK 0 / 47 / 15 / 39

HEX #9C5285

RGB 156 82 133

HSL 318.65, 0.31%, 0.47%

LAB 45.35, 37.63, -14.93

 

CMYK 0 / 41 / 13 / 31

HEX #AF6899

RGB 175 104 153

HSL 318.59, 0.31%, 0.55%

LAB 53.29, 35.52, -14.54

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 23 / 7 / 20

HEX #CC9EBD

RGB 204 158 189

HSL 319.57, 0.31%, 0.71%

LAB 70.15, 22.11, -9.39

 

CMYK 0 / 15 / 5 / 15

HEX #DAB9D0

RGB 218 185 208

HSL 318.18, 0.31%, 0.79%

LAB 78.55, 15.68, -7.16

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 15 / 31 / 26

HEX #BDA083

RGB 189 160 131

HSL 30, 0.31%, 0.63%

LAB 67.72, 6.34, 19.1

 

CMYK 31 / 0 / 3 / 26

HEX #83BDB8

RGB 131 189 184

HSL 174.83, 0.31%, 0.63%

LAB 72.68, -19.78, -3.5

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 9 / 0 / 31 / 26

HEX #ACBD83

RGB 172 189 131

HSL 77.59, 0.31%, 0.63%

LAB 74.06, -15.69, 27.45

 

CMYK 31 / 9 / 0 / 26

HEX #83ACBD

RGB 131 172 189

HSL 197.59, 0.31%, 0.63%

LAB 68.02, -9.7, -13.17

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 15 / 31 / 26

HEX #BDA083

RGB 189 160 131

HSL 30, 0.31%, 0.63%

LAB 67.72, 6.34, 19.1

 

CMYK 31 / 0 / 22 / 26

HEX #83BD94

RGB 131 189 148

HSL 137.59, 0.31%, 0.63%

LAB 71.8, -27.36, 14.83

 

CMYK 31 / 15 / 0 / 26

HEX #83A0BD

RGB 131 160 189

HSL 210, 0.31%, 0.63%

LAB 64.68, -3.14, -18.23

 

CMYK 0 / 31 / 10 / 26

HEX #BD83AB

RGB 189 131 171

HSL 318.62, 0.31%, 0.63%

LAB 61.65, 28.59, -12.17

 

CMYK 0 / 6 / 31 / 26

HEX #BDB283

RGB 189 178 131

HSL 48.62, 0.31%, 0.63%

LAB 72.43, -3.35, 25.49

 

CMYK 31 / 0 / 22 / 26

HEX #83BD94

RGB 131 189 148

HSL 137.59, 0.31%, 0.63%

LAB 71.8, -27.36, 14.83

 

CMYK 31 / 24 / 0 / 26

HEX #838FBD

RGB 131 143 189

HSL 227.59, 0.31%, 0.63%

LAB 60.02, 6.48, -25.35

 

Description

Color code: RGB 189 131 171 | qconv.com Color code: RGB 189 131 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 131 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 131 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 10 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 10% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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