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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 11 227 it is the complementary color RGB 66 244 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 11 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 11 227 shade: RGB 194 11 222, RGB 211 29 241, RGB 228 47 255, RGB 245 65 255 and RGB 255 83 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 11 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 11 227 shade: RGB 189 11 227, RGB 172 0 208, RGB 155 0 189, RGB 138 0 170 and RGB 121 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 11 227 shade: RGB 190 10 228, RGB 228 10 208, RGB 228 10 149, RGB 228 10 90 and RGB 228 10 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 11 227 shade: RGB 190 10 228, RGB 131 10 228, RGB 72 10 228, RGB 14 10 228 and RGB 10 10 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 11 227 shade matches the following richer shades: RGB 190 10 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 11 227 shade: RGB 190 10 228, RGB 177 30 209, RGB 165 49 190, RGB 152 68 170 and RGB 140 88 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 11 227 shade: RGB 72 10 228, RGB 130 10 228, RGB 188 10 228, RGB 228 10 210 and RGB 228 10 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 11 227 shade: RGB 124 7 150, RGB 157 8 189, RGB 190 10 228, RGB 208 36 244 and RGB 216 75 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 11 227 shade: RGB 189 11 227, RGB 228 14 10 and RGB 10 228 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 11 227 shade: RGB 189 11 227, RGB 228 188 10 and RGB 10 228 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 11 227 shade: RGB 189 11 227, RGB 228 14 10, RGB 50 228 10 and RGB 10 225 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 11 227 shade: RGB 189 11 227, RGB 228 79 10, RGB 50 228 10 and RGB 10 159 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 95 / 0 / 11

HEX #BD0BE3

RGB 189 11 227

HSL 289.44, 0.91%, 0.47%

LAB 47.76, 83.47, -65.94

 

Complementary color

CMYK 73 / 0 / 89 / 4

HEX #42F41C

RGB 66 244 28

HSL 109.44, 0.91%, 0.53%

LAB 84.97, -77.48, 78.21

 

CMYK 13 / 95 / 0 / 13

HEX #C20BDE

RGB 194 11 222

HSL 292.04, 0.91%, 0.46%

LAB 48.24, 83.37, -62.28

 

CMYK 12 / 88 / 0 / 5

HEX #D31DF1

RGB 211 29 241

HSL 291.51, 0.88%, 0.53%

LAB 53.04, 86.81, -65.14

 

CMYK 11 / 82 / 0 / 0

HEX #E42FFF

RGB 228 47 255

HSL 292.21, 1%, 0.59%

LAB 57.8, 88.38, -65.13

 

CMYK 4 / 75 / 0 / 0

HEX #F541FF

RGB 245 65 255

HSL 296.84, 1%, 0.63%

LAB 62.01, 86.87, -58.24

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 17 / 95 / 0 / 11

HEX #BD0BE3

RGB 189 11 227

HSL 289.44, 0.91%, 0.47%

LAB 47.76, 83.47, -65.94

 

CMYK 17 / 100 / 0 / 18

HEX #AC00D0

RGB 172 0 208

HSL 289.62, 1%, 0.41%

LAB 43.25, 78.88, -62.5

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BD

RGB 155 0 189

HSL 289.21, 1%, 0.37%

LAB 38.97, 73.28, -58.49

 

CMYK 19 / 100 / 0 / 33

HEX #8A00AA

RGB 138 0 170

HSL 288.71, 1%, 0.33%

LAB 34.61, 67.57, -54.41

 

CMYK 20 / 100 / 0 / 41

HEX #790097

RGB 121 0 151

HSL 288.08, 1%, 0.3%

LAB 30.16, 61.74, -50.25

 

CMYK 17 / 96 / 0 / 11

HEX #BE0AE4

RGB 190 10 228

HSL 289.54, 0.92%, 0.47%

LAB 47.96, 83.86, -66.17

 

CMYK 0 / 96 / 9 / 11

HEX #E40AD0

RGB 228 10 208

HSL 305.5, 0.92%, 0.47%

LAB 53.24, 86.84, -45.94

 

CMYK 0 / 96 / 35 / 11

HEX #E40A95

RGB 228 10 149

HSL 321.74, 0.92%, 0.47%

LAB 50.55, 79.97, -15.55

 

CMYK 0 / 96 / 61 / 11

HEX #E40A5A

RGB 228 10 90

HSL 337.98, 0.92%, 0.47%

LAB 48.82, 75.36, 17.91

 

CMYK 0 / 96 / 86 / 11

HEX #E40A20

RGB 228 10 32

HSL 353.94, 0.92%, 0.47%

LAB 48.03, 73.17, 50.62

 

CMYK 17 / 96 / 0 / 11

HEX #BE0AE4

RGB 190 10 228

HSL 289.54, 0.92%, 0.47%

LAB 47.96, 83.86, -66.17

 

CMYK 43 / 96 / 0 / 11

HEX #830AE4

RGB 131 10 228

HSL 273.3, 0.92%, 0.47%

LAB 38.97, 76.74, -81.23

 

CMYK 68 / 96 / 0 / 11

HEX #480AE4

RGB 72 10 228

HSL 257.06, 0.92%, 0.47%

LAB 32.25, 72.55, -92.58

 

CMYK 94 / 96 / 0 / 11

HEX #0E0AE4

RGB 14 10 228

HSL 241.1, 0.92%, 0.47%

LAB 29.19, 71.11, -97.76

 

CMYK 96 / 96 / 0 / 11

HEX #0A0AE4

RGB 10 10 228

HSL 240, 0.92%, 0.47%

LAB 29.12, 71.08, -97.88

 

CMYK 17 / 96 / 0 / 11

HEX #BE0AE4

RGB 190 10 228

HSL 289.54, 0.92%, 0.47%

LAB 47.96, 83.86, -66.17

 

CMYK 17 / 96 / 0 / 11

HEX #BE0AE4

RGB 190 10 228

HSL 289.54, 0.92%, 0.47%

LAB 47.96, 83.86, -66.17

 

CMYK 15 / 86 / 0 / 18

HEX #B11ED1

RGB 177 30 209

HSL 289.27, 0.75%, 0.47%

LAB 45.47, 75.88, -59.44

 

CMYK 13 / 74 / 0 / 25

HEX #A531BE

RGB 165 49 190

HSL 289.36, 0.59%, 0.47%

LAB 44.11, 65.11, -50.7

 

CMYK 11 / 60 / 0 / 33

HEX #9844AA

RGB 152 68 170

HSL 289.41, 0.43%, 0.47%

LAB 43.82, 50.42, -39.51

 

CMYK 7 / 42 / 0 / 41

HEX #8C5897

RGB 140 88 151

HSL 289.52, 0.26%, 0.47%

LAB 45.34, 32.44, -25.93

 

CMYK 68 / 96 / 0 / 11

HEX #480AE4

RGB 72 10 228

HSL 257.06, 0.92%, 0.47%

LAB 32.25, 72.55, -92.58

 

CMYK 43 / 96 / 0 / 11

HEX #820AE4

RGB 130 10 228

HSL 273.03, 0.92%, 0.47%

LAB 38.84, 76.64, -81.46

 

CMYK 18 / 96 / 0 / 11

HEX #BC0AE4

RGB 188 10 228

HSL 288.99, 0.92%, 0.47%

LAB 47.64, 83.58, -66.71

 

CMYK 0 / 96 / 8 / 11

HEX #E40AD2

RGB 228 10 210

HSL 304.95, 0.92%, 0.47%

LAB 53.35, 87.11, -46.91

 

CMYK 0 / 96 / 33 / 11

HEX #E40A98

RGB 228 10 152

HSL 320.92, 0.92%, 0.47%

LAB 50.66, 80.27, -17.17

 

CMYK 17 / 95 / 0 / 41

HEX #7C0796

RGB 124 7 150

HSL 289.09, 0.91%, 0.31%

LAB 30.97, 60.93, -48.29

 

CMYK 17 / 96 / 0 / 26

HEX #9D08BD

RGB 157 8 189

HSL 289.39, 0.92%, 0.39%

LAB 39.61, 72.69, -57.44

 

CMYK 17 / 96 / 0 / 11

HEX #BE0AE4

RGB 190 10 228

HSL 289.54, 0.92%, 0.47%

LAB 47.96, 83.86, -66.17

 

CMYK 15 / 85 / 0 / 4

HEX #D024F4

RGB 208 36 244

HSL 289.62, 0.9%, 0.55%

LAB 53.17, 85.6, -66.62

 

CMYK 12 / 70 / 0 / 4

HEX #D84BF6

RGB 216 75 246

HSL 289.47, 0.9%, 0.63%

LAB 58.31, 76.41, -59.42

 

CMYK 17 / 95 / 0 / 11

HEX #BD0BE3

RGB 189 11 227

HSL 289.44, 0.91%, 0.47%

LAB 47.76, 83.47, -65.94

 

CMYK 0 / 94 / 96 / 11

HEX #E40E0A

RGB 228 14 10

HSL 1.1, 0.92%, 0.47%

LAB 48.05, 72.53, 59.12

 

CMYK 96 / 0 / 56 / 11

HEX #0AE465

RGB 10 228 101

HSL 145.05, 0.92%, 0.47%

LAB 79.89, -72.08, 48.65

 

CMYK 17 / 95 / 0 / 11

HEX #BD0BE3

RGB 189 11 227

HSL 289.44, 0.91%, 0.47%

LAB 47.76, 83.47, -65.94

 

CMYK 0 / 18 / 96 / 11

HEX #E4BC0A

RGB 228 188 10

HSL 48.99, 0.92%, 0.47%

LAB 77.57, 0.4, 78.33

 

CMYK 96 / 0 / 18 / 11

HEX #0AE4BC

RGB 10 228 188

HSL 168.99, 0.92%, 0.47%

LAB 81.39, -54.89, 6.68

 

CMYK 17 / 95 / 0 / 11

HEX #BD0BE3

RGB 189 11 227

HSL 289.44, 0.91%, 0.47%

LAB 47.76, 83.47, -65.94

 

CMYK 0 / 94 / 96 / 11

HEX #E40E0A

RGB 228 14 10

HSL 1.1, 0.92%, 0.47%

LAB 48.05, 72.53, 59.12

 

CMYK 78 / 0 / 96 / 11

HEX #32E40A

RGB 50 228 10

HSL 108.99, 0.92%, 0.47%

LAB 79.72, -75.54, 76.03

 

CMYK 96 / 1 / 0 / 11

HEX #0AE1E4

RGB 10 225 228

HSL 180.83, 0.92%, 0.47%

LAB 81.57, -42.62, -14.26

 

CMYK 17 / 95 / 0 / 11

HEX #BD0BE3

RGB 189 11 227

HSL 289.44, 0.91%, 0.47%

LAB 47.76, 83.47, -65.94

 

CMYK 0 / 65 / 96 / 11

HEX #E44F0A

RGB 228 79 10

HSL 18.99, 0.92%, 0.47%

LAB 54.14, 55.52, 62.48

 

CMYK 78 / 0 / 96 / 11

HEX #32E40A

RGB 50 228 10

HSL 108.99, 0.92%, 0.47%

LAB 79.72, -75.54, 76.03

 

CMYK 96 / 30 / 0 / 11

HEX #0A9FE4

RGB 10 159 228

HSL 198.99, 0.92%, 0.47%

LAB 62.05, -9.67, -44.29

 

Description

Color code: RGB 189 11 227 | qconv.com Color code: RGB 189 11 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 11 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 11 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 95 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 95% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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