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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189.1 72.8 131 it is the complementary color RGB 65.9 182.2 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189.1 72.8 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189.1 72.8 131 shade: RGB 194.1 72.8 126, RGB 211.1 90.8 145, RGB 228.1 108.8 164, RGB 245.1 126.8 183 and RGB 255 144.8 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189.1 72.8 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189.1 72.8 131 shade: RGB 189.1 72.8 131, RGB 172.1 54.8 112, RGB 155.1 36.8 93, RGB 138.1 18.8 74 and RGB 121.1 0.8 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189.1 72.8 131 shade: RGB 189 71 130, RGB 189 71 98 and RGB 189 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189.1 72.8 131 shade: RGB 189 71 130, RGB 189 71 162, RGB 184 71 189, RGB 152 71 189 and RGB 121 71 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189.1 72.8 131 shade matches the following richer shades: RGB 189 71 130, RGB 209 51 130, RGB 229 31 130 and RGB 249 11 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189.1 72.8 131 shade: RGB 189 71 130, RGB 169 92 130, RGB 148 112 130, RGB 128 132 130 and RGB 108 152 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189.1 72.8 131 shade: RGB 183 71 189, RGB 189 71 163, RGB 189 71 132, RGB 189 71 101 and RGB 189 73 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189.1 72.8 131 shade: RGB 131 47 89, RGB 161 58 109, RGB 189 71 130, RGB 200 102 151 and RGB 211 132 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189.1 72.8 131 shade: RGB 189.1 72.8 131, RGB 189 152 71 and RGB 71 179 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189.1 72.8 131 shade: RGB 189.1 72.8 131, RGB 132 189 71 and RGB 71 132 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189.1 72.8 131 shade: RGB 189.1 72.8 131, RGB 189 152 71, RGB 71 189 128 and RGB 71 109 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189.1 72.8 131 shade: RGB 189.1 72.8 131, RGB 189 187 71, RGB 71 189 128 and RGB 71 73 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 31 / 26

HEX #BD4883

RGB 189.1 72.8 131

HSL 329.97, 0.47%, 0.51%

LAB 48.52, 52.49, -8.46

 

Complementary color

CMYK 64 / 0 / 32 / 29

HEX #41B67C

RGB 65.9 182.2 124

HSL 149.97, 0.47%, 0.49%

LAB 66.63, -46.2, 20.24

 

CMYK 0 / 62 / 35 / 24

HEX #C2487E

RGB 194.1 72.8 126

HSL 333.69, 0.5%, 0.52%

LAB 49.16, 53.42, -4.41

 

CMYK 0 / 57 / 31 / 17

HEX #D35A91

RGB 211.1 90.8 145

HSL 332.97, 0.58%, 0.59%

LAB 55.44, 52.93, -6.12

 

CMYK 0 / 52 / 28 / 11

HEX #E46CA4

RGB 228.1 108.8 164

HSL 332.24, 0.69%, 0.66%

LAB 61.73, 52.27, -7.54

 

CMYK 0 / 48 / 25 / 4

HEX #F57EB7

RGB 245.1 126.8 183

HSL 331.5, 0.86%, 0.73%

LAB 68, 51.53, -8.74

 

CMYK 0 / 43 / 21 / 0

HEX #FF90CA

RGB 255 144.8 202

HSL 328.86, 1%, 0.78%

LAB 73.36, 48.45, -11.2

 

CMYK 0 / 62 / 31 / 26

HEX #BD4883

RGB 189.1 72.8 131

HSL 329.97, 0.47%, 0.51%

LAB 48.52, 52.49, -8.46

 

CMYK 0 / 68 / 35 / 33

HEX #AC3670

RGB 172.1 54.8 112

HSL 330.74, 0.52%, 0.44%

LAB 42.25, 52.69, -6.51

 

CMYK 0 / 76 / 40 / 39

HEX #9B245D

RGB 155.1 36.8 93

HSL 331.5, 0.62%, 0.38%

LAB 36.14, 52.31, -3.97

 

CMYK 0 / 86 / 46 / 46

HEX #8A124A

RGB 138.1 18.8 74

HSL 332.24, 0.76%, 0.31%

LAB 30.32, 50.94, -0.56

 

CMYK 0 / 99 / 55 / 53

HEX #790037

RGB 121.1 0.8 55

HSL 332.97, 0.99%, 0.24%

LAB 24.84, 48.39, 3.91

 

CMYK 0 / 62 / 31 / 26

HEX #BD4782

RGB 189 71 130

HSL 330, 0.47%, 0.51%

LAB 48.18, 53.13, -8.37

 

CMYK 0 / 62 / 48 / 26

HEX #BD4762

RGB 189 71 98

HSL 346.27, 0.47%, 0.51%

LAB 47.25, 49.64, 9.7

 

CMYK 0 / 62 / 62 / 26

HEX #BD4747

RGB 189 71 71

HSL 0, 0.47%, 0.51%

LAB 46.68, 47.48, 25.29

 

CMYK 0 / 62 / 31 / 26

HEX #BD4782

RGB 189 71 130

HSL 330, 0.47%, 0.51%

LAB 48.18, 53.13, -8.37

 

CMYK 0 / 62 / 14 / 26

HEX #BD47A2

RGB 189 71 162

HSL 313.73, 0.47%, 0.51%

LAB 49.42, 57.56, -25.61

 

CMYK 3 / 62 / 0 / 26

HEX #B847BD

RGB 184 71 189

HSL 297.46, 0.47%, 0.51%

LAB 49.94, 60.7, -40.65

 

CMYK 20 / 62 / 0 / 26

HEX #9847BD

RGB 152 71 189

HSL 281.19, 0.47%, 0.51%

LAB 45.44, 52.91, -48.09

 

CMYK 36 / 62 / 0 / 26

HEX #7947BD

RGB 121 71 189

HSL 265.42, 0.47%, 0.51%

LAB 41.6, 45.71, -54.46

 

CMYK 0 / 62 / 31 / 26

HEX #BD4782

RGB 189 71 130

HSL 330, 0.47%, 0.51%

LAB 48.18, 53.13, -8.37

 

CMYK 0 / 76 / 38 / 18

HEX #D13382

RGB 209 51 130

HSL 330, 0.63%, 0.51%

LAB 48.93, 66.19, -6.9

 

CMYK 0 / 86 / 43 / 10

HEX #E51F82

RGB 229 31 130

HSL 330, 0.79%, 0.51%

LAB 50.98, 75.83, -3.45

 

CMYK 0 / 96 / 48 / 2

HEX #F90B82

RGB 249 11 130

HSL 330, 0.95%, 0.51%

LAB 54.02, 82.68, 1.46

 

CMYK 0 / 62 / 31 / 26

HEX #BD4782

RGB 189 71 130

HSL 330, 0.47%, 0.51%

LAB 48.18, 53.13, -8.37

 

CMYK 0 / 46 / 23 / 34

HEX #A95C82

RGB 169 92 130

HSL 330.39, 0.31%, 0.51%

LAB 49.13, 36.25, -7.26

 

CMYK 0 / 24 / 12 / 42

HEX #947082

RGB 148 112 130

HSL 330, 0.14%, 0.51%

LAB 51.26, 17.24, -4.37

 

CMYK 3 / 0 / 2 / 48

HEX #808482

RGB 128 132 130

HSL 150, 0.02%, 0.51%

LAB 54.77, -1.88, 0.55

 

CMYK 29 / 0 / 14 / 40

HEX #6C9882

RGB 108 152 130

HSL 150, 0.18%, 0.51%

LAB 59.21, -19.81, 6.8

 

CMYK 3 / 62 / 0 / 26

HEX #B747BD

RGB 183 71 189

HSL 296.95, 0.47%, 0.51%

LAB 49.8, 60.45, -40.9

 

CMYK 0 / 62 / 14 / 26

HEX #BD47A3

RGB 189 71 163

HSL 313.22, 0.47%, 0.51%

LAB 49.46, 57.71, -26.13

 

CMYK 0 / 62 / 30 / 26

HEX #BD4784

RGB 189 71 132

HSL 328.98, 0.47%, 0.51%

LAB 48.25, 53.38, -9.47

 

CMYK 0 / 62 / 47 / 26

HEX #BD4765

RGB 189 71 101

HSL 344.75, 0.47%, 0.51%

LAB 47.32, 49.92, 7.98

 

CMYK 0 / 61 / 62 / 26

HEX #BD4947

RGB 189 73 71

HSL 1.02, 0.47%, 0.51%

LAB 47.03, 46.57, 25.72

 

CMYK 0 / 64 / 32 / 49

HEX #832F59

RGB 131 47 89

HSL 330, 0.47%, 0.35%

LAB 33.09, 40.48, -6.41

 

CMYK 0 / 64 / 32 / 37

HEX #A13A6D

RGB 161 58 109

HSL 330.29, 0.47%, 0.43%

LAB 40.75, 47.61, -7.1

 

CMYK 0 / 62 / 31 / 26

HEX #BD4782

RGB 189 71 130

HSL 330, 0.47%, 0.51%

LAB 48.18, 53.13, -8.37

 

CMYK 0 / 49 / 25 / 22

HEX #C86697

RGB 200 102 151

HSL 330, 0.47%, 0.59%

LAB 56.1, 44.69, -8.81

 

CMYK 0 / 37 / 19 / 17

HEX #D384AB

RGB 211 132 171

HSL 330.38, 0.47%, 0.67%

LAB 64.4, 35.7, -7.8

 

CMYK 0 / 62 / 31 / 26

HEX #BD4883

RGB 189.1 72.8 131

HSL 329.97, 0.47%, 0.51%

LAB 48.52, 52.49, -8.46

 

CMYK 0 / 20 / 62 / 26

HEX #BD9847

RGB 189 152 71

HSL 41.19, 0.47%, 0.51%

LAB 64.75, 4.61, 46.89

 

CMYK 62 / 5 / 0 / 26

HEX #47B3BD

RGB 71 179 189

HSL 185.08, 0.47%, 0.51%

LAB 67.47, -27.46, -14.27

 

CMYK 0 / 62 / 31 / 26

HEX #BD4883

RGB 189.1 72.8 131

HSL 329.97, 0.47%, 0.51%

LAB 48.52, 52.49, -8.46

 

CMYK 30 / 0 / 62 / 26

HEX #84BD47

RGB 132 189 71

HSL 88.98, 0.47%, 0.51%

LAB 70.7, -37.69, 52.28

 

CMYK 62 / 30 / 0 / 26

HEX #4784BD

RGB 71 132 189

HSL 208.98, 0.47%, 0.51%

LAB 53.51, -2.04, -35.72

 

CMYK 0 / 62 / 31 / 26

HEX #BD4883

RGB 189.1 72.8 131

HSL 329.97, 0.47%, 0.51%

LAB 48.52, 52.49, -8.46

 

CMYK 0 / 20 / 62 / 26

HEX #BD9847

RGB 189 152 71

HSL 41.19, 0.47%, 0.51%

LAB 64.75, 4.61, 46.89

 

CMYK 62 / 0 / 32 / 26

HEX #47BD80

RGB 71 189 128

HSL 148.98, 0.47%, 0.51%

LAB 68.96, -47.18, 21.3

 

CMYK 62 / 42 / 0 / 26

HEX #476DBD

RGB 71 109 189

HSL 220.68, 0.47%, 0.51%

LAB 46.91, 11.94, -46.16

 

CMYK 0 / 62 / 31 / 26

HEX #BD4883

RGB 189.1 72.8 131

HSL 329.97, 0.47%, 0.51%

LAB 48.52, 52.49, -8.46

 

CMYK 0 / 1 / 62 / 26

HEX #BDBB47

RGB 189 187 71

HSL 58.98, 0.47%, 0.51%

LAB 74.07, -13.87, 57.08

 

CMYK 62 / 0 / 32 / 26

HEX #47BD80

RGB 71 189 128

HSL 148.98, 0.47%, 0.51%

LAB 68.96, -47.18, 21.3

 

CMYK 62 / 61 / 0 / 26

HEX #4749BD

RGB 71 73 189

HSL 238.98, 0.47%, 0.51%

LAB 37.44, 34.74, -61.42

 

Description

Color code: RGB 189.1 72.8 131 | qconv.com Color code: RGB 189.1 72.8 131 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189.1 red, 72.8 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189.1 72.8 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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