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Color name
RGB 189.1 162.8 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189.1 162.8 19 it is the complementary color RGB 65.9 92.2 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189.1 162.8 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189.1 162.8 19 shade: RGB 194.1 162.8 14, RGB 211.1 180.8 33, RGB 228.1 198.8 52, RGB 245.1 216.8 71 and RGB 255 234.8 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189.1 162.8 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189.1 162.8 19 shade: RGB 189.1 162.8 19, RGB 172.1 144.8 0, RGB 155.1 126.8 0, RGB 138.1 108.8 0 and RGB 121.1 90.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189.1 162.8 19 shade: RGB 190 164 19, RGB 190 118 19, RGB 190 71 19, RGB 190 25 19 and RGB 190 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189.1 162.8 19 shade: RGB 190 164 19, RGB 171 190 19, RGB 124 190 19, RGB 78 190 19 and RGB 32 190 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189.1 162.8 19 shade matches the following richer shades: RGB 190 164 19 and RGB 207 175 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189.1 162.8 19 shade: RGB 190 164 19, RGB 173 152 36, RGB 156 140 53, RGB 140 129 70 and RGB 123 117 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189.1 162.8 19 shade: RGB 190 70 19, RGB 190 116 19, RGB 190 162 19, RGB 173 190 19 and RGB 127 190 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189.1 162.8 19 shade: RGB 115 99 11, RGB 153 131 15, RGB 190 164 19, RGB 228 196 23 and RGB 235 208 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189.1 162.8 19 shade: RGB 189.1 162.8 19, RGB 19 190 25 and RGB 93 19 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189.1 162.8 19 shade: RGB 189.1 162.8 19, RGB 19 190 162 and RGB 162 19 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189.1 162.8 19 shade: RGB 189.1 162.8 19, RGB 19 190 25, RGB 19 47 190 and RGB 190 19 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189.1 162.8 19 shade: RGB 189.1 162.8 19, RGB 19 190 76, RGB 19 47 190 and RGB 190 19 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 90 / 26

HEX #BDA213

RGB 189.1 162.8 19

HSL 50.72, 0.82%, 0.41%

LAB 67.28, -3.36, 67.66

 

Complementary color

CMYK 72 / 61 / 0 / 7

HEX #415CEC

RGB 65.9 92.2 236

HSL 230.72, 0.82%, 0.59%

LAB 45.5, 38.27, -75.28

 

CMYK 0 / 16 / 93 / 24

HEX #C2A20E

RGB 194.1 162.8 14

HSL 49.57, 0.87%, 0.41%

LAB 67.75, -1.21, 69.09

 

CMYK 0 / 14 / 84 / 17

HEX #D3B421

RGB 211.1 180.8 33

HSL 49.79, 0.73%, 0.48%

LAB 74.15, -2.82, 70.98

 

CMYK 0 / 13 / 77 / 11

HEX #E4C634

RGB 228.1 198.8 52

HSL 50.02, 0.77%, 0.55%

LAB 80.47, -4.2, 71.63

 

CMYK 0 / 12 / 71 / 4

HEX #F5D847

RGB 245.1 216.8 71

HSL 50.25, 0.9%, 0.62%

LAB 86.71, -5.39, 71.52

 

CMYK 0 / 8 / 65 / 0

HEX #FFEA5A

RGB 255 234.8 90

HSL 52.65, 1%, 0.68%

LAB 92.27, -9.32, 70.14

 

CMYK 0 / 14 / 90 / 26

HEX #BDA213

RGB 189.1 162.8 19

HSL 50.72, 0.82%, 0.41%

LAB 67.28, -3.36, 67.66

 

CMYK 0 / 16 / 100 / 33

HEX #AC9000

RGB 172.1 144.8 0

HSL 50.48, 1%, 0.34%

LAB 60.76, -1.64, 64.97

 

CMYK 0 / 18 / 100 / 39

HEX #9B7E00

RGB 155.1 126.8 0

HSL 49.05, 1%, 0.3%

LAB 54.14, 0.43, 59.5

 

CMYK 0 / 21 / 100 / 46

HEX #8A6C00

RGB 138.1 108.8 0

HSL 47.27, 1%, 0.27%

LAB 47.37, 2.6, 53.92

 

CMYK 0 / 25 / 100 / 53

HEX #795A00

RGB 121.1 90.8 0

HSL 44.99, 1%, 0.24%

LAB 40.44, 4.89, 48.22

 

CMYK 0 / 14 / 90 / 25

HEX #BEA413

RGB 190 164 19

HSL 50.88, 0.82%, 0.41%

LAB 67.68, -3.6, 68.02

 

CMYK 0 / 38 / 90 / 25

HEX #BE7613

RGB 190 118 19

HSL 34.74, 0.82%, 0.41%

LAB 56.04, 21.51, 59.01

 

CMYK 0 / 63 / 90 / 25

HEX #BE4713

RGB 190 71 19

HSL 18.25, 0.82%, 0.41%

LAB 46.31, 45.7, 51.64

 

CMYK 0 / 87 / 90 / 25

HEX #BE1913

RGB 190 25 19

HSL 2.11, 0.82%, 0.41%

LAB 40.72, 61.12, 47.52

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 0 / 14 / 90 / 25

HEX #BEA413

RGB 190 164 19

HSL 50.88, 0.82%, 0.41%

LAB 67.68, -3.6, 68.02

 

CMYK 10 / 0 / 90 / 25

HEX #ABBE13

RGB 171 190 19

HSL 66.67, 0.82%, 0.41%

LAB 73.24, -25.17, 71.72

 

CMYK 35 / 0 / 90 / 25

HEX #7CBE13

RGB 124 190 19

HSL 83.16, 0.82%, 0.41%

LAB 70.29, -43.88, 68.1

 

CMYK 59 / 0 / 90 / 25

HEX #4EBE13

RGB 78 190 19

HSL 99.3, 0.82%, 0.41%

LAB 68.38, -58.25, 65.74

 

CMYK 83 / 0 / 90 / 25

HEX #20BE13

RGB 32 190 19

HSL 115.44, 0.82%, 0.41%

LAB 67.41, -66.54, 64.52

 

CMYK 0 / 14 / 90 / 25

HEX #BEA413

RGB 190 164 19

HSL 50.88, 0.82%, 0.41%

LAB 67.68, -3.6, 68.02

 

CMYK 0 / 15 / 99 / 19

HEX #CFAF02

RGB 207 175 2

HSL 50.63, 0.98%, 0.41%

LAB 72.18, -2.08, 74.39

 

CMYK 0 / 14 / 90 / 25

HEX #BEA413

RGB 190 164 19

HSL 50.88, 0.82%, 0.41%

LAB 67.68, -3.6, 68.02

 

CMYK 0 / 12 / 79 / 32

HEX #AD9824

RGB 173 152 36

HSL 50.8, 0.66%, 0.41%

LAB 62.9, -4.33, 58.98

 

CMYK 0 / 10 / 66 / 39

HEX #9C8C35

RGB 156 140 53

HSL 50.68, 0.49%, 0.41%

LAB 58.11, -4.61, 47.09

 

CMYK 0 / 8 / 50 / 45

HEX #8C8146

RGB 140 129 70

HSL 50.57, 0.33%, 0.41%

LAB 53.73, -4.29, 33.28

 

CMYK 0 / 5 / 30 / 52

HEX #7B7556

RGB 123 117 86

HSL 50.27, 0.18%, 0.41%

LAB 49.01, -2.96, 17.97

 

CMYK 0 / 63 / 90 / 25

HEX #BE4613

RGB 190 70 19

HSL 17.89, 0.82%, 0.41%

LAB 46.14, 46.15, 51.52

 

CMYK 0 / 39 / 90 / 25

HEX #BE7413

RGB 190 116 19

HSL 34.04, 0.82%, 0.41%

LAB 55.57, 22.61, 58.65

 

CMYK 0 / 15 / 90 / 25

HEX #BEA213

RGB 190 162 19

HSL 50.18, 0.82%, 0.41%

LAB 67.15, -2.53, 67.6

 

CMYK 9 / 0 / 90 / 25

HEX #ADBE13

RGB 173 190 19

HSL 65.96, 0.82%, 0.41%

LAB 73.39, -24.32, 71.9

 

CMYK 33 / 0 / 90 / 25

HEX #7FBE13

RGB 127 190 19

HSL 82.11, 0.82%, 0.41%

LAB 70.45, -42.78, 68.29

 

CMYK 0 / 14 / 90 / 55

HEX #73630B

RGB 115 99 11

HSL 50.77, 0.83%, 0.25%

LAB 42.14, -2.66, 46.3

 

CMYK 0 / 14 / 90 / 40

HEX #99830F

RGB 153 131 15

HSL 50.43, 0.82%, 0.33%

LAB 55.11, -2.63, 57.4

 

CMYK 0 / 14 / 90 / 25

HEX #BEA413

RGB 190 164 19

HSL 50.88, 0.82%, 0.41%

LAB 67.68, -3.6, 68.02

 

CMYK 0 / 14 / 90 / 11

HEX #E4C417

RGB 228 196 23

HSL 50.63, 0.82%, 0.49%

LAB 79.63, -3.57, 78.12

 

CMYK 0 / 11 / 76 / 8

HEX #EBD038

RGB 235 208 56

HSL 50.95, 0.82%, 0.57%

LAB 83.47, -5.81, 73.33

 

CMYK 0 / 14 / 90 / 26

HEX #BDA213

RGB 189.1 162.8 19

HSL 50.72, 0.82%, 0.41%

LAB 67.28, -3.36, 67.66

 

CMYK 90 / 0 / 87 / 25

HEX #13BE19

RGB 19 190 25

HSL 122.11, 0.82%, 0.41%

LAB 67.3, -67.45, 63.22

 

CMYK 51 / 90 / 0 / 25

HEX #5D13BE

RGB 93 19 190

HSL 265.96, 0.82%, 0.41%

LAB 30.67, 63.17, -73.05

 

CMYK 0 / 14 / 90 / 26

HEX #BDA213

RGB 189.1 162.8 19

HSL 50.72, 0.82%, 0.41%

LAB 67.28, -3.36, 67.66

 

CMYK 90 / 0 / 15 / 25

HEX #13BEA2

RGB 19 190 162

HSL 170.18, 0.82%, 0.41%

LAB 69.17, -45.86, 3.01

 

CMYK 15 / 90 / 0 / 25

HEX #A213BE

RGB 162 19 190

HSL 290.18, 0.82%, 0.41%

LAB 41, 72.2, -55.73

 

CMYK 0 / 14 / 90 / 26

HEX #BDA213

RGB 189.1 162.8 19

HSL 50.72, 0.82%, 0.41%

LAB 67.28, -3.36, 67.66

 

CMYK 90 / 0 / 87 / 25

HEX #13BE19

RGB 19 190 25

HSL 122.11, 0.82%, 0.41%

LAB 67.3, -67.45, 63.22

 

CMYK 90 / 75 / 0 / 25

HEX #132FBE

RGB 19 47 190

HSL 230.18, 0.82%, 0.41%

LAB 29.13, 45.98, -75.76

 

CMYK 0 / 90 / 3 / 25

HEX #BE13B9

RGB 190 19 185

HSL 301.75, 0.82%, 0.41%

LAB 45.52, 76.12, -45.28

 

CMYK 0 / 14 / 90 / 26

HEX #BDA213

RGB 189.1 162.8 19

HSL 50.72, 0.82%, 0.41%

LAB 67.28, -3.36, 67.66

 

CMYK 90 / 0 / 60 / 25

HEX #13BE4C

RGB 19 190 76

HSL 140, 0.82%, 0.41%

LAB 67.64, -63.19, 45.68

 

CMYK 90 / 75 / 0 / 25

HEX #132FBE

RGB 19 47 190

HSL 230.18, 0.82%, 0.41%

LAB 29.13, 45.98, -75.76

 

CMYK 0 / 90 / 30 / 25

HEX #BE1385

RGB 190 19 133

HSL 320, 0.82%, 0.41%

LAB 42.92, 69.35, -18.15

 

Description

Color code: RGB 189.1 162.8 19 | qconv.com Color code: RGB 189.1 162.8 19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189.1 red, 162.8 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189.1 162.8 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 90 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 90% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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