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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 90.8 110.4 it is the complementary color RGB 67 164.2 144.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 90.8 110.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 90.8 110.4 shade: RGB 193 90.8 105.4, RGB 210 108.8 124.4, RGB 227 126.8 143.4, RGB 244 144.8 162.4 and RGB 255 162.8 181.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 90.8 110.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 90.8 110.4 shade: RGB 188 90.8 110.4, RGB 171 72.8 91.4, RGB 154 54.8 72.4, RGB 137 36.8 53.4 and RGB 120 18.8 34.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 90.8 110.4 shade: RGB 188 92 111 and RGB 188 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 90.8 110.4 shade: RGB 188 92 111, RGB 188 92 137, RGB 188 92 163, RGB 187 92 188 and RGB 161 92 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 90.8 110.4 shade matches the following richer shades: RGB 188 92 111, RGB 207 73 100, RGB 226 55 89 and RGB 244 36 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 90.8 110.4 shade: RGB 188 92 111, RGB 170 111 123, RGB 151 129 134, RGB 133 148 145 and RGB 114 166 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 90.8 110.4 shade: RGB 188 92 164, RGB 188 92 139, RGB 188 92 113, RGB 188 97 92 and RGB 188 123 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 90.8 110.4 shade: RGB 141 57 74, RGB 170 69 90, RGB 188 92 111, RGB 200 121 137 and RGB 212 151 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 90.8 110.4 shade: RGB 188 90.8 110.4, RGB 188 187 92 and RGB 92 151 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 90.8 110.4 shade: RGB 188 90.8 110.4, RGB 113 188 92 and RGB 92 113 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 90.8 110.4 shade: RGB 188 90.8 110.4, RGB 188 187 92, RGB 92 188 168 and RGB 92 94 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 90.8 110.4 shade: RGB 188 90.8 110.4, RGB 161 188 92, RGB 92 188 168 and RGB 119 92 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 41 / 26

HEX #BC5A6E

RGB 188 90.8 110.4

HSL 347.9, 0.42%, 0.55%

LAB 51.01, 41.07, 7.52

 

Complementary color

CMYK 59 / 0 / 12 / 36

HEX #43A490

RGB 67 164.2 144.6

HSL 167.9, 0.42%, 0.45%

LAB 61.52, -33.3, 1.67

 

CMYK 0 / 53 / 45 / 24

HEX #C15A69

RGB 193 90.8 105.4

HSL 351.43, 0.45%, 0.56%

LAB 51.63, 42.33, 11.48

 

CMYK 0 / 48 / 41 / 18

HEX #D26C7C

RGB 210 108.8 124.4

HSL 350.75, 0.53%, 0.63%

LAB 58.1, 41.34, 9.77

 

CMYK 0 / 44 / 37 / 11

HEX #E37E8F

RGB 227 126.8 143.4

HSL 350.06, 0.64%, 0.69%

LAB 64.53, 40.37, 8.3

 

CMYK 0 / 41 / 33 / 4

HEX #F490A2

RGB 244 144.8 162.4

HSL 349.35, 0.82%, 0.76%

LAB 70.9, 39.43, 7.02

 

CMYK 0 / 36 / 29 / 0

HEX #FFA2B5

RGB 255 162.8 181.4

HSL 347.9, 1%, 0.82%

LAB 76.52, 36.43, 4.78

 

CMYK 0 / 52 / 41 / 26

HEX #BC5A6E

RGB 188 90.8 110.4

HSL 347.9, 0.42%, 0.55%

LAB 51.01, 41.07, 7.52

 

CMYK 0 / 57 / 47 / 33

HEX #AB485B

RGB 171 72.8 91.4

HSL 348.64, 0.4%, 0.48%

LAB 44.46, 42, 9.4

 

CMYK 0 / 64 / 53 / 40

HEX #9A3648

RGB 154 54.8 72.4

HSL 349.35, 0.48%, 0.41%

LAB 37.94, 42.79, 11.74

 

CMYK 0 / 73 / 61 / 46

HEX #892435

RGB 137 36.8 53.4

HSL 350.06, 0.58%, 0.34%

LAB 31.55, 43.21, 14.77

 

CMYK 0 / 84 / 71 / 53

HEX #781222

RGB 120 18.8 34.4

HSL 350.75, 0.73%, 0.27%

LAB 25.47, 42.8, 18.82

 

CMYK 0 / 51 / 41 / 26

HEX #BC5C6F

RGB 188 92 111

HSL 348.13, 0.42%, 0.55%

LAB 51.26, 40.53, 7.52

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 51 / 41 / 26

HEX #BC5C6F

RGB 188 92 111

HSL 348.13, 0.42%, 0.55%

LAB 51.26, 40.53, 7.52

 

CMYK 0 / 51 / 27 / 26

HEX #BC5C89

RGB 188 92 137

HSL 331.88, 0.42%, 0.55%

LAB 52.01, 43.78, -6.86

 

CMYK 0 / 51 / 13 / 26

HEX #BC5CA3

RGB 188 92 163

HSL 315.63, 0.42%, 0.55%

LAB 52.94, 47.68, -20.78

 

CMYK 1 / 51 / 0 / 26

HEX #BB5CBC

RGB 187 92 188

HSL 299.38, 0.42%, 0.55%

LAB 53.87, 51.68, -33.87

 

CMYK 14 / 51 / 0 / 26

HEX #A15CBC

RGB 161 92 188

HSL 283.13, 0.42%, 0.55%

LAB 50.53, 44.36, -39.36

 

CMYK 0 / 51 / 41 / 26

HEX #BC5C6F

RGB 188 92 111

HSL 348.13, 0.42%, 0.55%

LAB 51.26, 40.53, 7.52

 

CMYK 0 / 65 / 52 / 19

HEX #CF4964

RGB 207 73 100

HSL 347.91, 0.58%, 0.55%

LAB 50.63, 54.8, 13.67

 

CMYK 0 / 76 / 61 / 11

HEX #E23759

RGB 226 55 89

HSL 348.07, 0.75%, 0.55%

LAB 51.41, 66.23, 21.9

 

CMYK 0 / 85 / 68 / 4

HEX #F4244E

RGB 244 36 78

HSL 347.88, 0.9%, 0.55%

LAB 53, 75.13, 31.21

 

CMYK 0 / 51 / 41 / 26

HEX #BC5C6F

RGB 188 92 111

HSL 348.13, 0.42%, 0.55%

LAB 51.26, 40.53, 7.52

 

CMYK 0 / 35 / 28 / 33

HEX #AA6F7B

RGB 170 111 123

HSL 347.8, 0.26%, 0.55%

LAB 53.33, 25.08, 3.07

 

CMYK 0 / 15 / 11 / 41

HEX #978186

RGB 151 129 134

HSL 346.36, 0.1%, 0.55%

LAB 56.09, 9.27, 0.41

 

CMYK 10 / 0 / 2 / 42

HEX #859491

RGB 133 148 145

HSL 168, 0.07%, 0.55%

LAB 60.08, -5.98, -0.25

 

CMYK 31 / 0 / 6 / 35

HEX #72A69C

RGB 114 166 156

HSL 168.46, 0.23%, 0.55%

LAB 64.36, -19.44, -0.34

 

CMYK 0 / 51 / 13 / 26

HEX #BC5CA4

RGB 188 92 164

HSL 315, 0.42%, 0.55%

LAB 52.98, 47.84, -21.3

 

CMYK 0 / 51 / 26 / 26

HEX #BC5C8B

RGB 188 92 139

HSL 330.63, 0.42%, 0.55%

LAB 52.07, 44.06, -7.95

 

CMYK 0 / 51 / 40 / 26

HEX #BC5C71

RGB 188 92 113

HSL 346.88, 0.42%, 0.55%

LAB 51.31, 40.76, 6.4

 

CMYK 0 / 48 / 51 / 26

HEX #BC615C

RGB 188 97 92

HSL 3.13, 0.42%, 0.55%

LAB 51.85, 36, 19.61

 

CMYK 0 / 35 / 51 / 26

HEX #BC7B5C

RGB 188 123 92

HSL 19.38, 0.42%, 0.55%

LAB 57.68, 21.89, 27.3

 

CMYK 0 / 60 / 48 / 45

HEX #8D394A

RGB 141 57 74

HSL 347.86, 0.42%, 0.39%

LAB 36.14, 37.29, 7.88

 

CMYK 0 / 59 / 47 / 33

HEX #AA455A

RGB 170 69 90

HSL 347.52, 0.42%, 0.47%

LAB 43.57, 43.35, 8.98

 

CMYK 0 / 51 / 41 / 26

HEX #BC5C6F

RGB 188 92 111

HSL 348.13, 0.42%, 0.55%

LAB 51.26, 40.53, 7.52

 

CMYK 0 / 40 / 32 / 22

HEX #C87989

RGB 200 121 137

HSL 347.85, 0.42%, 0.63%

LAB 59.67, 32.8, 4.55

 

CMYK 0 / 29 / 23 / 17

HEX #D497A3

RGB 212 151 163

HSL 348.2, 0.41%, 0.71%

LAB 68.59, 24.6, 2.87

 

CMYK 0 / 52 / 41 / 26

HEX #BC5A6E

RGB 188 90.8 110.4

HSL 347.9, 0.42%, 0.55%

LAB 51.01, 41.07, 7.52

 

CMYK 0 / 1 / 51 / 26

HEX #BCBB5C

RGB 188 187 92

HSL 59.38, 0.42%, 0.55%

LAB 74.19, -12.7, 47.67

 

CMYK 51 / 20 / 0 / 26

HEX #5C97BC

RGB 92 151 188

HSL 203.13, 0.42%, 0.55%

LAB 59.92, -8.8, -25.12

 

CMYK 0 / 52 / 41 / 26

HEX #BC5A6E

RGB 188 90.8 110.4

HSL 347.9, 0.42%, 0.55%

LAB 51.01, 41.07, 7.52

 

CMYK 40 / 0 / 51 / 26

HEX #71BC5C

RGB 113 188 92

HSL 106.88, 0.42%, 0.55%

LAB 69.65, -41.6, 41.07

 

CMYK 51 / 40 / 0 / 26

HEX #5C71BC

RGB 92 113 188

HSL 226.88, 0.42%, 0.55%

LAB 49.15, 13.55, -41.95

 

CMYK 0 / 52 / 41 / 26

HEX #BC5A6E

RGB 188 90.8 110.4

HSL 347.9, 0.42%, 0.55%

LAB 51.01, 41.07, 7.52

 

CMYK 0 / 1 / 51 / 26

HEX #BCBB5C

RGB 188 187 92

HSL 59.38, 0.42%, 0.55%

LAB 74.19, -12.7, 47.67

 

CMYK 51 / 0 / 11 / 26

HEX #5CBCA8

RGB 92 188 168

HSL 167.5, 0.42%, 0.55%

LAB 70.22, -33.26, 1.45

 

CMYK 51 / 50 / 0 / 26

HEX #5C5EBC

RGB 92 94 188

HSL 238.75, 0.42%, 0.55%

LAB 44.11, 25.34, -49.99

 

CMYK 0 / 52 / 41 / 26

HEX #BC5A6E

RGB 188 90.8 110.4

HSL 347.9, 0.42%, 0.55%

LAB 51.01, 41.07, 7.52

 

CMYK 14 / 0 / 51 / 26

HEX #A1BC5C

RGB 161 188 92

HSL 76.88, 0.42%, 0.55%

LAB 72.44, -24.15, 45.09

 

CMYK 51 / 0 / 11 / 26

HEX #5CBCA8

RGB 92 188 168

HSL 167.5, 0.42%, 0.55%

LAB 70.22, -33.26, 1.45

 

CMYK 37 / 51 / 0 / 26

HEX #775CBC

RGB 119 92 188

HSL 256.88, 0.42%, 0.55%

LAB 45.92, 33.03, -46.96

 

Description

Color code: RGB 188 90.8 110.4 | qconv.com Color code: RGB 188 90.8 110.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 90.8 green and 110.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 90.8 110.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 41 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 41% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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