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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 53 47 it is the complementary color RGB 67 202 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 53 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 53 47 shade: RGB 193 53 42, RGB 210 71 61, RGB 227 89 80, RGB 244 107 99 and RGB 255 125 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 53 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 171 35 28, RGB 154 17 9, RGB 137 0 0 and RGB 120 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 53 47 shade: RGB 188 53 47 and RGB 188 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 188 91 47, RGB 188 129 47, RGB 188 167 47 and RGB 171 188 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 53 47 shade matches the following richer shades: RGB 188 53 47, RGB 207 36 28 and RGB 226 18 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 169 70 66, RGB 150 88 85, RGB 131 105 104 and RGB 112 122 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 53 47 shade: RGB 188 47 117, RGB 188 47 80, RGB 188 52 47, RGB 188 89 47 and RGB 188 127 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 53 47 shade: RGB 122 34 30, RGB 155 44 39, RGB 188 53 47, RGB 208 74 68 and RGB 216 106 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 155 188 47 and RGB 47 99 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 47 188 52 and RGB 52 47 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 155 188 47, RGB 47 183 188 and RGB 80 47 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 53 47 shade: RGB 188 53 47, RGB 113 188 47, RGB 47 183 188 and RGB 122 47 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

Complementary color

CMYK 68 / 3 / 0 / 18

HEX #43CAD0

RGB 67 202 208

HSL 182.55, 0.6%, 0.54%

LAB 74.82, -33.69, -13.62

 

CMYK 0 / 73 / 78 / 24

HEX #C1352A

RGB 193 53 42

HSL 4.37, 0.64%, 0.46%

LAB 44.31, 54.69, 39.46

 

CMYK 0 / 66 / 71 / 18

HEX #D2473D

RGB 210 71 61

HSL 4.03, 0.62%, 0.53%

LAB 50.15, 54.06, 36.17

 

CMYK 0 / 61 / 65 / 11

HEX #E35950

RGB 227 89 80

HSL 3.67, 0.72%, 0.6%

LAB 56.14, 53.13, 33.26

 

CMYK 0 / 56 / 59 / 4

HEX #F46B63

RGB 244 107 99

HSL 3.31, 0.87%, 0.67%

LAB 62.21, 52.06, 30.74

 

CMYK 0 / 51 / 54 / 0

HEX #FF7D76

RGB 255 125 118

HSL 3.07, 1%, 0.73%

LAB 67.45, 48.82, 27.25

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 0 / 80 / 84 / 33

HEX #AB231C

RGB 171 35 28

HSL 2.94, 0.72%, 0.39%

LAB 37.74, 53.37, 39.11

 

CMYK 0 / 89 / 94 / 40

HEX #9A1109

RGB 154 17 9

HSL 3.31, 0.89%, 0.32%

LAB 32.46, 52.49, 42.37

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 0 / 75 / 75 / 26

HEX #BC2F2F

RGB 188 47 47

HSL 0, 0.6%, 0.46%

LAB 42.66, 55.41, 34.58

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 0 / 52 / 75 / 26

HEX #BC5B2F

RGB 188 91 47

HSL 18.72, 0.6%, 0.46%

LAB 49.95, 36.05, 42.48

 

CMYK 0 / 31 / 75 / 26

HEX #BC812F

RGB 188 129 47

HSL 34.89, 0.6%, 0.46%

LAB 58.6, 15.45, 51.31

 

CMYK 0 / 11 / 75 / 26

HEX #BCA72F

RGB 188 167 47

HSL 51.06, 0.6%, 0.46%

LAB 68.41, -5.22, 60.81

 

CMYK 9 / 0 / 75 / 26

HEX #ABBC2F

RGB 171 188 47

HSL 67.23, 0.6%, 0.46%

LAB 72.78, -23.3, 64.42

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 0 / 83 / 86 / 19

HEX #CF241C

RGB 207 36 28

HSL 2.68, 0.76%, 0.46%

LAB 45.1, 63.59, 48.36

 

CMYK 0 / 92 / 96 / 11

HEX #E21209

RGB 226 18 9

HSL 2.49, 0.92%, 0.46%

LAB 47.78, 71.58, 59.02

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 0 / 59 / 61 / 34

HEX #A94642

RGB 169 70 66

HSL 2.33, 0.44%, 0.46%

LAB 43.08, 40.44, 23

 

CMYK 0 / 41 / 43 / 41

HEX #965855

RGB 150 88 85

HSL 2.77, 0.28%, 0.46%

LAB 44.4, 25.21, 12.76

 

CMYK 0 / 20 / 21 / 49

HEX #836968

RGB 131 105 104

HSL 2.22, 0.11%, 0.46%

LAB 46.88, 10.18, 4.48

 

CMYK 9 / 1 / 0 / 52

HEX #707A7B

RGB 112 122 123

HSL 185.45, 0.05%, 0.46%

LAB 50.45, -3.5, -1.83

 

CMYK 0 / 75 / 38 / 26

HEX #BC2F75

RGB 188 47 117

HSL 330.21, 0.6%, 0.46%

LAB 44.25, 60.54, -6.34

 

CMYK 0 / 75 / 57 / 26

HEX #BC2F50

RGB 188 47 80

HSL 345.96, 0.6%, 0.46%

LAB 43.22, 57.25, 15.19

 

CMYK 0 / 72 / 75 / 26

HEX #BC342F

RGB 188 52 47

HSL 2.13, 0.6%, 0.46%

LAB 43.29, 53.65, 35.29

 

CMYK 0 / 53 / 75 / 26

HEX #BC592F

RGB 188 89 47

HSL 17.87, 0.6%, 0.46%

LAB 49.55, 37.08, 42.05

 

CMYK 0 / 32 / 75 / 26

HEX #BC7F2F

RGB 188 127 47

HSL 34.04, 0.6%, 0.46%

LAB 58.11, 16.56, 50.82

 

CMYK 0 / 72 / 75 / 52

HEX #7A221E

RGB 122 34 30

HSL 2.61, 0.61%, 0.3%

LAB 27.78, 37.77, 24.53

 

CMYK 0 / 72 / 75 / 39

HEX #9B2C27

RGB 155 44 39

HSL 2.59, 0.6%, 0.38%

LAB 35.82, 45.53, 29.89

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 0 / 64 / 67 / 18

HEX #D04A44

RGB 208 74 68

HSL 2.57, 0.6%, 0.54%

LAB 50.36, 52.5, 32.33

 

CMYK 0 / 51 / 53 / 15

HEX #D86A65

RGB 216 106 101

HSL 2.61, 0.6%, 0.62%

LAB 57.89, 42.67, 23.17

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 18 / 0 / 75 / 26

HEX #9BBC2F

RGB 155 188 47

HSL 74.04, 0.6%, 0.46%

LAB 71.65, -29.92, 62.95

 

CMYK 75 / 47 / 0 / 26

HEX #2F63BC

RGB 47 99 188

HSL 217.87, 0.6%, 0.46%

LAB 43, 14.14, -51.89

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 75 / 0 / 72 / 26

HEX #2FBC34

RGB 47 188 52

HSL 122.13, 0.6%, 0.46%

LAB 67.14, -62.09, 55.23

 

CMYK 72 / 75 / 0 / 26

HEX #342FBC

RGB 52 47 188

HSL 242.13, 0.6%, 0.46%

LAB 30.39, 47.43, -72.46

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 18 / 0 / 75 / 26

HEX #9BBC2F

RGB 155 188 47

HSL 74.04, 0.6%, 0.46%

LAB 71.65, -29.92, 62.95

 

CMYK 75 / 3 / 0 / 26

HEX #2FB7BC

RGB 47 183 188

HSL 182.13, 0.6%, 0.46%

LAB 68.1, -33.06, -12.83

 

CMYK 57 / 75 / 0 / 26

HEX #502FBC

RGB 80 47 188

HSL 254.04, 0.6%, 0.46%

LAB 32.63, 50.62, -68.67

 

CMYK 0 / 72 / 75 / 26

HEX #BC352F

RGB 188 53 47

HSL 2.55, 0.6%, 0.46%

LAB 43.42, 53.29, 35.44

 

CMYK 40 / 0 / 75 / 26

HEX #71BC2F

RGB 113 188 47

HSL 91.91, 0.6%, 0.46%

LAB 69.24, -45.76, 59.8

 

CMYK 75 / 3 / 0 / 26

HEX #2FB7BC

RGB 47 183 188

HSL 182.13, 0.6%, 0.46%

LAB 68.1, -33.06, -12.83

 

CMYK 35 / 75 / 0 / 26

HEX #7A2FBC

RGB 122 47 188

HSL 271.91, 0.6%, 0.46%

LAB 37.48, 57.23, -60.54

 

Description

Color code: RGB 188 53 47 | qconv.com Color code: RGB 188 53 47 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 53 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 53 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 75 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 75% 26% C M Y K

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Provide designers and agencies with accurate color values.

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