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Color name
RGB 188 172 99

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 172 99 it is the complementary color RGB 67 83 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 172 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 172 99 shade: RGB 193 172 94, RGB 210 190 113, RGB 227 208 132, RGB 244 226 151 and RGB 255 244 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 172 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 172 99 shade: RGB 188 172 99, RGB 171 154 80, RGB 154 136 61, RGB 137 118 42 and RGB 120 100 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 172 99 shade: RGB 188 172 98, RGB 188 147 98, RGB 188 123 98, RGB 188 99 98 and RGB 188 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 172 99 shade: RGB 188 172 98, RGB 180 188 98, RGB 155 188 98, RGB 131 188 98 and RGB 107 188 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 172 99 shade matches the following richer shades: RGB 188 172 98, RGB 206 183 80, RGB 224 195 62 and RGB 242 206 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 172 99 shade: RGB 188 172 98, RGB 170 160 116, RGB 151 148 134, RGB 133 137 152 and RGB 115 125 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 172 99 shade: RGB 188 123 98, RGB 188 147 98, RGB 188 171 98, RGB 180 188 98 and RGB 156 188 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 172 99 shade: RGB 142 128 61, RGB 171 153 73, RGB 188 172 98, RGB 200 187 127 and RGB 212 202 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 172 99 shade: RGB 188 172 99, RGB 98 188 99 and RGB 135 98 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 172 99 shade: RGB 188 172 99, RGB 98 188 171 and RGB 171 98 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 172 99 shade: RGB 188 172 99, RGB 98 188 99, RGB 98 114 188 and RGB 188 98 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 172 99 shade: RGB 188 172 99, RGB 98 188 126, RGB 98 114 188 and RGB 188 98 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 47 / 26

HEX #BCAC63

RGB 188 172 99

HSL 49.21, 0.4%, 0.56%

LAB 70.24, -4.23, 39.45

 

Complementary color

CMYK 57 / 47 / 0 / 39

HEX #43539C

RGB 67 83 156

HSL 229.21, 0.4%, 0.44%

LAB 37.44, 16.28, -41.84

 

CMYK 0 / 11 / 51 / 24

HEX #C1AC5E

RGB 193 172 94

HSL 47.27, 0.44%, 0.56%

LAB 70.63, -2.6, 42.55

 

CMYK 0 / 10 / 46 / 18

HEX #D2BE71

RGB 210 190 113

HSL 47.63, 0.52%, 0.63%

LAB 77.11, -3.26, 41.3

 

CMYK 0 / 8 / 42 / 11

HEX #E3D084

RGB 227 208 132

HSL 48, 0.63%, 0.7%

LAB 83.5, -3.81, 40.07

 

CMYK 0 / 7 / 38 / 4

HEX #F4E297

RGB 244 226 151

HSL 48.39, 0.81%, 0.77%

LAB 89.79, -4.28, 38.89

 

CMYK 0 / 4 / 33 / 0

HEX #FFF4AA

RGB 255 244 170

HSL 52.24, 1%, 0.83%

LAB 95.52, -6.96, 37.04

 

CMYK 0 / 9 / 47 / 26

HEX #BCAC63

RGB 188 172 99

HSL 49.21, 0.4%, 0.56%

LAB 70.24, -4.23, 39.45

 

CMYK 0 / 10 / 53 / 33

HEX #AB9A50

RGB 171 154 80

HSL 48.79, 0.36%, 0.49%

LAB 63.63, -3.56, 40.71

 

CMYK 0 / 12 / 60 / 40

HEX #9A883D

RGB 154 136 61

HSL 48.39, 0.43%, 0.42%

LAB 56.89, -2.75, 41.94

 

CMYK 0 / 14 / 69 / 46

HEX #89762A

RGB 137 118 42

HSL 48, 0.53%, 0.35%

LAB 50.03, -1.72, 42.98

 

CMYK 0 / 17 / 81 / 53

HEX #786417

RGB 120 100 23

HSL 47.63, 0.68%, 0.28%

LAB 43.02, -0.4, 43.46

 

CMYK 0 / 9 / 48 / 26

HEX #BCAC62

RGB 188 172 98

HSL 49.33, 0.4%, 0.56%

LAB 70.23, -4.33, 39.94

 

CMYK 0 / 22 / 48 / 26

HEX #BC9362

RGB 188 147 98

HSL 32.67, 0.4%, 0.56%

LAB 63.71, 9.2, 31.76

 

CMYK 0 / 35 / 48 / 26

HEX #BC7B62

RGB 188 123 98

HSL 16.67, 0.4%, 0.56%

LAB 57.79, 22.48, 24.06

 

CMYK 0 / 47 / 48 / 26

HEX #BC6362

RGB 188 99 98

HSL 0.67, 0.4%, 0.56%

LAB 52.39, 35.52, 16.82

 

CMYK 0 / 48 / 48 / 26

HEX #BC6262

RGB 188 98 98

HSL 0, 0.4%, 0.56%

LAB 52.18, 36.04, 16.53

 

CMYK 0 / 9 / 48 / 26

HEX #BCAC62

RGB 188 172 98

HSL 49.33, 0.4%, 0.56%

LAB 70.23, -4.33, 39.94

 

CMYK 4 / 0 / 48 / 26

HEX #B4BC62

RGB 180 188 98

HSL 65.33, 0.4%, 0.56%

LAB 73.9, -15.93, 44.26

 

CMYK 18 / 0 / 48 / 26

HEX #9BBC62

RGB 155 188 98

HSL 82, 0.4%, 0.56%

LAB 72.11, -25.86, 41.66

 

CMYK 30 / 0 / 48 / 26

HEX #83BC62

RGB 131 188 98

HSL 98, 0.4%, 0.56%

LAB 70.65, -34.76, 39.54

 

CMYK 43 / 0 / 48 / 26

HEX #6BBC62

RGB 107 188 98

HSL 114, 0.4%, 0.56%

LAB 69.45, -42.71, 37.79

 

CMYK 0 / 9 / 48 / 26

HEX #BCAC62

RGB 188 172 98

HSL 49.33, 0.4%, 0.56%

LAB 70.23, -4.33, 39.94

 

CMYK 0 / 11 / 61 / 19

HEX #CEB750

RGB 206 183 80

HSL 49.05, 0.56%, 0.56%

LAB 74.55, -4, 54.08

 

CMYK 0 / 13 / 72 / 12

HEX #E0C33E

RGB 224 195 62

HSL 49.26, 0.72%, 0.56%

LAB 79.17, -3.59, 66.83

 

CMYK 0 / 15 / 82 / 5

HEX #F2CE2B

RGB 242 206 43

HSL 49.15, 0.88%, 0.56%

LAB 83.54, -2.25, 77.46

 

CMYK 0 / 9 / 48 / 26

HEX #BCAC62

RGB 188 172 98

HSL 49.33, 0.4%, 0.56%

LAB 70.23, -4.33, 39.94

 

CMYK 0 / 6 / 32 / 33

HEX #AAA074

RGB 170 160 116

HSL 48.89, 0.24%, 0.56%

LAB 65.71, -3.27, 24.29

 

CMYK 0 / 2 / 11 / 41

HEX #979486

RGB 151 148 134

HSL 49.41, 0.08%, 0.56%

LAB 61.2, -1.45, 7.79

 

CMYK 13 / 10 / 0 / 40

HEX #858998

RGB 133 137 152

HSL 227.37, 0.08%, 0.56%

LAB 57.22, 1.69, -8.49

 

CMYK 33 / 27 / 0 / 33

HEX #737DAB

RGB 115 125 171

HSL 229.29, 0.25%, 0.56%

LAB 53.22, 7.47, -25.64

 

CMYK 0 / 35 / 48 / 26

HEX #BC7B62

RGB 188 123 98

HSL 16.67, 0.4%, 0.56%

LAB 57.79, 22.48, 24.06

 

CMYK 0 / 22 / 48 / 26

HEX #BC9362

RGB 188 147 98

HSL 32.67, 0.4%, 0.56%

LAB 63.71, 9.2, 31.76

 

CMYK 0 / 9 / 48 / 26

HEX #BCAB62

RGB 188 171 98

HSL 48.67, 0.4%, 0.56%

LAB 69.96, -3.8, 39.61

 

CMYK 4 / 0 / 48 / 26

HEX #B4BC62

RGB 180 188 98

HSL 65.33, 0.4%, 0.56%

LAB 73.9, -15.93, 44.26

 

CMYK 17 / 0 / 48 / 26

HEX #9CBC62

RGB 156 188 98

HSL 81.33, 0.4%, 0.56%

LAB 72.17, -25.47, 41.76

 

CMYK 0 / 10 / 57 / 44

HEX #8E803D

RGB 142 128 61

HSL 49.63, 0.4%, 0.4%

LAB 53.52, -3.67, 37.77

 

CMYK 0 / 11 / 57 / 33

HEX #AB9949

RGB 171 153 73

HSL 48.98, 0.4%, 0.48%

LAB 63.28, -3.61, 43.78

 

CMYK 0 / 9 / 48 / 26

HEX #BCAC62

RGB 188 172 98

HSL 49.33, 0.4%, 0.56%

LAB 70.23, -4.33, 39.94

 

CMYK 0 / 7 / 37 / 22

HEX #C8BB7F

RGB 200 187 127

HSL 49.32, 0.4%, 0.64%

LAB 75.67, -4.22, 32.08

 

CMYK 0 / 5 / 26 / 17

HEX #D4CA9C

RGB 212 202 156

HSL 49.29, 0.39%, 0.72%

LAB 81.09, -3.69, 24.27

 

CMYK 0 / 9 / 47 / 26

HEX #BCAC63

RGB 188 172 99

HSL 49.21, 0.4%, 0.56%

LAB 70.24, -4.23, 39.45

 

CMYK 48 / 0 / 47 / 26

HEX #62BC63

RGB 98 188 99

HSL 120.67, 0.4%, 0.56%

LAB 69.09, -45.23, 36.75

 

CMYK 28 / 48 / 0 / 26

HEX #8762BC

RGB 135 98 188

HSL 264.67, 0.4%, 0.56%

LAB 48.91, 33.77, -42.11

 

CMYK 0 / 9 / 47 / 26

HEX #BCAC63

RGB 188 172 99

HSL 49.21, 0.4%, 0.56%

LAB 70.24, -4.23, 39.45

 

CMYK 48 / 0 / 9 / 26

HEX #62BCAB

RGB 98 188 171

HSL 168.67, 0.4%, 0.56%

LAB 70.53, -31.13, 0.28

 

CMYK 9 / 48 / 0 / 26

HEX #AB62BC

RGB 171 98 188

HSL 288.67, 0.4%, 0.56%

LAB 52.98, 44.03, -35.42

 

CMYK 0 / 9 / 47 / 26

HEX #BCAC63

RGB 188 172 99

HSL 49.21, 0.4%, 0.56%

LAB 70.24, -4.23, 39.45

 

CMYK 48 / 0 / 47 / 26

HEX #62BC63

RGB 98 188 99

HSL 120.67, 0.4%, 0.56%

LAB 69.09, -45.23, 36.75

 

CMYK 48 / 39 / 0 / 26

HEX #6272BC

RGB 98 114 188

HSL 229.33, 0.4%, 0.56%

LAB 49.81, 14.37, -40.87

 

CMYK 0 / 48 / 1 / 26

HEX #BC62BA

RGB 188 98 186

HSL 301.33, 0.4%, 0.56%

LAB 55.04, 48.61, -30.88

 

CMYK 0 / 9 / 47 / 26

HEX #BCAC63

RGB 188 172 99

HSL 49.21, 0.4%, 0.56%

LAB 70.24, -4.23, 39.45

 

CMYK 48 / 0 / 33 / 26

HEX #62BC7E

RGB 98 188 126

HSL 138.67, 0.4%, 0.56%

LAB 69.52, -40.8, 23.27

 

CMYK 48 / 39 / 0 / 26

HEX #6272BC

RGB 98 114 188

HSL 229.33, 0.4%, 0.56%

LAB 49.81, 14.37, -40.87

 

CMYK 0 / 48 / 15 / 26

HEX #BC629F

RGB 188 98 159

HSL 319.33, 0.4%, 0.56%

LAB 53.95, 44, -16.89

 

Description

Color code: RGB 188 172 99 | qconv.com Color code: RGB 188 172 99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 172 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 172 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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