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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 152 92 it is the complementary color RGB 67 103 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 152 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 152 92 shade: RGB 193 152 87, RGB 210 170 106, RGB 227 188 125, RGB 244 206 144 and RGB 255 224 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 152 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 171 134 73, RGB 154 116 54, RGB 137 98 35 and RGB 120 80 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 188 126 92, RGB 188 100 92 and RGB 188 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 188 178 92, RGB 172 188 92, RGB 146 188 92 and RGB 120 188 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 152 92 shade matches the following richer shades: RGB 188 152 92, RGB 207 156 73, RGB 225 161 54 and RGB 244 166 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 169 147 110, RGB 151 143 129, RGB 132 138 147 and RGB 114 133 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 152 92 shade: RGB 188 100 92, RGB 188 125 92, RGB 188 151 92, RGB 188 177 92 and RGB 173 188 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 152 92 shade: RGB 140 109 57, RGB 169 132 69, RGB 188 152 92, RGB 200 170 121 and RGB 212 189 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 109 188 92 and RGB 112 92 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 92 188 151 and RGB 151 92 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 109 188 92, RGB 92 129 188 and RGB 170 92 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 152 92 shade: RGB 188 152 92, RGB 92 188 103, RGB 92 129 188 and RGB 188 92 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

Complementary color

CMYK 59 / 37 / 0 / 36

HEX #4367A3

RGB 67 103 163

HSL 217.5, 0.42%, 0.45%

LAB 43.56, 5.9, -36.29

 

CMYK 0 / 21 / 55 / 24

HEX #C19857

RGB 193 152 87

HSL 36.79, 0.46%, 0.55%

LAB 65.34, 7.56, 39.71

 

CMYK 0 / 19 / 50 / 18

HEX #D2AA6A

RGB 210 170 106

HSL 36.92, 0.54%, 0.62%

LAB 71.89, 6.65, 38.35

 

CMYK 0 / 17 / 45 / 11

HEX #E3BC7D

RGB 227 188 125

HSL 37.06, 0.65%, 0.69%

LAB 78.33, 5.88, 37.04

 

CMYK 0 / 16 / 41 / 4

HEX #F4CE90

RGB 244 206 144

HSL 37.2, 0.82%, 0.76%

LAB 84.68, 5.2, 35.8

 

CMYK 0 / 12 / 36 / 0

HEX #FFE0A3

RGB 255 224 163

HSL 39.78, 1%, 0.82%

LAB 90.42, 2.31, 33.82

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 0 / 22 / 57 / 33

HEX #AB8649

RGB 171 134 73

HSL 37.35, 0.4%, 0.48%

LAB 58.22, 6.84, 37.84

 

CMYK 0 / 25 / 65 / 40

HEX #9A7436

RGB 154 116 54

HSL 37.2, 0.48%, 0.41%

LAB 51.41, 8, 39.24

 

CMYK 0 / 28 / 74 / 46

HEX #896223

RGB 137 98 35

HSL 37.06, 0.59%, 0.34%

LAB 44.48, 9.42, 40.47

 

CMYK 0 / 33 / 87 / 53

HEX #785010

RGB 120 80 16

HSL 36.92, 0.76%, 0.27%

LAB 37.42, 11.22, 41.05

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 0 / 33 / 51 / 26

HEX #BC7E5C

RGB 188 126 92

HSL 21.25, 0.42%, 0.55%

LAB 58.4, 20.23, 28.23

 

CMYK 0 / 47 / 51 / 26

HEX #BC645C

RGB 188 100 92

HSL 5, 0.42%, 0.55%

LAB 52.48, 34.41, 20.46

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 0 / 5 / 51 / 26

HEX #BCB25C

RGB 188 178 92

HSL 53.75, 0.42%, 0.55%

LAB 71.76, -8.04, 44.79

 

CMYK 9 / 0 / 51 / 26

HEX #ACBC5C

RGB 172 188 92

HSL 70, 0.42%, 0.55%

LAB 73.23, -19.75, 46.22

 

CMYK 22 / 0 / 51 / 26

HEX #92BC5C

RGB 146 188 92

HSL 86.25, 0.42%, 0.55%

LAB 71.45, -29.96, 43.68

 

CMYK 36 / 0 / 51 / 26

HEX #78BC5C

RGB 120 188 92

HSL 102.5, 0.42%, 0.55%

LAB 69.99, -39.29, 41.56

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 0 / 25 / 65 / 19

HEX #CF9C49

RGB 207 156 73

HSL 37.16, 0.58%, 0.55%

LAB 67.67, 10.35, 49.72

 

CMYK 0 / 28 / 76 / 12

HEX #E1A136

RGB 225 161 54

HSL 37.54, 0.74%, 0.55%

LAB 70.71, 14.4, 61.71

 

CMYK 0 / 32 / 85 / 4

HEX #F4A624

RGB 244 166 36

HSL 37.5, 0.9%, 0.55%

LAB 73.95, 19.26, 71.44

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 0 / 13 / 35 / 34

HEX #A9936E

RGB 169 147 110

HSL 37.63, 0.26%, 0.55%

LAB 62.02, 2.65, 22.63

 

CMYK 0 / 5 / 15 / 41

HEX #978F81

RGB 151 143 129

HSL 38.18, 0.1%, 0.55%

LAB 59.72, 0.48, 8.51

 

CMYK 10 / 6 / 0 / 42

HEX #848A93

RGB 132 138 147

HSL 216, 0.06%, 0.55%

LAB 57.26, -0.31, -5.56

 

CMYK 31 / 20 / 0 / 35

HEX #7285A6

RGB 114 133 166

HSL 218.08, 0.23%, 0.55%

LAB 55.18, 1.15, -19.75

 

CMYK 0 / 47 / 51 / 26

HEX #BC645C

RGB 188 100 92

HSL 5, 0.42%, 0.55%

LAB 52.48, 34.41, 20.46

 

CMYK 0 / 34 / 51 / 26

HEX #BC7D5C

RGB 188 125 92

HSL 20.63, 0.42%, 0.55%

LAB 58.16, 20.79, 27.92

 

CMYK 0 / 20 / 51 / 26

HEX #BC975C

RGB 188 151 92

HSL 36.88, 0.42%, 0.55%

LAB 64.64, 6.43, 36.13

 

CMYK 0 / 6 / 51 / 26

HEX #BCB15C

RGB 188 177 92

HSL 53.13, 0.42%, 0.55%

LAB 71.49, -7.52, 44.47

 

CMYK 8 / 0 / 51 / 26

HEX #ADBC5C

RGB 173 188 92

HSL 69.38, 0.42%, 0.55%

LAB 73.3, -19.35, 46.33

 

CMYK 0 / 22 / 59 / 45

HEX #8C6D39

RGB 140 109 57

HSL 37.59, 0.42%, 0.39%

LAB 48.02, 5.9, 33.36

 

CMYK 0 / 22 / 59 / 34

HEX #A98445

RGB 169 132 69

HSL 37.8, 0.42%, 0.47%

LAB 57.43, 6.75, 38.93

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 0 / 15 / 40 / 22

HEX #C8AA79

RGB 200 170 121

HSL 37.22, 0.42%, 0.63%

LAB 71.15, 4.11, 29.32

 

CMYK 0 / 11 / 29 / 17

HEX #D4BD96

RGB 212 189 150

HSL 37.74, 0.42%, 0.71%

LAB 77.63, 2.31, 22.73

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 42 / 0 / 51 / 26

HEX #6DBC5C

RGB 109 188 92

HSL 109.38, 0.42%, 0.55%

LAB 69.46, -42.88, 40.8

 

CMYK 40 / 51 / 0 / 26

HEX #705CBC

RGB 112 92 188

HSL 252.5, 0.42%, 0.55%

LAB 45.26, 31.27, -48.04

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 51 / 0 / 20 / 26

HEX #5CBC97

RGB 92 188 151

HSL 156.88, 0.42%, 0.55%

LAB 69.81, -37.23, 10.14

 

CMYK 20 / 51 / 0 / 26

HEX #975CBC

RGB 151 92 188

HSL 276.88, 0.42%, 0.55%

LAB 49.33, 41.58, -41.32

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 42 / 0 / 51 / 26

HEX #6DBC5C

RGB 109 188 92

HSL 109.38, 0.42%, 0.55%

LAB 69.46, -42.88, 40.8

 

CMYK 51 / 31 / 0 / 26

HEX #5C81BC

RGB 92 129 188

HSL 216.88, 0.42%, 0.55%

LAB 53.61, 3.87, -34.93

 

CMYK 10 / 51 / 0 / 26

HEX #AA5CBC

RGB 170 92 188

HSL 288.75, 0.42%, 0.55%

LAB 51.65, 46.88, -37.52

 

CMYK 0 / 19 / 51 / 26

HEX #BC985C

RGB 188 152 92

HSL 37.5, 0.42%, 0.55%

LAB 64.9, 5.88, 36.45

 

CMYK 51 / 0 / 45 / 26

HEX #5CBC67

RGB 92 188 103

HSL 126.88, 0.42%, 0.55%

LAB 68.91, -46.3, 34.45

 

CMYK 51 / 31 / 0 / 26

HEX #5C81BC

RGB 92 129 188

HSL 216.88, 0.42%, 0.55%

LAB 53.61, 3.87, -34.93

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB1

RGB 188 92 177

HSL 306.88, 0.42%, 0.55%

LAB 53.51, 50.02, -28.05

 

Description

Color code: RGB 188 152 92 | qconv.com Color code: RGB 188 152 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 152 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 152 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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