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Color name
RGB 188 146 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 146 42 it is the complementary color RGB 67 109 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 146 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 146 42 shade: RGB 193 146 37, RGB 210 164 56, RGB 227 182 75, RGB 244 200 94 and RGB 255 218 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 146 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 146 42 shade: RGB 188 146 42, RGB 171 128 23, RGB 154 110 4, RGB 137 92 0 and RGB 120 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 146 42 shade: RGB 187 145 42, RGB 187 106 42, RGB 187 67 42 and RGB 187 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 146 42 shade: RGB 187 145 42, RGB 187 184 42, RGB 151 187 42, RGB 112 187 42 and RGB 73 187 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 146 42 shade matches the following richer shades: RGB 187 145 42, RGB 206 153 24 and RGB 224 161 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 146 42 shade: RGB 187 145 42, RGB 168 138 61, RGB 150 130 80, RGB 131 122 98 and RGB 113 114 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 146 42 shade: RGB 187 67 42, RGB 187 105 42, RGB 187 144 42, RGB 187 182 42 and RGB 153 187 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 146 42 shade: RGB 120 93 27, RGB 153 119 35, RGB 187 145 42, RGB 211 167 60 and RGB 218 182 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 146 42 shade: RGB 188 146 42, RGB 57 187 42 and RGB 86 42 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 146 42 shade: RGB 188 146 42, RGB 42 187 144 and RGB 144 42 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 146 42 shade: RGB 188 146 42, RGB 57 187 42, RGB 42 86 187 and RGB 173 42 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 146 42 shade: RGB 188 146 42, RGB 42 187 71, RGB 42 86 187 and RGB 187 42 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 78 / 26

HEX #BC922A

RGB 188 146 42

HSL 42.74, 0.63%, 0.45%

LAB 62.86, 5.88, 57.41

 

Complementary color

CMYK 69 / 49 / 0 / 16

HEX #436DD5

RGB 67 109 213

HSL 222.74, 0.63%, 0.55%

LAB 48.18, 19.74, -57.9

 

CMYK 0 / 24 / 81 / 24

HEX #C19225

RGB 193 146 37

HSL 41.92, 0.68%, 0.45%

LAB 63.37, 7.92, 59.84

 

CMYK 0 / 22 / 73 / 18

HEX #D2A438

RGB 210 164 56

HSL 42.08, 0.63%, 0.52%

LAB 69.85, 6.41, 59.54

 

CMYK 0 / 20 / 67 / 11

HEX #E3B64B

RGB 227 182 75

HSL 42.24, 0.73%, 0.59%

LAB 76.25, 5.13, 58.72

 

CMYK 0 / 18 / 61 / 4

HEX #F4C85E

RGB 244 200 94

HSL 42.4, 0.87%, 0.66%

LAB 82.57, 4.02, 57.65

 

CMYK 0 / 15 / 56 / 0

HEX #FFDA71

RGB 255 218 113

HSL 44.37, 1%, 0.72%

LAB 88.25, 0.63, 55.7

 

CMYK 0 / 22 / 78 / 26

HEX #BC922A

RGB 188 146 42

HSL 42.74, 0.63%, 0.45%

LAB 62.86, 5.88, 57.41

 

CMYK 0 / 25 / 87 / 33

HEX #AB8017

RGB 171 128 23

HSL 42.57, 0.76%, 0.38%

LAB 56.25, 7.53, 57.13

 

CMYK 0 / 29 / 97 / 40

HEX #9A6E04

RGB 154 110 4

HSL 42.4, 0.95%, 0.31%

LAB 49.53, 9.49, 55.41

 

CMYK 0 / 33 / 100 / 46

HEX #895C00

RGB 137 92 0

HSL 40.29, 1%, 0.27%

LAB 42.72, 11.85, 50.69

 

CMYK 0 / 38 / 100 / 53

HEX #784A00

RGB 120 74 0

HSL 37, 1%, 0.24%

LAB 35.77, 14.4, 45.02

 

CMYK 0 / 22 / 78 / 27

HEX #BB912A

RGB 187 145 42

HSL 42.62, 0.63%, 0.45%

LAB 62.49, 5.98, 57.03

 

CMYK 0 / 43 / 78 / 27

HEX #BB6A2A

RGB 187 106 42

HSL 26.48, 0.63%, 0.45%

LAB 52.99, 27.46, 47.92

 

CMYK 0 / 64 / 78 / 27

HEX #BB432A

RGB 187 67 42

HSL 10.34, 0.63%, 0.45%

LAB 45.28, 47.05, 40.14

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 22 / 78 / 27

HEX #BB912A

RGB 187 145 42

HSL 42.62, 0.63%, 0.45%

LAB 62.49, 5.98, 57.03

 

CMYK 0 / 2 / 78 / 27

HEX #BBB82A

RGB 187 184 42

HSL 58.76, 0.63%, 0.45%

LAB 72.9, -14.68, 66.57

 

CMYK 19 / 0 / 78 / 27

HEX #97BB2A

RGB 151 187 42

HSL 74.9, 0.63%, 0.45%

LAB 71.07, -31.3, 63.9

 

CMYK 40 / 0 / 78 / 27

HEX #70BB2A

RGB 112 187 42

HSL 91.03, 0.63%, 0.45%

LAB 68.86, -45.98, 61.05

 

CMYK 61 / 0 / 78 / 27

HEX #49BB2A

RGB 73 187 42

HSL 107.17, 0.63%, 0.45%

LAB 67.37, -57.39, 59.1

 

CMYK 0 / 22 / 78 / 27

HEX #BB912A

RGB 187 145 42

HSL 42.62, 0.63%, 0.45%

LAB 62.49, 5.98, 57.03

 

CMYK 0 / 26 / 88 / 19

HEX #CE9918

RGB 206 153 24

HSL 42.53, 0.79%, 0.45%

LAB 66.5, 9.52, 66.74

 

CMYK 0 / 28 / 98 / 12

HEX #E0A105

RGB 224 161 5

HSL 42.74, 0.96%, 0.45%

LAB 70.42, 12.86, 73.61

 

CMYK 0 / 22 / 78 / 27

HEX #BB912A

RGB 187 145 42

HSL 42.62, 0.63%, 0.45%

LAB 62.49, 5.98, 57.03

 

CMYK 0 / 18 / 64 / 34

HEX #A88A3D

RGB 168 138 61

HSL 43.18, 0.47%, 0.45%

LAB 58.82, 2.38, 44.48

 

CMYK 0 / 13 / 47 / 41

HEX #968250

RGB 150 130 80

HSL 42.86, 0.3%, 0.45%

LAB 55.1, 0.56, 29.8

 

CMYK 0 / 7 / 25 / 49

HEX #837A62

RGB 131 122 98

HSL 43.64, 0.14%, 0.45%

LAB 51.41, -0.68, 14.41

 

CMYK 3 / 3 / 0 / 54

HEX #717275

RGB 113 114 117

HSL 225, 0.02%, 0.45%

LAB 48.04, 0.24, -1.79

 

CMYK 0 / 64 / 78 / 27

HEX #BB432A

RGB 187 67 42

HSL 10.34, 0.63%, 0.45%

LAB 45.28, 47.05, 40.14

 

CMYK 0 / 44 / 78 / 27

HEX #BB692A

RGB 187 105 42

HSL 26.07, 0.63%, 0.45%

LAB 52.77, 28, 47.7

 

CMYK 0 / 23 / 78 / 27

HEX #BB902A

RGB 187 144 42

HSL 42.21, 0.63%, 0.45%

LAB 62.24, 6.53, 56.79

 

CMYK 0 / 3 / 78 / 27

HEX #BBB62A

RGB 187 182 42

HSL 57.93, 0.63%, 0.45%

LAB 72.35, -13.66, 66.07

 

CMYK 18 / 0 / 78 / 27

HEX #99BB2A

RGB 153 187 42

HSL 74.07, 0.63%, 0.45%

LAB 71.2, -30.49, 64.08

 

CMYK 0 / 23 / 78 / 53

HEX #785D1B

RGB 120 93 27

HSL 42.58, 0.63%, 0.29%

LAB 41.06, 3.9, 39.99

 

CMYK 0 / 22 / 77 / 40

HEX #997723

RGB 153 119 35

HSL 42.71, 0.63%, 0.37%

LAB 51.94, 4.75, 48.44

 

CMYK 0 / 22 / 78 / 27

HEX #BB912A

RGB 187 145 42

HSL 42.62, 0.63%, 0.45%

LAB 62.49, 5.98, 57.03

 

CMYK 0 / 21 / 72 / 17

HEX #D3A73C

RGB 211 167 60

HSL 42.52, 0.63%, 0.53%

LAB 70.74, 5.43, 58.85

 

CMYK 0 / 17 / 57 / 15

HEX #DAB65E

RGB 218 182 94

HSL 42.58, 0.63%, 0.61%

LAB 75.56, 2.59, 48.98

 

CMYK 0 / 22 / 78 / 26

HEX #BC922A

RGB 188 146 42

HSL 42.74, 0.63%, 0.45%

LAB 62.86, 5.88, 57.41

 

CMYK 70 / 0 / 78 / 27

HEX #39BB2A

RGB 57 187 42

HSL 113.79, 0.63%, 0.45%

LAB 66.96, -60.8, 58.56

 

CMYK 54 / 78 / 0 / 27

HEX #562ABB

RGB 86 42 187

HSL 258.21, 0.63%, 0.45%

LAB 32.31, 53.52, -68.6

 

CMYK 0 / 22 / 78 / 26

HEX #BC922A

RGB 188 146 42

HSL 42.74, 0.63%, 0.45%

LAB 62.86, 5.88, 57.41

 

CMYK 78 / 0 / 23 / 27

HEX #2ABB90

RGB 42 187 144

HSL 162.21, 0.63%, 0.45%

LAB 68.05, -47.34, 11.29

 

CMYK 23 / 78 / 0 / 27

HEX #902ABB

RGB 144 42 187

HSL 282.21, 0.63%, 0.45%

LAB 39.87, 62.88, -55.94

 

CMYK 0 / 22 / 78 / 26

HEX #BC922A

RGB 188 146 42

HSL 42.74, 0.63%, 0.45%

LAB 62.86, 5.88, 57.41

 

CMYK 70 / 0 / 78 / 27

HEX #39BB2A

RGB 57 187 42

HSL 113.79, 0.63%, 0.45%

LAB 66.96, -60.8, 58.56

 

CMYK 78 / 54 / 0 / 27

HEX #2A56BB

RGB 42 86 187

HSL 221.79, 0.63%, 0.45%

LAB 39.13, 21.63, -57.57

 

CMYK 7 / 78 / 0 / 27

HEX #AD2ABB

RGB 173 42 187

HSL 294.21, 0.63%, 0.45%

LAB 44.42, 68.4, -48.38

 

CMYK 0 / 22 / 78 / 26

HEX #BC922A

RGB 188 146 42

HSL 42.74, 0.63%, 0.45%

LAB 62.86, 5.88, 57.41

 

CMYK 78 / 0 / 62 / 27

HEX #2ABB47

RGB 42 187 71

HSL 132, 0.63%, 0.45%

LAB 66.89, -60.58, 47.14

 

CMYK 78 / 54 / 0 / 27

HEX #2A56BB

RGB 42 86 187

HSL 221.79, 0.63%, 0.45%

LAB 39.13, 21.63, -57.57

 

CMYK 0 / 78 / 16 / 27

HEX #BB2A9E

RGB 187 42 158

HSL 312, 0.63%, 0.45%

LAB 45.21, 66.85, -29.8

 

Description

Color code: RGB 188 146 42 | qconv.com Color code: RGB 188 146 42 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 146 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 146 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 78 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 78% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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