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Color name
RGB 188 10 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 10 162 it is the complementary color RGB 67 245 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 10 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 10 162 shade: RGB 193 10 157, RGB 210 28 176, RGB 227 46 195, RGB 244 64 214 and RGB 255 82 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 10 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 10 162 shade: RGB 188 10 162, RGB 171 0 143, RGB 154 0 124, RGB 137 0 105 and RGB 120 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 10 162 shade: RGB 189 10 163, RGB 189 10 115, RGB 189 10 66, RGB 189 10 18 and RGB 189 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 10 162 shade: RGB 189 10 163, RGB 167 10 189, RGB 119 10 189, RGB 70 10 189 and RGB 22 10 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 10 162 shade matches the following richer shades: RGB 189 10 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 10 162 shade: RGB 189 10 163, RGB 173 26 151, RGB 157 42 140, RGB 141 58 129 and RGB 125 74 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 10 162 shade: RGB 117 10 189, RGB 165 10 189, RGB 189 10 165, RGB 189 10 117 and RGB 189 10 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 10 162 shade: RGB 111 6 95, RGB 150 8 129, RGB 189 10 163, RGB 228 12 197 and RGB 244 38 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 10 162 shade: RGB 188 10 162, RGB 189 70 10 and RGB 10 189 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 10 162 shade: RGB 188 10 162, RGB 165 189 10 and RGB 10 165 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 10 162 shade: RGB 188 10 162, RGB 189 70 10, RGB 10 189 34 and RGB 10 129 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 10 162 shade: RGB 188 10 162, RGB 189 123 10, RGB 10 189 34 and RGB 10 76 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 14 / 26

HEX #BC0AA2

RGB 188 10 162

HSL 308.76, 0.9%, 0.39%

LAB 43.53, 73.57, -34.82

 

Complementary color

CMYK 73 / 0 / 62 / 4

HEX #43F55D

RGB 67 245 93

HSL 128.76, 0.9%, 0.61%

LAB 85.65, -73.25, 58.98

 

CMYK 0 / 95 / 19 / 24

HEX #C10A9D

RGB 193 10 157

HSL 311.8, 0.9%, 0.4%

LAB 44.22, 73.87, -30.67

 

CMYK 0 / 87 / 16 / 18

HEX #D21CB0

RGB 210 28 176

HSL 311.21, 0.76%, 0.47%

LAB 49.09, 77.24, -34.11

 

CMYK 0 / 80 / 14 / 11

HEX #E32EC3

RGB 227 46 195

HSL 310.61, 0.76%, 0.54%

LAB 54.26, 79.49, -36.85

 

CMYK 0 / 74 / 12 / 4

HEX #F440D6

RGB 244 64 214

HSL 310, 0.89%, 0.6%

LAB 59.67, 80.89, -39.03

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E9

RGB 255 82 233

HSL 307.63, 1%, 0.66%

LAB 64.3, 80.3, -42.3

 

CMYK 0 / 95 / 14 / 26

HEX #BC0AA2

RGB 188 10 162

HSL 308.76, 0.9%, 0.39%

LAB 43.53, 73.57, -34.82

 

CMYK 0 / 100 / 16 / 33

HEX #AB008F

RGB 171 0 143

HSL 309.82, 1%, 0.34%

LAB 38.97, 68.9, -30.71

 

CMYK 0 / 100 / 19 / 40

HEX #9A007C

RGB 154 0 124

HSL 311.69, 1%, 0.3%

LAB 34.65, 63.19, -25.94

 

CMYK 0 / 100 / 23 / 46

HEX #890069

RGB 137 0 105

HSL 314.01, 1%, 0.27%

LAB 30.25, 57.37, -20.99

 

CMYK 0 / 100 / 28 / 53

HEX #780056

RGB 120 0 86

HSL 317, 1%, 0.24%

LAB 25.76, 51.44, -15.79

 

CMYK 0 / 95 / 14 / 26

HEX #BD0AA3

RGB 189 10 163

HSL 308.72, 0.9%, 0.39%

LAB 43.77, 73.89, -35.03

 

CMYK 0 / 95 / 39 / 26

HEX #BD0A73

RGB 189 10 115

HSL 324.8, 0.9%, 0.39%

LAB 41.65, 68.38, -8.96

 

CMYK 0 / 95 / 65 / 26

HEX #BD0A42

RGB 189 10 66

HSL 341.23, 0.9%, 0.39%

LAB 40.29, 64.71, 20.13

 

CMYK 0 / 95 / 90 / 26

HEX #BD0A12

RGB 189 10 18

HSL 357.32, 0.9%, 0.39%

LAB 39.71, 63.1, 47.14

 

CMYK 0 / 95 / 95 / 26

HEX #BD0A0A

RGB 189 10 10

HSL 0, 0.9%, 0.39%

LAB 39.68, 63, 50.2

 

CMYK 0 / 95 / 14 / 26

HEX #BD0AA3

RGB 189 10 163

HSL 308.72, 0.9%, 0.39%

LAB 43.77, 73.89, -35.03

 

CMYK 12 / 95 / 0 / 26

HEX #A70ABD

RGB 167 10 189

HSL 292.63, 0.9%, 0.39%

LAB 41.39, 73.99, -54.48

 

CMYK 37 / 95 / 0 / 26

HEX #770ABD

RGB 119 10 189

HSL 276.54, 0.9%, 0.39%

LAB 33.59, 67.42, -67.51

 

CMYK 63 / 95 / 0 / 26

HEX #460ABD

RGB 70 10 189

HSL 260.11, 0.9%, 0.39%

LAB 27.28, 63.02, -78.15

 

CMYK 88 / 95 / 0 / 26

HEX #160ABD

RGB 22 10 189

HSL 244.02, 0.9%, 0.39%

LAB 23.87, 61.18, -83.91

 

CMYK 0 / 95 / 14 / 26

HEX #BD0AA3

RGB 189 10 163

HSL 308.72, 0.9%, 0.39%

LAB 43.77, 73.89, -35.03

 

CMYK 0 / 95 / 14 / 26

HEX #BD0AA3

RGB 189 10 163

HSL 308.72, 0.9%, 0.39%

LAB 43.77, 73.89, -35.03

 

CMYK 0 / 85 / 13 / 32

HEX #AD1A97

RGB 173 26 151

HSL 308.98, 0.74%, 0.39%

LAB 40.99, 66.79, -32.38

 

CMYK 0 / 73 / 11 / 38

HEX #9D2A8C

RGB 157 42 140

HSL 308.87, 0.58%, 0.39%

LAB 39.1, 57.22, -28.85

 

CMYK 0 / 59 / 9 / 45

HEX #8D3A81

RGB 141 58 129

HSL 308.67, 0.42%, 0.39%

LAB 38.33, 44.52, -23.48

 

CMYK 0 / 41 / 6 / 51

HEX #7D4A75

RGB 125 74 117

HSL 309.41, 0.26%, 0.39%

LAB 38.8, 28.59, -15.53

 

CMYK 38 / 95 / 0 / 26

HEX #750ABD

RGB 117 10 189

HSL 275.87, 0.9%, 0.39%

LAB 33.29, 67.19, -68.01

 

CMYK 13 / 95 / 0 / 26

HEX #A50ABD

RGB 165 10 189

HSL 291.96, 0.9%, 0.39%

LAB 41.04, 73.68, -55.05

 

CMYK 0 / 95 / 13 / 26

HEX #BD0AA5

RGB 189 10 165

HSL 308.04, 0.9%, 0.39%

LAB 43.88, 74.16, -36.06

 

CMYK 0 / 95 / 38 / 26

HEX #BD0A75

RGB 189 10 117

HSL 324.13, 0.9%, 0.39%

LAB 41.72, 68.57, -10.1

 

CMYK 0 / 95 / 63 / 26

HEX #BD0A46

RGB 189 10 70

HSL 339.89, 0.9%, 0.39%

LAB 40.37, 64.93, 17.69

 

CMYK 0 / 95 / 14 / 56

HEX #6F065F

RGB 111 6 95

HSL 309.14, 0.9%, 0.23%

LAB 24.75, 49.56, -23.46

 

CMYK 0 / 95 / 14 / 41

HEX #960881

RGB 150 8 129

HSL 308.87, 0.9%, 0.31%

LAB 34.48, 62.04, -29.39

 

CMYK 0 / 95 / 14 / 26

HEX #BD0AA3

RGB 189 10 163

HSL 308.72, 0.9%, 0.39%

LAB 43.77, 73.89, -35.03

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC5

RGB 228 12 197

HSL 308.61, 0.9%, 0.47%

LAB 52.72, 85.26, -40.43

 

CMYK 0 / 84 / 12 / 4

HEX #F426D6

RGB 244 38 214

HSL 308.74, 0.9%, 0.55%

LAB 57.53, 87.04, -42.39

 

CMYK 0 / 95 / 14 / 26

HEX #BC0AA2

RGB 188 10 162

HSL 308.76, 0.9%, 0.39%

LAB 43.53, 73.57, -34.82

 

CMYK 0 / 63 / 95 / 26

HEX #BD460A

RGB 189 70 10

HSL 20.11, 0.9%, 0.39%

LAB 45.94, 45.66, 54.01

 

CMYK 95 / 0 / 25 / 26

HEX #0ABD8D

RGB 10 189 141

HSL 163.91, 0.9%, 0.39%

LAB 68.3, -51.2, 13.23

 

CMYK 0 / 95 / 14 / 26

HEX #BC0AA2

RGB 188 10 162

HSL 308.76, 0.9%, 0.39%

LAB 43.53, 73.57, -34.82

 

CMYK 13 / 0 / 95 / 26

HEX #A5BD0A

RGB 165 189 10

HSL 68.04, 0.9%, 0.39%

LAB 72.51, -27.36, 72.17

 

CMYK 95 / 13 / 0 / 26

HEX #0AA5BD

RGB 10 165 189

HSL 188.04, 0.9%, 0.39%

LAB 62.21, -26.6, -22.34

 

CMYK 0 / 95 / 14 / 26

HEX #BC0AA2

RGB 188 10 162

HSL 308.76, 0.9%, 0.39%

LAB 43.53, 73.57, -34.82

 

CMYK 0 / 63 / 95 / 26

HEX #BD460A

RGB 189 70 10

HSL 20.11, 0.9%, 0.39%

LAB 45.94, 45.66, 54.01

 

CMYK 95 / 0 / 82 / 26

HEX #0ABD22

RGB 10 189 34

HSL 128.04, 0.9%, 0.39%

LAB 66.96, -67.23, 60.71

 

CMYK 95 / 32 / 0 / 26

HEX #0A81BD

RGB 10 129 189

HSL 200.11, 0.9%, 0.39%

LAB 51.2, -7.04, -39.46

 

CMYK 0 / 95 / 14 / 26

HEX #BC0AA2

RGB 188 10 162

HSL 308.76, 0.9%, 0.39%

LAB 43.53, 73.57, -34.82

 

CMYK 0 / 35 / 95 / 26

HEX #BD7B0A

RGB 189 123 10

HSL 37.88, 0.9%, 0.39%

LAB 57.08, 18.17, 61.62

 

CMYK 95 / 0 / 82 / 26

HEX #0ABD22

RGB 10 189 34

HSL 128.04, 0.9%, 0.39%

LAB 66.96, -67.23, 60.71

 

CMYK 95 / 60 / 0 / 26

HEX #0A4CBD

RGB 10 76 189

HSL 217.88, 0.9%, 0.39%

LAB 35.81, 26.8, -64.19

 

Description

Color code: RGB 188 10 162 | qconv.com Color code: RGB 188 10 162 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 10 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 10 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 14 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 14% 26% C M Y K

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Provide designers and agencies with accurate color values.

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