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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188.7 200.6 157 it is the complementary color RGB 66.3 54.4 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188.7 200.6 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188.7 200.6 157 shade: RGB 193.7 200.6 152, RGB 210.7 218.6 171, RGB 227.7 236.6 190, RGB 244.7 254.6 209 and RGB 255 255 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188.7 200.6 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188.7 200.6 157 shade: RGB 188.7 200.6 157, RGB 171.7 182.6 138, RGB 154.7 164.6 119, RGB 137.7 146.6 100 and RGB 120.7 128.6 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188.7 200.6 157 shade: RGB 189 201 156, RGB 201 201 156, RGB 201 189 156, RGB 201 177 156 and RGB 201 165 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188.7 200.6 157 shade: RGB 189 201 156, RGB 177 201 156, RGB 165 201 156, RGB 156 201 160 and RGB 156 201 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188.7 200.6 157 shade matches the following richer shades: RGB 189 201 156, RGB 194 213 144, RGB 200 225 132, RGB 205 238 119 and RGB 211 250 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188.7 200.6 157 shade: RGB 189 201 156, RGB 183 188 169, RGB 177 176 181, RGB 172 164 193 and RGB 166 151 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188.7 200.6 157 shade: RGB 201 189 156, RGB 201 201 156, RGB 189 201 156, RGB 177 201 156 and RGB 165 201 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188.7 200.6 157 shade: RGB 153 171 103, RGB 171 186 130, RGB 189 201 156, RGB 206 215 183 and RGB 224 230 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188.7 200.6 157 shade: RGB 188.7 200.6 157, RGB 156 201 177 and RGB 195 156 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188.7 200.6 157 shade: RGB 188.7 200.6 157, RGB 156 189 201 and RGB 201 156 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188.7 200.6 157 shade: RGB 188.7 200.6 157, RGB 156 201 177, RGB 168 156 201 and RGB 201 156 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188.7 200.6 157 shade: RGB 188.7 200.6 157, RGB 156 201 190, RGB 168 156 201 and RGB 201 156 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 22 / 21

HEX #BCC89D

RGB 188.7 200.6 157

HSL 76.38, 0.29%, 0.7%

LAB 78.93, -11.57, 20.48

 

Complementary color

CMYK 32 / 44 / 0 / 62

HEX #423662

RGB 66.3 54.4 98

HSL 256.38, 0.29%, 0.3%

LAB 25.94, 16.18, -24.01

 

CMYK 3 / 0 / 24 / 21

HEX #C1C898

RGB 193.7 200.6 152

HSL 68.52, 0.31%, 0.69%

LAB 79.2, -10.45, 23.56

 

CMYK 4 / 0 / 22 / 14

HEX #D2DAAB

RGB 210.7 218.6 171

HSL 69.96, 0.4%, 0.76%

LAB 85.6, -10.57, 22.57

 

CMYK 4 / 0 / 20 / 7

HEX #E3ECBE

RGB 227.7 236.6 190

HSL 71.46, 0.56%, 0.84%

LAB 91.91, -10.68, 21.63

 

CMYK 4 / 0 / 18 / 0

HEX #F4FED1

RGB 244.7 254.6 209

HSL 73.03, 0.98%, 0.91%

LAB 98.12, -10.77, 20.74

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 6 / 0 / 22 / 21

HEX #BCC89D

RGB 188.7 200.6 157

HSL 76.38, 0.29%, 0.7%

LAB 78.93, -11.57, 20.48

 

CMYK 6 / 0 / 24 / 28

HEX #ABB68A

RGB 171.7 182.6 138

HSL 74.66, 0.24%, 0.63%

LAB 72.41, -11.5, 21.48

 

CMYK 6 / 0 / 28 / 35

HEX #9AA477

RGB 154.7 164.6 119

HSL 73.03, 0.2%, 0.56%

LAB 65.78, -11.4, 22.53

 

CMYK 6 / 0 / 32 / 43

HEX #899264

RGB 137.7 146.6 100

HSL 71.46, 0.19%, 0.48%

LAB 59.01, -11.28, 23.66

 

CMYK 6 / 0 / 37 / 50

HEX #788051

RGB 120.7 128.6 81

HSL 69.96, 0.23%, 0.41%

LAB 52.1, -11.12, 24.87

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 0 / 0 / 22 / 21

HEX #C9C99C

RGB 201 201 156

HSL 60, 0.29%, 0.7%

LAB 79.95, -7.34, 22.56

 

CMYK 0 / 6 / 22 / 21

HEX #C9BD9C

RGB 201 189 156

HSL 44, 0.29%, 0.7%

LAB 76.81, -1.07, 18.23

 

CMYK 0 / 12 / 22 / 21

HEX #C9B19C

RGB 201 177 156

HSL 28, 0.29%, 0.7%

LAB 73.72, 5.32, 13.91

 

CMYK 0 / 18 / 22 / 21

HEX #C9A59C

RGB 201 165 156

HSL 12, 0.29%, 0.7%

LAB 70.68, 11.81, 9.62

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 12 / 0 / 22 / 21

HEX #B1C99C

RGB 177 201 156

HSL 92, 0.29%, 0.7%

LAB 78.18, -16.2, 19.85

 

CMYK 18 / 0 / 22 / 21

HEX #A5C99C

RGB 165 201 156

HSL 108, 0.29%, 0.7%

LAB 77.38, -20.46, 18.62

 

CMYK 22 / 0 / 20 / 21

HEX #9CC9A0

RGB 156 201 160

HSL 125.33, 0.29%, 0.7%

LAB 76.91, -22.85, 15.74

 

CMYK 22 / 0 / 14 / 21

HEX #9CC9AC

RGB 156 201 172

HSL 141.33, 0.29%, 0.7%

LAB 77.17, -20.64, 9.69

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 9 / 0 / 32 / 16

HEX #C2D590

RGB 194 213 144

HSL 76.52, 0.45%, 0.7%

LAB 82.42, -17.71, 32.06

 

CMYK 11 / 0 / 41 / 12

HEX #C8E184

RGB 200 225 132

HSL 76.13, 0.61%, 0.7%

LAB 85.9, -22.81, 42.7

 

CMYK 14 / 0 / 50 / 7

HEX #CDEE77

RGB 205 238 119

HSL 76.64, 0.78%, 0.7%

LAB 89.61, -28.49, 53.55

 

CMYK 16 / 0 / 57 / 2

HEX #D3FA6B

RGB 211 250 107

HSL 76.36, 0.93%, 0.7%

LAB 93.14, -32.85, 63.1

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 3 / 0 / 10 / 26

HEX #B7BCA9

RGB 183 188 169

HSL 75.79, 0.12%, 0.7%

LAB 75.39, -5.16, 9.01

 

CMYK 2 / 3 / 0 / 29

HEX #B1B0B5

RGB 177 176 181

HSL 252, 0.03%, 0.7%

LAB 72.05, 1.3, -2.43

 

CMYK 11 / 15 / 0 / 24

HEX #ACA4C1

RGB 172 164 193

HSL 256.55, 0.19%, 0.7%

LAB 68.88, 8.58, -13.82

 

CMYK 19 / 27 / 0 / 19

HEX #A697CE

RGB 166 151 206

HSL 256.36, 0.36%, 0.7%

LAB 65.51, 16.78, -26.2

 

CMYK 0 / 6 / 22 / 21

HEX #C9BD9C

RGB 201 189 156

HSL 44, 0.29%, 0.7%

LAB 76.81, -1.07, 18.23

 

CMYK 0 / 0 / 22 / 21

HEX #C9C99C

RGB 201 201 156

HSL 60, 0.29%, 0.7%

LAB 79.95, -7.34, 22.56

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 12 / 0 / 22 / 21

HEX #B1C99C

RGB 177 201 156

HSL 92, 0.29%, 0.7%

LAB 78.18, -16.2, 19.85

 

CMYK 18 / 0 / 22 / 21

HEX #A5C99C

RGB 165 201 156

HSL 108, 0.29%, 0.7%

LAB 77.38, -20.46, 18.62

 

CMYK 11 / 0 / 40 / 33

HEX #99AB67

RGB 153 171 103

HSL 75.88, 0.29%, 0.54%

LAB 67.18, -17.56, 32.93

 

CMYK 8 / 0 / 30 / 27

HEX #ABBA82

RGB 171 186 130

HSL 76.07, 0.29%, 0.62%

LAB 73.15, -14.68, 26.73

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 4 / 0 / 15 / 16

HEX #CED7B7

RGB 206 215 183

HSL 76.88, 0.29%, 0.78%

LAB 84.56, -8.6, 14.77

 

CMYK 3 / 0 / 9 / 10

HEX #E0E6D2

RGB 224 230 210

HSL 78, 0.29%, 0.86%

LAB 90.36, -5.5, 9.04

 

CMYK 6 / 0 / 22 / 21

HEX #BCC89D

RGB 188.7 200.6 157

HSL 76.38, 0.29%, 0.7%

LAB 78.93, -11.57, 20.48

 

CMYK 22 / 0 / 12 / 21

HEX #9CC9B1

RGB 156 201 177

HSL 148, 0.29%, 0.7%

LAB 77.29, -19.67, 7.17

 

CMYK 3 / 22 / 0 / 21

HEX #C39CC9

RGB 195 156 201

HSL 292, 0.29%, 0.7%

LAB 69.18, 22.36, -17.59

 

CMYK 6 / 0 / 22 / 21

HEX #BCC89D

RGB 188.7 200.6 157

HSL 76.38, 0.29%, 0.7%

LAB 78.93, -11.57, 20.48

 

CMYK 22 / 6 / 0 / 21

HEX #9CBDC9

RGB 156 189 201

HSL 196, 0.29%, 0.7%

LAB 74.62, -8.42, -9.72

 

CMYK 0 / 22 / 6 / 21

HEX #C99CBD

RGB 201 156 189

HSL 316, 0.29%, 0.7%

LAB 69.38, 22.16, -10.58

 

CMYK 6 / 0 / 22 / 21

HEX #BCC89D

RGB 188.7 200.6 157

HSL 76.38, 0.29%, 0.7%

LAB 78.93, -11.57, 20.48

 

CMYK 22 / 0 / 12 / 21

HEX #9CC9B1

RGB 156 201 177

HSL 148, 0.29%, 0.7%

LAB 77.29, -19.67, 7.17

 

CMYK 16 / 22 / 0 / 21

HEX #A89CC9

RGB 168 156 201

HSL 256, 0.29%, 0.7%

LAB 66.76, 13.47, -21.49

 

CMYK 0 / 22 / 10 / 21

HEX #C99CB4

RGB 201 156 180

HSL 328, 0.29%, 0.7%

LAB 69.1, 20.59, -5.98

 

CMYK 6 / 0 / 22 / 21

HEX #BCC89D

RGB 188.7 200.6 157

HSL 76.38, 0.29%, 0.7%

LAB 78.93, -11.57, 20.48

 

CMYK 22 / 0 / 5 / 21

HEX #9CC9BE

RGB 156 201 190

HSL 165.33, 0.29%, 0.7%

LAB 77.61, -17.04, 0.64

 

CMYK 16 / 22 / 0 / 21

HEX #A89CC9

RGB 168 156 201

HSL 256, 0.29%, 0.7%

LAB 66.76, 13.47, -21.49

 

CMYK 0 / 22 / 17 / 21

HEX #C99CA7

RGB 201 156 167

HSL 345.33, 0.29%, 0.7%

LAB 68.74, 18.43, 0.72

 

Description

Color code: RGB 188.7 200.6 157 | qconv.com Color code: RGB 188.7 200.6 157 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188.7 red, 200.6 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188.7 200.6 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 22 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 22% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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