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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188.7 200.6 143 it is the complementary color RGB 66.3 54.4 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188.7 200.6 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188.7 200.6 143 shade: RGB 193.7 200.6 138, RGB 210.7 218.6 157, RGB 227.7 236.6 176, RGB 244.7 254.6 195 and RGB 255 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188.7 200.6 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188.7 200.6 143 shade: RGB 188.7 200.6 143, RGB 171.7 182.6 124, RGB 154.7 164.6 105, RGB 137.7 146.6 86 and RGB 120.7 128.6 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188.7 200.6 143 shade: RGB 188 200 141, RGB 200 197 141, RGB 200 181 141, RGB 200 165 141 and RGB 200 149 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188.7 200.6 143 shade: RGB 188 200 141, RGB 172 200 141, RGB 156 200 141, RGB 141 200 142 and RGB 141 200 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188.7 200.6 143 shade matches the following richer shades: RGB 188 200 141, RGB 196 214 128, RGB 204 228 114, RGB 212 241 101 and RGB 220 255 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188.7 200.6 143 shade: RGB 188 200 141, RGB 180 187 155, RGB 172 173 169, RGB 164 159 182 and RGB 156 146 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188.7 200.6 143 shade: RGB 200 181 141, RGB 200 196 141, RGB 189 200 141, RGB 173 200 141 and RGB 157 200 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188.7 200.6 143 shade: RGB 155 173 86, RGB 172 187 114, RGB 188 200 141, RGB 205 214 169 and RGB 221 227 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188.7 200.6 143 shade: RGB 188.7 200.6 143, RGB 141 200 165 and RGB 189 141 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188.7 200.6 143 shade: RGB 188.7 200.6 143, RGB 141 189 200 and RGB 200 141 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188.7 200.6 143 shade: RGB 188.7 200.6 143, RGB 141 200 165, RGB 153 141 200 and RGB 200 141 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188.7 200.6 143 shade: RGB 188.7 200.6 143, RGB 141 200 183, RGB 153 141 200 and RGB 200 141 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 29 / 21

HEX #BCC88F

RGB 188.7 200.6 143

HSL 72.4, 0.35%, 0.67%

LAB 78.67, -13.6, 27.51

 

Complementary color

CMYK 41 / 51 / 0 / 56

HEX #423670

RGB 66.3 54.4 112

HSL 252.4, 0.35%, 0.33%

LAB 26.78, 20.4, -31.69

 

CMYK 3 / 0 / 31 / 21

HEX #C1C88A

RGB 193.7 200.6 138

HSL 66.61, 0.37%, 0.66%

LAB 78.96, -12.36, 30.57

 

CMYK 4 / 0 / 28 / 14

HEX #D2DA9D

RGB 210.7 218.6 157

HSL 67.69, 0.46%, 0.74%

LAB 85.35, -12.53, 29.49

 

CMYK 4 / 0 / 26 / 7

HEX #E3ECB0

RGB 227.7 236.6 176

HSL 68.81, 0.62%, 0.81%

LAB 91.65, -12.67, 28.46

 

CMYK 4 / 0 / 23 / 0

HEX #F4FEC3

RGB 244.7 254.6 195

HSL 69.97, 0.99%, 0.88%

LAB 97.86, -12.79, 27.47

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 6 / 0 / 29 / 21

HEX #BCC88F

RGB 188.7 200.6 143

HSL 72.4, 0.35%, 0.67%

LAB 78.67, -13.6, 27.51

 

CMYK 6 / 0 / 32 / 28

HEX #ABB67C

RGB 171.7 182.6 124

HSL 71.16, 0.29%, 0.6%

LAB 72.16, -13.48, 28.61

 

CMYK 6 / 0 / 36 / 35

HEX #9AA469

RGB 154.7 164.6 105

HSL 69.97, 0.25%, 0.53%

LAB 65.53, -13.32, 29.77

 

CMYK 6 / 0 / 41 / 43

HEX #899256

RGB 137.7 146.6 86

HSL 68.81, 0.26%, 0.46%

LAB 58.78, -13.11, 30.98

 

CMYK 6 / 0 / 48 / 50

HEX #788043

RGB 120.7 128.6 67

HSL 67.69, 0.31%, 0.38%

LAB 51.89, -12.83, 32.24

 

CMYK 6 / 0 / 30 / 22

HEX #BCC88D

RGB 188 200 141

HSL 72.2, 0.35%, 0.67%

LAB 78.42, -13.83, 28.21

 

CMYK 0 / 1 / 30 / 22

HEX #C8C58D

RGB 200 197 141

HSL 56.95, 0.35%, 0.67%

LAB 78.54, -7.7, 28.54

 

CMYK 0 / 10 / 30 / 22

HEX #C8B58D

RGB 200 181 141

HSL 40.68, 0.35%, 0.67%

LAB 74.35, 0.7, 22.89

 

CMYK 0 / 18 / 30 / 22

HEX #C8A58D

RGB 200 165 141

HSL 24.41, 0.35%, 0.67%

LAB 70.25, 9.3, 17.26

 

CMYK 0 / 26 / 30 / 22

HEX #C8958D

RGB 200 149 141

HSL 8.14, 0.35%, 0.67%

LAB 66.29, 18.04, 11.71

 

CMYK 6 / 0 / 30 / 22

HEX #BCC88D

RGB 188 200 141

HSL 72.2, 0.35%, 0.67%

LAB 78.42, -13.83, 28.21

 

CMYK 14 / 0 / 30 / 22

HEX #ACC88D

RGB 172 200 141

HSL 88.47, 0.35%, 0.67%

LAB 77.28, -19.81, 26.49

 

CMYK 22 / 0 / 30 / 22

HEX #9CC88D

RGB 156 200 141

HSL 104.75, 0.35%, 0.67%

LAB 76.25, -25.55, 24.93

 

CMYK 30 / 0 / 29 / 22

HEX #8DC88E

RGB 141 200 142

HSL 121.02, 0.35%, 0.67%

LAB 75.4, -30.48, 23.1

 

CMYK 30 / 0 / 21 / 22

HEX #8DC89E

RGB 141 200 158

HSL 137.29, 0.35%, 0.67%

LAB 75.72, -27.63, 15.03

 

CMYK 6 / 0 / 30 / 22

HEX #BCC88D

RGB 188 200 141

HSL 72.2, 0.35%, 0.67%

LAB 78.42, -13.83, 28.21

 

CMYK 8 / 0 / 40 / 16

HEX #C4D680

RGB 196 214 128

HSL 72.56, 0.51%, 0.67%

LAB 82.59, -19.42, 40.42

 

CMYK 11 / 0 / 50 / 11

HEX #CCE472

RGB 204 228 114

HSL 72.63, 0.68%, 0.67%

LAB 86.77, -24.6, 52.47

 

CMYK 12 / 0 / 58 / 5

HEX #D4F165

RGB 212 241 101

HSL 72.43, 0.83%, 0.67%

LAB 90.71, -28.77, 62.96

 

CMYK 14 / 0 / 66 / 0

HEX #DCFF57

RGB 220 255 87

HSL 72.5, 1%, 0.67%

LAB 94.92, -33.12, 73.24

 

CMYK 6 / 0 / 30 / 22

HEX #BCC88D

RGB 188 200 141

HSL 72.2, 0.35%, 0.67%

LAB 78.42, -13.83, 28.21

 

CMYK 4 / 0 / 17 / 27

HEX #B4BB9B

RGB 180 187 155

HSL 73.12, 0.19%, 0.67%

LAB 74.58, -8.05, 15.41

 

CMYK 1 / 0 / 2 / 32

HEX #ACADA9

RGB 172 173 169

HSL 75, 0.02%, 0.67%

LAB 70.54, -1.1, 1.92

 

CMYK 10 / 13 / 0 / 29

HEX #A49FB6

RGB 164 159 182

HSL 253.04, 0.14%, 0.67%

LAB 66.57, 6.36, -11.23

 

CMYK 20 / 26 / 0 / 23

HEX #9C92C4

RGB 156 146 196

HSL 252, 0.3%, 0.67%

LAB 63.02, 14.17, -24.51

 

CMYK 0 / 10 / 30 / 22

HEX #C8B58D

RGB 200 181 141

HSL 40.68, 0.35%, 0.67%

LAB 74.35, 0.7, 22.89

 

CMYK 0 / 2 / 30 / 22

HEX #C8C48D

RGB 200 196 141

HSL 55.93, 0.35%, 0.67%

LAB 78.28, -7.18, 28.19

 

CMYK 5 / 0 / 30 / 22

HEX #BDC88D

RGB 189 200 141

HSL 71.19, 0.35%, 0.67%

LAB 78.49, -13.45, 28.32

 

CMYK 14 / 0 / 30 / 22

HEX #ADC88D

RGB 173 200 141

HSL 87.46, 0.35%, 0.67%

LAB 77.35, -19.44, 26.59

 

CMYK 22 / 0 / 30 / 22

HEX #9DC88D

RGB 157 200 141

HSL 103.73, 0.35%, 0.67%

LAB 76.31, -25.2, 25.02

 

CMYK 10 / 0 / 50 / 32

HEX #9BAD56

RGB 155 173 86

HSL 72.41, 0.35%, 0.51%

LAB 67.67, -19.69, 42.22

 

CMYK 8 / 0 / 39 / 27

HEX #ACBB72

RGB 172 187 114

HSL 72.33, 0.35%, 0.59%

LAB 73.24, -16.88, 35.24

 

CMYK 6 / 0 / 30 / 22

HEX #BCC88D

RGB 188 200 141

HSL 72.2, 0.35%, 0.67%

LAB 78.42, -13.83, 28.21

 

CMYK 4 / 0 / 21 / 16

HEX #CDD6A9

RGB 205 214 169

HSL 72, 0.35%, 0.75%

LAB 83.93, -10.62, 21.25

 

CMYK 3 / 0 / 13 / 11

HEX #DDE3C5

RGB 221 227 197

HSL 72, 0.35%, 0.83%

LAB 89.08, -7.15, 13.97

 

CMYK 6 / 0 / 29 / 21

HEX #BCC88F

RGB 188.7 200.6 143

HSL 72.4, 0.35%, 0.67%

LAB 78.67, -13.6, 27.51

 

CMYK 30 / 0 / 18 / 22

HEX #8DC8A5

RGB 141 200 165

HSL 144.41, 0.35%, 0.67%

LAB 75.88, -26.3, 11.49

 

CMYK 5 / 30 / 0 / 22

HEX #BD8DC8

RGB 189 141 200

HSL 288.81, 0.35%, 0.67%

LAB 64.99, 28.49, -23.46

 

CMYK 6 / 0 / 29 / 21

HEX #BCC88F

RGB 188.7 200.6 143

HSL 72.4, 0.35%, 0.67%

LAB 78.67, -13.6, 27.51

 

CMYK 30 / 5 / 0 / 22

HEX #8DBDC8

RGB 141 189 200

HSL 191.19, 0.35%, 0.67%

LAB 73.69, -13.14, -10.66

 

CMYK 0 / 30 / 5 / 22

HEX #C88DBD

RGB 200 141 189

HSL 311.19, 0.35%, 0.67%

LAB 65.75, 30.06, -16.04

 

CMYK 6 / 0 / 29 / 21

HEX #BCC88F

RGB 188.7 200.6 143

HSL 72.4, 0.35%, 0.67%

LAB 78.67, -13.6, 27.51

 

CMYK 30 / 0 / 18 / 22

HEX #8DC8A5

RGB 141 200 165

HSL 144.41, 0.35%, 0.67%

LAB 75.88, -26.3, 11.49

 

CMYK 24 / 30 / 0 / 22

HEX #998DC8

RGB 153 141 200

HSL 252.2, 0.35%, 0.67%

LAB 61.65, 17.04, -28.89

 

CMYK 0 / 30 / 12 / 22

HEX #C88DB1

RGB 200 141 177

HSL 323.39, 0.35%, 0.67%

LAB 65.36, 27.96, -9.88

 

CMYK 6 / 0 / 29 / 21

HEX #BCC88F

RGB 188.7 200.6 143

HSL 72.4, 0.35%, 0.67%

LAB 78.67, -13.6, 27.51

 

CMYK 30 / 0 / 9 / 22

HEX #8DC8B7

RGB 141 200 183

HSL 162.71, 0.35%, 0.67%

LAB 76.31, -22.61, 2.41

 

CMYK 24 / 30 / 0 / 22

HEX #998DC8

RGB 153 141 200

HSL 252.2, 0.35%, 0.67%

LAB 61.65, 17.04, -28.89

 

CMYK 0 / 30 / 21 / 22

HEX #C88D9F

RGB 200 141 159

HSL 341.69, 0.35%, 0.67%

LAB 64.83, 25.05, -0.51

 

Description

Color code: RGB 188.7 200.6 143 | qconv.com Color code: RGB 188.7 200.6 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188.7 red, 200.6 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188.7 200.6 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 29% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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