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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188.1 198.8 67 it is the complementary color RGB 66.9 56.2 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188.1 198.8 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188.1 198.8 67 shade: RGB 193.1 198.8 62, RGB 210.1 216.8 81, RGB 227.1 234.8 100, RGB 244.1 252.8 119 and RGB 255 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188.1 198.8 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188.1 198.8 67 shade: RGB 188.1 198.8 67, RGB 171.1 180.8 48, RGB 154.1 162.8 29, RGB 137.1 144.8 10 and RGB 120.1 126.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188.1 198.8 67 shade: RGB 188 199 67, RGB 199 174 67, RGB 199 138 67, RGB 199 102 67 and RGB 199 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188.1 198.8 67 shade: RGB 188 199 67, RGB 152 199 67, RGB 117 199 67, RGB 81 199 67 and RGB 67 199 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188.1 198.8 67 shade matches the following richer shades: RGB 188 199 67, RGB 205 219 47 and RGB 221 238 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188.1 198.8 67 shade: RGB 188 199 67, RGB 171 179 86, RGB 155 159 106, RGB 138 139 126 and RGB 122 119 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188.1 198.8 67 shade: RGB 199 137 67, RGB 199 172 67, RGB 190 199 67, RGB 155 199 67 and RGB 119 199 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188.1 198.8 67 shade: RGB 133 141 42, RGB 163 172 52, RGB 188 199 67, RGB 199 208 98 and RGB 211 218 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188.1 198.8 67 shade: RGB 188.1 198.8 67, RGB 67 199 102 and RGB 155 67 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188.1 198.8 67 shade: RGB 188.1 198.8 67, RGB 67 190 199 and RGB 199 67 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188.1 198.8 67 shade: RGB 188.1 198.8 67, RGB 67 199 102, RGB 75 67 199 and RGB 199 67 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188.1 198.8 67 shade: RGB 188.1 198.8 67, RGB 67 199 141, RGB 75 67 199 and RGB 199 67 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 66 / 22

HEX #BCC643

RGB 188.1 198.8 67

HSL 64.87, 0.54%, 0.52%

LAB 77.2, -20.42, 61.96

 

Complementary color

CMYK 64 / 70 / 0 / 26

HEX #4238BC

RGB 66.9 56.2 188

HSL 244.87, 0.54%, 0.48%

LAB 33.28, 43.92, -67.65

 

CMYK 3 / 0 / 69 / 22

HEX #C1C63E

RGB 193.1 198.8 62

HSL 62.5, 0.55%, 0.51%

LAB 77.55, -18.61, 64.35

 

CMYK 3 / 0 / 63 / 15

HEX #D2D851

RGB 210.1 216.8 81

HSL 62.96, 0.64%, 0.58%

LAB 83.88, -19.35, 63.84

 

CMYK 3 / 0 / 57 / 8

HEX #E3EA64

RGB 227.1 234.8 100

HSL 63.43, 0.77%, 0.66%

LAB 90.12, -19.96, 63.04

 

CMYK 3 / 0 / 53 / 1

HEX #F4FC77

RGB 244.1 252.8 119

HSL 63.9, 0.97%, 0.73%

LAB 96.29, -20.46, 62.07

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 5 / 0 / 66 / 22

HEX #BCC643

RGB 188.1 198.8 67

HSL 64.87, 0.54%, 0.52%

LAB 77.2, -20.42, 61.96

 

CMYK 5 / 0 / 73 / 29

HEX #ABB430

RGB 171.1 180.8 48

HSL 64.38, 0.58%, 0.45%

LAB 70.77, -19.64, 62.18

 

CMYK 5 / 0 / 82 / 36

HEX #9AA21D

RGB 154.1 162.8 29

HSL 63.9, 0.7%, 0.38%

LAB 64.24, -18.67, 61.62

 

CMYK 5 / 0 / 93 / 43

HEX #89900A

RGB 137.1 144.8 10

HSL 63.43, 0.87%, 0.3%

LAB 57.6, -17.46, 59.65

 

CMYK 5 / 0 / 100 / 50

HEX #787E00

RGB 120.1 126.8 0

HSL 63.17, 1%, 0.25%

LAB 50.84, -15.96, 55.61

 

CMYK 6 / 0 / 66 / 22

HEX #BCC743

RGB 188 199 67

HSL 65, 0.54%, 0.52%

LAB 77.25, -20.56, 62

 

CMYK 0 / 13 / 66 / 22

HEX #C7AE43

RGB 199 174 67

HSL 48.64, 0.54%, 0.52%

LAB 71.43, -3.1, 56.25

 

CMYK 0 / 31 / 66 / 22

HEX #C78A43

RGB 199 138 67

HSL 32.27, 0.54%, 0.52%

LAB 62.27, 16.34, 46.35

 

CMYK 0 / 49 / 66 / 22

HEX #C76643

RGB 199 102 67

HSL 15.91, 0.54%, 0.52%

LAB 54.08, 35.76, 36.99

 

CMYK 0 / 66 / 66 / 22

HEX #C74343

RGB 199 67 67

HSL 0, 0.54%, 0.52%

LAB 47.7, 52.36, 29.31

 

CMYK 6 / 0 / 66 / 22

HEX #BCC743

RGB 188 199 67

HSL 65, 0.54%, 0.52%

LAB 77.25, -20.56, 62

 

CMYK 24 / 0 / 66 / 22

HEX #98C743

RGB 152 199 67

HSL 81.36, 0.54%, 0.52%

LAB 74.78, -35.02, 58.67

 

CMYK 41 / 0 / 66 / 22

HEX #75C743

RGB 117 199 67

HSL 97.27, 0.54%, 0.52%

LAB 72.91, -47.53, 56.13

 

CMYK 59 / 0 / 66 / 22

HEX #51C743

RGB 81 199 67

HSL 113.64, 0.54%, 0.52%

LAB 71.56, -57.77, 54.27

 

CMYK 66 / 0 / 56 / 22

HEX #43C758

RGB 67 199 88

HSL 129.55, 0.54%, 0.52%

LAB 71.38, -58.44, 44.7

 

CMYK 6 / 0 / 66 / 22

HEX #BCC743

RGB 188 199 67

HSL 65, 0.54%, 0.52%

LAB 77.25, -20.56, 62

 

CMYK 6 / 0 / 79 / 14

HEX #CDDB2F

RGB 205 219 47

HSL 64.88, 0.7%, 0.52%

LAB 83.89, -24.19, 75.47

 

CMYK 7 / 0 / 89 / 7

HEX #DDEE1B

RGB 221 238 27

HSL 64.83, 0.86%, 0.52%

LAB 90.14, -27.17, 85.46

 

CMYK 6 / 0 / 66 / 22

HEX #BCC743

RGB 188 199 67

HSL 65, 0.54%, 0.52%

LAB 77.25, -20.56, 62

 

CMYK 4 / 0 / 52 / 30

HEX #ABB356

RGB 171 179 86

HSL 65.16, 0.38%, 0.52%

LAB 70.57, -16.17, 45.96

 

CMYK 3 / 0 / 33 / 38

HEX #9B9F6A

RGB 155 159 106

HSL 64.53, 0.22%, 0.52%

LAB 64, -10.11, 27.23

 

CMYK 1 / 0 / 9 / 45

HEX #8A8B7E

RGB 138 139 126

HSL 64.62, 0.05%, 0.52%

LAB 57.44, -2.82, 6.82

 

CMYK 16 / 18 / 0 / 43

HEX #7A7792

RGB 122 119 146

HSL 246.67, 0.11%, 0.52%

LAB 51.16, 6.98, -14.2

 

CMYK 0 / 31 / 66 / 22

HEX #C78943

RGB 199 137 67

HSL 31.82, 0.54%, 0.52%

LAB 62.03, 16.89, 46.08

 

CMYK 0 / 14 / 66 / 22

HEX #C7AC43

RGB 199 172 67

HSL 47.73, 0.54%, 0.52%

LAB 70.91, -2.04, 55.7

 

CMYK 5 / 0 / 66 / 22

HEX #BEC743

RGB 190 199 67

HSL 64.09, 0.54%, 0.52%

LAB 77.4, -19.73, 62.21

 

CMYK 22 / 0 / 66 / 22

HEX #9BC743

RGB 155 199 67

HSL 80, 0.54%, 0.52%

LAB 74.96, -33.86, 58.92

 

CMYK 40 / 0 / 66 / 22

HEX #77C743

RGB 119 199 67

HSL 96.36, 0.54%, 0.52%

LAB 73.01, -46.87, 56.26

 

CMYK 6 / 0 / 70 / 45

HEX #858D2A

RGB 133 141 42

HSL 64.85, 0.54%, 0.36%

LAB 56.29, -16.12, 49.26

 

CMYK 5 / 0 / 70 / 33

HEX #A3AC34

RGB 163 172 52

HSL 64.5, 0.54%, 0.44%

LAB 67.68, -18.46, 57.52

 

CMYK 6 / 0 / 66 / 22

HEX #BCC743

RGB 188 199 67

HSL 65, 0.54%, 0.52%

LAB 77.25, -20.56, 62

 

CMYK 4 / 0 / 53 / 18

HEX #C7D062

RGB 199 208 98

HSL 64.91, 0.54%, 0.6%

LAB 80.81, -18.26, 52.8

 

CMYK 3 / 0 / 40 / 15

HEX #D3DA82

RGB 211 218 130

HSL 64.77, 0.54%, 0.68%

LAB 84.79, -15.38, 42.45

 

CMYK 5 / 0 / 66 / 22

HEX #BCC643

RGB 188.1 198.8 67

HSL 64.87, 0.54%, 0.52%

LAB 77.2, -20.42, 61.96

 

CMYK 66 / 0 / 49 / 22

HEX #43C766

RGB 67 199 102

HSL 135.91, 0.54%, 0.52%

LAB 71.55, -56.45, 38.14

 

CMYK 22 / 66 / 0 / 22

HEX #9B43C7

RGB 155 67 199

HSL 280, 0.54%, 0.52%

LAB 45.78, 57.59, -53.33

 

CMYK 5 / 0 / 66 / 22

HEX #BCC643

RGB 188.1 198.8 67

HSL 64.87, 0.54%, 0.52%

LAB 77.2, -20.42, 61.96

 

CMYK 66 / 5 / 0 / 22

HEX #43BEC7

RGB 67 190 199

HSL 184.09, 0.54%, 0.52%

LAB 70.97, -30.56, -14.5

 

CMYK 0 / 66 / 5 / 22

HEX #C743BE

RGB 199 67 190

HSL 304.09, 0.54%, 0.52%

LAB 51.69, 66.1, -38.32

 

CMYK 5 / 0 / 66 / 22

HEX #BCC643

RGB 188.1 198.8 67

HSL 64.87, 0.54%, 0.52%

LAB 77.2, -20.42, 61.96

 

CMYK 66 / 0 / 49 / 22

HEX #43C766

RGB 67 199 102

HSL 135.91, 0.54%, 0.52%

LAB 71.55, -56.45, 38.14

 

CMYK 62 / 66 / 0 / 22

HEX #4B43C7

RGB 75 67 199

HSL 243.64, 0.54%, 0.52%

LAB 37.18, 42.29, -67.68

 

CMYK 0 / 66 / 18 / 22

HEX #C743A3

RGB 199 67 163

HSL 316.36, 0.54%, 0.52%

LAB 50.45, 62.02, -24.47

 

CMYK 5 / 0 / 66 / 22

HEX #BCC643

RGB 188.1 198.8 67

HSL 64.87, 0.54%, 0.52%

LAB 77.2, -20.42, 61.96

 

CMYK 66 / 0 / 29 / 22

HEX #43C78D

RGB 67 199 141

HSL 153.64, 0.54%, 0.52%

LAB 72.2, -49.31, 18.78

 

CMYK 62 / 66 / 0 / 22

HEX #4B43C7

RGB 75 67 199

HSL 243.64, 0.54%, 0.52%

LAB 37.18, 42.29, -67.68

 

CMYK 0 / 66 / 38 / 22

HEX #C7437C

RGB 199 67 124

HSL 334.09, 0.54%, 0.52%

LAB 49.02, 57.11, -3.32

 

Description

Color code: RGB 188.1 198.8 67 | qconv.com Color code: RGB 188.1 198.8 67 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188.1 red, 198.8 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188.1 198.8 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 66 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 66% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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