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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 39 196 it is the complementary color RGB 68 216 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 39 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 39 196: RGB 192 39 191, RGB 209 57 210, RGB 226 75 229, RGB 243 93 248 and RGB 255 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 39 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 39 196: RGB 187 39 196, RGB 170 21 177, RGB 153 3 158, RGB 136 0 139 and RGB 119 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

Complementary color

CMYK 69 / 0 / 73 / 15

HEX #44D83B

RGB 68 216 59

HSL 116.56, 0.67%, 0.54%

LAB 76.47, -66.96, 62.35

 

CMYK 0 / 80 / 1 / 25

HEX #C027BF

RGB 192 39 191

HSL 300.39, 0.66%, 0.45%

LAB 47.52, 73.56, -45.58

 

CMYK 0 / 73 / 0 / 18

HEX #D139D2

RGB 209 57 210

HSL 299.61, 0.63%, 0.52%

LAB 53.1, 74.95, -47.5

 

CMYK 1 / 67 / 0 / 10

HEX #E24BE5

RGB 226 75 229

HSL 298.83, 0.75%, 0.6%

LAB 58.84, 75.64, -48.98

 

CMYK 2 / 63 / 0 / 3

HEX #F35DF8

RGB 243 93 248

HSL 298.06, 0.92%, 0.67%

LAB 64.69, 75.85, -50.13

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 4 / 88 / 0 / 31

HEX #AA15B1

RGB 170 21 177

HSL 297.31, 0.79%, 0.39%

LAB 41.62, 71.06, -46.99

 

CMYK 3 / 98 / 0 / 38

HEX #99039E

RGB 153 3 158

HSL 298.06, 0.96%, 0.32%

LAB 36.57, 67.51, -43.88

 

CMYK 2 / 100 / 0 / 45

HEX #88008B

RGB 136 0 139

HSL 298.71, 1%, 0.27%

LAB 32.03, 62.05, -39.68

 

CMYK 1 / 100 / 0 / 53

HEX #770078

RGB 119 0 120

HSL 299.5, 1%, 0.24%

LAB 27.51, 56.09, -35.17

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 0 / 81 / 8 / 24

HEX #C326B4

RGB 195 38 180

HSL 305.73, 0.67%, 0.46%

LAB 47.34, 72.75, -39.39

 

CMYK 0 / 81 / 22 / 24

HEX #C32699

RGB 195 38 153

HSL 316.05, 0.67%, 0.46%

LAB 46.03, 69.05, -25.42

 

CMYK 0 / 81 / 35 / 24

HEX #C3267F

RGB 195 38 127

HSL 325.99, 0.67%, 0.46%

LAB 44.97, 66, -11.26

 

CMYK 0 / 81 / 48 / 24

HEX #C32665

RGB 195 38 101

HSL 335.92, 0.67%, 0.46%

LAB 44.13, 63.5, 3.57

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 4 / 80 / 0 / 3

HEX #EC31F7

RGB 236 49 247

HSL 296.67, 0.93%, 0.58%

LAB 58.74, 88.05, -59.11

 

CMYK 5 / 79 / 0 / 83

HEX #29092B

RGB 41 9 43

HSL 296.47, 0.65%, 0.1%

LAB 7.6, 22.24, -15.17

 

CMYK 4 / 80 / 0 / 63

HEX #5A135E

RGB 90 19 94

HSL 296.8, 0.66%, 0.22%

LAB 21.75, 41.42, -27.81

 

CMYK 5 / 80 / 0 / 43

HEX #8A1D91

RGB 138 29 145

HSL 296.38, 0.67%, 0.34%

LAB 34.65, 57.92, -39.16

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 0 / 70 / 81 / 24

HEX #C33B26

RGB 195 59 38

HSL 8.03, 0.67%, 0.46%

LAB 45.46, 52.97, 42.87

 

CMYK 81 / 0 / 37 / 24

HEX #26C37A

RGB 38 195 122

HSL 152.1, 0.67%, 0.46%

LAB 70.07, -55.72, 25.86

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 0 / 5 / 81 / 24

HEX #C3B926

RGB 195 185 38

HSL 56.18, 0.67%, 0.46%

LAB 73.83, -11.87, 68.81

 

CMYK 81 / 0 / 5 / 24

HEX #26C3B9

RGB 38 195 185

HSL 176.18, 0.67%, 0.46%

LAB 71.52, -40.35, -6.09

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 0 / 70 / 81 / 24

HEX #C33B26

RGB 195 59 38

HSL 8.03, 0.67%, 0.46%

LAB 45.46, 52.97, 42.87

 

CMYK 75 / 0 / 81 / 24

HEX #31C326

RGB 49 195 38

HSL 115.8, 0.67%, 0.46%

LAB 69.34, -64.96, 61.98

 

CMYK 81 / 11 / 0 / 24

HEX #26AEC3

RGB 38 174 195

HSL 188.03, 0.67%, 0.46%

LAB 65.46, -27.42, -20.71

 

CMYK 5 / 80 / 0 / 23

HEX #BB27C4

RGB 187 39 196

HSL 296.56, 0.67%, 0.46%

LAB 46.98, 73.4, -49.41

 

CMYK 0 / 46 / 81 / 24

HEX #C36A26

RGB 195 106 38

HSL 25.99, 0.67%, 0.46%

LAB 54.08, 30.66, 51.1

 

CMYK 75 / 0 / 81 / 24

HEX #31C326

RGB 49 195 38

HSL 115.8, 0.67%, 0.46%

LAB 69.34, -64.96, 61.98

 

CMYK 81 / 35 / 0 / 24

HEX #267FC3

RGB 38 127 195

HSL 205.99, 0.67%, 0.46%

LAB 51.3, -1.7, -42.7

 

Description

Color code: RGB 187 39 196 | qconv.com Color code: RGB 187 39 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 39 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 39 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 80 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 80% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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