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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 2 185 it is the complementary color RGB 68 253 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 2 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 2 185 shade: RGB 192 2 180, RGB 209 20 199, RGB 226 38 218, RGB 243 56 237 and RGB 255 74 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 2 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 2 185 shade: RGB 187 2 185, RGB 170 0 166, RGB 153 0 147, RGB 136 0 128 and RGB 119 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 2 185 shade: RGB 186 1 184, RGB 186 1 134, RGB 186 1 85, RGB 186 1 35 and RGB 186 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 2 185 shade: RGB 186 1 184, RGB 138 1 186, RGB 89 1 186, RGB 39 1 186 and RGB 1 1 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 2 185 shade matches the following richer shades: RGB 186 1 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 2 185 shade: RGB 186 1 184, RGB 171 17 169, RGB 156 32 154, RGB 141 47 140 and RGB 125 62 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 2 185 shade: RGB 88 1 186, RGB 137 1 186, RGB 186 1 186, RGB 186 1 137 and RGB 186 1 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 2 185 shade: RGB 105 1 103, RGB 145 1 144, RGB 186 1 184, RGB 227 2 225 and RGB 252 18 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 2 185 shade: RGB 187 2 185, RGB 186 38 1 and RGB 1 186 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 2 185 shade: RGB 187 2 185, RGB 186 186 1 and RGB 1 186 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 2 185 shade: RGB 187 2 185, RGB 186 38 1, RGB 1 186 1 and RGB 1 149 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 2 185 shade: RGB 187 2 185, RGB 186 94 1, RGB 1 186 1 and RGB 1 94 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 1 / 27

HEX #BB02B9

RGB 187 2 185

HSL 300.65, 0.98%, 0.37%

LAB 44.39, 77.35, -47.11

 

Complementary color

CMYK 73 / 0 / 72 / 1

HEX #44FD46

RGB 68 253 70

HSL 120.65, 0.98%, 0.63%

LAB 87.93, -77.66, 70.16

 

CMYK 0 / 99 / 6 / 25

HEX #C002B4

RGB 192 2 180

HSL 303.79, 0.98%, 0.38%

LAB 45, 77.47, -43.14

 

CMYK 0 / 90 / 5 / 18

HEX #D114C7

RGB 209 20 199

HSL 303.17, 0.83%, 0.45%

LAB 49.71, 81.36, -46.56

 

CMYK 0 / 83 / 4 / 11

HEX #E226DA

RGB 226 38 218

HSL 302.55, 0.76%, 0.52%

LAB 54.68, 84.23, -49.38

 

CMYK 0 / 77 / 2 / 5

HEX #F338ED

RGB 243 56 237

HSL 301.93, 0.89%, 0.59%

LAB 59.89, 86.15, -51.64

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 99 / 1 / 27

HEX #BB02B9

RGB 187 2 185

HSL 300.65, 0.98%, 0.37%

LAB 44.39, 77.35, -47.11

 

CMYK 0 / 100 / 2 / 33

HEX #AA00A6

RGB 170 0 166

HSL 301.41, 1%, 0.33%

LAB 40.08, 71.92, -42.9

 

CMYK 0 / 100 / 4 / 40

HEX #990093

RGB 153 0 147

HSL 302.35, 1%, 0.3%

LAB 35.75, 66.2, -38.48

 

CMYK 0 / 100 / 6 / 47

HEX #880080

RGB 136 0 128

HSL 303.53, 1%, 0.27%

LAB 31.33, 60.36, -33.94

 

CMYK 0 / 100 / 8 / 53

HEX #77006D

RGB 119 0 109

HSL 305.04, 1%, 0.23%

LAB 26.81, 54.38, -29.24

 

CMYK 0 / 99 / 1 / 27

HEX #BA01B8

RGB 186 1 184

HSL 300.65, 0.99%, 0.37%

LAB 44.12, 77.13, -46.97

 

CMYK 0 / 99 / 28 / 27

HEX #BA0186

RGB 186 1 134

HSL 316.86, 0.99%, 0.37%

LAB 41.5, 70.62, -21.01

 

CMYK 0 / 99 / 54 / 27

HEX #BA0155

RGB 186 1 85

HSL 332.76, 0.99%, 0.37%

LAB 39.78, 66.12, 7.19

 

CMYK 0 / 99 / 81 / 27

HEX #BA0123

RGB 186 1 35

HSL 348.97, 0.99%, 0.37%

LAB 38.87, 63.67, 37.39

 

CMYK 0 / 99 / 99 / 27

HEX #BA0101

RGB 186 1 1

HSL 0, 0.99%, 0.37%

LAB 38.66, 63.1, 52.64

 

CMYK 0 / 99 / 1 / 27

HEX #BA01B8

RGB 186 1 184

HSL 300.65, 0.99%, 0.37%

LAB 44.12, 77.13, -46.97

 

CMYK 26 / 99 / 0 / 27

HEX #8A01BA

RGB 138 1 186

HSL 284.43, 0.99%, 0.37%

LAB 35.93, 70.34, -61.8

 

CMYK 52 / 99 / 0 / 27

HEX #5901BA

RGB 89 1 186

HSL 268.54, 0.99%, 0.37%

LAB 28.62, 65.25, -74.08

 

CMYK 79 / 99 / 0 / 27

HEX #2701BA

RGB 39 1 186

HSL 252.32, 0.99%, 0.37%

LAB 23.67, 62.77, -82.45

 

CMYK 99 / 99 / 0 / 27

HEX #0101BA

RGB 1 1 186

HSL 240, 0.99%, 0.37%

LAB 22.21, 62.25, -84.93

 

CMYK 0 / 99 / 1 / 27

HEX #BA01B8

RGB 186 1 184

HSL 300.65, 0.99%, 0.37%

LAB 44.12, 77.13, -46.97

 

CMYK 0 / 99 / 1 / 27

HEX #BA01B8

RGB 186 1 184

HSL 300.65, 0.99%, 0.37%

LAB 44.12, 77.13, -46.97

 

CMYK 0 / 90 / 1 / 33

HEX #AB11A9

RGB 171 17 169

HSL 300.78, 0.82%, 0.37%

LAB 41.09, 70.62, -43.07

 

CMYK 0 / 79 / 1 / 39

HEX #9C209A

RGB 156 32 154

HSL 300.97, 0.66%, 0.37%

LAB 38.61, 62.3, -38.16

 

CMYK 0 / 67 / 1 / 45

HEX #8D2F8C

RGB 141 47 140

HSL 300.64, 0.5%, 0.37%

LAB 37.09, 51.38, -32.19

 

CMYK 0 / 50 / 0 / 51

HEX #7D3E7D

RGB 125 62 125

HSL 300, 0.34%, 0.37%

LAB 36.53, 36.89, -23.99

 

CMYK 53 / 99 / 0 / 27

HEX #5801BA

RGB 88 1 186

HSL 268.22, 0.99%, 0.37%

LAB 28.49, 65.18, -74.3

 

CMYK 26 / 99 / 0 / 27

HEX #8901BA

RGB 137 1 186

HSL 284.11, 0.99%, 0.37%

LAB 35.76, 70.21, -62.07

 

CMYK 0 / 99 / 0 / 27

HEX #BA01BA

RGB 186 1 186

HSL 300, 0.99%, 0.37%

LAB 44.24, 77.42, -47.95

 

CMYK 0 / 99 / 26 / 27

HEX #BA0189

RGB 186 1 137

HSL 315.89, 0.99%, 0.37%

LAB 41.64, 70.96, -22.65

 

CMYK 0 / 99 / 53 / 27

HEX #BA0158

RGB 186 1 88

HSL 331.78, 0.99%, 0.37%

LAB 39.86, 66.33, 5.39

 

CMYK 0 / 99 / 2 / 59

HEX #690167

RGB 105 1 103

HSL 301.15, 0.98%, 0.21%

LAB 23.69, 50.63, -30.48

 

CMYK 0 / 99 / 1 / 43

HEX #910190

RGB 145 1 144

HSL 300.42, 0.99%, 0.29%

LAB 34.1, 64.23, -39.37

 

CMYK 0 / 99 / 1 / 27

HEX #BA01B8

RGB 186 1 184

HSL 300.65, 0.99%, 0.37%

LAB 44.12, 77.13, -46.97

 

CMYK 0 / 99 / 1 / 11

HEX #E302E1

RGB 227 2 225

HSL 300.53, 0.98%, 0.45%

LAB 53.83, 89.56, -54.7

 

CMYK 0 / 93 / 1 / 1

HEX #FC12FA

RGB 252 18 250

HSL 300.51, 0.98%, 0.53%

LAB 59.92, 95.94, -58.75

 

CMYK 0 / 99 / 1 / 27

HEX #BB02B9

RGB 187 2 185

HSL 300.65, 0.98%, 0.37%

LAB 44.39, 77.35, -47.11

 

CMYK 0 / 80 / 99 / 27

HEX #BA2601

RGB 186 38 1

HSL 12, 0.99%, 0.37%

LAB 40.94, 56.59, 53.57

 

CMYK 99 / 0 / 40 / 27

HEX #01BA70

RGB 1 186 112

HSL 156, 0.99%, 0.37%

LAB 66.74, -56.82, 26.64

 

CMYK 0 / 99 / 1 / 27

HEX #BB02B9

RGB 187 2 185

HSL 300.65, 0.98%, 0.37%

LAB 44.39, 77.35, -47.11

 

CMYK 0 / 0 / 99 / 27

HEX #BABA01

RGB 186 186 1

HSL 60, 0.99%, 0.37%

LAB 73.26, -16.99, 74.43

 

CMYK 99 / 0 / 0 / 27

HEX #01BABA

RGB 1 186 186

HSL 180, 0.99%, 0.37%

LAB 68.51, -37.9, -11.15

 

CMYK 0 / 99 / 1 / 27

HEX #BB02B9

RGB 187 2 185

HSL 300.65, 0.98%, 0.37%

LAB 44.39, 77.35, -47.11

 

CMYK 0 / 80 / 99 / 27

HEX #BA2601

RGB 186 38 1

HSL 12, 0.99%, 0.37%

LAB 40.94, 56.59, 53.57

 

CMYK 99 / 0 / 99 / 27

HEX #01BA01

RGB 1 186 1

HSL 120, 0.99%, 0.37%

LAB 65.85, -67.92, 65.51

 

CMYK 99 / 20 / 0 / 27

HEX #0195BA

RGB 1 149 186

HSL 192, 0.99%, 0.37%

LAB 57.12, -19.66, -28.49

 

CMYK 0 / 99 / 1 / 27

HEX #BB02B9

RGB 187 2 185

HSL 300.65, 0.98%, 0.37%

LAB 44.39, 77.35, -47.11

 

CMYK 0 / 49 / 99 / 27

HEX #BA5E01

RGB 186 94 1

HSL 30.16, 0.99%, 0.37%

LAB 50.03, 32.53, 58.48

 

CMYK 99 / 0 / 99 / 27

HEX #01BA01

RGB 1 186 1

HSL 120, 0.99%, 0.37%

LAB 65.85, -67.92, 65.51

 

CMYK 99 / 49 / 0 / 27

HEX #015EBA

RGB 1 94 186

HSL 209.84, 0.99%, 0.37%

LAB 40.5, 13.26, -54.8

 

Description

Color code: RGB 187 2 185 | qconv.com Color code: RGB 187 2 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 2 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 2 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 1 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 1% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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