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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 229 220 it is the complementary color RGB 68 26 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 229 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 229 220 shade: RGB 192 229 215, RGB 209 247 234, RGB 226 255 253 and RGB 243 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 229 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 229 220 shade: RGB 187 229 220, RGB 170 211 201, RGB 153 193 182, RGB 136 175 163 and RGB 119 157 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 229 220 shade: RGB 188 230 221, RGB 188 230 210, RGB 188 230 199, RGB 189 230 188 and RGB 201 230 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 229 220 shade: RGB 188 230 221, RGB 188 227 230, RGB 188 216 230, RGB 188 205 230 and RGB 188 194 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 229 220 shade matches the following richer shades: RGB 188 230 221, RGB 181 237 225, RGB 174 245 229 and RGB 166 252 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 229 220 shade: RGB 188 230 221, RGB 196 222 217, RGB 203 215 212, RGB 211 207 208 and RGB 218 200 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 229 220 shade: RGB 188 230 199, RGB 188 230 210, RGB 188 230 221, RGB 188 228 230 and RGB 188 217 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 229 220 shade: RGB 129 207 190, RGB 159 218 206, RGB 188 230 221, RGB 218 241 236 and RGB 248 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 229 220 shade: RGB 187 229 220, RGB 188 189 230 and RGB 230 204 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 229 220 shade: RGB 187 229 220, RGB 221 188 230 and RGB 230 221 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 229 220 shade: RGB 187 229 220, RGB 188 189 230, RGB 230 188 197 and RGB 230 229 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 229 220 shade: RGB 187 229 220, RGB 200 188 230, RGB 230 188 197 and RGB 218 230 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 4 / 10

HEX #BBE5DC

RGB 187 229 220

HSL 167.14, 0.45%, 0.82%

LAB 87.86, -15.36, -0.14

 

Complementary color

CMYK 0 / 62 / 49 / 73

HEX #441A23

RGB 68 26 35

HSL 347.14, 0.45%, 0.18%

LAB 15.95, 21.3, 3.83

 

CMYK 16 / 0 / 6 / 10

HEX #C0E5D7

RGB 192 229 215

HSL 157.3, 0.42%, 0.83%

LAB 88.04, -14.77, 2.79

 

CMYK 15 / 0 / 5 / 3

HEX #D1F7EA

RGB 209 247 234

HSL 159.47, 0.7%, 0.89%

LAB 94.32, -14.7, 2.15

 

CMYK 11 / 0 / 1 / 0

HEX #E2FFFD

RGB 226 255 253

HSL 175.86, 1%, 0.94%

LAB 97.95, -9.7, -2.23

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 18 / 0 / 4 / 10

HEX #BBE5DC

RGB 187 229 220

HSL 167.14, 0.45%, 0.82%

LAB 87.86, -15.36, -0.14

 

CMYK 19 / 0 / 5 / 17

HEX #AAD3C9

RGB 170 211 201

HSL 165.37, 0.32%, 0.75%

LAB 81.48, -15.45, 0.49

 

CMYK 21 / 0 / 6 / 24

HEX #99C1B6

RGB 153 193 182

HSL 163.5, 0.24%, 0.68%

LAB 75.01, -15.56, 1.15

 

CMYK 22 / 0 / 7 / 31

HEX #88AFA3

RGB 136 175 163

HSL 161.54, 0.2%, 0.61%

LAB 68.42, -15.68, 1.83

 

CMYK 24 / 0 / 8 / 38

HEX #779D90

RGB 119 157 144

HSL 159.47, 0.16%, 0.54%

LAB 61.7, -15.83, 2.55

 

CMYK 18 / 0 / 4 / 10

HEX #BCE6DD

RGB 188 230 221

HSL 167.14, 0.46%, 0.82%

LAB 88.21, -15.35, -0.14

 

CMYK 18 / 0 / 9 / 10

HEX #BCE6D2

RGB 188 230 210

HSL 151.43, 0.46%, 0.82%

LAB 87.94, -17.51, 5.24

 

CMYK 18 / 0 / 13 / 10

HEX #BCE6C7

RGB 188 230 199

HSL 135.71, 0.46%, 0.82%

LAB 87.68, -19.56, 10.63

 

CMYK 18 / 0 / 18 / 10

HEX #BDE6BC

RGB 189 230 188

HSL 118.57, 0.46%, 0.82%

LAB 87.51, -21.17, 16.13

 

CMYK 13 / 0 / 18 / 10

HEX #C9E6BC

RGB 201 230 188

HSL 101.43, 0.46%, 0.82%

LAB 88.28, -17.1, 17.33

 

CMYK 18 / 0 / 4 / 10

HEX #BCE6DD

RGB 188 230 221

HSL 167.14, 0.46%, 0.82%

LAB 88.21, -15.35, -0.14

 

CMYK 18 / 1 / 0 / 10

HEX #BCE3E6

RGB 188 227 230

HSL 184.29, 0.46%, 0.82%

LAB 87.65, -12, -5.69

 

CMYK 18 / 6 / 0 / 10

HEX #BCD8E6

RGB 188 216 230

HSL 200, 0.46%, 0.82%

LAB 84.75, -6.35, -9.99

 

CMYK 18 / 11 / 0 / 10

HEX #BCCDE6

RGB 188 205 230

HSL 215.71, 0.46%, 0.82%

LAB 81.87, -0.59, -14.29

 

CMYK 18 / 16 / 0 / 10

HEX #BCC2E6

RGB 188 194 230

HSL 231.43, 0.46%, 0.82%

LAB 79.03, 5.29, -18.56

 

CMYK 18 / 0 / 4 / 10

HEX #BCE6DD

RGB 188 230 221

HSL 167.14, 0.46%, 0.82%

LAB 88.21, -15.35, -0.14

 

CMYK 24 / 0 / 5 / 7

HEX #B5EDE1

RGB 181 237 225

HSL 167.14, 0.61%, 0.82%

LAB 89.78, -20.16, 0.01

 

CMYK 29 / 0 / 7 / 4

HEX #AEF5E5

RGB 174 245 229

HSL 166.48, 0.78%, 0.82%

LAB 91.67, -25.27, 0.63

 

CMYK 34 / 0 / 7 / 1

HEX #A6FCEA

RGB 166 252 234

HSL 167.44, 0.93%, 0.82%

LAB 93.31, -29.76, 0.38

 

CMYK 18 / 0 / 4 / 10

HEX #BCE6DD

RGB 188 230 221

HSL 167.14, 0.46%, 0.82%

LAB 88.21, -15.35, -0.14

 

CMYK 12 / 0 / 2 / 13

HEX #C4DED9

RGB 196 222 217

HSL 168.46, 0.28%, 0.82%

LAB 86.5, -9.55, -0.48

 

CMYK 6 / 0 / 1 / 16

HEX #CBD7D4

RGB 203 215 212

HSL 165, 0.13%, 0.82%

LAB 85.02, -4.6, 0.07

 

CMYK 0 / 2 / 1 / 17

HEX #D3CFD0

RGB 211 207 208

HSL 345, 0.04%, 0.82%

LAB 83.46, 1.56, -0.02

 

CMYK 0 / 8 / 6 / 15

HEX #DAC8CC

RGB 218 200 204

HSL 346.67, 0.2%, 0.82%

LAB 82.15, 6.97, 0.28

 

CMYK 18 / 0 / 13 / 10

HEX #BCE6C7

RGB 188 230 199

HSL 135.71, 0.46%, 0.82%

LAB 87.68, -19.56, 10.63

 

CMYK 18 / 0 / 9 / 10

HEX #BCE6D2

RGB 188 230 210

HSL 151.43, 0.46%, 0.82%

LAB 87.94, -17.51, 5.24

 

CMYK 18 / 0 / 4 / 10

HEX #BCE6DD

RGB 188 230 221

HSL 167.14, 0.46%, 0.82%

LAB 88.21, -15.35, -0.14

 

CMYK 18 / 1 / 0 / 10

HEX #BCE4E6

RGB 188 228 230

HSL 182.86, 0.46%, 0.82%

LAB 87.92, -12.51, -5.3

 

CMYK 18 / 6 / 0 / 10

HEX #BCD9E6

RGB 188 217 230

HSL 198.57, 0.46%, 0.82%

LAB 85.01, -6.87, -9.6

 

CMYK 38 / 0 / 8 / 19

HEX #81CFBE

RGB 129 207 190

HSL 166.92, 0.45%, 0.66%

LAB 77.88, -27.92, 0.86

 

CMYK 27 / 0 / 6 / 15

HEX #9FDACE

RGB 159 218 206

HSL 167.8, 0.44%, 0.74%

LAB 82.9, -21.29, -0.18

 

CMYK 18 / 0 / 4 / 10

HEX #BCE6DD

RGB 188 230 221

HSL 167.14, 0.46%, 0.82%

LAB 88.21, -15.35, -0.14

 

CMYK 10 / 0 / 2 / 5

HEX #DAF1EC

RGB 218 241 236

HSL 166.96, 0.45%, 0.9%

LAB 93.39, -8.45, -0.17

 

CMYK 2 / 0 / 0 / 1

HEX #F8FCFC

RGB 248 252 252

HSL 180, 0.4%, 0.98%

LAB 98.67, -1.31, -0.47

 

CMYK 18 / 0 / 4 / 10

HEX #BBE5DC

RGB 187 229 220

HSL 167.14, 0.45%, 0.82%

LAB 87.86, -15.36, -0.14

 

CMYK 18 / 18 / 0 / 10

HEX #BCBDE6

RGB 188 189 230

HSL 238.57, 0.46%, 0.82%

LAB 77.76, 7.99, -20.5

 

CMYK 0 / 11 / 18 / 10

HEX #E6CCBC

RGB 230 204 188

HSL 22.86, 0.46%, 0.82%

LAB 83.78, 6.57, 11.29

 

CMYK 18 / 0 / 4 / 10

HEX #BBE5DC

RGB 187 229 220

HSL 167.14, 0.45%, 0.82%

LAB 87.86, -15.36, -0.14

 

CMYK 4 / 18 / 0 / 10

HEX #DDBCE6

RGB 221 188 230

HSL 287.14, 0.46%, 0.82%

LAB 80.21, 19.14, -16.53

 

CMYK 0 / 4 / 18 / 10

HEX #E6DDBC

RGB 230 221 188

HSL 47.14, 0.46%, 0.82%

LAB 88.05, -2.25, 17.32

 

CMYK 18 / 0 / 4 / 10

HEX #BBE5DC

RGB 187 229 220

HSL 167.14, 0.45%, 0.82%

LAB 87.86, -15.36, -0.14

 

CMYK 18 / 18 / 0 / 10

HEX #BCBDE6

RGB 188 189 230

HSL 238.57, 0.46%, 0.82%

LAB 77.76, 7.99, -20.5

 

CMYK 0 / 18 / 14 / 10

HEX #E6BCC5

RGB 230 188 197

HSL 347.14, 0.46%, 0.82%

LAB 80.08, 16.43, 1.15

 

CMYK 0 / 0 / 18 / 10

HEX #E6E5BC

RGB 230 229 188

HSL 58.57, 0.46%, 0.82%

LAB 90.09, -6.32, 20.16

 

CMYK 18 / 0 / 4 / 10

HEX #BBE5DC

RGB 187 229 220

HSL 167.14, 0.45%, 0.82%

LAB 87.86, -15.36, -0.14

 

CMYK 13 / 18 / 0 / 10

HEX #C8BCE6

RGB 200 188 230

HSL 257.14, 0.46%, 0.82%

LAB 78.44, 12.32, -19.38

 

CMYK 0 / 18 / 14 / 10

HEX #E6BCC5

RGB 230 188 197

HSL 347.14, 0.46%, 0.82%

LAB 80.08, 16.43, 1.15

 

CMYK 5 / 0 / 18 / 10

HEX #DAE6BC

RGB 218 230 188

HSL 77.14, 0.46%, 0.82%

LAB 89.45, -11.14, 19.15

 

Description

Color code: RGB 187 229 220 | qconv.com Color code: RGB 187 229 220 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 229 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 229 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 4 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 4% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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