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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 185 21 it is the complementary color RGB 68 70 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 185 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 185 21 shade: RGB 192 185 16, RGB 209 203 35, RGB 226 221 54, RGB 243 239 73 and RGB 255 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 185 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 185 21 shade: RGB 187 185 21, RGB 170 167 2, RGB 153 149 0, RGB 136 131 0 and RGB 119 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 185 21 shade: RGB 188 186 20, RGB 188 141 20, RGB 188 95 20, RGB 188 50 20 and RGB 188 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 185 21 shade: RGB 188 186 20, RGB 145 188 20, RGB 99 188 20, RGB 54 188 20 and RGB 20 188 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 185 21 shade matches the following richer shades: RGB 188 186 20 and RGB 205 202 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 185 21 shade: RGB 188 186 20, RGB 171 169 37, RGB 154 153 54, RGB 137 136 71 and RGB 120 120 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 185 21 shade: RGB 188 96 20, RGB 188 140 20, RGB 188 185 20, RGB 146 188 20 and RGB 101 188 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 185 21 shade: RGB 113 112 12, RGB 151 149 16, RGB 188 186 20, RGB 225 222 25 and RGB 233 231 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 185 21 shade: RGB 187 185 21, RGB 20 188 51 and RGB 118 20 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 185 21 shade: RGB 187 185 21, RGB 20 188 185 and RGB 185 20 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 185 21 shade: RGB 187 185 21, RGB 20 188 51, RGB 20 23 188 and RGB 188 20 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 185 21 shade: RGB 187 185 21, RGB 20 188 101, RGB 20 23 188 and RGB 188 20 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 89 / 27

HEX #BBB915

RGB 187 185 21

HSL 59.28, 0.8%, 0.41%

LAB 73.1, -15.78, 71.8

 

Complementary color

CMYK 71 / 70 / 0 / 8

HEX #4446EA

RGB 68 70 234

HSL 239.28, 0.8%, 0.59%

LAB 40.49, 51.02, -82.35

 

CMYK 0 / 4 / 92 / 25

HEX #C0B910

RGB 192 185 16

HSL 57.61, 0.85%, 0.41%

LAB 73.51, -13.69, 73.1

 

CMYK 0 / 3 / 83 / 18

HEX #D1CB23

RGB 209 203 35

HSL 57.93, 0.71%, 0.48%

LAB 79.83, -15.04, 75.16

 

CMYK 0 / 2 / 76 / 11

HEX #E2DD36

RGB 226 221 54

HSL 58.26, 0.75%, 0.55%

LAB 86.08, -16.18, 76.04

 

CMYK 0 / 2 / 70 / 5

HEX #F3EF49

RGB 243 239 73

HSL 58.59, 0.88%, 0.62%

LAB 92.25, -17.16, 76.16

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 1 / 89 / 27

HEX #BBB915

RGB 187 185 21

HSL 59.28, 0.8%, 0.41%

LAB 73.1, -15.78, 71.8

 

CMYK 0 / 2 / 99 / 33

HEX #AAA702

RGB 170 167 2

HSL 58.93, 0.98%, 0.34%

LAB 66.66, -14.34, 68.86

 

CMYK 0 / 3 / 100 / 40

HEX #999500

RGB 153 149 0

HSL 58.43, 1%, 0.3%

LAB 60.13, -12.62, 63.7

 

CMYK 0 / 4 / 100 / 47

HEX #888300

RGB 136 131 0

HSL 57.79, 1%, 0.27%

LAB 53.46, -10.82, 58.16

 

CMYK 0 / 5 / 100 / 53

HEX #777100

RGB 119 113 0

HSL 56.97, 1%, 0.23%

LAB 46.62, -8.96, 52.49

 

CMYK 0 / 1 / 89 / 26

HEX #BCBA14

RGB 188 186 20

HSL 59.29, 0.81%, 0.41%

LAB 73.45, -15.87, 72.29

 

CMYK 0 / 25 / 89 / 26

HEX #BC8D14

RGB 188 141 20

HSL 43.21, 0.81%, 0.41%

LAB 61.47, 7.96, 62.87

 

CMYK 0 / 49 / 89 / 26

HEX #BC5F14

RGB 188 95 20

HSL 26.79, 0.81%, 0.41%

LAB 50.6, 33.1, 54.43

 

CMYK 0 / 73 / 89 / 26

HEX #BC3214

RGB 188 50 20

HSL 10.71, 0.81%, 0.41%

LAB 42.8, 53.58, 48.47

 

CMYK 0 / 89 / 89 / 26

HEX #BC1414

RGB 188 20 20

HSL 0, 0.81%, 0.41%

LAB 39.99, 61.51, 46.36

 

CMYK 0 / 1 / 89 / 26

HEX #BCBA14

RGB 188 186 20

HSL 59.29, 0.81%, 0.41%

LAB 73.45, -15.87, 72.29

 

CMYK 23 / 0 / 89 / 26

HEX #91BC14

RGB 145 188 20

HSL 75.36, 0.81%, 0.41%

LAB 70.9, -34.93, 68.92

 

CMYK 47 / 0 / 89 / 26

HEX #63BC14

RGB 99 188 20

HSL 91.79, 0.81%, 0.41%

LAB 68.51, -51.55, 65.97

 

CMYK 71 / 0 / 89 / 26

HEX #36BC14

RGB 54 188 20

HSL 107.86, 0.81%, 0.41%

LAB 67.13, -62.75, 64.24

 

CMYK 89 / 0 / 83 / 26

HEX #14BC20

RGB 20 188 32

HSL 124.29, 0.81%, 0.41%

LAB 66.69, -66.48, 61.02

 

CMYK 0 / 1 / 89 / 26

HEX #BCBA14

RGB 188 186 20

HSL 59.29, 0.81%, 0.41%

LAB 73.45, -15.87, 72.29

 

CMYK 0 / 1 / 99 / 20

HEX #CDCA03

RGB 205 202 3

HSL 59.11, 0.97%, 0.41%

LAB 79.17, -16.77, 79.27

 

CMYK 0 / 1 / 89 / 26

HEX #BCBA14

RGB 188 186 20

HSL 59.29, 0.81%, 0.41%

LAB 73.45, -15.87, 72.29

 

CMYK 0 / 1 / 78 / 33

HEX #ABA925

RGB 171 169 37

HSL 59.1, 0.64%, 0.41%

LAB 67.4, -14.15, 62.65

 

CMYK 0 / 1 / 65 / 40

HEX #9A9936

RGB 154 153 54

HSL 59.4, 0.48%, 0.41%

LAB 61.58, -12.43, 50.25

 

CMYK 0 / 1 / 48 / 46

HEX #898847

RGB 137 136 71

HSL 59.09, 0.32%, 0.41%

LAB 55.46, -9.36, 34.8

 

CMYK 0 / 0 / 27 / 53

HEX #787858

RGB 120 120 88

HSL 60, 0.15%, 0.41%

LAB 49.65, -5.63, 17.64

 

CMYK 0 / 49 / 89 / 26

HEX #BC6014

RGB 188 96 20

HSL 27.14, 0.81%, 0.41%

LAB 50.81, 32.58, 54.59

 

CMYK 0 / 26 / 89 / 26

HEX #BC8C14

RGB 188 140 20

HSL 42.86, 0.81%, 0.41%

LAB 61.22, 8.51, 62.67

 

CMYK 0 / 2 / 89 / 26

HEX #BCB914

RGB 188 185 20

HSL 58.93, 0.81%, 0.41%

LAB 73.18, -15.37, 72.07

 

CMYK 22 / 0 / 89 / 26

HEX #92BC14

RGB 146 188 20

HSL 75, 0.81%, 0.41%

LAB 70.96, -34.53, 69

 

CMYK 46 / 0 / 89 / 26

HEX #65BC14

RGB 101 188 20

HSL 91.07, 0.81%, 0.41%

LAB 68.59, -50.92, 66.07

 

CMYK 0 / 1 / 89 / 56

HEX #71700C

RGB 113 112 12

HSL 59.41, 0.81%, 0.25%

LAB 45.81, -10.98, 48.97

 

CMYK 0 / 1 / 89 / 41

HEX #979510

RGB 151 149 16

HSL 59.11, 0.81%, 0.33%

LAB 59.99, -13.26, 61

 

CMYK 0 / 1 / 89 / 26

HEX #BCBA14

RGB 188 186 20

HSL 59.29, 0.81%, 0.41%

LAB 73.45, -15.87, 72.29

 

CMYK 0 / 1 / 89 / 12

HEX #E1DE19

RGB 225 222 25

HSL 59.1, 0.8%, 0.49%

LAB 86.17, -17.87, 82.76

 

CMYK 0 / 1 / 75 / 9

HEX #E9E73A

RGB 233 231 58

HSL 59.31, 0.8%, 0.57%

LAB 89.29, -18.02, 77.97

 

CMYK 0 / 1 / 89 / 27

HEX #BBB915

RGB 187 185 21

HSL 59.28, 0.8%, 0.41%

LAB 73.1, -15.78, 71.8

 

CMYK 89 / 0 / 73 / 26

HEX #14BC33

RGB 20 188 51

HSL 131.07, 0.81%, 0.41%

LAB 66.79, -65.17, 55.12

 

CMYK 37 / 89 / 0 / 26

HEX #7614BC

RGB 118 20 188

HSL 275, 0.81%, 0.41%

LAB 33.95, 65.31, -66.34

 

CMYK 0 / 1 / 89 / 27

HEX #BBB915

RGB 187 185 21

HSL 59.28, 0.8%, 0.41%

LAB 73.1, -15.78, 71.8

 

CMYK 89 / 0 / 2 / 26

HEX #14BCB9

RGB 20 188 185

HSL 178.93, 0.81%, 0.41%

LAB 69.2, -38.43, -9.56

 

CMYK 2 / 89 / 0 / 26

HEX #B914BC

RGB 185 20 188

HSL 298.93, 0.81%, 0.41%

LAB 44.87, 75.55, -48.14

 

CMYK 0 / 1 / 89 / 27

HEX #BBB915

RGB 187 185 21

HSL 59.28, 0.8%, 0.41%

LAB 73.1, -15.78, 71.8

 

CMYK 89 / 0 / 73 / 26

HEX #14BC33

RGB 20 188 51

HSL 131.07, 0.81%, 0.41%

LAB 66.79, -65.17, 55.12

 

CMYK 89 / 88 / 0 / 26

HEX #1417BC

RGB 20 23 188

HSL 238.93, 0.81%, 0.41%

LAB 24.93, 57.02, -81.56

 

CMYK 0 / 89 / 16 / 26

HEX #BC149D

RGB 188 20 157

HSL 311.07, 0.81%, 0.41%

LAB 43.69, 71.7, -31.56

 

CMYK 0 / 1 / 89 / 27

HEX #BBB915

RGB 187 185 21

HSL 59.28, 0.8%, 0.41%

LAB 73.1, -15.78, 71.8

 

CMYK 89 / 0 / 46 / 26

HEX #14BC65

RGB 20 188 101

HSL 148.93, 0.81%, 0.41%

LAB 67.32, -58.69, 33.12

 

CMYK 89 / 88 / 0 / 26

HEX #1417BC

RGB 20 23 188

HSL 238.93, 0.81%, 0.41%

LAB 24.93, 57.02, -81.56

 

CMYK 0 / 89 / 43 / 26

HEX #BC146B

RGB 188 20 107

HSL 328.93, 0.81%, 0.41%

LAB 41.62, 66.11, -4.02

 

Description

Color code: RGB 187 185 21 | qconv.com Color code: RGB 187 185 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 185 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 185 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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