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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 170 143 it is the complementary color RGB 68 85 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 170 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 170 143: RGB 192 170 138, RGB 209 188 157, RGB 226 206 176, RGB 243 224 195 and RGB 255 242 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 170 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 170 143: RGB 187 170 143, RGB 170 152 124, RGB 153 134 105, RGB 136 116 86 and RGB 119 98 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

Complementary color

CMYK 39 / 24 / 0 / 56

HEX #445570

RGB 68 85 112

HSL 216.82, 0.24%, 0.35%

LAB 35.78, 0.89, -17.55

 

CMYK 0 / 11 / 28 / 25

HEX #C0AA8A

RGB 192 170 138

HSL 35.56, 0.3%, 0.65%

LAB 70.73, 3.05, 19.44

 

CMYK 0 / 10 / 25 / 18

HEX #D1BC9D

RGB 209 188 157

HSL 35.77, 0.36%, 0.72%

LAB 77.25, 2.64, 18.42

 

CMYK 0 / 9 / 22 / 11

HEX #E2CEB0

RGB 226 206 176

HSL 36, 0.46%, 0.79%

LAB 83.68, 2.29, 17.46

 

CMYK 0 / 8 / 20 / 5

HEX #F3E0C3

RGB 243 224 195

HSL 36.25, 0.67%, 0.86%

LAB 90, 1.97, 16.56

 

CMYK 0 / 5 / 16 / 0

HEX #FFF2D6

RGB 255 242 214

HSL 40.98, 1%, 0.92%

LAB 95.84, -0.1, 15.08

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 0 / 11 / 27 / 33

HEX #AA987C

RGB 170 152 124

HSL 36.52, 0.21%, 0.58%

LAB 63.72, 2.19, 17.18

 

CMYK 0 / 12 / 31 / 40

HEX #998669

RGB 153 134 105

HSL 36.25, 0.19%, 0.51%

LAB 56.92, 2.64, 18.28

 

CMYK 0 / 15 / 37 / 47

HEX #887456

RGB 136 116 86

HSL 36, 0.23%, 0.44%

LAB 49.97, 3.18, 19.48

 

CMYK 0 / 18 / 44 / 53

HEX #776243

RGB 119 98 67

HSL 35.77, 0.28%, 0.36%

LAB 42.86, 3.84, 20.8

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 0 / 5 / 23 / 27

HEX #BBB190

RGB 187 177 144

HSL 46.05, 0.24%, 0.65%

LAB 72.24, -1.8, 18.2

 

CMYK 0 / 2 / 23 / 27

HEX #BBB890

RGB 187 184 144

HSL 55.81, 0.24%, 0.65%

LAB 74.1, -5.51, 20.76

 

CMYK 3 / 0 / 23 / 27

HEX #B6BB90

RGB 182 187 144

HSL 66.98, 0.24%, 0.65%

LAB 74.51, -8.99, 21.25

 

CMYK 6 / 0 / 23 / 27

HEX #AFBB90

RGB 175 187 144

HSL 76.74, 0.24%, 0.65%

LAB 73.98, -11.63, 20.44

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 0 / 9 / 24 / 7

HEX #EED8B6

RGB 238 216 182

HSL 36.43, 0.62%, 0.82%

LAB 87.32, 2.4, 19.54

 

CMYK 0 / 9 / 24 / 87

HEX #221F1A

RGB 34 31 26

HSL 37.5, 0.13%, 0.12%

LAB 11.92, 0.32, 3.93

 

CMYK 0 / 9 / 24 / 67

HEX #554D41

RGB 85 77 65

HSL 36, 0.13%, 0.29%

LAB 33.18, 1.08, 8.33

 

CMYK 0 / 9 / 24 / 47

HEX #887C68

RGB 136 124 104

HSL 37.5, 0.13%, 0.47%

LAB 52.56, 1.17, 12.59

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 19 / 0 / 23 / 27

HEX #98BB90

RGB 152 187 144

HSL 108.84, 0.24%, 0.65%

LAB 72.38, -20.02, 17.99

 

CMYK 19 / 23 / 0 / 27

HEX #9890BB

RGB 152 144 187

HSL 251.16, 0.24%, 0.65%

LAB 61.83, 11.95, -21.29

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 23 / 0 / 9 / 27

HEX #90BBAA

RGB 144 187 170

HSL 156.28, 0.24%, 0.65%

LAB 72.48, -17.84, 3.94

 

CMYK 9 / 23 / 0 / 27

HEX #AA90BB

RGB 170 144 187

HSL 276.28, 0.24%, 0.65%

LAB 63.41, 17.87, -18.75

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 19 / 0 / 23 / 27

HEX #98BB90

RGB 152 187 144

HSL 108.84, 0.24%, 0.65%

LAB 72.38, -20.02, 17.99

 

CMYK 23 / 14 / 0 / 27

HEX #90A1BB

RGB 144 161 187

HSL 216.28, 0.24%, 0.65%

LAB 65.75, -0.2, -15.4

 

CMYK 5 / 23 / 0 / 27

HEX #B290BB

RGB 178 144 187

HSL 287.44, 0.24%, 0.65%

LAB 64.16, 20.56, -17.54

 

CMYK 0 / 9 / 24 / 27

HEX #BBAA8F

RGB 187 170 143

HSL 36.82, 0.24%, 0.65%

LAB 70.38, 1.81, 16.16

 

CMYK 23 / 0 / 21 / 27

HEX #90BB94

RGB 144 187 148

HSL 125.58, 0.24%, 0.65%

LAB 71.97, -22.09, 15.17

 

CMYK 23 / 14 / 0 / 27

HEX #90A1BB

RGB 144 161 187

HSL 216.28, 0.24%, 0.65%

LAB 65.75, -0.2, -15.4

 

CMYK 0 / 23 / 3 / 27

HEX #BB90B6

RGB 187 144 182

HSL 306.98, 0.24%, 0.65%

LAB 64.87, 22.66, -13.56

 

Description

Color code: RGB 187 170 143 | qconv.com Color code: RGB 187 170 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 170 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 170 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 24 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 24% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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