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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 142 229 it is the complementary color RGB 68 113 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 142 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 142 229 shade: RGB 192 142 224, RGB 209 160 243, RGB 226 178 255, RGB 243 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 142 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 142 229 shade: RGB 187 142 229, RGB 170 124 210, RGB 153 106 191, RGB 136 88 172 and RGB 119 70 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 142 229 shade: RGB 188 143 230, RGB 211 143 230, RGB 230 143 225, RGB 230 143 201 and RGB 230 143 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 142 229 shade: RGB 188 143 230, RGB 164 143 230 and RGB 143 143 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 142 229 shade matches the following richer shades: RGB 188 143 230, RGB 188 132 241 and RGB 188 120 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 142 229 shade: RGB 188 143 230, RGB 187 154 218, RGB 187 165 207, RGB 186 176 196 and RGB 186 187 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 142 229 shade: RGB 143 144 230, RGB 164 143 230, RGB 188 143 230, RGB 211 143 230 and RGB 230 143 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 142 229 shade: RGB 147 76 214, RGB 167 109 222, RGB 188 143 230, RGB 208 176 237 and RGB 228 210 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 142 229 shade: RGB 187 142 229, RGB 230 143 167 and RGB 143 230 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 142 229 shade: RGB 187 142 229, RGB 230 188 143 and RGB 143 230 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 142 229 shade: RGB 187 142 229, RGB 230 143 167, RGB 185 230 143 and RGB 143 230 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 142 229 shade: RGB 187 142 229, RGB 230 144 143, RGB 185 230 143 and RGB 143 228 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 38 / 0 / 10

HEX #BB8EE5

RGB 187 142 229

HSL 271.03, 0.63%, 0.73%

LAB 66.19, 33.43, -37.75

 

Complementary color

CMYK 40 / 0 / 77 / 56

HEX #44711A

RGB 68 113 26

HSL 91.03, 0.63%, 0.27%

LAB 42.93, -30.65, 40.79

 

CMYK 14 / 37 / 0 / 12

HEX #C08EE0

RGB 192 142 224

HSL 276.59, 0.57%, 0.72%

LAB 66.47, 33.84, -34.51

 

CMYK 14 / 34 / 0 / 5

HEX #D1A0F3

RGB 209 160 243

HSL 275.42, 0.78%, 0.79%

LAB 73, 33.13, -34.67

 

CMYK 11 / 30 / 0 / 0

HEX #E2B2FF

RGB 226 178 255

HSL 277.4, 1%, 0.85%

LAB 79.17, 31.04, -31.49

 

CMYK 5 / 23 / 0 / 0

HEX #F3C4FF

RGB 243 196 255

HSL 287.8, 1%, 0.88%

LAB 84.87, 26.74, -22.64

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 18 / 38 / 0 / 10

HEX #BB8EE5

RGB 187 142 229

HSL 271.03, 0.63%, 0.73%

LAB 66.19, 33.43, -37.75

 

CMYK 19 / 41 / 0 / 18

HEX #AA7CD2

RGB 170 124 210

HSL 272.09, 0.49%, 0.65%

LAB 59.54, 34.21, -37.67

 

CMYK 20 / 45 / 0 / 25

HEX #996ABF

RGB 153 106 191

HSL 273.18, 0.4%, 0.58%

LAB 52.78, 35.03, -37.6

 

CMYK 21 / 49 / 0 / 33

HEX #8858AC

RGB 136 88 172

HSL 274.29, 0.34%, 0.51%

LAB 45.9, 35.91, -37.53

 

CMYK 22 / 54 / 0 / 40

HEX #774699

RGB 119 70 153

HSL 275.42, 0.37%, 0.44%

LAB 38.9, 36.8, -37.43

 

CMYK 18 / 38 / 0 / 10

HEX #BC8FE6

RGB 188 143 230

HSL 271.03, 0.64%, 0.73%

LAB 66.56, 33.4, -37.72

 

CMYK 8 / 38 / 0 / 10

HEX #D38FE6

RGB 211 143 230

HSL 286.9, 0.64%, 0.73%

LAB 68.9, 40.27, -33.9

 

CMYK 0 / 38 / 2 / 10

HEX #E68FE1

RGB 230 143 225

HSL 303.45, 0.64%, 0.73%

LAB 70.8, 45.12, -28.03

 

CMYK 0 / 38 / 13 / 10

HEX #E68FC9

RGB 230 143 201

HSL 320, 0.64%, 0.73%

LAB 69.95, 41.04, -16.06

 

CMYK 0 / 38 / 23 / 10

HEX #E68FB2

RGB 230 143 178

HSL 335.86, 0.64%, 0.73%

LAB 69.24, 37.52, -4.31

 

CMYK 18 / 38 / 0 / 10

HEX #BC8FE6

RGB 188 143 230

HSL 271.03, 0.64%, 0.73%

LAB 66.56, 33.4, -37.72

 

CMYK 29 / 38 / 0 / 10

HEX #A48FE6

RGB 164 143 230

HSL 254.48, 0.64%, 0.73%

LAB 64.36, 26.47, -41.31

 

CMYK 38 / 38 / 0 / 10

HEX #8F8FE6

RGB 143 143 230

HSL 240, 0.64%, 0.73%

LAB 62.67, 20.74, -44.08

 

CMYK 18 / 38 / 0 / 10

HEX #BC8FE6

RGB 188 143 230

HSL 271.03, 0.64%, 0.73%

LAB 66.56, 33.4, -37.72

 

CMYK 22 / 45 / 0 / 5

HEX #BC84F1

RGB 188 132 241

HSL 270.83, 0.8%, 0.73%

LAB 64.6, 41.9, -46.86

 

CMYK 25 / 52 / 0 / 1

HEX #BC78FC

RGB 188 120 252

HSL 270.91, 0.96%, 0.73%

LAB 62.64, 50.82, -56.02

 

CMYK 18 / 38 / 0 / 10

HEX #BC8FE6

RGB 188 143 230

HSL 271.03, 0.64%, 0.73%

LAB 66.56, 33.4, -37.72

 

CMYK 14 / 29 / 0 / 15

HEX #BB9ADA

RGB 187 154 218

HSL 270.94, 0.46%, 0.73%

LAB 68.56, 24.35, -28

 

CMYK 10 / 20 / 0 / 19

HEX #BBA5CF

RGB 187 165 207

HSL 271.43, 0.3%, 0.73%

LAB 70.86, 15.92, -18.43

 

CMYK 5 / 10 / 0 / 23

HEX #BAB0C4

RGB 186 176 196

HSL 270, 0.14%, 0.73%

LAB 73.2, 7.32, -8.88

 

CMYK 1 / 0 / 1 / 27

HEX #BABBB9

RGB 186 187 185

HSL 90, 0.01%, 0.73%

LAB 75.75, -0.72, 0.88

 

CMYK 38 / 37 / 0 / 10

HEX #8F90E6

RGB 143 144 230

HSL 239.31, 0.64%, 0.73%

LAB 62.93, 20.16, -43.69

 

CMYK 29 / 38 / 0 / 10

HEX #A48FE6

RGB 164 143 230

HSL 254.48, 0.64%, 0.73%

LAB 64.36, 26.47, -41.31

 

CMYK 18 / 38 / 0 / 10

HEX #BC8FE6

RGB 188 143 230

HSL 271.03, 0.64%, 0.73%

LAB 66.56, 33.4, -37.72

 

CMYK 8 / 38 / 0 / 10

HEX #D38FE6

RGB 211 143 230

HSL 286.9, 0.64%, 0.73%

LAB 68.9, 40.27, -33.9

 

CMYK 0 / 38 / 2 / 10

HEX #E68FE1

RGB 230 143 225

HSL 303.45, 0.64%, 0.73%

LAB 70.8, 45.12, -28.03

 

CMYK 31 / 64 / 0 / 16

HEX #934CD6

RGB 147 76 214

HSL 270.87, 0.63%, 0.57%

LAB 47.27, 54.97, -59.61

 

CMYK 25 / 51 / 0 / 13

HEX #A76DDE

RGB 167 109 222

HSL 270.8, 0.63%, 0.65%

LAB 56.51, 44.42, -49.22

 

CMYK 18 / 38 / 0 / 10

HEX #BC8FE6

RGB 188 143 230

HSL 271.03, 0.64%, 0.73%

LAB 66.56, 33.4, -37.72

 

CMYK 12 / 26 / 0 / 7

HEX #D0B0ED

RGB 208 176 237

HSL 271.48, 0.63%, 0.81%

LAB 76.42, 22.85, -26.16

 

CMYK 7 / 14 / 0 / 4

HEX #E4D2F5

RGB 228 210 245

HSL 270.86, 0.64%, 0.89%

LAB 86.59, 12.57, -14.87

 

CMYK 18 / 38 / 0 / 10

HEX #BB8EE5

RGB 187 142 229

HSL 271.03, 0.63%, 0.73%

LAB 66.19, 33.43, -37.75

 

CMYK 0 / 38 / 27 / 10

HEX #E68FA7

RGB 230 143 167

HSL 343.45, 0.64%, 0.73%

LAB 68.94, 35.98, 1.4

 

CMYK 38 / 0 / 33 / 10

HEX #8FE699

RGB 143 230 153

HSL 126.9, 0.64%, 0.73%

LAB 84.35, -41.75, 29.48

 

CMYK 18 / 38 / 0 / 10

HEX #BB8EE5

RGB 187 142 229

HSL 271.03, 0.63%, 0.73%

LAB 66.19, 33.43, -37.75

 

CMYK 0 / 18 / 38 / 10

HEX #E6BC8F

RGB 230 188 143

HSL 31.03, 0.64%, 0.73%

LAB 78.91, 9.01, 28.45

 

CMYK 38 / 0 / 18 / 10

HEX #8FE6BC

RGB 143 230 188

HSL 151.03, 0.64%, 0.73%

LAB 85.03, -35.37, 12.28

 

CMYK 18 / 38 / 0 / 10

HEX #BB8EE5

RGB 187 142 229

HSL 271.03, 0.63%, 0.73%

LAB 66.19, 33.43, -37.75

 

CMYK 0 / 38 / 27 / 10

HEX #E68FA7

RGB 230 143 167

HSL 343.45, 0.64%, 0.73%

LAB 68.94, 35.98, 1.4

 

CMYK 20 / 0 / 38 / 10

HEX #B9E68F

RGB 185 230 143

HSL 91.03, 0.64%, 0.73%

LAB 86.45, -29.37, 37.73

 

CMYK 38 / 0 / 11 / 10

HEX #8FE6CD

RGB 143 230 205

HSL 162.76, 0.64%, 0.73%

LAB 85.42, -31.82, 3.92

 

CMYK 18 / 38 / 0 / 10

HEX #BB8EE5

RGB 187 142 229

HSL 271.03, 0.63%, 0.73%

LAB 66.19, 33.43, -37.75

 

CMYK 0 / 37 / 38 / 10

HEX #E6908F

RGB 230 144 143

HSL 0.69, 0.64%, 0.73%

LAB 68.57, 32.43, 14.3

 

CMYK 20 / 0 / 38 / 10

HEX #B9E68F

RGB 185 230 143

HSL 91.03, 0.64%, 0.73%

LAB 86.45, -29.37, 37.73

 

CMYK 38 / 1 / 0 / 10

HEX #8FE4E6

RGB 143 228 230

HSL 181.38, 0.64%, 0.73%

LAB 85.52, -25.15, -9.11

 

Description

Color code: RGB 187 142 229 | qconv.com Color code: RGB 187 142 229 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 142 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 142 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 38 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 38% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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