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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 108 64 it is the complementary color RGB 68 147 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 108 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 108 64: RGB 192 108 59, RGB 209 126 78, RGB 226 144 97, RGB 243 162 116 and RGB 255 180 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 108 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 108 64: RGB 187 108 64, RGB 170 90 45, RGB 153 72 26, RGB 136 54 7 and RGB 119 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

Complementary color

CMYK 64 / 23 / 0 / 25

HEX #4493BF

RGB 68 147 191

HSL 201.46, 0.49%, 0.51%

LAB 57.9, -10.52, -30.02

 

CMYK 0 / 44 / 69 / 25

HEX #C06C3B

RGB 192 108 59

HSL 22.11, 0.53%, 0.49%

LAB 54.29, 29.29, 41.21

 

CMYK 0 / 40 / 63 / 18

HEX #D17E4E

RGB 209 126 78

HSL 21.98, 0.59%, 0.56%

LAB 60.81, 27.77, 39.39

 

CMYK 0 / 36 / 57 / 11

HEX #E29061

RGB 226 144 97

HSL 21.86, 0.69%, 0.63%

LAB 67.26, 26.42, 37.67

 

CMYK 0 / 33 / 52 / 5

HEX #F3A274

RGB 243 162 116

HSL 21.73, 0.84%, 0.7%

LAB 73.65, 25.22, 36.08

 

CMYK 0 / 29 / 47 / 0

HEX #FFB487

RGB 255 180 135

HSL 22.5, 1%, 0.76%

LAB 79.42, 22.21, 33.79

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 0 / 47 / 74 / 33

HEX #AA5A2D

RGB 170 90 45

HSL 21.6, 0.58%, 0.42%

LAB 47.04, 29.15, 39.59

 

CMYK 0 / 53 / 83 / 40

HEX #99481A

RGB 153 72 26

HSL 21.73, 0.71%, 0.35%

LAB 40.38, 30.98, 41.37

 

CMYK 0 / 60 / 95 / 47

HEX #883607

RGB 136 54 7

HSL 21.86, 0.9%, 0.28%

LAB 33.75, 32.94, 42.32

 

CMYK 0 / 70 / 100 / 53

HEX #772400

RGB 119 36 0

HSL 18.15, 1%, 0.23%

LAB 27.25, 34.85, 38.89

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 0 / 32 / 66 / 27

HEX #BA7E3F

RGB 186 126 63

HSL 30.73, 0.49%, 0.49%

LAB 57.77, 17.11, 42.87

 

CMYK 0 / 21 / 66 / 27

HEX #BA933F

RGB 186 147 63

HSL 40.98, 0.49%, 0.49%

LAB 63.07, 5.51, 48.72

 

CMYK 0 / 10 / 66 / 27

HEX #BAA73F

RGB 186 167 63

HSL 50.73, 0.49%, 0.49%

LAB 68.34, -5.27, 54.35

 

CMYK 1 / 0 / 66 / 27

HEX #B8BA3F

RGB 184 186 63

HSL 60.98, 0.49%, 0.49%

LAB 73.33, -15.98, 59.47

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 0 / 42 / 66 / 7

HEX #EE8951

RGB 238 137 81

HSL 21.4, 0.82%, 0.63%

LAB 67.02, 33.82, 46.06

 

CMYK 0 / 41 / 65 / 87

HEX #22140C

RGB 34 20 12

HSL 21.82, 0.48%, 0.09%

LAB 7.83, 5.97, 6.87

 

CMYK 0 / 42 / 66 / 67

HEX #55311D

RGB 85 49 29

HSL 21.43, 0.49%, 0.22%

LAB 24.38, 14.14, 19.53

 

CMYK 0 / 42 / 65 / 47

HEX #884F2F

RGB 136 79 47

HSL 21.57, 0.49%, 0.36%

LAB 39.63, 20.84, 28.83

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 37 / 0 / 66 / 27

HEX #76BA3F

RGB 118 186 63

HSL 93.17, 0.49%, 0.49%

LAB 68.99, -42.06, 53.59

 

CMYK 66 / 63 / 0 / 27

HEX #3F45BA

RGB 63 69 186

HSL 237.07, 0.49%, 0.49%

LAB 35.71, 35, -62.51

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 66 / 0 / 43 / 27

HEX #3FBA6A

RGB 63 186 106

HSL 140.98, 0.49%, 0.49%

LAB 67.44, -51.68, 30.84

 

CMYK 43 / 66 / 0 / 27

HEX #6A3FBA

RGB 106 63 186

HSL 260.98, 0.49%, 0.49%

LAB 38.14, 46.05, -58.39

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 37 / 0 / 66 / 27

HEX #76BA3F

RGB 118 186 63

HSL 93.17, 0.49%, 0.49%

LAB 68.99, -42.06, 53.59

 

CMYK 66 / 23 / 0 / 27

HEX #3F8FBA

RGB 63 143 186

HSL 200.98, 0.49%, 0.49%

LAB 56.33, -10.79, -29.63

 

CMYK 30 / 66 / 0 / 27

HEX #833FBA

RGB 131 63 186

HSL 273.17, 0.49%, 0.49%

LAB 41.1, 51.29, -53.46

 

CMYK 0 / 42 / 66 / 27

HEX #BB6C40

RGB 187 108 64

HSL 21.46, 0.49%, 0.49%

LAB 53.66, 27.52, 37.69

 

CMYK 56 / 0 / 66 / 27

HEX #52BA3F

RGB 82 186 63

HSL 110.73, 0.49%, 0.49%

LAB 67.48, -53.13, 51.52

 

CMYK 66 / 23 / 0 / 27

HEX #3F8FBA

RGB 63 143 186

HSL 200.98, 0.49%, 0.49%

LAB 56.33, -10.79, -29.63

 

CMYK 10 / 66 / 0 / 27

HEX #A73FBA

RGB 167 63 186

HSL 290.73, 0.49%, 0.49%

LAB 46.06, 59.44, -45.22

 

Description

Color code: RGB 187 108 64 | qconv.com Color code: RGB 187 108 64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 108 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 108 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 66 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 66% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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