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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187.1 219 207 it is the complementary color RGB 67.9 36 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187.1 219 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187.1 219 207 shade: RGB 192.1 219 202, RGB 209.1 237 221, RGB 226.1 255 240 and RGB 243.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187.1 219 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187.1 219 207 shade: RGB 187.1 219 207, RGB 170.1 201 188, RGB 153.1 183 169, RGB 136.1 165 150 and RGB 119.1 147 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187.1 219 207 shade: RGB 188 219 207, RGB 188 219 199, RGB 188 219 190, RGB 194 219 188 and RGB 202 219 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187.1 219 207 shade: RGB 188 219 207, RGB 188 219 216, RGB 188 214 219, RGB 188 206 219 and RGB 188 197 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187.1 219 207 shade matches the following richer shades: RGB 188 219 207, RGB 179 228 209, RGB 171 236 212, RGB 163 244 214 and RGB 155 252 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187.1 219 207 shade: RGB 188 219 207, RGB 196 211 205, RGB 204 203 203, RGB 212 195 201 and RGB 221 186 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187.1 219 207 shade: RGB 188 219 190, RGB 188 219 199, RGB 188 219 207, RGB 188 219 216 and RGB 188 215 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187.1 219 207 shade: RGB 134 191 169, RGB 161 205 188, RGB 188 219 207, RGB 215 234 226 and RGB 242 248 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187.1 219 207 shade: RGB 187.1 219 207, RGB 188 193 219 and RGB 219 195 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187.1 219 207 shade: RGB 187.1 219 207, RGB 207 188 219 and RGB 219 207 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187.1 219 207 shade: RGB 187.1 219 207, RGB 188 193 219, RGB 219 188 200 and RGB 219 214 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187.1 219 207 shade: RGB 187.1 219 207, RGB 191 188 219, RGB 219 188 200 and RGB 216 219 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 5 / 14

HEX #BBDBCF

RGB 187.1 219 207

HSL 157.43, 0.31%, 0.8%

LAB 84.87, -12.85, 2.36

 

Complementary color

CMYK 0 / 47 / 29 / 73

HEX #432430

RGB 67.9 36 48

HSL 337.43, 0.31%, 0.2%

LAB 18.8, 16.99, -1.27

 

CMYK 12 / 0 / 8 / 14

HEX #C0DBCA

RGB 192.1 219 202

HSL 142.08, 0.27%, 0.81%

LAB 85.07, -12.15, 5.34

 

CMYK 12 / 0 / 7 / 7

HEX #D1EDDD

RGB 209.1 237 221

HSL 145.59, 0.44%, 0.87%

LAB 91.4, -12.12, 4.66

 

CMYK 11 / 0 / 6 / 0

HEX #E2FFF0

RGB 226.1 255 240

HSL 148.86, 1%, 0.94%

LAB 97.63, -12.1, 3.99

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243.1 255 255

HSL 180, 1%, 0.98%

LAB 99.15, -3.88, -1.36

 

CMYK 15 / 0 / 5 / 14

HEX #BBDBCF

RGB 187.1 219 207

HSL 157.43, 0.31%, 0.8%

LAB 84.87, -12.85, 2.36

 

CMYK 15 / 0 / 6 / 21

HEX #AAC9BC

RGB 170.1 201 188

HSL 154.76, 0.22%, 0.73%

LAB 78.44, -12.91, 3.03

 

CMYK 16 / 0 / 8 / 28

HEX #99B7A9

RGB 153.1 183 169

HSL 151.91, 0.17%, 0.66%

LAB 71.9, -12.98, 3.72

 

CMYK 18 / 0 / 9 / 35

HEX #88A596

RGB 136.1 165 150

HSL 148.86, 0.14%, 0.59%

LAB 65.24, -13.08, 4.45

 

CMYK 19 / 0 / 11 / 42

HEX #779383

RGB 119.1 147 131

HSL 145.59, 0.11%, 0.52%

LAB 58.45, -13.2, 5.23

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 14 / 0 / 9 / 14

HEX #BCDBC7

RGB 188 219 199

HSL 141.29, 0.3%, 0.8%

LAB 84.73, -14.07, 6.4

 

CMYK 14 / 0 / 13 / 14

HEX #BCDBBE

RGB 188 219 190

HSL 123.87, 0.3%, 0.8%

LAB 84.52, -15.7, 10.85

 

CMYK 11 / 0 / 14 / 14

HEX #C2DBBC

RGB 194 219 188

HSL 108.39, 0.3%, 0.8%

LAB 84.88, -14.01, 12.47

 

CMYK 8 / 0 / 14 / 14

HEX #CADBBC

RGB 202 219 188

HSL 92.9, 0.3%, 0.8%

LAB 85.43, -11.23, 13.33

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 14 / 0 / 1 / 14

HEX #BCDBD8

RGB 188 219 216

HSL 174.19, 0.3%, 0.8%

LAB 85.16, -10.79, -1.98

 

CMYK 14 / 2 / 0 / 14

HEX #BCD6DB

RGB 188 214 219

HSL 189.68, 0.3%, 0.8%

LAB 83.91, -7.61, -5.39

 

CMYK 14 / 6 / 0 / 14

HEX #BCCEDB

RGB 188 206 219

HSL 205.16, 0.3%, 0.8%

LAB 81.81, -3.44, -8.51

 

CMYK 14 / 10 / 0 / 14

HEX #BCC5DB

RGB 188 197 219

HSL 222.58, 0.3%, 0.8%

LAB 79.46, 1.33, -12

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 21 / 0 / 8 / 11

HEX #B3E4D1

RGB 179 228 209

HSL 156.73, 0.48%, 0.8%

LAB 86.84, -19.55, 4.1

 

CMYK 28 / 0 / 10 / 7

HEX #ABECD4

RGB 171 236 212

HSL 157.85, 0.63%, 0.8%

LAB 88.64, -25.3, 5.08

 

CMYK 33 / 0 / 12 / 4

HEX #A3F4D6

RGB 163 244 214

HSL 157.78, 0.79%, 0.8%

LAB 90.48, -31.02, 6.64

 

CMYK 38 / 0 / 14 / 1

HEX #9BFCD8

RGB 155 252 216

HSL 157.73, 0.94%, 0.8%

LAB 92.37, -36.5, 8.28

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 7 / 0 / 3 / 17

HEX #C4D3CD

RGB 196 211 205

HSL 156, 0.15%, 0.8%

LAB 83.3, -6.18, 1.22

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCB

RGB 204 203 203

HSL 0, 0.01%, 0.8%

LAB 81.76, 0.35, 0.11

 

CMYK 0 / 8 / 5 / 17

HEX #D4C3C9

RGB 212 195 201

HSL 338.82, 0.17%, 0.8%

LAB 80.32, 7, -0.85

 

CMYK 0 / 16 / 10 / 13

HEX #DDBAC7

RGB 221 186 199

HSL 337.71, 0.34%, 0.8%

LAB 78.82, 14.63, -1.87

 

CMYK 14 / 0 / 13 / 14

HEX #BCDBBE

RGB 188 219 190

HSL 123.87, 0.3%, 0.8%

LAB 84.52, -15.7, 10.85

 

CMYK 14 / 0 / 9 / 14

HEX #BCDBC7

RGB 188 219 199

HSL 141.29, 0.3%, 0.8%

LAB 84.73, -14.07, 6.4

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 14 / 0 / 1 / 14

HEX #BCDBD8

RGB 188 219 216

HSL 174.19, 0.3%, 0.8%

LAB 85.16, -10.79, -1.98

 

CMYK 14 / 2 / 0 / 14

HEX #BCD7DB

RGB 188 215 219

HSL 187.74, 0.3%, 0.8%

LAB 84.18, -8.12, -5

 

CMYK 30 / 0 / 12 / 25

HEX #86BFA9

RGB 134 191 169

HSL 156.84, 0.31%, 0.64%

LAB 73.02, -23.21, 5.19

 

CMYK 21 / 0 / 8 / 20

HEX #A1CDBC

RGB 161 205 188

HSL 156.82, 0.31%, 0.72%

LAB 78.97, -17.9, 3.72

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 8 / 0 / 3 / 8

HEX #D7EAE2

RGB 215 234 226

HSL 154.74, 0.31%, 0.88%

LAB 91.14, -7.75, 1.72

 

CMYK 2 / 0 / 1 / 3

HEX #F2F8F6

RGB 242 248 246

HSL 160, 0.3%, 0.96%

LAB 97.09, -2.33, 0.26

 

CMYK 15 / 0 / 5 / 14

HEX #BBDBCF

RGB 187.1 219 207

HSL 157.43, 0.31%, 0.8%

LAB 84.87, -12.85, 2.36

 

CMYK 14 / 12 / 0 / 14

HEX #BCC1DB

RGB 188 193 219

HSL 230.32, 0.3%, 0.8%

LAB 78.43, 3.47, -13.55

 

CMYK 0 / 11 / 14 / 14

HEX #DBC3BC

RGB 219 195 188

HSL 13.55, 0.3%, 0.8%

LAB 80.58, 7.32, 6.6

 

CMYK 15 / 0 / 5 / 14

HEX #BBDBCF

RGB 187.1 219 207

HSL 157.43, 0.31%, 0.8%

LAB 84.87, -12.85, 2.36

 

CMYK 5 / 14 / 0 / 14

HEX #CFBCDB

RGB 207 188 219

HSL 276.77, 0.3%, 0.8%

LAB 78.66, 12.38, -13.05

 

CMYK 0 / 5 / 14 / 14

HEX #DBCFBC

RGB 219 207 188

HSL 36.77, 0.3%, 0.8%

LAB 83.61, 1, 10.92

 

CMYK 15 / 0 / 5 / 14

HEX #BBDBCF

RGB 187.1 219 207

HSL 157.43, 0.31%, 0.8%

LAB 84.87, -12.85, 2.36

 

CMYK 14 / 12 / 0 / 14

HEX #BCC1DB

RGB 188 193 219

HSL 230.32, 0.3%, 0.8%

LAB 78.43, 3.47, -13.55

 

CMYK 0 / 14 / 9 / 14

HEX #DBBCC8

RGB 219 188 200

HSL 336.77, 0.3%, 0.8%

LAB 79.15, 13.03, -1.94

 

CMYK 0 / 2 / 14 / 14

HEX #DBD6BC

RGB 219 214 188

HSL 50.32, 0.3%, 0.8%

LAB 85.39, -2.63, 13.46

 

CMYK 15 / 0 / 5 / 14

HEX #BBDBCF

RGB 187.1 219 207

HSL 157.43, 0.31%, 0.8%

LAB 84.87, -12.85, 2.36

 

CMYK 13 / 14 / 0 / 14

HEX #BFBCDB

RGB 191 188 219

HSL 245.81, 0.3%, 0.8%

LAB 77.37, 7.13, -15.11

 

CMYK 0 / 14 / 9 / 14

HEX #DBBCC8

RGB 219 188 200

HSL 336.77, 0.3%, 0.8%

LAB 79.15, 13.03, -1.94

 

CMYK 1 / 0 / 14 / 14

HEX #D8DBBC

RGB 216 219 188

HSL 65.81, 0.3%, 0.8%

LAB 86.45, -6.28, 14.92

 

Description

Color code: RGB 187.1 219 207 | qconv.com Color code: RGB 187.1 219 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187.1 red, 219 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187.1 219 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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