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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187.14 54 47 it is the complementary color RGB 67.86 201 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187.14 54 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187.14 54 47 shade: RGB 192.14 54 42, RGB 209.14 72 61, RGB 226.14 90 80, RGB 243.14 108 99 and RGB 255 126 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187.14 54 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187.14 54 47 shade: RGB 187.14 54 47, RGB 170.14 36 28, RGB 153.14 18 9, RGB 136.14 0 0 and RGB 119.14 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187.14 54 47 shade: RGB 188 54 47 and RGB 188 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187.14 54 47 shade: RGB 188 54 47, RGB 188 92 47, RGB 188 130 47, RGB 188 168 47 and RGB 170 188 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187.14 54 47 shade matches the following richer shades: RGB 188 54 47, RGB 207 37 28 and RGB 226 20 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187.14 54 47 shade: RGB 188 54 47, RGB 169 71 66, RGB 150 88 85, RGB 131 105 104 and RGB 112 122 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187.14 54 47 shade: RGB 188 47 115, RGB 188 47 77, RGB 188 54 47, RGB 188 91 47 and RGB 188 129 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187.14 54 47 shade: RGB 122 35 30, RGB 155 44 39, RGB 188 54 47, RGB 208 75 68 and RGB 216 106 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187.14 54 47 shade: RGB 187.14 54 47, RGB 152 188 47 and RGB 47 96 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187.14 54 47 shade: RGB 187.14 54 47, RGB 47 188 54 and RGB 54 47 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187.14 54 47 shade: RGB 187.14 54 47, RGB 152 188 47, RGB 47 181 188 and RGB 82 47 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187.14 54 47 shade: RGB 187.14 54 47, RGB 110 188 47, RGB 47 181 188 and RGB 124 47 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 75 / 27

HEX #BB362F

RGB 187.14 54 47

HSL 3, 0.6%, 0.46%

LAB 43.4, 52.63, 35.36

 

Complementary color

CMYK 67 / 3 / 0 / 18

HEX #43C9D0

RGB 67.86 201 208

HSL 183, 0.6%, 0.54%

LAB 74.54, -33.09, -14.03

 

CMYK 0 / 72 / 78 / 25

HEX #C0362A

RGB 192.14 54 42

HSL 4.8, 0.64%, 0.46%

LAB 44.28, 54.06, 39.38

 

CMYK 0 / 66 / 71 / 18

HEX #D1483D

RGB 209.14 72 61

HSL 4.46, 0.62%, 0.53%

LAB 50.15, 53.36, 36.13

 

CMYK 0 / 60 / 65 / 11

HEX #E25A50

RGB 226.14 90 80

HSL 4.11, 0.72%, 0.6%

LAB 56.17, 52.39, 33.26

 

CMYK 0 / 56 / 59 / 5

HEX #F36C63

RGB 243.14 108 99

HSL 3.75, 0.86%, 0.67%

LAB 62.26, 51.29, 30.77

 

CMYK 0 / 51 / 54 / 0

HEX #FF7E76

RGB 255 126 118

HSL 3.5, 1%, 0.73%

LAB 67.64, 48.33, 27.5

 

CMYK 0 / 71 / 75 / 27

HEX #BB362F

RGB 187.14 54 47

HSL 3, 0.6%, 0.46%

LAB 43.4, 52.63, 35.36

 

CMYK 0 / 79 / 84 / 33

HEX #AA241C

RGB 170.14 36 28

HSL 3.38, 0.72%, 0.39%

LAB 37.68, 52.81, 38.98

 

CMYK 0 / 88 / 94 / 40

HEX #991209

RGB 153.14 18 9

HSL 3.75, 0.89%, 0.32%

LAB 32.34, 52.04, 42.21

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136.14 0 0

HSL 0, 1%, 0.27%

LAB 27.42, 50.25, 40.47

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119.14 0 0

HSL 0, 1%, 0.23%

LAB 23.44, 45.64, 35.32

 

CMYK 0 / 71 / 75 / 26

HEX #BC362F

RGB 188 54 47

HSL 2.98, 0.6%, 0.46%

LAB 43.56, 52.91, 35.59

 

CMYK 0 / 75 / 75 / 26

HEX #BC2F2F

RGB 188 47 47

HSL 0, 0.6%, 0.46%

LAB 42.66, 55.41, 34.58

 

CMYK 0 / 71 / 75 / 26

HEX #BC362F

RGB 188 54 47

HSL 2.98, 0.6%, 0.46%

LAB 43.56, 52.91, 35.59

 

CMYK 0 / 51 / 75 / 26

HEX #BC5C2F

RGB 188 92 47

HSL 19.15, 0.6%, 0.46%

LAB 50.16, 35.54, 42.69

 

CMYK 0 / 31 / 75 / 26

HEX #BC822F

RGB 188 130 47

HSL 35.32, 0.6%, 0.46%

LAB 58.85, 14.9, 51.55

 

CMYK 0 / 11 / 75 / 26

HEX #BCA82F

RGB 188 168 47

HSL 51.49, 0.6%, 0.46%

LAB 68.68, -5.75, 61.06

 

CMYK 10 / 0 / 75 / 26

HEX #AABC2F

RGB 170 188 47

HSL 67.66, 0.6%, 0.46%

LAB 72.71, -23.72, 64.32

 

CMYK 0 / 71 / 75 / 26

HEX #BC362F

RGB 188 54 47

HSL 2.98, 0.6%, 0.46%

LAB 43.56, 52.91, 35.59

 

CMYK 0 / 82 / 86 / 19

HEX #CF251C

RGB 207 37 28

HSL 3.02, 0.76%, 0.46%

LAB 45.18, 63.35, 48.43

 

CMYK 0 / 91 / 96 / 11

HEX #E21409

RGB 226 20 9

HSL 3.04, 0.92%, 0.46%

LAB 47.87, 71.33, 59.06

 

CMYK 0 / 71 / 75 / 26

HEX #BC362F

RGB 188 54 47

HSL 2.98, 0.6%, 0.46%

LAB 43.56, 52.91, 35.59

 

CMYK 0 / 58 / 61 / 34

HEX #A94742

RGB 169 71 66

HSL 2.91, 0.44%, 0.46%

LAB 43.26, 39.95, 23.24

 

CMYK 0 / 41 / 43 / 41

HEX #965855

RGB 150 88 85

HSL 2.77, 0.28%, 0.46%

LAB 44.4, 25.21, 12.76

 

CMYK 0 / 20 / 21 / 49

HEX #836968

RGB 131 105 104

HSL 2.22, 0.11%, 0.46%

LAB 46.88, 10.18, 4.48

 

CMYK 9 / 1 / 0 / 52

HEX #707A7B

RGB 112 122 123

HSL 185.45, 0.05%, 0.46%

LAB 50.45, -3.5, -1.83

 

CMYK 0 / 75 / 39 / 26

HEX #BC2F73

RGB 188 47 115

HSL 331.06, 0.6%, 0.46%

LAB 44.18, 60.33, -5.2

 

CMYK 0 / 75 / 59 / 26

HEX #BC2F4D

RGB 188 47 77

HSL 347.23, 0.6%, 0.46%

LAB 43.15, 57.04, 16.97

 

CMYK 0 / 71 / 75 / 26

HEX #BC362F

RGB 188 54 47

HSL 2.98, 0.6%, 0.46%

LAB 43.56, 52.91, 35.59

 

CMYK 0 / 52 / 75 / 26

HEX #BC5B2F

RGB 188 91 47

HSL 18.72, 0.6%, 0.46%

LAB 49.95, 36.05, 42.48

 

CMYK 0 / 31 / 75 / 26

HEX #BC812F

RGB 188 129 47

HSL 34.89, 0.6%, 0.46%

LAB 58.6, 15.45, 51.31

 

CMYK 0 / 71 / 75 / 52

HEX #7A231E

RGB 122 35 30

HSL 3.26, 0.61%, 0.3%

LAB 27.94, 37.34, 24.71

 

CMYK 0 / 72 / 75 / 39

HEX #9B2C27

RGB 155 44 39

HSL 2.59, 0.6%, 0.38%

LAB 35.82, 45.53, 29.89

 

CMYK 0 / 71 / 75 / 26

HEX #BC362F

RGB 188 54 47

HSL 2.98, 0.6%, 0.46%

LAB 43.56, 52.91, 35.59

 

CMYK 0 / 64 / 67 / 18

HEX #D04B44

RGB 208 75 68

HSL 3, 0.6%, 0.54%

LAB 50.52, 52.07, 32.53

 

CMYK 0 / 51 / 53 / 15

HEX #D86A65

RGB 216 106 101

HSL 2.61, 0.6%, 0.62%

LAB 57.89, 42.67, 23.17

 

CMYK 0 / 71 / 75 / 27

HEX #BB362F

RGB 187.14 54 47

HSL 3, 0.6%, 0.46%

LAB 43.4, 52.63, 35.36

 

CMYK 19 / 0 / 75 / 26

HEX #98BC2F

RGB 152 188 47

HSL 75.32, 0.6%, 0.46%

LAB 71.45, -31.13, 62.69

 

CMYK 75 / 49 / 0 / 26

HEX #2F60BC

RGB 47 96 188

HSL 219.15, 0.6%, 0.46%

LAB 42.16, 16.08, -53.25

 

CMYK 0 / 71 / 75 / 27

HEX #BB362F

RGB 187.14 54 47

HSL 3, 0.6%, 0.46%

LAB 43.4, 52.63, 35.36

 

CMYK 75 / 0 / 71 / 26

HEX #2FBC36

RGB 47 188 54

HSL 122.98, 0.6%, 0.46%

LAB 67.15, -61.92, 54.49

 

CMYK 71 / 75 / 0 / 26

HEX #362FBC

RGB 54 47 188

HSL 242.98, 0.6%, 0.46%

LAB 30.52, 47.62, -72.24

 

CMYK 0 / 71 / 75 / 27

HEX #BB362F

RGB 187.14 54 47

HSL 3, 0.6%, 0.46%

LAB 43.4, 52.63, 35.36

 

CMYK 19 / 0 / 75 / 26

HEX #98BC2F

RGB 152 188 47

HSL 75.32, 0.6%, 0.46%

LAB 71.45, -31.13, 62.69

 

CMYK 75 / 4 / 0 / 26

HEX #2FB5BC

RGB 47 181 188

HSL 182.98, 0.6%, 0.46%

LAB 67.49, -32.1, -13.74

 

CMYK 56 / 75 / 0 / 26

HEX #522FBC

RGB 82 47 188

HSL 254.89, 0.6%, 0.46%

LAB 32.83, 50.89, -68.35

 

CMYK 0 / 71 / 75 / 27

HEX #BB362F

RGB 187.14 54 47

HSL 3, 0.6%, 0.46%

LAB 43.4, 52.63, 35.36

 

CMYK 41 / 0 / 75 / 26

HEX #6EBC2F

RGB 110 188 47

HSL 93.19, 0.6%, 0.46%

LAB 69.1, -46.77, 59.62

 

CMYK 75 / 4 / 0 / 26

HEX #2FB5BC

RGB 47 181 188

HSL 182.98, 0.6%, 0.46%

LAB 67.49, -32.1, -13.74

 

CMYK 34 / 75 / 0 / 26

HEX #7C2FBC

RGB 124 47 188

HSL 272.77, 0.6%, 0.46%

LAB 37.75, 57.59, -60.1

 

Description

Color code: RGB 187.14 54 47 | qconv.com Color code: RGB 187.14 54 47 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187.14 red, 54 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187.14 54 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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