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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 82 227 it is the complementary color RGB 69 173 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 82 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 82 227: RGB 191 82 222, RGB 208 100 241, RGB 225 118 255, RGB 242 136 255 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 82 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 82 227: RGB 186 82 227, RGB 169 64 208, RGB 152 46 189, RGB 135 28 170 and RGB 118 10 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

Complementary color

CMYK 60 / 0 / 84 / 32

HEX #45AD1C

RGB 69 173 28

HSL 103.03, 0.72%, 0.39%

LAB 62.71, -54.22, 58.76

 

CMYK 14 / 63 / 0 / 13

HEX #BF52DE

RGB 191 82 222

HSL 286.71, 0.68%, 0.6%

LAB 54.43, 63.74, -52.35

 

CMYK 14 / 59 / 0 / 5

HEX #D064F1

RGB 208 100 241

HSL 285.96, 0.83%, 0.67%

LAB 60.67, 63.35, -52.93

 

CMYK 12 / 54 / 0 / 0

HEX #E176FF

RGB 225 118 255

HSL 286.86, 1%, 0.73%

LAB 66.66, 61.82, -51.02

 

CMYK 5 / 47 / 0 / 0

HEX #F288FF

RGB 242 136 255

HSL 293.45, 1%, 0.77%

LAB 72.03, 57.59, -42.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 19 / 69 / 0 / 18

HEX #A940D0

RGB 169 64 208

HSL 283.75, 0.61%, 0.53%

LAB 47.82, 63.74, -55.13

 

CMYK 20 / 76 / 0 / 26

HEX #982EBD

RGB 152 46 189

HSL 284.48, 0.61%, 0.46%

LAB 41.69, 63.4, -54.1

 

CMYK 21 / 84 / 0 / 33

HEX #871CAA

RGB 135 28 170

HSL 285.21, 0.72%, 0.39%

LAB 35.76, 62.23, -52.57

 

CMYK 22 / 93 / 0 / 41

HEX #760A97

RGB 118 10 151

HSL 285.96, 0.88%, 0.32%

LAB 30.16, 59.72, -50.26

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 7 / 63 / 0 / 11

HEX #D253E3

RGB 210 83 227

HSL 292.92, 0.72%, 0.61%

LAB 57.5, 68.63, -50.14

 

CMYK 0 / 63 / 4 / 11

HEX #E353DB

RGB 227 83 219

HSL 303.33, 0.72%, 0.61%

LAB 59.55, 71.28, -42.22

 

CMYK 0 / 63 / 14 / 11

HEX #E353C4

RGB 227 83 196

HSL 312.92, 0.72%, 0.61%

LAB 58.51, 67.76, -30.8

 

CMYK 0 / 63 / 24 / 11

HEX #E353AC

RGB 227 83 172

HSL 322.92, 0.72%, 0.61%

LAB 57.56, 64.45, -18.45

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 17 / 65 / 0 / 91

HEX #130817

RGB 19 8 23

HSL 284, 0.48%, 0.06%

LAB 3.38, 6.33, -6.42

 

CMYK 18 / 64 / 0 / 71

HEX #3D1B4A

RGB 61 27 74

HSL 283.4, 0.47%, 0.2%

LAB 16.85, 25.59, -22.44

 

CMYK 18 / 64 / 0 / 51

HEX #662D7D

RGB 102 45 125

HSL 282.75, 0.47%, 0.33%

LAB 29.87, 39.27, -34.72

 

CMYK 18 / 64 / 0 / 31

HEX #9040B0

RGB 144 64 176

HSL 282.86, 0.47%, 0.47%

LAB 42.35, 51.56, -45.46

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 0 / 63 / 58 / 11

HEX #E3535F

RGB 227 83 95

HSL 355, 0.72%, 0.61%

LAB 55.42, 56.68, 23.69

 

CMYK 63 / 0 / 43 / 11

HEX #53E381

RGB 83 227 129

HSL 139.17, 0.72%, 0.61%

LAB 80.94, -59.47, 36.72

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 0 / 18 / 63 / 11

HEX #E3BA53

RGB 227 186 83

HSL 42.92, 0.72%, 0.61%

LAB 77.32, 3.5, 56.35

 

CMYK 63 / 0 / 18 / 11

HEX #53E3BA

RGB 83 227 186

HSL 162.92, 0.72%, 0.61%

LAB 82.01, -48.09, 8.75

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 0 / 63 / 58 / 11

HEX #E3535F

RGB 227 83 95

HSL 355, 0.72%, 0.61%

LAB 55.42, 56.68, 23.69

 

CMYK 45 / 0 / 63 / 11

HEX #7CE353

RGB 124 227 83

HSL 102.92, 0.72%, 0.61%

LAB 81.76, -55.15, 59.25

 

CMYK 63 / 0 / 5 / 11

HEX #53E3D7

RGB 83 227 215

HSL 175, 0.72%, 0.61%

LAB 82.74, -40.89, -5.52

 

CMYK 18 / 64 / 0 / 11

HEX #BA52E3

RGB 186 82 227

HSL 283.03, 0.72%, 0.61%

LAB 54.05, 63.59, -55.83

 

CMYK 0 / 50 / 63 / 11

HEX #E37253

RGB 227 114 83

HSL 12.92, 0.72%, 0.61%

LAB 60.77, 41.44, 37.26

 

CMYK 45 / 0 / 63 / 11

HEX #7CE353

RGB 124 227 83

HSL 102.92, 0.72%, 0.61%

LAB 81.76, -55.15, 59.25

 

CMYK 63 / 14 / 0 / 11

HEX #53C4E3

RGB 83 196 227

HSL 192.92, 0.72%, 0.61%

LAB 74.1, -22.73, -24.94

 

Description

Color code: RGB 186 82 227 | qconv.com Color code: RGB 186 82 227 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 82 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 82 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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