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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 236 187 it is the complementary color RGB 69 19 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 236 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 236 187: RGB 191 236 182, RGB 208 254 201, RGB 225 255 220, RGB 242 255 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 236 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 236 187: RGB 186 236 187, RGB 169 218 168, RGB 152 200 149, RGB 135 182 130 and RGB 118 164 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

Complementary color

CMYK 0 / 72 / 1 / 73

HEX #451344

RGB 69 19 68

HSL 301.2, 0.57%, 0.17%

LAB 16.25, 30.92, -19.16

 

CMYK 19 / 0 / 23 / 7

HEX #BFECB6

RGB 191 236 182

HSL 110, 0.59%, 0.82%

LAB 89.13, -24.42, 21.53

 

CMYK 18 / 0 / 21 / 0

HEX #D0FEC9

RGB 208 254 201

HSL 112.08, 0.96%, 0.89%

LAB 95.38, -24.28, 20.61

 

CMYK 12 / 0 / 14 / 0

HEX #E1FFDC

RGB 225 255 220

HSL 111.43, 1%, 0.93%

LAB 97.1, -15.96, 13.49

 

CMYK 5 / 0 / 6 / 0

HEX #F2FFEF

RGB 242 255 239

HSL 108.75, 1%, 0.97%

LAB 98.68, -7.07, 6.16

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 22 / 0 / 23 / 15

HEX #A9DAA8

RGB 169 218 168

HSL 118.8, 0.4%, 0.76%

LAB 82.6, -25.43, 19.55

 

CMYK 24 / 0 / 26 / 22

HEX #98C895

RGB 152 200 149

HSL 116.47, 0.32%, 0.68%

LAB 76.16, -25.62, 20.53

 

CMYK 26 / 0 / 29 / 29

HEX #87B682

RGB 135 182 130

HSL 114.23, 0.26%, 0.61%

LAB 69.62, -25.83, 21.57

 

CMYK 28 / 0 / 32 / 36

HEX #76A46F

RGB 118 164 111

HSL 112.08, 0.23%, 0.54%

LAB 62.97, -26.05, 22.68

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 21 / 0 / 17 / 7

HEX #BAECC4

RGB 186 236 196

HSL 132, 0.57%, 0.83%

LAB 89.12, -23.68, 14.22

 

CMYK 21 / 0 / 14 / 7

HEX #BAECCC

RGB 186 236 204

HSL 141.6, 0.57%, 0.83%

LAB 89.29, -22.23, 10.3

 

CMYK 21 / 0 / 10 / 7

HEX #BAECD4

RGB 186 236 212

HSL 151.2, 0.57%, 0.83%

LAB 89.48, -20.72, 6.4

 

CMYK 21 / 0 / 7 / 7

HEX #BAECDC

RGB 186 236 220

HSL 160.8, 0.57%, 0.83%

LAB 89.67, -19.16, 2.5

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 22 / 0 / 22 / 87

HEX #192019

RGB 25 32 25

HSL 120, 0.12%, 0.11%

LAB 11.34, -5.01, 3.72

 

CMYK 22 / 0 / 20 / 67

HEX #415342

RGB 65 83 66

HSL 123.33, 0.12%, 0.29%

LAB 33.36, -10.87, 7.7

 

CMYK 21 / 0 / 21 / 47

HEX #6A866A

RGB 106 134 106

HSL 120, 0.12%, 0.47%

LAB 53.12, -15.82, 11.86

 

CMYK 21 / 0 / 21 / 27

HEX #92B993

RGB 146 185 147

HSL 121.54, 0.22%, 0.65%

LAB 71.5, -20.58, 15.08

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 21 / 5 / 0 / 7

HEX #BAE1EC

RGB 186 225 236

HSL 193.2, 0.57%, 0.83%

LAB 87.17, -10.32, -9.58

 

CMYK 0 / 21 / 13 / 7

HEX #ECBACD

RGB 236 186 205

HSL 337.2, 0.57%, 0.83%

LAB 80.38, 20.91, -2.66

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 21 / 21 / 0 / 7

HEX #BBBAEC

RGB 187 186 236

HSL 241.2, 0.57%, 0.83%

LAB 77.12, 10.64, -24.7

 

CMYK 0 / 21 / 21 / 7

HEX #ECBBBA

RGB 236 187 186

HSL 1.2, 0.57%, 0.83%

LAB 80.13, 17.45, 7.23

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 21 / 5 / 0 / 7

HEX #BAE1EC

RGB 186 225 236

HSL 193.2, 0.57%, 0.83%

LAB 87.17, -10.32, -9.58

 

CMYK 0 / 21 / 0 / 7

HEX #ECBAEB

RGB 236 186 235

HSL 301.2, 0.57%, 0.83%

LAB 81.26, 26.07, -17.49

 

CMYK 0 / 17 / 21 / 7

HEX #ECC5BA

RGB 236 197 186

HSL 13.2, 0.57%, 0.83%

LAB 82.55, 12.16, 10.68

 

CMYK 21 / 0 / 21 / 7

HEX #BAECBB

RGB 186 236 187

HSL 121.2, 0.57%, 0.83%

LAB 88.93, -25.25, 18.62

 

CMYK 21 / 11 / 0 / 7

HEX #BAD2EC

RGB 186 210 236

HSL 211.2, 0.57%, 0.83%

LAB 83.23, -2.54, -15.47

 

CMYK 0 / 21 / 0 / 7

HEX #ECBAEB

RGB 236 186 235

HSL 301.2, 0.57%, 0.83%

LAB 81.26, 26.07, -17.49

 

CMYK 0 / 10 / 21 / 7

HEX #ECD4BA

RGB 236 212 186

HSL 31.2, 0.57%, 0.83%

LAB 86.24, 4.3, 15.9

 

Description

Color code: RGB 186 236 187 | qconv.com Color code: RGB 186 236 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 236 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 236 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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