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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 214 221 it is the complementary color RGB 69 41 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 214 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 214 221 shade: RGB 191 214 216, RGB 208 232 235, RGB 225 250 254 and RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 214 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 214 221 shade: RGB 186 214 221, RGB 169 196 202, RGB 152 178 183, RGB 135 160 164 and RGB 118 142 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 214 221 shade: RGB 187 214 221, RGB 187 205 221, RGB 187 196 221, RGB 187 187 221 and RGB 196 187 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 214 221 shade: RGB 187 214 221, RGB 187 205 221, RGB 187 196 221 and RGB 187 187 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 214 221 shade matches the following richer shades: RGB 187 214 221, RGB 178 219 230, RGB 170 224 238, RGB 162 229 246 and RGB 154 234 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 214 221 shade: RGB 187 214 221, RGB 195 209 213, RGB 203 205 205, RGB 211 200 197 and RGB 220 195 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 214 221 shade: RGB 187 221 210, RGB 187 221 219, RGB 187 214 221, RGB 187 205 221 and RGB 187 196 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 214 221 shade: RGB 131 182 194, RGB 159 198 208, RGB 187 214 221, RGB 214 231 235 and RGB 242 247 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 214 221 shade: RGB 186 214 221, RGB 201 187 221 and RGB 221 214 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 214 221 shade: RGB 186 214 221, RGB 221 187 214 and RGB 214 221 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 214 221 shade: RGB 186 214 221, RGB 201 187 221, RGB 221 194 187 and RGB 207 221 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 214 221 shade: RGB 186 214 221, RGB 211 187 221, RGB 221 194 187 and RGB 197 221 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 3 / 0 / 13

HEX #BAD6DD

RGB 186 214 221

HSL 192, 0.34%, 0.8%

LAB 83.84, -7.83, -6.58

 

Complementary color

CMYK 0 / 41 / 51 / 73

HEX #452922

RGB 69 41 34

HSL 12, 0.34%, 0.2%

LAB 19.91, 12.13, 10.04

 

CMYK 12 / 1 / 0 / 15

HEX #BFD6D8

RGB 191 214 216

HSL 184.8, 0.24%, 0.8%

LAB 84.03, -7.25, -3.6

 

CMYK 11 / 1 / 0 / 8

HEX #D0E8EB

RGB 208 232 235

HSL 186.67, 0.4%, 0.87%

LAB 90.38, -7.28, -4.15

 

CMYK 11 / 2 / 0 / 0

HEX #E1FAFE

RGB 225 250 254

HSL 188.28, 0.94%, 0.94%

LAB 96.63, -7.32, -4.68

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 16 / 3 / 0 / 13

HEX #BAD6DD

RGB 186 214 221

HSL 192, 0.34%, 0.8%

LAB 83.84, -7.83, -6.58

 

CMYK 16 / 3 / 0 / 21

HEX #A9C4CA

RGB 169 196 202

HSL 190.91, 0.24%, 0.73%

LAB 77.39, -7.81, -6.07

 

CMYK 17 / 3 / 0 / 28

HEX #98B2B7

RGB 152 178 183

HSL 189.68, 0.18%, 0.66%

LAB 70.83, -7.8, -5.54

 

CMYK 18 / 2 / 0 / 36

HEX #87A0A4

RGB 135 160 164

HSL 188.28, 0.14%, 0.59%

LAB 64.14, -7.8, -5

 

CMYK 19 / 2 / 0 / 43

HEX #768E91

RGB 118 142 145

HSL 186.67, 0.11%, 0.52%

LAB 57.31, -7.82, -4.45

 

CMYK 15 / 3 / 0 / 13

HEX #BBD6DD

RGB 187 214 221

HSL 192.35, 0.33%, 0.8%

LAB 83.9, -7.51, -6.48

 

CMYK 15 / 7 / 0 / 13

HEX #BBCDDD

RGB 187 205 221

HSL 208.24, 0.33%, 0.8%

LAB 81.54, -2.82, -9.99

 

CMYK 15 / 11 / 0 / 13

HEX #BBC4DD

RGB 187 196 221

HSL 224.12, 0.33%, 0.8%

LAB 79.19, 1.96, -13.49

 

CMYK 15 / 15 / 0 / 13

HEX #BBBBDD

RGB 187 187 221

HSL 240, 0.33%, 0.8%

LAB 76.88, 6.81, -16.98

 

CMYK 11 / 15 / 0 / 13

HEX #C4BBDD

RGB 196 187 221

HSL 255.88, 0.33%, 0.8%

LAB 77.58, 9.71, -15.85

 

CMYK 15 / 3 / 0 / 13

HEX #BBD6DD

RGB 187 214 221

HSL 192.35, 0.33%, 0.8%

LAB 83.9, -7.51, -6.48

 

CMYK 15 / 7 / 0 / 13

HEX #BBCDDD

RGB 187 205 221

HSL 208.24, 0.33%, 0.8%

LAB 81.54, -2.82, -9.99

 

CMYK 15 / 11 / 0 / 13

HEX #BBC4DD

RGB 187 196 221

HSL 224.12, 0.33%, 0.8%

LAB 79.19, 1.96, -13.49

 

CMYK 15 / 15 / 0 / 13

HEX #BBBBDD

RGB 187 187 221

HSL 240, 0.33%, 0.8%

LAB 76.88, 6.81, -16.98

 

CMYK 15 / 3 / 0 / 13

HEX #BBD6DD

RGB 187 214 221

HSL 192.35, 0.33%, 0.8%

LAB 83.9, -7.51, -6.48

 

CMYK 23 / 5 / 0 / 10

HEX #B2DBE6

RGB 178 219 230

HSL 192.69, 0.51%, 0.8%

LAB 84.92, -10.94, -9.81

 

CMYK 29 / 6 / 0 / 7

HEX #AAE0EE

RGB 170 224 238

HSL 192.35, 0.67%, 0.8%

LAB 86.02, -14.03, -12.44

 

CMYK 34 / 7 / 0 / 4

HEX #A2E5F6

RGB 162 229 246

HSL 192.14, 0.82%, 0.8%

LAB 87.18, -16.89, -14.96

 

CMYK 39 / 8 / 0 / 0

HEX #9AEAFE

RGB 154 234 254

HSL 192, 0.98%, 0.8%

LAB 88.39, -19.51, -17.39

 

CMYK 15 / 3 / 0 / 13

HEX #BBD6DD

RGB 187 214 221

HSL 192.35, 0.33%, 0.8%

LAB 83.9, -7.51, -6.48

 

CMYK 8 / 2 / 0 / 16

HEX #C3D1D5

RGB 195 209 213

HSL 193.33, 0.18%, 0.8%

LAB 82.92, -3.94, -3.61

 

CMYK 1 / 0 / 0 / 20

HEX #CBCDCD

RGB 203 205 205

HSL 180, 0.02%, 0.8%

LAB 82.25, -0.68, -0.25

 

CMYK 0 / 5 / 7 / 17

HEX #D3C8C5

RGB 211 200 197

HSL 12.86, 0.14%, 0.8%

LAB 81.4, 3.31, 2.86

 

CMYK 0 / 11 / 15 / 14

HEX #DCC3BC

RGB 220 195 188

HSL 13.13, 0.31%, 0.8%

LAB 80.67, 7.68, 6.73

 

CMYK 15 / 0 / 5 / 13

HEX #BBDDD2

RGB 187 221 210

HSL 160.59, 0.33%, 0.8%

LAB 85.47, -13.31, 1.65

 

CMYK 15 / 0 / 1 / 13

HEX #BBDDDB

RGB 187 221 219

HSL 176.47, 0.33%, 0.8%

LAB 85.7, -11.52, -2.77

 

CMYK 15 / 3 / 0 / 13

HEX #BBD6DD

RGB 187 214 221

HSL 192.35, 0.33%, 0.8%

LAB 83.9, -7.51, -6.48

 

CMYK 15 / 7 / 0 / 13

HEX #BBCDDD

RGB 187 205 221

HSL 208.24, 0.33%, 0.8%

LAB 81.54, -2.82, -9.99

 

CMYK 15 / 11 / 0 / 13

HEX #BBC4DD

RGB 187 196 221

HSL 224.12, 0.33%, 0.8%

LAB 79.19, 1.96, -13.49

 

CMYK 32 / 6 / 0 / 24

HEX #83B6C2

RGB 131 182 194

HSL 191.43, 0.34%, 0.64%

LAB 70.99, -13.79, -11.48

 

CMYK 24 / 5 / 0 / 18

HEX #9FC6D0

RGB 159 198 208

HSL 192.24, 0.34%, 0.72%

LAB 77.47, -10.66, -9.26

 

CMYK 15 / 3 / 0 / 13

HEX #BBD6DD

RGB 187 214 221

HSL 192.35, 0.33%, 0.8%

LAB 83.9, -7.51, -6.48

 

CMYK 9 / 2 / 0 / 8

HEX #D6E7EB

RGB 214 231 235

HSL 191.43, 0.34%, 0.88%

LAB 90.53, -4.85, -3.88

 

CMYK 3 / 1 / 0 / 2

HEX #F2F7F9

RGB 242 247 249

HSL 197.14, 0.37%, 0.96%

LAB 96.92, -1.28, -1.55

 

CMYK 16 / 3 / 0 / 13

HEX #BAD6DD

RGB 186 214 221

HSL 192, 0.34%, 0.8%

LAB 83.84, -7.83, -6.58

 

CMYK 9 / 15 / 0 / 13

HEX #C9BBDD

RGB 201 187 221

HSL 264.71, 0.33%, 0.8%

LAB 77.98, 11.34, -15.2

 

CMYK 0 / 3 / 15 / 13

HEX #DDD6BB

RGB 221 214 187

HSL 47.65, 0.33%, 0.8%

LAB 85.53, -2.06, 14.2

 

CMYK 16 / 3 / 0 / 13

HEX #BAD6DD

RGB 186 214 221

HSL 192, 0.34%, 0.8%

LAB 83.84, -7.83, -6.58

 

CMYK 0 / 15 / 3 / 13

HEX #DDBBD6

RGB 221 187 214

HSL 312.35, 0.33%, 0.8%

LAB 79.48, 16.71, -9

 

CMYK 3 / 0 / 15 / 13

HEX #D6DDBB

RGB 214 221 187

HSL 72.35, 0.33%, 0.8%

LAB 86.8, -8.17, 15.91

 

CMYK 16 / 3 / 0 / 13

HEX #BAD6DD

RGB 186 214 221

HSL 192, 0.34%, 0.8%

LAB 83.84, -7.83, -6.58

 

CMYK 9 / 15 / 0 / 13

HEX #C9BBDD

RGB 201 187 221

HSL 264.71, 0.33%, 0.8%

LAB 77.98, 11.34, -15.2

 

CMYK 0 / 12 / 15 / 13

HEX #DDC2BB

RGB 221 194 187

HSL 12.35, 0.33%, 0.8%

LAB 80.48, 8.41, 7.01

 

CMYK 6 / 0 / 15 / 13

HEX #CFDDBB

RGB 207 221 187

HSL 84.71, 0.33%, 0.8%

LAB 86.29, -10.66, 15.12

 

CMYK 16 / 3 / 0 / 13

HEX #BAD6DD

RGB 186 214 221

HSL 192, 0.34%, 0.8%

LAB 83.84, -7.83, -6.58

 

CMYK 5 / 15 / 0 / 13

HEX #D3BBDD

RGB 211 187 221

HSL 282.35, 0.33%, 0.8%

LAB 78.82, 14.64, -13.86

 

CMYK 0 / 12 / 15 / 13

HEX #DDC2BB

RGB 221 194 187

HSL 12.35, 0.33%, 0.8%

LAB 80.48, 8.41, 7.01

 

CMYK 11 / 0 / 15 / 13

HEX #C5DDBB

RGB 197 221 187

HSL 102.35, 0.33%, 0.8%

LAB 85.59, -14.15, 14.03

 

Description

Color code: RGB 186 214 221 | qconv.com Color code: RGB 186 214 221 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 214 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 214 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 3 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 3% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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