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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 113 160 it is the complementary color RGB 69 142 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 113 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 113 160 shade: RGB 191 113 155, RGB 208 131 174, RGB 225 149 193, RGB 242 167 212 and RGB 255 185 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 113 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 113 160 shade: RGB 186 113 160, RGB 169 95 141, RGB 152 77 122, RGB 135 59 103 and RGB 118 41 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 113 160 shade: RGB 187 113 160, RGB 187 113 141, RGB 187 113 121 and RGB 187 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 113 160 shade: RGB 187 113 160, RGB 187 113 180, RGB 173 113 187, RGB 153 113 187 and RGB 134 113 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 113 160 shade matches the following richer shades: RGB 187 113 160, RGB 203 96 165, RGB 220 80 170, RGB 237 63 175 and RGB 254 46 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 113 160 shade: RGB 187 113 160, RGB 170 130 156, RGB 153 147 151, RGB 136 164 146 and RGB 119 181 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 113 160 shade: RGB 173 113 187, RGB 187 113 180, RGB 187 113 161, RGB 187 113 141 and RGB 187 113 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 113 160 shade: RGB 147 70 120, RGB 173 86 142, RGB 187 113 160, RGB 200 141 179 and RGB 213 169 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 113 160 shade: RGB 186 113 160, RGB 187 154 113 and RGB 113 187 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 113 160 shade: RGB 186 113 160, RGB 161 187 113 and RGB 113 161 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 113 160 shade: RGB 186 113 160, RGB 187 154 113, RGB 113 187 139 and RGB 113 146 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 113 160 shade: RGB 186 113 160, RGB 187 176 113, RGB 113 187 139 and RGB 113 124 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 14 / 27

HEX #BA71A0

RGB 186 113 160

HSL 321.37, 0.35%, 0.59%

LAB 56.87, 35.55, -13.08

 

Complementary color

CMYK 51 / 0 / 33 / 44

HEX #458E5F

RGB 69 142 95

HSL 141.37, 0.35%, 0.41%

LAB 53.42, -33.98, 18.24

 

CMYK 0 / 41 / 19 / 25

HEX #BF719B

RGB 191 113 155

HSL 327.69, 0.38%, 0.6%

LAB 57.32, 36.47, -9.44

 

CMYK 0 / 37 / 16 / 18

HEX #D083AE

RGB 208 131 174

HSL 326.49, 0.45%, 0.66%

LAB 63.92, 35.67, -10.25

 

CMYK 0 / 34 / 14 / 12

HEX #E195C1

RGB 225 149 193

HSL 325.26, 0.56%, 0.73%

LAB 70.42, 34.91, -10.97

 

CMYK 0 / 31 / 12 / 5

HEX #F2A7D4

RGB 242 167 212

HSL 324, 0.74%, 0.8%

LAB 76.84, 34.2, -11.63

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E7

RGB 255 185 231

HSL 320.57, 1%, 0.86%

LAB 82.77, 32.2, -12.9

 

CMYK 0 / 39 / 14 / 27

HEX #BA71A0

RGB 186 113 160

HSL 321.37, 0.35%, 0.59%

LAB 56.87, 35.55, -13.08

 

CMYK 0 / 44 / 17 / 34

HEX #A95F8D

RGB 169 95 141

HSL 322.7, 0.3%, 0.52%

LAB 50.15, 36.36, -12.29

 

CMYK 0 / 49 / 20 / 40

HEX #984D7A

RGB 152 77 122

HSL 324, 0.33%, 0.45%

LAB 43.34, 37.16, -11.35

 

CMYK 0 / 56 / 24 / 47

HEX #873B67

RGB 135 59 103

HSL 325.26, 0.39%, 0.38%

LAB 36.48, 37.89, -10.18

 

CMYK 0 / 65 / 29 / 54

HEX #762954

RGB 118 41 84

HSL 326.49, 0.48%, 0.31%

LAB 29.61, 38.39, -8.62

 

CMYK 0 / 40 / 14 / 27

HEX #BB71A0

RGB 187 113 160

HSL 321.89, 0.35%, 0.59%

LAB 56.99, 35.89, -12.89

 

CMYK 0 / 40 / 25 / 27

HEX #BB718D

RGB 187 113 141

HSL 337.3, 0.35%, 0.59%

LAB 56.39, 32.93, -2.75

 

CMYK 0 / 40 / 35 / 27

HEX #BB7179

RGB 187 113 121

HSL 353.51, 0.35%, 0.59%

LAB 55.84, 30.2, 8.13

 

CMYK 0 / 40 / 40 / 27

HEX #BB7171

RGB 187 113 113

HSL 0, 0.35%, 0.59%

LAB 55.65, 29.22, 12.52

 

CMYK 0 / 40 / 14 / 27

HEX #BB71A0

RGB 187 113 160

HSL 321.89, 0.35%, 0.59%

LAB 56.99, 35.89, -12.89

 

CMYK 0 / 40 / 4 / 27

HEX #BB71B4

RGB 187 113 180

HSL 305.68, 0.35%, 0.59%

LAB 57.72, 39.37, -23.3

 

CMYK 7 / 40 / 0 / 27

HEX #AD71BB

RGB 173 113 187

HSL 288.65, 0.35%, 0.59%

LAB 56.37, 36.29, -29.53

 

CMYK 18 / 40 / 0 / 27

HEX #9971BB

RGB 153 113 187

HSL 272.43, 0.35%, 0.59%

LAB 54.21, 30.12, -33.06

 

CMYK 28 / 40 / 0 / 27

HEX #8671BB

RGB 134 113 187

HSL 257.03, 0.35%, 0.59%

LAB 52.36, 24.44, -36.09

 

CMYK 0 / 40 / 14 / 27

HEX #BB71A0

RGB 187 113 160

HSL 321.89, 0.35%, 0.59%

LAB 56.99, 35.89, -12.89

 

CMYK 0 / 53 / 19 / 20

HEX #CB60A5

RGB 203 96 165

HSL 321.31, 0.51%, 0.59%

LAB 55.87, 50.66, -17.29

 

CMYK 0 / 64 / 23 / 14

HEX #DC50AA

RGB 220 80 170

HSL 321.43, 0.67%, 0.59%

LAB 55.94, 63.47, -19.85

 

CMYK 0 / 73 / 26 / 7

HEX #ED3FAF

RGB 237 63 175

HSL 321.38, 0.83%, 0.59%

LAB 56.74, 74.55, -21.3

 

CMYK 0 / 82 / 29 / 0

HEX #FE2EB4

RGB 254 46 180

HSL 321.35, 0.99%, 0.59%

LAB 58.34, 83.44, -21.48

 

CMYK 0 / 40 / 14 / 27

HEX #BB71A0

RGB 187 113 160

HSL 321.89, 0.35%, 0.59%

LAB 56.99, 35.89, -12.89

 

CMYK 0 / 24 / 8 / 33

HEX #AA829C

RGB 170 130 156

HSL 321, 0.19%, 0.59%

LAB 58.89, 19.73, -7.93

 

CMYK 0 / 4 / 1 / 40

HEX #999397

RGB 153 147 151

HSL 320, 0.03%, 0.59%

LAB 61.55, 2.96, -1.33

 

CMYK 17 / 0 / 11 / 36

HEX #88A492

RGB 136 164 146

HSL 141.43, 0.13%, 0.59%

LAB 64.85, -13.38, 6.12

 

CMYK 34 / 0 / 22 / 29

HEX #77B58D

RGB 119 181 141

HSL 141.29, 0.3%, 0.59%

LAB 68.67, -28.6, 14.16

 

CMYK 7 / 40 / 0 / 27

HEX #AD71BB

RGB 173 113 187

HSL 288.65, 0.35%, 0.59%

LAB 56.37, 36.29, -29.53

 

CMYK 0 / 40 / 4 / 27

HEX #BB71B4

RGB 187 113 180

HSL 305.68, 0.35%, 0.59%

LAB 57.72, 39.37, -23.3

 

CMYK 0 / 40 / 14 / 27

HEX #BB71A1

RGB 187 113 161

HSL 321.08, 0.35%, 0.59%

LAB 57.02, 36.06, -13.41

 

CMYK 0 / 40 / 25 / 27

HEX #BB718D

RGB 187 113 141

HSL 337.3, 0.35%, 0.59%

LAB 56.39, 32.93, -2.75

 

CMYK 0 / 40 / 35 / 27

HEX #BB717A

RGB 187 113 122

HSL 352.7, 0.35%, 0.59%

LAB 55.87, 30.33, 7.58

 

CMYK 0 / 52 / 18 / 42

HEX #934678

RGB 147 70 120

HSL 321.04, 0.35%, 0.43%

LAB 41.12, 38.85, -13.56

 

CMYK 0 / 50 / 18 / 32

HEX #AD568E

RGB 173 86 142

HSL 321.38, 0.35%, 0.51%

LAB 48.88, 42.61, -14.76

 

CMYK 0 / 40 / 14 / 27

HEX #BB71A0

RGB 187 113 160

HSL 321.89, 0.35%, 0.59%

LAB 56.99, 35.89, -12.89

 

CMYK 0 / 30 / 11 / 22

HEX #C88DB3

RGB 200 141 179

HSL 321.36, 0.35%, 0.67%

LAB 65.42, 28.3, -10.91

 

CMYK 0 / 21 / 7 / 16

HEX #D5A9C6

RGB 213 169 198

HSL 320.45, 0.34%, 0.75%

LAB 73.93, 20.83, -8.63

 

CMYK 0 / 39 / 14 / 27

HEX #BA71A0

RGB 186 113 160

HSL 321.37, 0.35%, 0.59%

LAB 56.87, 35.55, -13.08

 

CMYK 0 / 18 / 40 / 27

HEX #BB9A71

RGB 187 154 113

HSL 33.24, 0.35%, 0.59%

LAB 65.65, 6.56, 26.13

 

CMYK 40 / 0 / 2 / 27

HEX #71BBB7

RGB 113 187 183

HSL 176.76, 0.35%, 0.59%

LAB 71.19, -23.96, -5.24

 

CMYK 0 / 39 / 14 / 27

HEX #BA71A0

RGB 186 113 160

HSL 321.37, 0.35%, 0.59%

LAB 56.87, 35.55, -13.08

 

CMYK 14 / 0 / 40 / 27

HEX #A1BB71

RGB 161 187 113

HSL 81.08, 0.35%, 0.59%

LAB 72.44, -21.28, 34.57

 

CMYK 40 / 14 / 0 / 27

HEX #71A1BB

RGB 113 161 187

HSL 201.08, 0.35%, 0.59%

LAB 63.83, -9.32, -18.5

 

CMYK 0 / 39 / 14 / 27

HEX #BA71A0

RGB 186 113 160

HSL 321.37, 0.35%, 0.59%

LAB 56.87, 35.55, -13.08

 

CMYK 0 / 18 / 40 / 27

HEX #BB9A71

RGB 187 154 113

HSL 33.24, 0.35%, 0.59%

LAB 65.65, 6.56, 26.13

 

CMYK 40 / 0 / 26 / 27

HEX #71BB8B

RGB 113 187 139

HSL 141.08, 0.35%, 0.59%

LAB 70.12, -33.66, 17.21

 

CMYK 40 / 22 / 0 / 27

HEX #7192BB

RGB 113 146 187

HSL 213.24, 0.35%, 0.59%

LAB 59.58, -0.94, -25

 

CMYK 0 / 39 / 14 / 27

HEX #BA71A0

RGB 186 113 160

HSL 321.37, 0.35%, 0.59%

LAB 56.87, 35.55, -13.08

 

CMYK 0 / 6 / 40 / 27

HEX #BBB071

RGB 187 176 113

HSL 51.08, 0.35%, 0.59%

LAB 71.42, -5.28, 33.68

 

CMYK 40 / 0 / 26 / 27

HEX #71BB8B

RGB 113 187 139

HSL 141.08, 0.35%, 0.59%

LAB 70.12, -33.66, 17.21

 

CMYK 40 / 34 / 0 / 27

HEX #717CBB

RGB 113 124 187

HSL 231.08, 0.35%, 0.59%

LAB 53.51, 11.92, -34.41

 

Description

Color code: RGB 186 113 160 | qconv.com Color code: RGB 186 113 160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 113 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 113 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 14 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 14% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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