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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 89 191 it is the complementary color RGB 70 166 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 89 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 89 191 shade: RGB 190 89 186, RGB 207 107 205, RGB 224 125 224, RGB 241 143 243 and RGB 255 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 89 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 89 191 shade: RGB 185 89 191, RGB 168 71 172, RGB 151 53 153, RGB 134 35 134 and RGB 117 17 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 89 191 shade: RGB 184 89 190, RGB 190 89 169, RGB 190 89 142, RGB 190 89 114 and RGB 190 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 89 191 shade: RGB 184 89 190, RGB 157 89 190, RGB 130 89 190, RGB 103 89 190 and RGB 89 89 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 89 191 shade matches the following richer shades: RGB 184 89 190, RGB 201 71 209, RGB 217 52 227 and RGB 233 34 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 89 191 shade: RGB 184 89 190, RGB 168 108 172, RGB 152 126 153, RGB 135 145 135 and RGB 119 164 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 89 191 shade: RGB 130 89 190, RGB 157 89 190, RGB 184 89 190, RGB 190 89 170 and RGB 190 89 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 89 191 shade: RGB 137 55 142, RGB 166 66 172, RGB 184 89 190, RGB 197 119 202 and RGB 210 149 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 89 191 shade: RGB 185 89 191, RGB 190 103 89 and RGB 89 190 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 89 191 shade: RGB 185 89 191, RGB 190 184 89 and RGB 89 190 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 89 191 shade: RGB 185 89 191, RGB 190 103 89, RGB 96 190 89 and RGB 89 177 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 89 191 shade: RGB 185 89 191, RGB 190 133 89, RGB 96 190 89 and RGB 89 146 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 53 / 0 / 25

HEX #B959BF

RGB 185 89 191

HSL 296.47, 0.44%, 0.55%

LAB 53.19, 53.13, -36.68

 

Complementary color

CMYK 58 / 0 / 61 / 35

HEX #46A640

RGB 70 166 64

HSL 116.47, 0.44%, 0.45%

LAB 60.73, -48.55, 43.48

 

CMYK 0 / 53 / 2 / 25

HEX #BE59BA

RGB 190 89 186

HSL 302.38, 0.44%, 0.55%

LAB 53.64, 53.61, -33.05

 

CMYK 0 / 48 / 1 / 19

HEX #CF6BCD

RGB 207 107 205

HSL 301.2, 0.51%, 0.62%

LAB 60.06, 53.03, -33.72

 

CMYK 0 / 44 / 0 / 12

HEX #E07DE0

RGB 224 125 224

HSL 300, 0.61%, 0.68%

LAB 66.44, 52.35, -34.28

 

CMYK 1 / 41 / 0 / 5

HEX #F18FF3

RGB 241 143 243

HSL 298.8, 0.81%, 0.76%

LAB 72.77, 51.64, -34.76

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 3 / 53 / 0 / 25

HEX #B959BF

RGB 185 89 191

HSL 296.47, 0.44%, 0.55%

LAB 53.19, 53.13, -36.68

 

CMYK 2 / 59 / 0 / 33

HEX #A847AC

RGB 168 71 172

HSL 297.62, 0.42%, 0.48%

LAB 46.72, 53.58, -35.95

 

CMYK 1 / 65 / 0 / 40

HEX #973599

RGB 151 53 153

HSL 298.8, 0.49%, 0.4%

LAB 40.29, 53.71, -34.95

 

CMYK 0 / 74 / 0 / 47

HEX #862386

RGB 134 35 134

HSL 300, 0.59%, 0.33%

LAB 33.97, 53.24, -33.51

 

CMYK 0 / 85 / 2 / 54

HEX #751173

RGB 117 17 115

HSL 301.2, 0.75%, 0.26%

LAB 27.9, 51.68, -31.38

 

CMYK 3 / 53 / 0 / 25

HEX #B859BE

RGB 184 89 190

HSL 296.44, 0.44%, 0.55%

LAB 53.01, 52.67, -36.4

 

CMYK 0 / 53 / 11 / 25

HEX #BE59A9

RGB 190 89 169

HSL 312.48, 0.44%, 0.55%

LAB 52.9, 50.73, -24.32

 

CMYK 0 / 53 / 25 / 25

HEX #BE598E

RGB 190 89 142

HSL 328.51, 0.44%, 0.55%

LAB 51.89, 46.64, -9.98

 

CMYK 0 / 53 / 40 / 25

HEX #BE5972

RGB 190 89 114

HSL 345.15, 0.44%, 0.55%

LAB 51.04, 43.09, 5.47

 

CMYK 0 / 53 / 53 / 25

HEX #BE5959

RGB 190 89 89

HSL 0, 0.44%, 0.55%

LAB 50.47, 40.6, 19.57

 

CMYK 3 / 53 / 0 / 25

HEX #B859BE

RGB 184 89 190

HSL 296.44, 0.44%, 0.55%

LAB 53.01, 52.67, -36.4

 

CMYK 17 / 53 / 0 / 25

HEX #9D59BE

RGB 157 89 190

HSL 280.4, 0.44%, 0.55%

LAB 49.53, 45.28, -42.11

 

CMYK 32 / 53 / 0 / 25

HEX #8259BE

RGB 130 89 190

HSL 264.36, 0.44%, 0.55%

LAB 46.46, 38.12, -47.2

 

CMYK 46 / 53 / 0 / 25

HEX #6759BE

RGB 103 89 190

HSL 248.32, 0.44%, 0.55%

LAB 43.87, 31.51, -51.49

 

CMYK 53 / 53 / 0 / 25

HEX #5959BE

RGB 89 89 190

HSL 240, 0.44%, 0.55%

LAB 42.74, 28.44, -53.36

 

CMYK 3 / 53 / 0 / 25

HEX #B859BE

RGB 184 89 190

HSL 296.44, 0.44%, 0.55%

LAB 53.01, 52.67, -36.4

 

CMYK 4 / 66 / 0 / 18

HEX #C947D1

RGB 201 71 209

HSL 296.52, 0.6%, 0.55%

LAB 53.52, 68.19, -46.33

 

CMYK 4 / 77 / 0 / 11

HEX #D934E3

RGB 217 52 227

HSL 296.57, 0.76%, 0.55%

LAB 54.82, 80.68, -54.34

 

CMYK 5 / 86 / 0 / 4

HEX #E922F6

RGB 233 34 246

HSL 296.32, 0.92%, 0.55%

LAB 57.19, 90.31, -61.05

 

CMYK 3 / 53 / 0 / 25

HEX #B859BE

RGB 184 89 190

HSL 296.44, 0.44%, 0.55%

LAB 53.01, 52.67, -36.4

 

CMYK 2 / 37 / 0 / 33

HEX #A86CAC

RGB 168 108 172

HSL 296.25, 0.28%, 0.55%

LAB 54.06, 34.47, -24.52

 

CMYK 1 / 18 / 0 / 40

HEX #987E99

RGB 152 126 153

HSL 297.78, 0.12%, 0.55%

LAB 55.98, 14.96, -10.73

 

CMYK 7 / 0 / 7 / 43

HEX #879187

RGB 135 145 135

HSL 120, 0.04%, 0.55%

LAB 59.11, -5.6, 4.06

 

CMYK 27 / 0 / 29 / 36

HEX #77A474

RGB 119 164 116

HSL 116.25, 0.21%, 0.55%

LAB 63.12, -24.86, 20.17

 

CMYK 32 / 53 / 0 / 25

HEX #8259BE

RGB 130 89 190

HSL 264.36, 0.44%, 0.55%

LAB 46.46, 38.12, -47.2

 

CMYK 17 / 53 / 0 / 25

HEX #9D59BE

RGB 157 89 190

HSL 280.4, 0.44%, 0.55%

LAB 49.53, 45.28, -42.11

 

CMYK 3 / 53 / 0 / 25

HEX #B859BE

RGB 184 89 190

HSL 296.44, 0.44%, 0.55%

LAB 53.01, 52.67, -36.4

 

CMYK 0 / 53 / 11 / 25

HEX #BE59AA

RGB 190 89 170

HSL 311.88, 0.44%, 0.55%

LAB 52.94, 50.9, -24.84

 

CMYK 0 / 53 / 25 / 25

HEX #BE598F

RGB 190 89 143

HSL 327.92, 0.44%, 0.55%

LAB 51.92, 46.78, -10.52

 

CMYK 4 / 61 / 0 / 44

HEX #89378E

RGB 137 55 142

HSL 296.55, 0.44%, 0.39%

LAB 37.85, 47.18, -32.26

 

CMYK 3 / 62 / 0 / 33

HEX #A642AC

RGB 166 66 172

HSL 296.6, 0.45%, 0.47%

LAB 45.61, 55.31, -37.73

 

CMYK 3 / 53 / 0 / 25

HEX #B859BE

RGB 184 89 190

HSL 296.44, 0.44%, 0.55%

LAB 53.01, 52.67, -36.4

 

CMYK 2 / 41 / 0 / 21

HEX #C577CA

RGB 197 119 202

HSL 296.39, 0.44%, 0.63%

LAB 61.07, 43.38, -30.55

 

CMYK 1 / 30 / 0 / 16

HEX #D295D5

RGB 210 149 213

HSL 297.19, 0.43%, 0.71%

LAB 69.47, 33.43, -23.65

 

CMYK 3 / 53 / 0 / 25

HEX #B959BF

RGB 185 89 191

HSL 296.47, 0.44%, 0.55%

LAB 53.19, 53.13, -36.68

 

CMYK 0 / 46 / 53 / 25

HEX #BE6759

RGB 190 103 89

HSL 8.32, 0.44%, 0.55%

LAB 53.35, 33.32, 23.4

 

CMYK 53 / 0 / 25 / 25

HEX #59BE8F

RGB 89 190 143

HSL 152.08, 0.44%, 0.55%

LAB 70.13, -40.58, 14.92

 

CMYK 3 / 53 / 0 / 25

HEX #B959BF

RGB 185 89 191

HSL 296.47, 0.44%, 0.55%

LAB 53.19, 53.13, -36.68

 

CMYK 0 / 3 / 53 / 25

HEX #BEB859

RGB 190 184 89

HSL 56.44, 0.44%, 0.55%

LAB 73.51, -10.58, 48.35

 

CMYK 53 / 0 / 3 / 25

HEX #59BEB8

RGB 89 190 184

HSL 176.44, 0.44%, 0.55%

LAB 71.15, -30.81, -5.96

 

CMYK 3 / 53 / 0 / 25

HEX #B959BF

RGB 185 89 191

HSL 296.47, 0.44%, 0.55%

LAB 53.19, 53.13, -36.68

 

CMYK 0 / 46 / 53 / 25

HEX #BE6759

RGB 190 103 89

HSL 8.32, 0.44%, 0.55%

LAB 53.35, 33.32, 23.4

 

CMYK 49 / 0 / 53 / 25

HEX #60BE59

RGB 96 190 89

HSL 115.84, 0.44%, 0.55%

LAB 69.49, -47.98, 42.18

 

CMYK 53 / 7 / 0 / 25

HEX #59B1BE

RGB 89 177 190

HSL 187.72, 0.44%, 0.55%

LAB 67.49, -22.74, -14.73

 

CMYK 3 / 53 / 0 / 25

HEX #B959BF

RGB 185 89 191

HSL 296.47, 0.44%, 0.55%

LAB 53.19, 53.13, -36.68

 

CMYK 0 / 30 / 53 / 25

HEX #BE8559

RGB 190 133 89

HSL 26.14, 0.44%, 0.55%

LAB 60.29, 16.92, 32.33

 

CMYK 49 / 0 / 53 / 25

HEX #60BE59

RGB 96 190 89

HSL 115.84, 0.44%, 0.55%

LAB 69.49, -47.98, 42.18

 

CMYK 53 / 23 / 0 / 25

HEX #5992BE

RGB 89 146 190

HSL 206.14, 0.44%, 0.55%

LAB 58.41, -6.07, -28.59

 

Description

Color code: RGB 185 89 191 | qconv.com Color code: RGB 185 89 191 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 89 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 89 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 53 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 53% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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