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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 53 246 it is the complementary color RGB 70 202 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 53 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 53 246 shade: RGB 190 53 241, RGB 207 71 255, RGB 224 89 255, RGB 241 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 53 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 53 246 shade: RGB 185 53 246, RGB 168 35 227, RGB 151 17 208, RGB 134 0 189 and RGB 117 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 53 246 shade: RGB 185 55 246, RGB 237 55 246, RGB 246 55 203, RGB 246 55 152 and RGB 246 55 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 53 246 shade: RGB 185 55 246, RGB 134 55 246, RGB 83 55 246 and RGB 55 55 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 53 246 shade matches the following richer shades: RGB 185 55 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 53 246 shade: RGB 185 55 246, RGB 179 72 229, RGB 173 89 212, RGB 167 106 195 and RGB 161 123 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 53 246 shade: RGB 84 55 246, RGB 135 55 246, RGB 185 55 246, RGB 236 55 246 and RGB 246 55 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 53 246 shade: RGB 146 10 209, RGB 172 16 244, RGB 185 55 246, RGB 199 95 247 and RGB 213 134 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 53 246 shade: RGB 185 53 246, RGB 246 55 78 and RGB 55 246 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 53 246 shade: RGB 185 53 246, RGB 246 185 55 and RGB 55 246 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 53 246 shade: RGB 185 53 246, RGB 246 55 78, RGB 116 246 55 and RGB 55 246 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 53 246 shade: RGB 185 53 246, RGB 246 90 55, RGB 116 246 55 and RGB 55 211 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 78 / 0 / 4

HEX #B935F6

RGB 185 53 246

HSL 281.04, 0.91%, 0.59%

LAB 51.28, 78.05, -70.96

 

Complementary color

CMYK 65 / 0 / 96 / 21

HEX #46CA09

RGB 70 202 9

HSL 101.04, 0.91%, 0.41%

LAB 71.94, -64.34, 69.93

 

CMYK 21 / 78 / 0 / 5

HEX #BE35F1

RGB 190 53 241

HSL 283.72, 0.87%, 0.58%

LAB 51.66, 77.94, -67.52

 

CMYK 19 / 72 / 0 / 0

HEX #CF47FF

RGB 207 71 255

HSL 284.35, 1%, 0.64%

LAB 57.07, 77.72, -66.47

 

CMYK 12 / 65 / 0 / 0

HEX #E059FF

RGB 224 89 255

HSL 288.8, 1%, 0.67%

LAB 61.84, 74.38, -58.69

 

CMYK 5 / 58 / 0 / 0

HEX #F16BFF

RGB 241 107 255

HSL 294.32, 1%, 0.71%

LAB 66.85, 70.8, -50.58

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 25 / 78 / 0 / 4

HEX #B935F6

RGB 185 53 246

HSL 281.04, 0.91%, 0.59%

LAB 51.28, 78.05, -70.96

 

CMYK 26 / 85 / 0 / 11

HEX #A823E3

RGB 168 35 227

HSL 281.56, 0.77%, 0.51%

LAB 45.73, 76.65, -69.38

 

CMYK 27 / 92 / 0 / 18

HEX #9711D0

RGB 151 17 208

HSL 282.09, 0.85%, 0.44%

LAB 40.47, 74.16, -67.17

 

CMYK 29 / 100 / 0 / 26

HEX #8600BD

RGB 134 0 189

HSL 282.54, 1%, 0.37%

LAB 35.48, 70.53, -64.32

 

CMYK 31 / 100 / 0 / 33

HEX #7500AA

RGB 117 0 170

HSL 281.29, 1%, 0.33%

LAB 31.08, 64.81, -60.32

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 4 / 78 / 0 / 4

HEX #ED37F6

RGB 237 55 246

HSL 297.17, 0.91%, 0.59%

LAB 59.33, 86.63, -57.59

 

CMYK 0 / 78 / 17 / 4

HEX #F637CB

RGB 246 55 203

HSL 313.51, 0.91%, 0.59%

LAB 58.64, 82.32, -34.37

 

CMYK 0 / 78 / 38 / 4

HEX #F63798

RGB 246 55 152

HSL 329.53, 0.91%, 0.59%

LAB 56.68, 76.55, -7.78

 

CMYK 0 / 78 / 59 / 4

HEX #F63764

RGB 246 55 100

HSL 345.86, 0.91%, 0.59%

LAB 55.32, 72.41, 21.2

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 46 / 78 / 0 / 4

HEX #8637F6

RGB 134 55 246

HSL 264.82, 0.91%, 0.59%

LAB 44.88, 69.62, -81.69

 

CMYK 66 / 78 / 0 / 4

HEX #5337F6

RGB 83 55 246

HSL 248.8, 0.91%, 0.59%

LAB 39.96, 63.78, -89.97

 

CMYK 78 / 78 / 0 / 4

HEX #3737F6

RGB 55 55 246

HSL 240, 0.91%, 0.59%

LAB 38.2, 61.68, -92.94

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 22 / 69 / 0 / 10

HEX #B348E5

RGB 179 72 229

HSL 280.89, 0.75%, 0.59%

LAB 51.7, 66.76, -60.79

 

CMYK 18 / 58 / 0 / 17

HEX #AD59D4

RGB 173 89 212

HSL 280.98, 0.59%, 0.59%

LAB 52.71, 54.15, -49.57

 

CMYK 14 / 46 / 0 / 24

HEX #A76AC3

RGB 167 106 195

HSL 281.12, 0.43%, 0.59%

LAB 54.52, 40.01, -37.06

 

CMYK 10 / 31 / 0 / 30

HEX #A17BB2

RGB 161 123 178

HSL 281.45, 0.26%, 0.59%

LAB 57.03, 24.94, -23.46

 

CMYK 66 / 78 / 0 / 4

HEX #5437F6

RGB 84 55 246

HSL 249.11, 0.91%, 0.59%

LAB 40.03, 63.87, -89.84

 

CMYK 45 / 78 / 0 / 4

HEX #8737F6

RGB 135 55 246

HSL 265.13, 0.91%, 0.59%

LAB 44.99, 69.76, -81.5

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 4 / 78 / 0 / 4

HEX #EC37F6

RGB 236 55 246

HSL 296.86, 0.91%, 0.59%

LAB 59.18, 86.45, -57.85

 

CMYK 0 / 78 / 17 / 4

HEX #F637CC

RGB 246 55 204

HSL 313.19, 0.91%, 0.59%

LAB 58.68, 82.45, -34.87

 

CMYK 30 / 95 / 0 / 18

HEX #920AD1

RGB 146 10 209

HSL 281.01, 0.91%, 0.43%

LAB 39.46, 74.62, -69.42

 

CMYK 30 / 93 / 0 / 4

HEX #AC10F4

RGB 172 16 244

HSL 281.05, 0.91%, 0.51%

LAB 46.54, 83.71, -77.65

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 19 / 62 / 0 / 3

HEX #C75FF7

RGB 199 95 247

HSL 281.05, 0.9%, 0.67%

LAB 59.01, 64.72, -58.97

 

CMYK 14 / 46 / 0 / 2

HEX #D586F9

RGB 213 134 249

HSL 281.22, 0.91%, 0.75%

LAB 68.05, 49.44, -45.64

 

CMYK 25 / 78 / 0 / 4

HEX #B935F6

RGB 185 53 246

HSL 281.04, 0.91%, 0.59%

LAB 51.28, 78.05, -70.96

 

CMYK 0 / 78 / 68 / 4

HEX #F6374E

RGB 246 55 78

HSL 352.77, 0.91%, 0.59%

LAB 54.94, 71.22, 33.69

 

CMYK 78 / 0 / 56 / 4

HEX #37F66D

RGB 55 246 109

HSL 136.96, 0.91%, 0.59%

LAB 85.92, -73.27, 52.29

 

CMYK 25 / 78 / 0 / 4

HEX #B935F6

RGB 185 53 246

HSL 281.04, 0.91%, 0.59%

LAB 51.28, 78.05, -70.96

 

CMYK 0 / 25 / 78 / 4

HEX #F6B937

RGB 246 185 55

HSL 40.84, 0.91%, 0.59%

LAB 78.79, 10.7, 69.74

 

CMYK 78 / 0 / 25 / 4

HEX #37F6B9

RGB 55 246 185

HSL 160.84, 0.91%, 0.59%

LAB 87.11, -59.74, 16.42

 

CMYK 25 / 78 / 0 / 4

HEX #B935F6

RGB 185 53 246

HSL 281.04, 0.91%, 0.59%

LAB 51.28, 78.05, -70.96

 

CMYK 0 / 78 / 68 / 4

HEX #F6374E

RGB 246 55 78

HSL 352.77, 0.91%, 0.59%

LAB 54.94, 71.22, 33.69

 

CMYK 53 / 0 / 78 / 4

HEX #74F637

RGB 116 246 55

HSL 100.84, 0.91%, 0.59%

LAB 86.95, -66.42, 74.31

 

CMYK 78 / 0 / 9 / 4

HEX #37F6DF

RGB 55 246 223

HSL 172.77, 0.91%, 0.59%

LAB 87.99, -50.49, -2.07

 

CMYK 25 / 78 / 0 / 4

HEX #B935F6

RGB 185 53 246

HSL 281.04, 0.91%, 0.59%

LAB 51.28, 78.05, -70.96

 

CMYK 0 / 63 / 78 / 4

HEX #F65A37

RGB 246 90 55

HSL 10.99, 0.91%, 0.59%

LAB 59.14, 58.01, 50.88

 

CMYK 53 / 0 / 78 / 4

HEX #74F637

RGB 116 246 55

HSL 100.84, 0.91%, 0.59%

LAB 86.95, -66.42, 74.31

 

CMYK 78 / 14 / 0 / 4

HEX #37D3F6

RGB 55 211 246

HSL 190.99, 0.91%, 0.59%

LAB 78.49, -27.97, -28.48

 

Description

Color code: RGB 185 53 246 | qconv.com Color code: RGB 185 53 246 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 53 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 53 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 78 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 78% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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