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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 28 215 it is the complementary color RGB 70 227 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 28 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 28 215 shade: RGB 190 28 210, RGB 207 46 229, RGB 224 64 248, RGB 241 82 255 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 28 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 28 215 shade: RGB 185 28 215, RGB 168 10 196, RGB 151 0 177, RGB 134 0 158 and RGB 117 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 28 215 shade: RGB 186 28 216, RGB 216 28 196, RGB 216 28 145, RGB 216 28 94 and RGB 216 28 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 28 215 shade: RGB 186 28 216, RGB 135 28 216, RGB 84 28 216, RGB 33 28 216 and RGB 28 28 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 28 215 shade matches the following richer shades: RGB 186 28 216 and RGB 199 8 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 28 215 shade: RGB 186 28 216, RGB 172 47 196, RGB 159 67 177, RGB 146 87 157 and RGB 132 107 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 28 215 shade: RGB 84 28 216, RGB 134 28 216, RGB 185 28 216, RGB 216 28 197 and RGB 216 28 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 28 215 shade: RGB 123 18 143, RGB 154 23 180, RGB 186 28 216, RGB 201 56 229 and RGB 211 93 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 28 215 shade: RGB 185 28 215, RGB 216 34 28 and RGB 28 216 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 28 215 shade: RGB 185 28 215, RGB 216 185 28 and RGB 28 216 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 28 215 shade: RGB 185 28 215, RGB 216 34 28, RGB 59 216 28 and RGB 28 210 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 28 215 shade: RGB 185 28 215, RGB 216 90 28, RGB 59 216 28 and RGB 28 153 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 87 / 0 / 16

HEX #B91CD7

RGB 185 28 215

HSL 290.37, 0.77%, 0.48%

LAB 47.04, 78.58, -60.28

 

Complementary color

CMYK 69 / 0 / 82 / 11

HEX #46E328

RGB 70 227 40

HSL 110.37, 0.77%, 0.52%

LAB 79.84, -71.24, 71.27

 

CMYK 10 / 87 / 0 / 18

HEX #BE1CD2

RGB 190 28 210

HSL 293.41, 0.76%, 0.47%

LAB 47.53, 78.57, -56.57

 

CMYK 10 / 80 / 0 / 10

HEX #CF2EE5

RGB 207 46 229

HSL 292.79, 0.78%, 0.54%

LAB 52.81, 80.72, -58.77

 

CMYK 10 / 74 / 0 / 3

HEX #E040F8

RGB 224 64 248

HSL 292.17, 0.93%, 0.61%

LAB 58.31, 82.01, -60.45

 

CMYK 5 / 68 / 0 / 0

HEX #F152FF

RGB 241 82 255

HSL 295.14, 1%, 0.66%

LAB 63.31, 80.65, -56.2

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 14 / 87 / 0 / 16

HEX #B91CD7

RGB 185 28 215

HSL 290.37, 0.77%, 0.48%

LAB 47.04, 78.58, -60.28

 

CMYK 14 / 95 / 0 / 23

HEX #A80AC4

RGB 168 10 196

HSL 290.97, 0.9%, 0.4%

LAB 42.04, 75.31, -57.51

 

CMYK 15 / 100 / 0 / 31

HEX #9700B1

RGB 151 0 177

HSL 291.19, 1%, 0.35%

LAB 37.4, 70.66, -53.97

 

CMYK 15 / 100 / 0 / 38

HEX #86009E

RGB 134 0 158

HSL 290.89, 1%, 0.31%

LAB 33, 64.89, -49.81

 

CMYK 16 / 100 / 0 / 45

HEX #75008B

RGB 117 0 139

HSL 290.5, 1%, 0.27%

LAB 28.5, 58.99, -45.55

 

CMYK 14 / 87 / 0 / 15

HEX #BA1CD8

RGB 186 28 216

HSL 290.43, 0.77%, 0.48%

LAB 47.27, 78.91, -60.48

 

CMYK 0 / 87 / 9 / 15

HEX #D81CC4

RGB 216 28 196

HSL 306.38, 0.77%, 0.48%

LAB 51.17, 81.06, -42.43

 

CMYK 0 / 87 / 33 / 15

HEX #D81C91

RGB 216 28 145

HSL 322.66, 0.77%, 0.48%

LAB 48.85, 74.86, -15.94

 

CMYK 0 / 87 / 56 / 15

HEX #D81C5E

RGB 216 28 94

HSL 338.94, 0.77%, 0.48%

LAB 47.28, 70.48, 12.95

 

CMYK 0 / 87 / 80 / 15

HEX #D81C2B

RGB 216 28 43

HSL 355.21, 0.77%, 0.48%

LAB 46.45, 68.08, 42.54

 

CMYK 14 / 87 / 0 / 15

HEX #BA1CD8

RGB 186 28 216

HSL 290.43, 0.77%, 0.48%

LAB 47.27, 78.91, -60.48

 

CMYK 38 / 87 / 0 / 15

HEX #871CD8

RGB 135 28 216

HSL 274.15, 0.77%, 0.48%

LAB 39.48, 71.55, -73.5

 

CMYK 61 / 87 / 0 / 15

HEX #541CD8

RGB 84 28 216

HSL 257.87, 0.77%, 0.48%

LAB 33.29, 66.26, -83.91

 

CMYK 85 / 87 / 0 / 15

HEX #211CD8

RGB 33 28 216

HSL 241.6, 0.77%, 0.48%

LAB 29.69, 63.52, -90

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD8

RGB 28 28 216

HSL 240, 0.77%, 0.48%

LAB 29.5, 63.38, -90.32

 

CMYK 14 / 87 / 0 / 15

HEX #BA1CD8

RGB 186 28 216

HSL 290.43, 0.77%, 0.48%

LAB 47.27, 78.91, -60.48

 

CMYK 16 / 97 / 0 / 7

HEX #C708EC

RGB 199 8 236

HSL 290.26, 0.93%, 0.48%

LAB 49.94, 86.6, -67.42

 

CMYK 14 / 87 / 0 / 15

HEX #BA1CD8

RGB 186 28 216

HSL 290.43, 0.77%, 0.48%

LAB 47.27, 78.91, -60.48

 

CMYK 12 / 76 / 0 / 23

HEX #AC2FC4

RGB 172 47 196

HSL 290.34, 0.61%, 0.48%

LAB 45.34, 68.25, -52.16

 

CMYK 10 / 62 / 0 / 31

HEX #9F43B1

RGB 159 67 177

HSL 290.18, 0.45%, 0.48%

LAB 45.02, 54.05, -41.66

 

CMYK 7 / 45 / 0 / 38

HEX #92579D

RGB 146 87 157

HSL 290.57, 0.29%, 0.48%

LAB 46.13, 36.15, -28.22

 

CMYK 4 / 22 / 0 / 46

HEX #846B89

RGB 132 107 137

HSL 290, 0.12%, 0.48%

LAB 48.54, 15.62, -12.76

 

CMYK 61 / 87 / 0 / 15

HEX #541CD8

RGB 84 28 216

HSL 257.87, 0.77%, 0.48%

LAB 33.29, 66.26, -83.91

 

CMYK 38 / 87 / 0 / 15

HEX #861CD8

RGB 134 28 216

HSL 273.83, 0.77%, 0.48%

LAB 39.34, 71.42, -73.74

 

CMYK 14 / 87 / 0 / 15

HEX #B91CD8

RGB 185 28 216

HSL 290.11, 0.77%, 0.48%

LAB 47.11, 78.75, -60.75

 

CMYK 0 / 87 / 9 / 15

HEX #D81CC5

RGB 216 28 197

HSL 306.06, 0.77%, 0.48%

LAB 51.22, 81.2, -42.93

 

CMYK 0 / 87 / 32 / 15

HEX #D81C93

RGB 216 28 147

HSL 322.02, 0.77%, 0.48%

LAB 48.93, 75.07, -17.02

 

CMYK 14 / 87 / 0 / 44

HEX #7B128F

RGB 123 18 143

HSL 290.4, 0.78%, 0.32%

LAB 30.94, 57.52, -44.03

 

CMYK 14 / 87 / 0 / 29

HEX #9A17B4

RGB 154 23 180

HSL 290.06, 0.77%, 0.4%

LAB 39.2, 68.44, -52.8

 

CMYK 14 / 87 / 0 / 15

HEX #BA1CD8

RGB 186 28 216

HSL 290.43, 0.77%, 0.48%

LAB 47.27, 78.91, -60.48

 

CMYK 12 / 76 / 0 / 10

HEX #C938E5

RGB 201 56 229

HSL 290.29, 0.77%, 0.56%

LAB 52.84, 76.84, -58.77

 

CMYK 9 / 60 / 0 / 9

HEX #D35DE9

RGB 211 93 233

HSL 290.57, 0.76%, 0.64%

LAB 59.49, 65.71, -50.33

 

CMYK 14 / 87 / 0 / 16

HEX #B91CD7

RGB 185 28 215

HSL 290.37, 0.77%, 0.48%

LAB 47.04, 78.58, -60.28

 

CMYK 0 / 84 / 87 / 15

HEX #D8221C

RGB 216 34 28

HSL 1.91, 0.77%, 0.48%

LAB 46.75, 66.54, 50.45

 

CMYK 87 / 0 / 50 / 15

HEX #1CD86D

RGB 28 216 109

HSL 145.85, 0.77%, 0.48%

LAB 76.35, -66.19, 40.56

 

CMYK 14 / 87 / 0 / 16

HEX #B91CD7

RGB 185 28 215

HSL 290.37, 0.77%, 0.48%

LAB 47.04, 78.58, -60.28

 

CMYK 0 / 14 / 87 / 15

HEX #D8B91C

RGB 216 185 28

HSL 50.11, 0.77%, 0.48%

LAB 75.69, -2.99, 73.58

 

CMYK 87 / 0 / 14 / 15

HEX #1CD8B9

RGB 28 216 185

HSL 170.11, 0.77%, 0.48%

LAB 77.79, -50.07, 3.09

 

CMYK 14 / 87 / 0 / 16

HEX #B91CD7

RGB 185 28 215

HSL 290.37, 0.77%, 0.48%

LAB 47.04, 78.58, -60.28

 

CMYK 0 / 84 / 87 / 15

HEX #D8221C

RGB 216 34 28

HSL 1.91, 0.77%, 0.48%

LAB 46.75, 66.54, 50.45

 

CMYK 73 / 0 / 87 / 15

HEX #3BD81C

RGB 59 216 28

HSL 110.11, 0.77%, 0.48%

LAB 76.15, -70.26, 70.56

 

CMYK 87 / 3 / 0 / 15

HEX #1CD2D8

RGB 28 210 216

HSL 181.91, 0.77%, 0.48%

LAB 76.86, -38.76, -14.92

 

CMYK 14 / 87 / 0 / 16

HEX #B91CD7

RGB 185 28 215

HSL 290.37, 0.77%, 0.48%

LAB 47.04, 78.58, -60.28

 

CMYK 0 / 58 / 87 / 15

HEX #D85A1C

RGB 216 90 28

HSL 19.79, 0.77%, 0.48%

LAB 54.02, 46.69, 56.25

 

CMYK 73 / 0 / 87 / 15

HEX #3BD81C

RGB 59 216 28

HSL 110.11, 0.77%, 0.48%

LAB 76.15, -70.26, 70.56

 

CMYK 87 / 29 / 0 / 15

HEX #1C99D8

RGB 28 153 216

HSL 200.11, 0.77%, 0.48%

LAB 59.88, -9.87, -41.04

 

Description

Color code: RGB 185 28 215 | qconv.com Color code: RGB 185 28 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 28 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 28 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 87 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 87% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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