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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 24 174 it is the complementary color RGB 70 231 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 24 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 24 174 shade: RGB 190 24 169, RGB 207 42 188, RGB 224 60 207, RGB 241 78 226 and RGB 255 96 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 24 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 168 6 155, RGB 151 0 136, RGB 134 0 117 and RGB 117 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 185 24 131, RGB 185 24 87, RGB 185 24 44 and RGB 185 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 153 24 185, RGB 109 24 185, RGB 66 24 185 and RGB 24 24 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 24 174 shade matches the following richer shades: RGB 185 24 174 and RGB 202 7 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 168 41 159, RGB 151 58 145, RGB 134 75 130 and RGB 117 92 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 24 174 shade: RGB 110 24 185, RGB 153 24 185, RGB 185 24 174, RGB 185 24 131 and RGB 185 24 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 24 174 shade: RGB 112 15 105, RGB 149 19 140, RGB 185 24 174, RGB 222 29 208 and RGB 230 62 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 185 67 24 and RGB 24 185 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 174 185 24 and RGB 24 174 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 185 67 24, RGB 24 185 35 and RGB 24 142 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 24 174 shade: RGB 185 24 174, RGB 185 115 24, RGB 24 185 35 and RGB 24 94 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

Complementary color

CMYK 70 / 0 / 65 / 9

HEX #46E751

RGB 70 231 81

HSL 124.1, 0.77%, 0.59%

LAB 81.32, -69.52, 59.12

 

CMYK 0 / 87 / 11 / 25

HEX #BE18A9

RGB 190 24 169

HSL 307.59, 0.78%, 0.42%

LAB 44.89, 73.07, -36.82

 

CMYK 0 / 80 / 9 / 19

HEX #CF2ABC

RGB 207 42 188

HSL 306.91, 0.66%, 0.49%

LAB 50.16, 75.38, -39.49

 

CMYK 0 / 73 / 8 / 12

HEX #E03CCF

RGB 224 60 207

HSL 306.22, 0.73%, 0.56%

LAB 55.67, 76.75, -41.56

 

CMYK 0 / 68 / 6 / 5

HEX #F14EE2

RGB 241 78 226

HSL 305.52, 0.85%, 0.63%

LAB 61.34, 77.46, -43.2

 

CMYK 0 / 62 / 4 / 0

HEX #FF60F5

RGB 255 96 245

HSL 303.77, 1%, 0.69%

LAB 66.69, 77, -45.21

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 96 / 8 / 34

HEX #A8069B

RGB 168 6 155

HSL 304.81, 0.93%, 0.34%

LAB 39.28, 69.33, -37.57

 

CMYK 0 / 100 / 10 / 41

HEX #970088

RGB 151 0 136

HSL 305.96, 1%, 0.3%

LAB 34.72, 64.25, -33.37

 

CMYK 0 / 100 / 13 / 47

HEX #860075

RGB 134 0 117

HSL 307.61, 1%, 0.26%

LAB 30.29, 58.39, -28.66

 

CMYK 0 / 100 / 16 / 54

HEX #750062

RGB 117 0 98

HSL 309.74, 1%, 0.23%

LAB 25.75, 52.4, -23.77

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 87 / 29 / 27

HEX #B91883

RGB 185 24 131

HSL 320.12, 0.77%, 0.41%

LAB 42.16, 67.2, -18.17

 

CMYK 0 / 87 / 53 / 27

HEX #B91857

RGB 185 24 87

HSL 336.52, 0.77%, 0.41%

LAB 40.66, 63.01, 7.15

 

CMYK 0 / 87 / 76 / 27

HEX #B9182C

RGB 185 24 44

HSL 352.55, 0.77%, 0.41%

LAB 39.83, 60.6, 33.04

 

CMYK 0 / 87 / 87 / 27

HEX #B91818

RGB 185 24 24

HSL 0, 0.77%, 0.41%

LAB 39.64, 60.03, 43.93

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 17 / 87 / 0 / 27

HEX #9918B9

RGB 153 24 185

HSL 288.07, 0.77%, 0.41%

LAB 39.46, 68.97, -55.36

 

CMYK 41 / 87 / 0 / 27

HEX #6D18B9

RGB 109 24 185

HSL 271.68, 0.77%, 0.41%

LAB 32.72, 62.54, -66.64

 

CMYK 64 / 87 / 0 / 27

HEX #4218B9

RGB 66 24 185

HSL 255.65, 0.77%, 0.41%

LAB 27.61, 58.09, -75.23

 

CMYK 87 / 87 / 0 / 27

HEX #1818B9

RGB 24 24 185

HSL 240, 0.77%, 0.41%

LAB 24.8, 55.87, -79.99

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 97 / 6 / 21

HEX #CA07BD

RGB 202 7 189

HSL 304, 0.93%, 0.41%

LAB 47.47, 80.01, -44.38

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 76 / 5 / 34

HEX #A8299F

RGB 168 41 159

HSL 304.25, 0.61%, 0.41%

LAB 41.87, 63.05, -35.88

 

CMYK 0 / 62 / 4 / 41

HEX #973A91

RGB 151 58 145

HSL 303.87, 0.44%, 0.41%

LAB 40.65, 50.12, -29.53

 

CMYK 0 / 44 / 3 / 47

HEX #864B82

RGB 134 75 130

HSL 304.07, 0.28%, 0.41%

LAB 40.75, 33.59, -20.42

 

CMYK 0 / 21 / 1 / 54

HEX #755C74

RGB 117 92 116

HSL 302.4, 0.12%, 0.41%

LAB 42.3, 14.72, -9.69

 

CMYK 41 / 87 / 0 / 27

HEX #6E18B9

RGB 110 24 185

HSL 272.05, 0.77%, 0.41%

LAB 32.86, 62.67, -66.4

 

CMYK 17 / 87 / 0 / 27

HEX #9918B9

RGB 153 24 185

HSL 288.07, 0.77%, 0.41%

LAB 39.46, 68.97, -55.36

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 87 / 29 / 27

HEX #B91883

RGB 185 24 131

HSL 320.12, 0.77%, 0.41%

LAB 42.16, 67.2, -18.17

 

CMYK 0 / 87 / 52 / 27

HEX #B91858

RGB 185 24 88

HSL 336.15, 0.77%, 0.41%

LAB 40.69, 63.09, 6.55

 

CMYK 0 / 87 / 6 / 56

HEX #700F69

RGB 112 15 105

HSL 304.33, 0.76%, 0.25%

LAB 26.18, 49.45, -27.74

 

CMYK 0 / 87 / 6 / 42

HEX #95138C

RGB 149 19 140

HSL 304.15, 0.77%, 0.33%

LAB 35.5, 61.73, -34.63

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 87 / 6 / 13

HEX #DE1DD0

RGB 222 29 208

HSL 304.35, 0.77%, 0.49%

LAB 52.91, 83.66, -46.52

 

CMYK 0 / 73 / 5 / 10

HEX #E63EDA

RGB 230 62 218

HSL 304.29, 0.77%, 0.57%

LAB 57.4, 79.06, -45.03

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 64 / 87 / 27

HEX #B94318

RGB 185 67 24

HSL 16.02, 0.77%, 0.41%

LAB 44.79, 45.79, 48.17

 

CMYK 87 / 0 / 29 / 27

HEX #18B983

RGB 24 185 131

HSL 159.88, 0.77%, 0.41%

LAB 66.92, -51.26, 16.74

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 6 / 0 / 87 / 27

HEX #AEB918

RGB 174 185 24

HSL 64.1, 0.77%, 0.41%

LAB 72.07, -21.33, 69.98

 

CMYK 87 / 6 / 0 / 27

HEX #18AEB9

RGB 24 174 185

HSL 184.1, 0.77%, 0.41%

LAB 64.94, -31.66, -15.95

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 64 / 87 / 27

HEX #B94318

RGB 185 67 24

HSL 16.02, 0.77%, 0.41%

LAB 44.79, 45.79, 48.17

 

CMYK 87 / 0 / 81 / 27

HEX #18B923

RGB 24 185 35

HSL 124.1, 0.77%, 0.41%

LAB 65.76, -65.12, 59.35

 

CMYK 87 / 23 / 0 / 27

HEX #188EB9

RGB 24 142 185

HSL 196.02, 0.77%, 0.41%

LAB 55.12, -15.18, -31.02

 

CMYK 0 / 87 / 6 / 27

HEX #B918AE

RGB 185 24 174

HSL 304.1, 0.77%, 0.41%

LAB 44.27, 72.82, -40.84

 

CMYK 0 / 38 / 87 / 27

HEX #B97318

RGB 185 115 24

HSL 33.91, 0.77%, 0.41%

LAB 54.7, 21.08, 56.27

 

CMYK 87 / 0 / 81 / 27

HEX #18B923

RGB 24 185 35

HSL 124.1, 0.77%, 0.41%

LAB 65.76, -65.12, 59.35

 

CMYK 87 / 49 / 0 / 27

HEX #185EB9

RGB 24 94 185

HSL 213.91, 0.77%, 0.41%

LAB 40.74, 13.95, -53.82

 

Description

Color code: RGB 185 24 174 | qconv.com Color code: RGB 185 24 174 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 24 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 24 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 6 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 6% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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