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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 232 94 it is the complementary color RGB 70 23 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 232 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 232 94 shade: RGB 190 232 89, RGB 207 250 108, RGB 224 255 127, RGB 241 255 146 and RGB 255 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 232 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 168 214 75, RGB 151 196 56, RGB 134 178 37 and RGB 117 160 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 222 232 94, RGB 232 204 94, RGB 232 167 94 and RGB 232 130 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 148 232 94, RGB 110 232 94, RGB 94 232 114 and RGB 94 232 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 232 94 shade matches the following richer shades: RGB 185 232 94 and RGB 189 246 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 180 217 109, RGB 175 202 124, RGB 170 187 138 and RGB 166 172 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 232 94 shade: RGB 232 204 94, RGB 222 232 94, RGB 186 232 94, RGB 149 232 94 and RGB 112 232 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 232 94 shade: RGB 151 213 30, RGB 169 226 58, RGB 185 232 94, RGB 200 237 130 and RGB 216 242 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 94 232 167 and RGB 222 94 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 94 186 232 and RGB 232 94 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 94 232 167, RGB 140 94 232 and RGB 232 94 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 232 94 shade: RGB 185 232 94, RGB 94 232 209, RGB 140 94 232 and RGB 232 94 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

Complementary color

CMYK 57 / 86 / 0 / 37

HEX #4617A1

RGB 70 23 161

HSL 260.43, 0.75%, 0.36%

LAB 25.22, 52.43, -64.74

 

CMYK 18 / 0 / 62 / 9

HEX #BEE859

RGB 190 232 89

HSL 77.62, 0.76%, 0.63%

LAB 86.69, -33.98, 63.16

 

CMYK 17 / 0 / 57 / 2

HEX #CFFA6C

RGB 207 250 108

HSL 78.17, 0.93%, 0.7%

LAB 92.89, -34.28, 62.32

 

CMYK 12 / 0 / 50 / 0

HEX #E0FF7F

RGB 224 255 127

HSL 74.53, 1%, 0.75%

LAB 95.54, -28.52, 57.25

 

CMYK 5 / 0 / 43 / 0

HEX #F1FF92

RGB 241 255 146

HSL 67.71, 1%, 0.79%

LAB 96.94, -20.26, 50.37

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 21 / 0 / 65 / 16

HEX #A8D64B

RGB 168 214 75

HSL 79.86, 0.63%, 0.57%

LAB 80.14, -35.17, 61.42

 

CMYK 23 / 0 / 71 / 23

HEX #97C438

RGB 151 196 56

HSL 79.29, 0.56%, 0.49%

LAB 73.77, -34.75, 61.81

 

CMYK 25 / 0 / 79 / 30

HEX #86B225

RGB 134 178 37

HSL 78.72, 0.66%, 0.42%

LAB 67.31, -34.16, 61.56

 

CMYK 27 / 0 / 89 / 37

HEX #75A012

RGB 117 160 18

HSL 78.17, 0.8%, 0.35%

LAB 60.75, -33.36, 60.2

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 4 / 0 / 59 / 9

HEX #DEE85E

RGB 222 232 94

HSL 64.35, 0.75%, 0.64%

LAB 88.95, -21.07, 64.18

 

CMYK 0 / 12 / 59 / 9

HEX #E8CC5E

RGB 232 204 94

HSL 47.83, 0.75%, 0.64%

LAB 82.46, -3.01, 57.23

 

CMYK 0 / 28 / 59 / 9

HEX #E8A75E

RGB 232 167 94

HSL 31.74, 0.75%, 0.64%

LAB 73.29, 16.39, 46.67

 

CMYK 0 / 44 / 59 / 9

HEX #E8825E

RGB 232 130 94

HSL 15.65, 0.75%, 0.64%

LAB 64.91, 35.94, 36.53

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 36 / 0 / 59 / 9

HEX #94E85E

RGB 148 232 94

HSL 96.52, 0.75%, 0.64%

LAB 84.39, -48.61, 57.85

 

CMYK 53 / 0 / 59 / 9

HEX #6EE85E

RGB 110 232 94

HSL 113.04, 0.75%, 0.64%

LAB 82.83, -59.88, 55.65

 

CMYK 59 / 0 / 51 / 9

HEX #5EE872

RGB 94 232 114

HSL 128.7, 0.75%, 0.64%

LAB 82.54, -61.29, 46.1

 

CMYK 59 / 0 / 34 / 9

HEX #5EE898

RGB 94 232 152

HSL 145.22, 0.75%, 0.64%

LAB 83.1, -55.18, 28.01

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 23 / 0 / 68 / 4

HEX #BDF64F

RGB 189 246 79

HSL 80.48, 0.9%, 0.64%

LAB 90.46, -41.32, 71.01

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 17 / 0 / 50 / 15

HEX #B4D96D

RGB 180 217 109

HSL 80.56, 0.59%, 0.64%

LAB 82.07, -29.04, 48.81

 

CMYK 13 / 0 / 39 / 21

HEX #AFCA7C

RGB 175 202 124

HSL 80.77, 0.42%, 0.64%

LAB 77.76, -21.99, 35.97

 

CMYK 9 / 0 / 26 / 27

HEX #AABB8A

RGB 170 187 138

HSL 80.82, 0.26%, 0.64%

LAB 73.49, -14.41, 22.93

 

CMYK 3 / 0 / 11 / 33

HEX #A6AC99

RGB 166 172 153

HSL 78.95, 0.1%, 0.64%

LAB 69.41, -5.61, 9.04

 

CMYK 0 / 12 / 59 / 9

HEX #E8CC5E

RGB 232 204 94

HSL 47.83, 0.75%, 0.64%

LAB 82.46, -3.01, 57.23

 

CMYK 4 / 0 / 59 / 9

HEX #DEE85E

RGB 222 232 94

HSL 64.35, 0.75%, 0.64%

LAB 88.95, -21.07, 64.18

 

CMYK 20 / 0 / 59 / 9

HEX #BAE85E

RGB 186 232 94

HSL 80, 0.75%, 0.64%

LAB 86.48, -35.11, 60.77

 

CMYK 36 / 0 / 59 / 9

HEX #95E85E

RGB 149 232 94

HSL 96.09, 0.75%, 0.64%

LAB 84.44, -48.28, 57.91

 

CMYK 52 / 0 / 59 / 9

HEX #70E85E

RGB 112 232 94

HSL 112.17, 0.75%, 0.64%

LAB 82.9, -59.36, 55.75

 

CMYK 29 / 0 / 86 / 16

HEX #97D51E

RGB 151 213 30

HSL 80.33, 0.75%, 0.48%

LAB 78.61, -43.42, 73.61

 

CMYK 25 / 0 / 74 / 11

HEX #A9E23A

RGB 169 226 58

HSL 80.36, 0.74%, 0.56%

LAB 83.51, -41.2, 70.98

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 16 / 0 / 45 / 7

HEX #C8ED82

RGB 200 237 130

HSL 80.75, 0.75%, 0.72%

LAB 89.14, -28.76, 47.71

 

CMYK 11 / 0 / 31 / 5

HEX #D8F2A6

RGB 216 242 166

HSL 80.53, 0.75%, 0.8%

LAB 92.07, -20.92, 33.95

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 59 / 0 / 28 / 9

HEX #5EE8A7

RGB 94 232 167

HSL 151.74, 0.75%, 0.64%

LAB 83.38, -52.28, 20.66

 

CMYK 4 / 59 / 0 / 9

HEX #DE5EE8

RGB 222 94 232

HSL 295.65, 0.75%, 0.64%

LAB 61.1, 67.75, -47.12

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 59 / 20 / 0 / 9

HEX #5EBAE8

RGB 94 186 232

HSL 200, 0.75%, 0.64%

LAB 71.77, -14.11, -31.2

 

CMYK 0 / 59 / 20 / 9

HEX #E85EBA

RGB 232 94 186

HSL 320, 0.75%, 0.64%

LAB 60.52, 63.14, -21.92

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 59 / 0 / 28 / 9

HEX #5EE8A7

RGB 94 232 167

HSL 151.74, 0.75%, 0.64%

LAB 83.38, -52.28, 20.66

 

CMYK 40 / 59 / 0 / 9

HEX #8C5EE8

RGB 140 94 232

HSL 260, 0.75%, 0.64%

LAB 51.16, 48.6, -63.57

 

CMYK 0 / 59 / 32 / 9

HEX #E85E9E

RGB 232 94 158

HSL 332.17, 0.75%, 0.64%

LAB 59.55, 59.52, -7.25

 

CMYK 20 / 0 / 59 / 9

HEX #B9E85E

RGB 185 232 94

HSL 80.43, 0.75%, 0.64%

LAB 86.42, -35.48, 60.68

 

CMYK 59 / 0 / 10 / 9

HEX #5EE8D1

RGB 94 232 209

HSL 170, 0.75%, 0.64%

LAB 84.33, -42.8, 0

 

CMYK 40 / 59 / 0 / 9

HEX #8C5EE8

RGB 140 94 232

HSL 260, 0.75%, 0.64%

LAB 51.16, 48.6, -63.57

 

CMYK 0 / 59 / 50 / 9

HEX #E85E75

RGB 232 94 117

HSL 350, 0.75%, 0.64%

LAB 58.46, 55.29, 15.07

 

Description

Color code: RGB 185 232 94 | qconv.com Color code: RGB 185 232 94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 232 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 232 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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