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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 232 100 it is the complementary color RGB 70 23 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 232 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 232 100 shade: RGB 190 232 95, RGB 207 250 114, RGB 224 255 133, RGB 241 255 152 and RGB 255 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 232 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 168 214 81, RGB 151 196 62, RGB 134 178 43 and RGB 117 160 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 220 232 100, RGB 232 208 100, RGB 232 172 100 and RGB 232 136 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 149 232 100, RGB 114 232 100, RGB 100 232 121 and RGB 100 232 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 232 100 shade matches the following richer shades: RGB 185 232 100 and RGB 189 246 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 181 217 114, RGB 176 203 129, RGB 172 188 143 and RGB 168 174 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 232 100 shade: RGB 232 208 100, RGB 221 232 100, RGB 186 232 100, RGB 150 232 100 and RGB 115 232 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 232 100 shade: RGB 151 217 32, RGB 169 226 64, RGB 185 232 100, RGB 201 237 136 and RGB 217 243 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 100 232 172 and RGB 225 100 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 100 186 232 and RGB 232 100 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 100 232 172, RGB 146 100 232 and RGB 232 100 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 232 100 shade: RGB 185 232 100, RGB 100 232 212, RGB 146 100 232 and RGB 232 100 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

Complementary color

CMYK 55 / 85 / 0 / 39

HEX #46179B

RGB 70 23 155

HSL 261.36, 0.74%, 0.35%

LAB 24.58, 50.84, -62.13

 

CMYK 18 / 0 / 59 / 9

HEX #BEE85F

RGB 190 232 95

HSL 78.39, 0.75%, 0.64%

LAB 86.74, -33.51, 60.7

 

CMYK 17 / 0 / 54 / 2

HEX #CFFA72

RGB 207 250 114

HSL 78.97, 0.93%, 0.71%

LAB 92.95, -33.76, 59.77

 

CMYK 12 / 0 / 48 / 0

HEX #E0FF85

RGB 224 255 133

HSL 75.25, 1%, 0.76%

LAB 95.61, -27.95, 54.57

 

CMYK 5 / 0 / 40 / 0

HEX #F1FF98

RGB 241 255 152

HSL 68.16, 1%, 0.8%

LAB 97.02, -19.63, 47.6

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 21 / 0 / 62 / 16

HEX #A8D651

RGB 168 214 81

HSL 80.75, 0.62%, 0.58%

LAB 80.19, -34.73, 59.01

 

CMYK 23 / 0 / 68 / 23

HEX #97C43E

RGB 151 196 62

HSL 80.15, 0.53%, 0.51%

LAB 73.81, -34.37, 59.61

 

CMYK 25 / 0 / 76 / 30

HEX #86B22B

RGB 134 178 43

HSL 79.56, 0.61%, 0.43%

LAB 67.34, -33.87, 59.7

 

CMYK 27 / 0 / 85 / 37

HEX #75A018

RGB 117 160 24

HSL 78.97, 0.74%, 0.36%

LAB 60.77, -33.16, 58.88

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 5 / 0 / 57 / 9

HEX #DCE864

RGB 220 232 100

HSL 65.45, 0.74%, 0.65%

LAB 88.85, -21.43, 61.47

 

CMYK 0 / 10 / 57 / 9

HEX #E8D064

RGB 232 208 100

HSL 49.09, 0.74%, 0.65%

LAB 83.54, -4.63, 55.72

 

CMYK 0 / 26 / 57 / 9

HEX #E8AC64

RGB 232 172 100

HSL 32.73, 0.74%, 0.65%

LAB 74.56, 14.17, 45.19

 

CMYK 0 / 41 / 57 / 9

HEX #E88864

RGB 232 136 100

HSL 16.36, 0.74%, 0.65%

LAB 66.28, 33.26, 35

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 36 / 0 / 57 / 9

HEX #95E864

RGB 149 232 100

HSL 97.73, 0.74%, 0.65%

LAB 84.5, -47.7, 55.36

 

CMYK 51 / 0 / 57 / 9

HEX #72E864

RGB 114 232 100

HSL 113.64, 0.74%, 0.65%

LAB 83.03, -58.18, 53.27

 

CMYK 57 / 0 / 48 / 9

HEX #64E879

RGB 100 232 121

HSL 129.55, 0.74%, 0.65%

LAB 82.81, -58.97, 43.12

 

CMYK 57 / 0 / 32 / 9

HEX #64E89D

RGB 100 232 157

HSL 145.91, 0.74%, 0.65%

LAB 83.37, -52.99, 25.84

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 23 / 0 / 65 / 4

HEX #BDF655

RGB 189 246 85

HSL 81.24, 0.9%, 0.65%

LAB 90.5, -40.93, 68.8

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 17 / 0 / 47 / 15

HEX #B5D972

RGB 181 217 114

HSL 80.97, 0.58%, 0.65%

LAB 82.2, -28.14, 46.58

 

CMYK 13 / 0 / 36 / 20

HEX #B0CB81

RGB 176 203 129

HSL 81.89, 0.42%, 0.65%

LAB 78.19, -21.47, 33.97

 

CMYK 9 / 0 / 24 / 26

HEX #ACBC8F

RGB 172 188 143

HSL 81.33, 0.25%, 0.65%

LAB 74.01, -13.42, 20.99

 

CMYK 3 / 0 / 10 / 32

HEX #A8AE9D

RGB 168 174 157

HSL 81.18, 0.09%, 0.65%

LAB 70.2, -5.25, 7.99

 

CMYK 0 / 10 / 57 / 9

HEX #E8D064

RGB 232 208 100

HSL 49.09, 0.74%, 0.65%

LAB 83.54, -4.63, 55.72

 

CMYK 5 / 0 / 57 / 9

HEX #DDE864

RGB 221 232 100

HSL 65, 0.74%, 0.65%

LAB 88.93, -21.03, 61.57

 

CMYK 20 / 0 / 57 / 9

HEX #BAE864

RGB 186 232 100

HSL 80.91, 0.74%, 0.65%

LAB 86.54, -34.61, 58.24

 

CMYK 35 / 0 / 57 / 9

HEX #96E864

RGB 150 232 100

HSL 97.27, 0.74%, 0.65%

LAB 84.54, -47.37, 55.43

 

CMYK 50 / 0 / 57 / 9

HEX #73E864

RGB 115 232 100

HSL 113.18, 0.74%, 0.65%

LAB 83.06, -57.91, 53.32

 

CMYK 30 / 0 / 85 / 15

HEX #97D920

RGB 151 217 32

HSL 81.41, 0.74%, 0.49%

LAB 79.79, -45.07, 74.2

 

CMYK 25 / 0 / 72 / 11

HEX #A9E240

RGB 169 226 64

HSL 81.11, 0.74%, 0.57%

LAB 83.55, -40.88, 69.02

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 15 / 0 / 43 / 7

HEX #C9ED88

RGB 201 237 136

HSL 81.39, 0.74%, 0.73%

LAB 89.28, -27.73, 45.01

 

CMYK 11 / 0 / 30 / 5

HEX #D9F3AB

RGB 217 243 171

HSL 81.67, 0.75%, 0.81%

LAB 92.48, -20.37, 31.99

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 57 / 0 / 26 / 9

HEX #64E8AC

RGB 100 232 172

HSL 152.73, 0.74%, 0.65%

LAB 83.65, -50.04, 18.47

 

CMYK 3 / 57 / 0 / 9

HEX #E164E8

RGB 225 100 232

HSL 296.82, 0.74%, 0.65%

LAB 62.46, 65.89, -44.94

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 57 / 20 / 0 / 9

HEX #64BAE8

RGB 100 186 232

HSL 200.91, 0.74%, 0.65%

LAB 72, -12.97, -30.83

 

CMYK 0 / 57 / 20 / 9

HEX #E864BA

RGB 232 100 186

HSL 320.91, 0.74%, 0.65%

LAB 61.49, 60.51, -20.43

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 57 / 0 / 26 / 9

HEX #64E8AC

RGB 100 232 172

HSL 152.73, 0.74%, 0.65%

LAB 83.65, -50.04, 18.47

 

CMYK 37 / 57 / 0 / 9

HEX #9264E8

RGB 146 100 232

HSL 260.91, 0.74%, 0.65%

LAB 53.01, 46.65, -60.57

 

CMYK 0 / 57 / 31 / 9

HEX #E8649F

RGB 232 100 159

HSL 333.18, 0.74%, 0.65%

LAB 60.58, 56.97, -6.3

 

CMYK 20 / 0 / 57 / 9

HEX #B9E864

RGB 185 232 100

HSL 81.36, 0.74%, 0.65%

LAB 86.48, -34.98, 58.15

 

CMYK 57 / 0 / 9 / 9

HEX #64E8D4

RGB 100 232 212

HSL 170.91, 0.74%, 0.65%

LAB 84.57, -40.96, -1.2

 

CMYK 37 / 57 / 0 / 9

HEX #9264E8

RGB 146 100 232

HSL 260.91, 0.74%, 0.65%

LAB 53.01, 46.65, -60.57

 

CMYK 0 / 57 / 48 / 9

HEX #E86478

RGB 232 100 120

HSL 350.91, 0.74%, 0.65%

LAB 59.55, 52.84, 14.83

 

Description

Color code: RGB 185 232 100 | qconv.com Color code: RGB 185 232 100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 232 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 232 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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