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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 220 233 it is the complementary color RGB 70 35 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 220 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 220 233: RGB 190 220 228, RGB 207 238 247, RGB 224 255 255, RGB 241 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 220 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 220 233: RGB 185 220 233, RGB 168 202 214, RGB 151 184 195, RGB 134 166 176 and RGB 117 148 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

Complementary color

CMYK 0 / 50 / 69 / 73

HEX #462316

RGB 70 35 22

HSL 16.25, 0.52%, 0.18%

LAB 18.2, 15.25, 15.97

 

CMYK 17 / 4 / 0 / 11

HEX #BEDCE4

RGB 190 220 228

HSL 192.63, 0.41%, 0.82%

LAB 85.87, -8.22, -7.25

 

CMYK 16 / 4 / 0 / 3

HEX #CFEEF7

RGB 207 238 247

HSL 193.5, 0.71%, 0.89%

LAB 92.19, -8.24, -7.74

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 21 / 6 / 0 / 16

HEX #A8CAD6

RGB 168 202 214

HSL 195.65, 0.36%, 0.75%

LAB 79.28, -8.68, -9.73

 

CMYK 23 / 6 / 0 / 24

HEX #97B8C3

RGB 151 184 195

HSL 195, 0.27%, 0.68%

LAB 72.76, -8.66, -9.26

 

CMYK 24 / 6 / 0 / 31

HEX #86A6B0

RGB 134 166 176

HSL 194.29, 0.21%, 0.61%

LAB 66.12, -8.66, -8.78

 

CMYK 25 / 6 / 0 / 38

HEX #75949D

RGB 117 148 157

HSL 193.5, 0.17%, 0.54%

LAB 59.34, -8.66, -8.3

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 20 / 9 / 0 / 9

HEX #B9D4E8

RGB 185 212 232

HSL 205.53, 0.51%, 0.82%

LAB 83.56, -4.76, -12.85

 

CMYK 20 / 12 / 0 / 9

HEX #B9CCE8

RGB 185 204 232

HSL 215.74, 0.51%, 0.82%

LAB 81.47, -0.55, -15.98

 

CMYK 20 / 16 / 0 / 9

HEX #B9C4E8

RGB 185 196 232

HSL 225.96, 0.51%, 0.82%

LAB 79.4, 3.72, -19.11

 

CMYK 20 / 19 / 0 / 9

HEX #B9BCE8

RGB 185 188 232

HSL 236.17, 0.51%, 0.82%

LAB 77.34, 8.04, -22.22

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 21 / 7 / 0 / 89

HEX #171B1D

RGB 23 27 29

HSL 200, 0.12%, 0.1%

LAB 9.44, -1.31, -2.03

 

CMYK 20 / 5 / 0 / 69

HEX #404C50

RGB 64 76 80

HSL 195, 0.11%, 0.28%

LAB 31.44, -3.77, -3.98

 

CMYK 21 / 5 / 0 / 49

HEX #687C83

RGB 104 124 131

HSL 195.56, 0.11%, 0.46%

LAB 50.68, -5.64, -6.25

 

CMYK 20 / 5 / 0 / 29

HEX #91ACB6

RGB 145 172 182

HSL 196.22, 0.2%, 0.64%

LAB 68.68, -7.05, -8.22

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 11 / 20 / 0 / 9

HEX #CFB9E8

RGB 207 185 232

HSL 268.09, 0.51%, 0.82%

LAB 78.34, 16.6, -20.55

 

CMYK 0 / 3 / 20 / 9

HEX #E8E2B9

RGB 232 226 185

HSL 52.34, 0.51%, 0.82%

LAB 89.42, -4.51, 20.81

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 0 / 20 / 5 / 9

HEX #E8B9DC

RGB 232 185 220

HSL 315.32, 0.51%, 0.82%

LAB 80.19, 22.59, -11.07

 

CMYK 5 / 0 / 20 / 9

HEX #DCE8B9

RGB 220 232 185

HSL 75.32, 0.51%, 0.82%

LAB 90.06, -11.88, 21.57

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 11 / 20 / 0 / 9

HEX #CFB9E8

RGB 207 185 232

HSL 268.09, 0.51%, 0.82%

LAB 78.34, 16.6, -20.55

 

CMYK 0 / 15 / 20 / 9

HEX #E8C5B9

RGB 232 197 185

HSL 15.32, 0.51%, 0.82%

LAB 82.16, 10.54, 10.61

 

CMYK 9 / 0 / 20 / 9

HEX #D2E8B9

RGB 210 232 185

HSL 88.09, 0.51%, 0.82%

LAB 89.35, -15.43, 20.48

 

CMYK 21 / 6 / 0 / 9

HEX #B9DCE9

RGB 185 220 233

HSL 196.25, 0.52%, 0.82%

LAB 85.7, -8.7, -10.19

 

CMYK 5 / 20 / 0 / 9

HEX #DDB9E8

RGB 221 185 232

HSL 285.96, 0.51%, 0.82%

LAB 79.55, 21.14, -18.59

 

CMYK 0 / 15 / 20 / 9

HEX #E8C5B9

RGB 232 197 185

HSL 15.32, 0.51%, 0.82%

LAB 82.16, 10.54, 10.61

 

CMYK 16 / 0 / 20 / 9

HEX #C4E8B9

RGB 196 232 185

HSL 105.96, 0.51%, 0.82%

LAB 88.42, -20.29, 19.04

 

Description

Color code: RGB 185 220 233 | qconv.com Color code: RGB 185 220 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 220 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 220 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 6 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 6% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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