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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 208 51 it is the complementary color RGB 70 47 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 208 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 208 51 shade: RGB 190 208 46, RGB 207 226 65, RGB 224 244 84, RGB 241 255 103 and RGB 255 255 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 208 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 168 190 32, RGB 151 172 13, RGB 134 154 0 and RGB 117 136 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 208 189 51, RGB 208 146 51, RGB 208 104 51 and RGB 208 62 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 143 208 51, RGB 100 208 51, RGB 58 208 51 and RGB 51 208 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 208 51 shade matches the following richer shades: RGB 185 208 51, RGB 199 228 31 and RGB 214 249 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 171 188 71, RGB 157 168 91, RGB 142 148 111 and RGB 128 127 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 208 51 shade: RGB 208 145 51, RGB 208 187 51, RGB 187 208 51, RGB 145 208 51 and RGB 103 208 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 208 51 shade: RGB 128 144 32, RGB 158 178 40, RGB 185 208 51, RGB 197 216 84 and RGB 208 224 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 51 208 103 and RGB 166 51 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 51 187 208 and RGB 208 51 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 51 208 103, RGB 72 51 208 and RGB 208 51 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 208 51 shade: RGB 185 208 51, RGB 51 208 151, RGB 72 51 208 and RGB 208 51 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

Complementary color

CMYK 66 / 77 / 0 / 20

HEX #462FCC

RGB 70 47 204

HSL 248.79, 0.63%, 0.49%

LAB 33.34, 54.14, -76.92

 

CMYK 9 / 0 / 78 / 18

HEX #BED02E

RGB 190 208 46

HSL 66.67, 0.64%, 0.5%

LAB 79.76, -25.14, 71.65

 

CMYK 8 / 0 / 71 / 11

HEX #CFE241

RGB 207 226 65

HSL 67.08, 0.74%, 0.57%

LAB 86.03, -25.95, 71.94

 

CMYK 8 / 0 / 66 / 4

HEX #E0F454

RGB 224 244 84

HSL 67.5, 0.88%, 0.64%

LAB 92.22, -26.63, 71.67

 

CMYK 5 / 0 / 60 / 0

HEX #F1FF67

RGB 241 255 103

HSL 65.53, 1%, 0.7%

LAB 96.49, -23.91, 69.07

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 12 / 0 / 83 / 25

HEX #A8BE20

RGB 168 190 32

HSL 68.35, 0.71%, 0.44%

LAB 73.06, -26.1, 68.87

 

CMYK 12 / 0 / 92 / 33

HEX #97AC0D

RGB 151 172 13

HSL 67.92, 0.86%, 0.36%

LAB 66.61, -25.01, 66.75

 

CMYK 13 / 0 / 100 / 40

HEX #869A00

RGB 134 154 0

HSL 67.79, 1%, 0.3%

LAB 60.05, -23.69, 62.95

 

CMYK 14 / 0 / 100 / 47

HEX #758800

RGB 117 136 0

HSL 68.38, 1%, 0.27%

LAB 53.37, -22.14, 57.39

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 0 / 9 / 75 / 18

HEX #D0BD33

RGB 208 189 51

HSL 52.74, 0.63%, 0.51%

LAB 76.1, -7.83, 67.28

 

CMYK 0 / 30 / 75 / 18

HEX #D09233

RGB 208 146 51

HSL 36.31, 0.63%, 0.51%

LAB 65.13, 15.03, 56.84

 

CMYK 0 / 50 / 75 / 18

HEX #D06833

RGB 208 104 51

HSL 20.25, 0.63%, 0.51%

LAB 55.63, 37.47, 47.34

 

CMYK 0 / 70 / 75 / 18

HEX #D03E33

RGB 208 62 51

HSL 4.2, 0.63%, 0.51%

LAB 48.38, 56.51, 39.67

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 31 / 0 / 75 / 18

HEX #8FD033

RGB 143 208 51

HSL 84.84, 0.63%, 0.51%

LAB 76.79, -43.37, 66.29

 

CMYK 52 / 0 / 75 / 18

HEX #64D033

RGB 100 208 51

HSL 101.27, 0.63%, 0.51%

LAB 74.86, -57.35, 63.76

 

CMYK 72 / 0 / 75 / 18

HEX #3AD033

RGB 58 208 51

HSL 117.32, 0.63%, 0.51%

LAB 73.71, -66.75, 62.24

 

CMYK 75 / 0 / 59 / 18

HEX #33D056

RGB 51 208 86

HSL 133.38, 0.63%, 0.51%

LAB 73.86, -64.43, 48.46

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 13 / 0 / 86 / 11

HEX #C7E41F

RGB 199 228 31

HSL 68.83, 0.78%, 0.51%

LAB 85.87, -31.36, 80.68

 

CMYK 14 / 0 / 96 / 2

HEX #D6F90A

RGB 214 249 10

HSL 68.79, 0.95%, 0.51%

LAB 92.61, -35.28, 89.08

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 9 / 0 / 62 / 26

HEX #ABBC47

RGB 171 188 71

HSL 68.72, 0.47%, 0.51%

LAB 72.94, -21.9, 55.46

 

CMYK 7 / 0 / 46 / 34

HEX #9DA85B

RGB 157 168 91

HSL 68.57, 0.31%, 0.51%

LAB 66.47, -15.8, 38.29

 

CMYK 4 / 0 / 25 / 42

HEX #8E946F

RGB 142 148 111

HSL 69.73, 0.15%, 0.51%

LAB 59.96, -8.71, 18.89

 

CMYK 3 / 4 / 0 / 48

HEX #807F84

RGB 128 127 132

HSL 252, 0.02%, 0.51%

LAB 53.42, 1.38, -2.58

 

CMYK 0 / 30 / 75 / 18

HEX #D09133

RGB 208 145 51

HSL 35.92, 0.63%, 0.51%

LAB 64.88, 15.58, 56.61

 

CMYK 0 / 10 / 75 / 18

HEX #D0BB33

RGB 208 187 51

HSL 51.97, 0.63%, 0.51%

LAB 75.57, -6.79, 66.79

 

CMYK 10 / 0 / 75 / 18

HEX #BBD033

RGB 187 208 51

HSL 68.03, 0.63%, 0.51%

LAB 79.57, -26.17, 69.89

 

CMYK 30 / 0 / 75 / 18

HEX #91D033

RGB 145 208 51

HSL 84.08, 0.63%, 0.51%

LAB 76.9, -42.64, 66.44

 

CMYK 50 / 0 / 75 / 18

HEX #67D033

RGB 103 208 51

HSL 100.13, 0.63%, 0.51%

LAB 74.97, -56.5, 63.91

 

CMYK 11 / 0 / 78 / 44

HEX #809020

RGB 128 144 32

HSL 68.57, 0.64%, 0.35%

LAB 56.72, -20.41, 53.22

 

CMYK 11 / 0 / 78 / 30

HEX #9EB228

RGB 158 178 40

HSL 68.7, 0.63%, 0.43%

LAB 68.94, -24.17, 62.74

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 9 / 0 / 61 / 15

HEX #C5D854

RGB 197 216 84

HSL 68.64, 0.63%, 0.59%

LAB 82.71, -24.07, 61.06

 

CMYK 7 / 0 / 47 / 12

HEX #D0E076

RGB 208 224 118

HSL 69.06, 0.63%, 0.67%

LAB 86.02, -20.73, 49.75

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 75 / 0 / 50 / 18

HEX #33D067

RGB 51 208 103

HSL 139.87, 0.63%, 0.51%

LAB 74.06, -62.08, 40.69

 

CMYK 20 / 75 / 0 / 18

HEX #A633D0

RGB 166 51 208

HSL 283.95, 0.63%, 0.51%

LAB 45.67, 68.02, -58.62

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 75 / 10 / 0 / 18

HEX #33BBD0

RGB 51 187 208

HSL 188.03, 0.63%, 0.51%

LAB 70.03, -28.45, -20.88

 

CMYK 0 / 75 / 10 / 18

HEX #D033BB

RGB 208 51 187

HSL 308.03, 0.63%, 0.51%

LAB 51.11, 73.04, -37.39

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 75 / 0 / 50 / 18

HEX #33D067

RGB 51 208 103

HSL 139.87, 0.63%, 0.51%

LAB 74.06, -62.08, 40.69

 

CMYK 65 / 75 / 0 / 18

HEX #4833D0

RGB 72 51 208

HSL 248.03, 0.63%, 0.51%

LAB 34.6, 53.55, -77.16

 

CMYK 0 / 75 / 25 / 18

HEX #D0339C

RGB 208 51 156

HSL 319.87, 0.63%, 0.51%

LAB 49.71, 68.88, -21.33

 

CMYK 11 / 0 / 75 / 18

HEX #B9D033

RGB 185 208 51

HSL 68.79, 0.63%, 0.51%

LAB 79.42, -26.99, 69.71

 

CMYK 75 / 0 / 27 / 18

HEX #33D097

RGB 51 208 151

HSL 158.22, 0.63%, 0.51%

LAB 74.86, -53.06, 17.09

 

CMYK 65 / 75 / 0 / 18

HEX #4833D0

RGB 72 51 208

HSL 248.03, 0.63%, 0.51%

LAB 34.6, 53.55, -77.16

 

CMYK 0 / 75 / 48 / 18

HEX #D0336D

RGB 208 51 109

HSL 337.83, 0.63%, 0.51%

LAB 48.11, 63.93, 4.67

 

Description

Color code: RGB 185 208 51 | qconv.com Color code: RGB 185 208 51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 208 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 208 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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